Space Sunday: anniversaries, solar mysteries and RST

September 17, 1976: the shuttle test vehicle OV-101, christened Enterprise in honour of the original Star Trek TV series, roll out of the Rockwell manufacturing facility, Palmdale, California. Credit: NASA

September 2026 marks two anniversaries, uniquely – if unusually – linked in the manner in which they both sought to “explore” space and went on to influence at least a generation.

On September 8, 1966, the television series Star Trek first aired. At the time, no-one knew what a phenomena it would become after an admittedly less-than-auspicious start (cancelled after just 3 seasons, only to be reborn on the big screen and then spawn multiple series which kept it on air almost continuously with new seasons and syndicated re-runs until streaming came along to ensure its could be seen anywhere, any time), thus allowing it to celebrate its 60th anniversary in 2026.

Whilst entirely fictional – and at times not particularly good science fiction (Spock’s Brain, anyone? Turnabout Intruder?) – Star Trek was a trailblazer because when it is was good, it was very good: frequently wrapping allegory and social commentary within the medium of action-adventure science fiction. And while people can (and do) debate / argue about the relevance and canon-keeping of the more recent iterations of the franchise, the fact remains the original series did much to promote the idea of space travel at the time Apollo was coming into its own, and many were seriously considering careers in science and technology as a result of seeing the show.

In fact, such was the influence of Star Trek that, ten years after the show had been cancelled and at a time when Star Trek (Phase) II still a twinkle in Paramount’s eye, it was present at a very real milestone in US spaceflight history: the roll-out of the first ever space shuttle vehicle to be seen in public: OV-101 (OV standing for Orbiter Vehicle), 50 years ago on September 17, 1976.

That vehicle had originally been due to be called Constitution, but a fierce letter-writing campaign by Trek fans had resulted in NASA agreeing to call it Enterprise after the fictional starship from the series. The roll-out took place at the Rockwell – being the primary contractor for the orbiter vehicles – manufacturing facility in Palmdale, California. As it did so, the US Air Force band struck up the Star Trek theme by Alexander Courage, cementing the vehicle’s link to the series.

Deforest Kelley (Dr. McCoy) in conversation with the then NASA Administrator James Fletcher, with George Takei (Hikaru Sulu), James Doohan (Montgomery Scott), Nichelle Nichol (Nyota Uhura), Leonard Nimoy (Spock), Gene Roddenberry (series creator), Congressman Don Fuqua and, in black, Walter Koenig (Pavel Chekov) stand before OV-101 Enterprise, September 17, 1976

On-hand for the roll-out was the majority of the series’ regulars – only William Shatner was absent – together with Trek’s creator, Gene Roddenberry. It was a further demonstration of the close ties between fictional space exploration in the form of Trek, and NASA’s human and robotic explorations of space; something that would continue as the Star Trek franchise evolved in the coming decades.

For example, astronaut Mae Jemison attributes her determination to fly in space to watching Nichelle Nichols portray Lt. Uhura. Jemison went on to guest-star as Lt. JG Palmer in Second Chances, an episode of Star Trek: The Next Generation, whilst astronauts Mike Fincke and Terry Virts (both fans of Star Trek) appeared in minor roles in the underrated Star Trek: Enterprise. And, of course, V’ger, the machine entity encountered in Star Trek: The Motion Picture was drawn directly from the Voyager missions (even if there was no such spacecraft as Voyager 6).

Top left: former NASA astronauts Terry Virts (l) and Mike Fincke (r) pose with series lead Scott Bakula during their joint appearance on Star Trek: Enterprise. Bottom Left: former astronaut Mae Jemison with LeVar Burton as Lt. JG Palmer and Lt. Commander Geordi LaForge in Star Trek: The Next Generation. Right: Lt. JG Palmer at the transporter controls aboard the USS Enterprise NCC-1701-D. Credits: Paramount/CBS

Like Trek, the shuttle had its own impact on the generations familiar with it. Take Jack Hathaway, for example. Born the year after the first shuttle reach orbit in 1981, he directly cites shuttle flights as the reason he decided on a career in the US Navy as an aviator and seeking to qualify as a test pilot prior to applying to NASA. He participated in some low-key celebrations to mark the 50th anniversary of Enterprise’s roll-out whilst currently aboard the International Space Station (ISS).

