Category: Second Life

2022 SUG meetings week #44 summary

Posted on by Inara Pey
Clair View Ruins and caves, The Realm of Rosehaven, September 2022 – blog post

The following notes were taken from the Tuesday, November 1st, 2022 Simulator User Group (SUG) meeting. They form a summary of the items discussed and is not intended to be a full transcript. A video of the entire meeting is embedded at the end of the article for those wishing to review the meeting in full – my thanks to Pantera for recording it.

Server Deployments

Please see the forum deployment thread for the latest updates.

  • On Tuesday, November 1st, the Main SLS and Events channels were restarted without any simulator update being deployed leaving them on simulator version 575585.
  • On Wednesday, November 2nd. simhosts on the RC channels will be updated with simulator release 576126, comprising the new Linkset Data capability (see below for more).

Available Official Viewers

No changes to the current set of official viewers at the start o the week, leaving the list as:

  • Release viewer: version 6.6.5.575749 – formerly the Maintenance M RC viewer –  promoted October 26.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself).
    • Maintenance P (Preferences, Position and Paste) RC viewer version 6.6.5.575055 September 19.
  • Project viewers:
    • Puppetry project viewer, version 6.6.3.575529,  issued on October 12.
    • Performance Floater / Auto-FPS project viewer, version 6.6.5.575378, October 4.
    • Love Me Render (LMR) 6 graphics improvements project viewer 6.6.2.573263, July 21.

Linkset Data (LSD)

  • Linkset Data is a new collection of script functions and one optional event that reads and writes key-value-pairs to a small 64kb table of data that is part of a root object.
  • It works similarly to Experience Key-Value store, but:
    • It does not require an underpinning experience – the data lives with the object that sends and receives the data.
    • Only scripts in the same linkset will be able to read the data written with this feature.
  • Important Note for the initial deployment:
    • Like all scripts containing new LSL functions, scripts running LinksetData* calls will only run on regions running version 2022-10-27.576126 or newer (so only the RC channels to start with).
    • However unlike some other functions if you move an object containing Linkset Data (or teleport wearing an object containing Linkset Data) from a region that supports the capability to a region that does not support it, all Linkset Data stored with the object will be lost, even if you go back to a region that supports the feature.
    • This limitation will no longer exist once the back-end support for the capability has been deployed to all regions on the Main grid.

llLinkPlaySound and Associated Functions

  • llLinkPlaySound together with llLinkStopSound llLinkAdjustSoundVolume and llLinkSoundRange are new LSL functions that are described as “coming soon”, and which allow sounds in child prims of a linkset to be played without the need for a supporting script.
    • Additional related functions might be considered if subject to a Jira feature request.
  • This is something that has been requested by content creators (particular vehicle creators) for a good number of years.
  • Flags included will be SOUND_LOOP, SOUND_PLAY, SOUND_SYNCH and SOUND_TRIGGER, and will be used to replace the llPlay/Loop functions.
  • Other sound restrictions within linkset remain unchanged.
  • The announcement spurred an extended discussion on the SL sound system as a whole (including pre-loading sounds), as well as options for the new functions, through the first two-thirds of the meeting – please refer to the video.
  • I’ll have more on the link sounds functions as and when LL have documentation on them and are ready to start deploying them.

In Brief

  • For a full (and maintained!) list of LSL functions,  please refer to the official wiki page LSL_Functions.

A Tango with Nottoo in Second Life

Posted on by Inara Pey
Tango with Nottoo, November 2022 – click any image for full size

Tango with Nottoo started life some three years ago as a tango dance venue occupying a Mainland parcel. The brainchild of Nottoo Wise, the club has expanded over the year, both in terms of size and offerings, and in August of 2022, it completed a move to its own Full region, where it continues the original club lounge as well as offering a range of dance venues, a movie theatre, beach, art gallery – and an eclectic mix of “hidden” attractions.

With its primary function being dance, music and entertainment, the region is styled differently to the majority of those featured in these pages, in that there is little overt terraforming within the region. Instead it present a largely flat aspect, the surface area given over to the various venues for music and dancing. Which should not be taken to mean it is without character; it’s simply that its character is invested in the venues and facilities offered.