It might be argued that the renaming of Constitution to Enterprise was a pyrrhic victory: OV-101 was a test vehicle, never intended for spaceflight. Had the name been applied to the second vehicle in the fleet – OV-102, which was intended for spaceflight, then reality would have mirrored fiction even more closely: the United Star (or Space) Ship Enterprise NCC-1701 was the second ship in her class, the first being the USS Constitution – just like the first shuttle was originally to have been called. Ultimately, OV-102 was christened Columbia and as we all know, she was tragically lost with her crew on February 1, 2003, an event which started the process of bringing the shuttle programme to an end.

Tragedy aside, it is still quite amazing to think about just how ingrained Star Trek became ingrained in US – and global – culture. It is even more stunning to consider that, in practical terms, the shuttle era started with the first roll-out a half-century ago, and that the first orbital flight took place 45 years ago, just 20 years after Yuri Gagarin became the first man to orbit the Earth – and he did so just three and a half years after the first artificial satellite.

As such, in terms of spaceflight, we’ve come a long way in a relatively short period of time – but as Star Trek also reminds us (and assuming we don’t do something incredibly stupid in the short term): the human adventure is just beginning.  

Our Sun: Planet Killer?

Scientists have been observing the Sun for decades, slowly decoding how it works, how it interacts with space, how it generates “space weather”, what its likely lifespan will be, and so on. These studies have resulted in both an increased understanding of our Sun and also raised some intriguing questions.

In terms of the latter, a major puzzle has been that the Sun is, compared to its likely siblings at the time of its birth out of the proto-nebula which formed them, excessively poor in lithium; two orders of magnitude less, in fact.

Then there is the fact that the speed of sound within the deeper parts of the Sun’s convective zone (where heat switches from being transmitted up from the Sun’s core purely by radiative means to being transferred primarily by violent currents of plasma rolling around its core) doesn’t match computer modelling based on measurements of the Sun’s near-surface activity and how super-heated plasma convection within it should be working.

The structure of the Sun as we understand it, from core to the two layers of the atmosphere. Credit: NASA

Both of these oddities caught the attention of Mutlu Yildiz, a professor leading the Department of Astronomy and Space Sciences at Ege University, Türkiye, who wondered if they might be linked, and if so, how. His findings point towards the potential that, early in the history of the solar system the Sun “ate” a planet – and it may still be “digesting” it.

Yildiz came to this conclusion after considering a number of potential scenario – including the idea of a planet being swallowed by the Sun. From there, he started work on a series of computer models using a wide range of plants varying in composition, size and density, but all of which might have theoretically started to form in the early solar system and adhere to many of the broad parameters seen with exoplanets orbiting close to their parent stars.

One of these models  – featuring a solid, rocky world around 5.6 times bigger than Earth – or slightly largely than Neptune – forming both relatively close to the Sun (roughly equivalent to the orbit of Mercury) would likely be lithium-poor and particularly prone to being drawn into the Sun relatively quickly.

In particular, repeated modelling indicated that whilst the planet would be torn apart prior to the Sun swallowing it, it would likely do so so close to the star, the majority of it would fall into the Sun long before it could dissipate so it’s mass would have an effect on the Sun’s internal mechanisms, particularly the density within various layers of the Sun’s convective zone, impacting things like the speed of sound within them.

Yildiz is the first to acknowledge that whilst his work points to the Sun having once killed a planet doesn’t mean this is the case – but the results do seem to fit a set of observable facts. As such, he’s also suggested possible observations that could be carried out which might further prove (or dismantle) his theory.

Roman Grace Telescope Update

As the Nancy Grace Roman Space Telescope (or more simply, the Roman Space Telescope or RST) continues towards its rendezvous with a halo orbit around the Sun-Earth L2 position, the news concerning it keeps getting better and better.

In my previous update, I noted that the observatory has started powering-up its instruments in readiness for its deep space mission, notably the first of its two science instruments, the Coronagraph Instrument (CGI), and that the Wide Field Instrument (WFI) would be following. Well, I got my timeline a bit muddled, as the WFI had started coming on-line as that piece was being written, with a test image being returned as part of that process.

It’s not an impressive image to be sure: 18 individual images (from the 18 4K imagers) showing a sea of out-of-focus stars – but it is an important start. It shows that the instrument has powered-up correctly. The initial tests also confirmed that the filter mechanism which allows specialist filters to be placed over the imagers to reveal different wavelengths of light is also correctly functioning.

Whilst it may not look much, this is the first image captured by the WFI aboard the Nancy Grace Roman Space Telescope. Captured shortly after the instrument was powered up, it shows the full field of view across all 18 of the 4K imaging devices. However, as a test image, it does not show the full depth of view, nor is it focused at operational levels: the instrument needs to fully cool to its -183ºC operational temperature and go through focusing and alignment before it is ready to produce truly spectacular images. Even so, this image is an important first step. Credit: NASA

Since then, the work has moved on to the next steps: monitoring the cooling of the imagers down to their -183ºC operating temperature and refining the focusing of the optical elements in the telescope in order to generate pristine, 300 gigapixel images. This work will continue as a part of the overall pre-commissioning of the payload, prior to the formal instrument commissioning period commencing.

Nor does the good news end there. Because of the 1.5 million km transit from Earth to the Sun-Earth L2 position, the potential for errors in launch, initial orbital placement, the potential of additional course correction thrusters burns whilst en route, when it was launched, and so on, RST actually departed Earth with just under 1.8 tonnes additional propellants “just in case”.

However, such was the accuracy of the Falcon Heavy in delivering it to its initial orbit, coupled with the accuracy of RST’s first course correct thruster burn, means the observatory is not only precisely on course for its intended orbit, it has actually used less than 10% of its planned propellant reserves, even without the extra load-out.

The time line of operations as RST travels to the Sun-Earth L2 position, which it will orbit. Overall transit time is around 100 days. Day 20 was September 19, 2026. Credit: NASA

This already means that with both the additional propellent load of 1.8 tonnes, RST now has sufficient stocks for and additional 8 years of science once in its operational orbit, giving it 18 years of operations over overall. However, the overall accuracy of its trajectory thus far achieved means that the second planned mid-course correction burn can be carried out when the observatory is much closer to the Sun-Earth L2 position and at a lower propellant consumption, which will in turn reduce the amount of propellants required for the final braking manoeuvre required to place RST in its initial halo orbit.

Both of these latter points meant that, potentially and subject to funding, RST could arrive in orbit around the Sun-Earth L2 position with sufficient cold gas propellants for 22 years of science operations – 12 more than originally planned!

Nature and Culture: art and the creative artificiality of Second Life

IMAGOLand & Galleries, September 2026: Mareea Farrasco: Nature and Culture

Currently open at IMAGOLand & Galleries is an interesting exhibition by the gallery’s owner, Mareea Farrasco. Entitled Nature and Culture, it sits as an examination of the intersection of nature and culture expression, as seen through the creative lens of Second Life.

In the physical world, what we today view as culture – which here might be defined more as lifestyle and couture – largely stands very apart from the natural world. Where once culture – culinary preferences, mode of dress, belief systems, etc. -, were very much rooted within the environments in which they flourished, they now easily exist divorced from their natural origins, allowing them to be found and experienced the world over.

IMAGOLand & Galleries, September 2026: Mareea Farrasco: Nature and Culture

However, in Second Life, there is no such separation – indeed no such evolution from nature to culture / couture. As Mareea notes, everything is effectively manufactured, born out of deliberate design and the manifestation of light photons through the electronic medium of graphics chips and processing.

The result is a world in which “nature” and “culture” are – from a creative standpoint – one in the same. There is no separation of one from the other, just as there is no natural progression from one to another. They both simply exist. 