Tango with Nottoo, November 2022

The dance settings take multiple forms, from the main ballroom, through the outdoor Always Tango area, where – as the name implies – an opportunity to dance a tango is always available (and, for those seeking a dance partner, the opportunity to find one through the Tango with Partners group) and the venues for both blues and jazz, to the outdoor dance expo garden and the very Deco inspired outdoor dance floor.

These all share the region with the Roxy Theatre, where dance performances may be held, the Bijou movie theatre, an art gallery, a 1950’s style diner and multiple places to sit outside and relax. Chief among these are the fine dining area, the beach and and an over-the-water bayou-style bar. Dancing is available through thanks to well-placed dance machines ,and the region boasts over 300 couples dances, a Spot-on Group Dance System, male and female individual dances and even a 3-person dancer!

Tango with Nottoo, November 2022

All of these points of interest are accessible from the main landing point – just follow the labelled paths leading away from it. The landing point also provides a wealth of information via notecard givers (and some gifts for visitors), as well as the daily schedule of events. A bicycle rezzer is available for those wishing to explore by means other than using their feet, and the Landing point is also home to one of the stations’ little railcar stations.

The  latter provides access to the region’s public “hidden” areas, sitting beneath the land and the waves. To explore them, click the railcar sign at the station and hop aboard the little two-seater car it rezzes ((if you are riding on your own, make sure you sit on the right-hand side). Take the car to start the ride, and the car will carry you through an eclectic series of settings linked by tunnels. Each setting has its own little station in the form of a barrier that will stop the car (allowing you to get out and explore) and a further rezzer (allowing you to resume your ride). Should you opt not to explore any of these settings, touch the barrier to make it raise out of the way, and your car will resume its journey.

Tango with Nottoo, November 2022

Off to the east side of the region are two smaller islands. Accessible via jet ski, the northernmost of these islands presents a garden space open to all and, at the time of my visit, caught in the colours of autumn. south of this, the second island is a “members only” area, only accessible to those joining the Tango with Nottoo group (at no charge). Reached via a members-only teleport at the main landing point, the member’s island is one of the many benefits offered to group members – for details of the rest, check the Tango with Nottoo Member Benefits notecard available via the information board at the landing point for full details.

For anyone who loves dancing, Tango with Nottoo offers a lot, whilst the additional facilities – including the art gallery, which I barely touched upon here despite it hosing an exhibition of Milly Sharpe’s fabulous fractal art at the time of my visit – means the region has a lot to attract Second Life explorers as well.

Tango with Nottoo, November 2022

With Nottoo being out-world for much of her time, the region is largely cared for by Mona Layla (Monalayla) – who extended an invitation to me to visit;  and Rachela Rossini – who gave her time to answer my questions during my visit as well as providing a pleasant welcome. To both of them I offer my thanks.

SLurl Details

Tango with Nottoo (Tango, rated Adult – but using Moderate rules within the public spaces)

 

Milena Carbone’s Africa at Nitroglobus

Posted on by Inara Pey

Nitroglobus Roof Gallery: Milena Carbone – Africa
Milena Carbone is an artist who is constantly pushing at both the boundaries of her own creative means of expression and what might be regarded as the bounds of comfort of her audience.  Through her work, she has encouraged us to consider the world around us and challenged us to face up to the harm we, as a race, appear hell-bent on doing to it – even though that harm may ultimately bring about out own demise. She has also often held up a mirror to humanity’s arrogance and poked us with the conceit of gods created in the image of Man, and she has dared to encourage us to face the failures of religion, the threat of climate change, and more.

Almost all of this is touched upon and / or embraced in Africa, her new exhibition of art opening on October 31st, 2022 at Nitroglobus Roof Gallery, curated and operated by the marvellous Dido Haas; a complex and layered exhibit, comprising images, interactive 3D elements, and external elements that present further depth to the installation, which takes as its central (but not exclusive) focus the subject of climate change.

The most obvious elements in the exhibition are the images. These are framed within the continent of Africa – a place of both unparalleled beauty and bio-diversity, and which has perhaps suffered more than most thanks to the uncaring hands of the so-called “developed” nations, and is set to do so even more unless those same developed nations are willing to actively work to reduce the global threat of climate change. They present two interwoven stories, those of Grace and Abel, which unfold as an almost Biblical journey from creation (symbolised by In the Beginning, located on the Gallery’s east wall to the right of the café building), to the end times and the fall of mankind, couple with latter-day plagues.

Nitroglobus Roof Gallery: Milena Carbone – Africa

These are stories we can enter into by clicking on the title plague for each image, located just below its lower left corner. These can be used to open “chapters” on Milena’s website which both offer narratives on Grace and Abel and their respective journeys, and offer-up broader food for thought -notably on the realities of climate change – for consumption.

Within the images themselves – which are also hybrid art pieces, utilising background generated via the Midjourney AI art generator combined with avatar images – can also be found reflections and dualities. Take Deluge for example. In title and tone, it echoes the story of Noah and the flood, and the destruction of all that went before; but even as it does so, it suggests more of a foreshadowing then a look back: because as climate change increases, the people of Africa – as noted in the preceding Burn Them All! – will face some of the greatest outfalls, prompting a mass migration – a literal deluge of peoples that could wash away our comfortable civilisations to the north and east of that great continent.

Running along the centrelines of the gallery’s two arms is a series of plinths mounting models of African animals. Each bears a label which may at first appear nonsensically humorous, but in fact offers commentary on the nature of our global society, where the divide between humanity and nature is becoming ever wider and more harmful, thanks to the former’s self-indulgent demands for instant gratification in all things. These models also carry additional subtext on both the issue of climate change and on the nature of “god” – whether seen as an independent consciousness or as a construct formed in our own image -, and our relationship with it. To appreciate this, it is essential that visitors to Africa approach each of the plinths in order to trigger its transformation.

Nitroglobus Roof Gallery: Milena Carbone – Africa
(There is also a further interactive element to the installation in the form of a dance video displayed at one end of the gallery, complete with dance positions visitors can use to join in with the performance.)

Further examination of our relationship with “god” can be found within the constructs of the images and the characters within them. Milena herself notes that “Abel” is drawn from the Biblical tale of Cain and Abel, whilst “Grace” is a name and a term often associated with “god”. The story of Cain and Abel is perhaps one of the clearest demonstrations of “god’s” fickleness whilst also presenting a metaphor for man’s inhumanity to man – something for which Africa, as a continent both straddling the equator and containing some of the world’s poorest and more in-need nations will perhaps pay one of the highest prices.

Nitroglobus Roof Gallery: Milena Carbone – Africa

From the above, it is hopefully clear there is a lot to unpack and interpret within Africa, and that it is an installation where interpretation should be guided via the artist’s words, and not an “interpreter” (or interlocutor) like me. As such, I will leave you with a recommendation that you visit Africa and allow yourself time to be immersed within the stories and flow of ideas lying within it.

SLurl Details

2022 viewer release summaries week #43

Posted on by Inara Pey
Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week through to Sunday, October 30th, 2022

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Release viewer: version 6.6.5.575749 – formerly the Maintenance M RC viewer –  promoted October 26.
  • Release channel cohorts::
    • No updates.
  • Project viewers:
    • No updates.

LL Viewer Resources

Third-party Viewers

V6-style

  • Kokua updated to versions 6.6.6.49915 (no RLV) and 6.6.6.53251 (RLV variants) on October 29 – release notes.

V1-style

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

Seanchai Library: Stories of Halloween

Posted on by Inara Pey
Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library – and this week previews the launch of a very special event.

As always, all times SLT, and events are held at the Library’s home in Nowhereville, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.

Sunday. October 30th, 13:30: The Halloween Tree, Conclusion

On All Hallows Eve, young Pipkin is due to meet his eight friends outside a haunted house on the edge of town. But as he runs through the gathering gloom, Something sweep him away.

Arriving at the house in expectation of meeting Pipkin, his eight friends instead encounter the mystical Carapace Clavicle Moundshroud, who informs them that Pipkin has been taken on a journey that could determine if he lives or dies.

Aided by Moundshroud and using the tail of a kite, the eight friends pursue Pipkin through time and space, passing through the past civilisations – Egypt, Greece, Rome, the Celts – witnessing all that has given rise to the day they know as “Halloween”, and the role things like ghosts and the dead play in it.

Then, at length they come to the Halloween Tree itself, laden with jack-o’-lanterns, its branches representing the confluence of all these traditions, legends and tales, drawing them together into itself.

With David Abbott, Faerie Maven-Pralou and Caledonia Skytower at Haunted Hollow in Chestnut Hills.

Monday, October 31st

13:00: The Legend of Sleepy Hollow

On All Hallows Eve, how better than to get in the mood than with some classic tales of horror and spookiness from literature?