IMAGOLand & Galleries, September 2026: Mareea Farrasco: Nature and Culture

This is reflected within Nature and Culture through both juxtaposition and combination through its mix of avatar-centric “fashion” pictures and images of an avatar exploring in-world locations. The juxtaposition is just that: the placing of the “fashion” images alongside of – but somewhat distinct from in terms of style (such as the triptych) and content, the “landscape” images. It’s a presentation that leaves the two as feeling separate and distinct. Until, at least, one considers the avatar herself. She brings them together, and she does so not merely because of the outfit she wears

She does so because her presence throughout all of the images reminds us of the fact that everything in SL is conjoined through the aforementioned act of intentional creation. She, the clothes she wears, the settings she is “exploring” – all underscore the fact that neither nature nor culture exist within Second Life in the manner in which they have grown together and undergone separation within the physical world.

IMAGOLand & Galleries, September 2026: Mareea Farrasco: Nature and Culture

Thus we’re presented with a series of images prompting us to consider both the nature of Second Life as an environment of consciously-created landscapes, characters and couture and – perhaps, in going beyond the exhibition itself – on the manner in which we have managed to take culture from its natural origins and environments and reduce it to a statement devoid of natural heritage and open to appropriation.

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Cherishville’s 2026 autumn years in Second Life

Cherishville Autumn, September 2026 – click any image for full size

Autumn has come to Lam Erin’s Cherishville for 2026, and with it a complete change of setting.

Gone is the Baja-like beach and duty roads of the summer iteration with their suggestions of southern California with a mix of New Mexico; instead Cherishville now takes us to somewhere along the coast, possibly further north, a place backed by mountains already topped by snow.

Cherishville Autumn, September 2026

Just where this might be is up to visitors to assume; but for the mountains, it could just as easily be New England – there’s even a sign board with a hint of this – or even somewhere here in damp and dreary England!

Wherever one chooses to place it, Cherishville now sits at the mouth of a wide river running down from the mountains to slice it into two (yes I know the land has been blended with the off-region surround so the water also passes to either side – but use your imagination 🙂 ).

Cherishville Autumn, September 2026

This leaves the setting split between houses with a few small businesses scattered among them facing off against more mercantile / business premises on the far side of the river, a single bridge serving to bring them together.

The majority of the buildings are little more than empty shells – but this doesn’t really matter; it is the ambience of the setting which is important, and in this they sit perfectly, their façades saying more than any interior might.

Cherishville Autumn, September 2026

With the rain falling from a sour, overcast sky, falling leaves taking over the footpaths and the bridge, together with the fading colours on awnings, window frames, wooden walls and doors, this is a place oozing a sense of age and tiredness.

Attempts are being made to mark the time of year – such as the obligatory pumpkins – but on the whole, this is a place increasingly sitting well beyond its prime, something not even the more recently and colourful posters pasted to the walls of some building can hide, particularly even the deserted, semi-collapsed state of some of the houses.

Cherishville Autumn, September 2026

Beyond one side of the town sits a small farm, still very much active going on the sunflowers, corn and pumpkins being cultivated. But even this is unable to shake that general feeling of fatigue that seems to lie heavy on the setting – perhaps courtesy of the local weather.

The farm overlooks the local church, normally the hub of such a community; but here too, things are decidedly careworn.

Cherishville Autumn, September 2026

All of this results in what is actually a very atmospheric setting, one brought to life both by the steadily falling rain and the use of PBR surfaces to create additional wet surfaces, puddles and a general sense that this is a place enduring the sogginess of a persistent downpour.

Lamps hang from the walls of the houses on the north side of the river, doing their best to offer a sense of warmth and invitation to the properties, the little café (one of the few building with an interior setting) does its best to entice anyone who might be hurrying by, eager to escape the rain. Dreary it may be, but there is still life here, and this draws us further into the setting.

Cherishville Autumn, September 2026

Given the approach of October and Halloween, there is also a certain air of spookiness as well – particularly around the church and its graveyard. This is also added to on a more humorous level by the headlines blasting from the newspapers offered at the local kiosk – do drop by there to see for yourself.

For those looking to sit and pass the time together, opportunities for doing so can be found, be they at the café or open on the deck of the riverside warehouse or in the back of a pick-up or cart: just wander and you’ll find a place.

Cherishville Autumn, September 2026

In wandering myself, I couldn’t help be hear the final verse of Ervin Drake’s It Was a Very Good Year echoing around my head. It just seemed to fit with mood of Cherishville and the idea of a place now past its prime – but possibly with the memories of the sweetness of times past locked within its aging walls and tired sidewalks.

But now the days are short
I’m in the autumn of the year.
And now I think of my life as vintage wine
From fine old kegs;
From the brim to the dregs,
It poured sweet and clear,
It was a very good year.

Cherishville Autumn, September 2026

As always with Cherishville, an engaging setting rich with opportunities for photography.

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2026 week #38: SL Open Source UG Summary

Hippotropolis Theatre: home of the OSD/TPVD meeting
The following notes were taken from:

  • My chat log of the Open-Source User Group (OSUG) meeting held on Friday, September 18, 2026.
  • The video of the meeting, recorded by Pantera and embedded at the end of this article. My thanks to her for providing it.
Table of Contents

Meeting Purpose

  • The Open Source User Group (OSUG) meeting is an open discussion of Second Life development, including but not limited to open source contributions, third-party viewer development and policy, and current open source programs.
  • This meeting is generally held twice a month on a Friday, at 13:00 SLT at the Hippotropolis Theatre and is generally text chat only.
  • Dates and times of meetings are recorded in the SL Public Calendar.

Official Viewer Status

  • Default viewer  26.3 – 26.3.0.31203661088, August 10, promoted August 17 – quality of life improvements; performance improvements; bug fixes – No Change.
  • Second Life Lua Editor RC / Beta viewer with Linux support 26.4.0.34502396632, September 11 – No Change.
    • Lua scripting support (on regions with Lua scripting enabled).
    • Improved communication between the Viewer and the newly published Second Life VS Code extension.
    • Offers an experimental Linux viewer build.
    • Includes the latest WebRTC Voice and viewer-maintenance updates.
  • Second Life Chat Modernization viewer 26.3.0.33643480083, September 4 – No Change.
    • Recent conversations follow you seamlessly: a direct message you receive on SL Mobile can also be available when you return to desktop, and vice versa; Recent direct message history will be available on logging-in; existing desktop chat logs are preserved – previously saved local history isn’t being replaced or removed; conversation history feels continuous: on desktop, your existing local history and newer message history are brought together into a single conversation.

Viewer Notes

  • An update to 26.4 is in progress.
  • Work is going into the 26.5 viewer – no firm details on what will be going into it.
  • Geenz noted he is:
    • Hoping to put “a bit more time” into the Lab’s CI/CD in order to get more regular builds going for the various feature viewers in development – things like weekly builds.
    • Is working on the simulator-side PBR specular and emissive parameters in preparation for the upcoming Graphics Care Package (GCP) viewer. 

General Discussion

  • Kyle Linden noted that the simulator Nectarine update is now on the BlueSteel RC channel, and it contains the back-end support for game_control.
  • Henri Beauchamp (Cool VL viewer) has apparently found a crash bug affecting all viewers running on Windows within LL’s with LL’s precompiled version of zlib-ng and connected to a MSVC optimizer bug. Viewer developers should refer to the video at 7:20-8:40 for further details.
  • Questions were again asked on bot data collection – this has been doing the rounds at various meetings for some time, but no-one from LL is prepared to discuss in an open forum, some – such as members of the engineering teams who manage things like the Open Source and Server User Group – because such policy is outside of their purview.
    • Given the need for clarity on this matter it would be good if someone in LL management could attend a meeting to at least hear the reasons for asking, and suggest a means by which they could be addressed.
    • What is primarily being sought is some form of LL-supplied API which could deliver an agreed packet of information on regions.
  • In relation to the above, the request was further made for data on parcels set to restricted access (e.g. ban lines) be transmitted to the viewer via some means to aid those travelling across the grid (and particularly the Mainland). While some TPVs do this on the Minimap, it is more of a hack, and a supported feature would be preferred.
  • Roxie Linden indicated she has thoughts on making WebRTC Voice making attenuation tuneable – there have been concerns voiced about the way fall-off currently works (flat for the first 10 metres, then in theory falling-off through to 60 metres).