Perhaps one of the most well-known (and well-loved) stories of dark hauntings is Washington Irving’s The Legend of Sleepy Hollow, which is also one of the earliest examples of American literature of enduring popularity.

While setting his tale in post-revolutionary America in the year 1790, Irving in fact wrote the sorry tale of school teacher Ichabod Crane and his ill-fated encounter with the Headless Horseman in 1819 while visiting England, where his also penned Rip Van Winkle.

Both The Legend of Sleepy Hollow and Rip Van Winkle first appeared in print in his serial The Sketch Book of Geoffrey Crayon, Gent, which also marked Irving’s first use of that pen name. As with Rip Van Winkle, Irving claims he first heard about The Legend of Sleepy Hollow from “Diedrich Knickerbocker”, a fictional “Dutch Historian”.

19:00:  The Wolfen

Gyro Muggins reads Whitley Strieber’s 1978 debut novel.

Two New York Police Department detectives investigate a series of suspicious deaths across New York City. These are revealed to be the work of a race of intelligent beings descended from canids, called the Wolfen.

The novel is told from the point of view of the human characters as well from the Wolfen themselves. The savage killing of two New York City policemen leads two detectives, a man and a woman bound together by a strange, tough passion, to hunt down the wolfen – once called werewolves.

Tuesday, November 1st 12:00 Noon: Russell Eponym

With music, and poetry in Ceiluradh Glen.

Wednesday, November 2nd:

19:00: Seanchai Flicks – Dia de los Muertos

The Seanchai cinema space shares Halloween-themed video adventures.

21:00: All Souls

With Shandon Loring.

Thursday, November 3rd, 19:00: Cursed

Stories from the Anthology edited by Christina Henry. With Shandon Loring.

Bamboo’s Personal Aspect in Second Life

Posted on by Inara Pey
Bamboo Barnes: Personal Aspect

October 28th, 2022 saw the opening of an extensive retrospective exhibition of art by Bamboo Barnes at the Akiniwa region, a part of the Akipelago, operated and managed by Akiko Kinoshi (A Kiko), supported by 3D sculptures by Kerupa Flow. And when I say extensive – I mean just that: Personal Aspect occupies for main gallery buildings, at well as featuring three “outdoor” displays of her work.

Hailing from Japan, Bamboo is, as I’ve frequently noted, one of the most vibrant, evocative, provocative, and emotive artists displaying her work in Second Life. She is also an artist unafraid of plumbing the depths of emotion and introspection – as can be witnessed in some of the pieces in this exhibition.

Bamboo Barnes: Personal Aspect

Bamboo began her artistic journey within Second Life in 2011, initially working with  with avatar screenshots. In 2013, she became enamoured by in-world 3D art installations, a factor which dramatically altered her artistic trajectory, her work shifting to a format that often presents a 3D depth through the two-dimensional form of the artist’s canvas.

With this shift in direction also came an opening of style and structure to her work; there is a focus of emotional self-reflection within many of them, often expressed through the use of vivid colours. She also sought explore the more esoteric through her art – the nature of self; metaphysics; what constitutes reality; the nature of art itself – particularly her own art, and more.

Bamboo Barnes: Personal Aspect

Within this exhibition – which features pieces Bamboo has selected as her “favourites” from her extensive portfolio – we are invited to join Bamboo on her journey through art, a journey that extends from Second Life landscapes and reflections on the world of 3D art within the platform, through to pieces offering insight into her examination of the themes noted above, onwards to her original digital art and experiments with motion (animation) in art to offer further dimensional depth.

Art is never finished, just abandoned.

Bamboo Barnes

Bamboo Barnes: Personal Aspect

One of the many beauties of Bamboo’s work is that she doesn’t not offer her own thoughts on it; rather, she prefers to allow her art to speak directly to those viewing it. As such, I don’t plan to offer much of a personal exposition on this retrospective. What I will say, however, is that this is an exhibition that should be seen – and appreciated with the time it deserves; to hurry through the halls risks missing the depth of expression awaiting discovery.

In  this, Kerupa’s 3D work is the perfect accompaniment to Bamboo’s. Also hailing from Japan, Kerupa shares that heritage, while her art plumbs similar depths of expression and theme.

Kerupa Flow at Personal Aspect

Not to be missed.

SLurl Details