Next Meeting

Trans-Sansara Causeway opens in Second Life

Trans-Sansara Causeway and tunnel: Aptos Recreational Area, September 2026

Friday, September 18, 2026, saw the official opening of a new road link bringing together Bay City in the north-west of Sansara to the rest of the continent in the form of the trans-Sansara Causeway and tunnel.

It’s a project I’d first been made aware of back in August be the ever-vigilant Miro Collas (who also pointed me to the ongoing improvements to Linden Memorial Park), as elements of the project have already been made visible to the public. However, ahead of the opening of the final part of the new extension, Wendi Linden was kind enough to contact me with an offer to explain more of the project to me and also show me the final part of the work; an offer I was only too happy to accept.

The trans-Sansara Causeway, heading for the Aptos Recreational Area from the toll gates at Mavericks
This project came to us a couple years back, as Residents requested a road link up on the Mainland, connecting the roads around Bay City to the rest of the Sansara continent. It took a while to develop and greenlight a suitable road that would both provide the connection desired, and not overly disrupt either legacy mainland content of ours, for example the Ahern Welcome Area, or Oak Grove, nor that owned by existing Residents.

– Wendi Linden, describing the origins of the Trans-Sansara Causeway and tunnel to me

So, to save the disruption and possible upset, the Lab opted to go both over and under the water to offer a circuitous but potentially fun-to-drive route to link Bay City and the Sansara road network.

The tunnel entrance, Luna

The parts of the project already visible to the public have been at either end: the elevated causeway road looping out from the end of end of Frog Road over the “wee islands” in the coastal waterway regions of Cleone, Falk and Tunitas and ending at Swanton, together with the tunnel starting opposite the Luna Oaks Galleria in Luna and snaking its way underwater to an island in Thetis where it resurfaces.

However, causeway and tunnel have been awaiting their own link-up, and that has now been made via the Aptos Recreational Area, which Wendi invited me to preview and which has now opened.

The new steel through arch bridge linking the Aptos Recreational Area with Swanton Island and the Causeway road

Occupying an island spanning the regions of Aptos and Tomales, the recreational area allows the road link to return to ground level and pass through a nicely-landscaped area with a view overlooking the historic (if relocated and much-changed) Abbots Aerodrome to the north.

As its name suggests, the area also offers the opportunity to take a break in travels, with a large rest area being provided to one side of the road.

One of the coastal walking areas on Aptos, alongside the bridge to Thetis

This more-or-less follows the lines of a typical US highway rest-stop: minimal formal facilities and plenty of parking – which is not to say it should be completely ignored; there is much on the island to be appreciated (do make sure you take a peek inside the ranger hut and can the construction sketch for the island, for example) .

For one thing the entire island on which it sits has been carefully landscaped in a manner akin to that seen with the updates to the Linden Memorial Park mentioned above. As well as original elements, good use has been made of landscaping and flora and trees found within various Bellisseria Linden Home regions.

The rezzing areas and slipway at the Aptos Recreational Area
One of the unique features to this area is the parking. Along the road there is a 30 minute Auto Return on untended vehicles. Within this parking lot, it is 120 minutes. That way, people can come in, park, and explore without having to immediately re-rez their vehicle. The slipway and the area in front of it is a rez zone.

– Wendi Linden, describing the Aptos Recreational Area of the Trans-Sansara Causeway to me

Not only is the extended Auto Return period intended to encourage people to explore the location, the fact that it straddles the water as well offers the opportunity for mixed-transport trips, combining driving and boating for those in the mood – and for those with a floatplane, flying into or out of Aptos.

Aptos Recreational Area car parking and rez zone

If there is one small niggle to be had, it is not with the new route itself, but rather what it highlights: the need for water exclusion volumes once more in SL. Whilst we have water exclusion surfaces, these are only good for hiding Linden Water when looking at it from above; they cannot hide it when we’re actually underwater.

Hence, whilst the entrances to the tunnel linking Luna and Thetis look nice and free from water when approached from above ground, the illusion is immediately shattered on driving into the tunnel: we’re clearly submerged, and exclusion volumes are needed to keep the water “out” of the tunnel spaces. But this is a factor common to SL as a whole, and time will tell if it will be addressed.

Heading back through the tunnel from Bay City towards the Aptos Recreational Area

In the meantime, the new road extension around Sansara from Mavericks to Bay City (and vice versa) is complete and fully driveable for all those who enjoy road trips in SL. As such, I’ll say no more here other than to suggest that if you enjoy driving – go pay a visit 🙂 – and again extend my thanks to Wendi Linden for both the invitation and for taking the time to chat with me about the project.

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Nymerion: a beautiful Otherworld in Second Life

Nymerion, September 2026 – click any image for full size

I am a fully paid-up member of the Elicio Ember Appreciation Society, and I have been for well over a decade. Elicio is a man who has both a beautiful personality and a fabulous creative vision which brings together elements of fantasy, science fiction and the natural world in the most fascinating and engaging of blendings.

His region designs have long graced Fantasy Faire – not every year, admittedly; but in the years where his work has been present I’ve personally felt a greater draw to visiting the Fairelands than perhaps in those years when his presence has been absent. And I say that with due respect to all the other builders of Faireland worlds, most of whom have drawn me to some degree.

Nymerion, September 2026

In 2016, one of Elicio’s designs was Otherworld, a quite marvellous imagining extending from below the surface of the waters to a high plateau. I found myself visiting it multiple times and climbing its stairs and wandering its paths and gardens to the point of making a very short video about it at the time.

I’m clearly not alone in both my love of Elicio’s world building or of Otherworld in particular – earlier this year, Akiko Kinoshi (A Kiko) opened Nymerion, a very special place within her Akipelago estate.

Nymerion, September 2026

Both a rebuild and a reimagining of Elicio’s Otherworld, it captures the beauty of the original, offering it under a new and quite stunning EEP Day Cycle whilst also offering new touches and twists. The result is a location which is genuinely and completely captivating.

The Landing Point sits on the high plateau, a semi-flooded wetland rich in exotic plants and rocks rich in glowing runes and occasional crystal spires. In and of itself, this plateau is captivating and ideal for photography. In the original it also incorporated the suggestion of dragons through the remnants of bones.

Nymerion, September 2026

This is something Akiko has very much enhanced within Nymerion: the dragons themselves are herein present – indeed, their eggs form the nucleus of a local hunt you can learn about when visiting – just touch the hunt posters scattered around to find out more.

Nor are the dragons the only lizards to be found here: the setting is also the home to dinosaurs, all eager to keep an eye on comings and goings – like the dragons – but which are content to allow visitors free passage without the risk of becoming a tasty snack.

Nymerion, September 2026

Stairs lead the way down to the lower levels, where might be found suspended walkways and paths around the great legs of rock supporting the high plateau. These are interspersed with glass pavilions offering places to sit whilst hidden stairs offer further means to reach the areas sitting just above the surface of the waters below.

There appear flying and water craft melding elven design with sci-fi tech to be found. None appear to be linked to any form of rezzing system, and so finding them can be a random matter of stumbling upon them. I also found that whilst the flying craft appeared to work, none of the water craft did, and several were piled up under one of the lower pavilions.

Whilst the central waters here are shallow, they do deepen abruptly to the south and west, where a flooded realm awaits – and I’ll leave you to explore it.

Nymerion, September 2026

This is very much a realm where time should be spent not just in exploration and / or photography, but in simply savouring the EEP Day Cycle. The latter doesn’t simply running through day / night, running over the default SL 4-hour “day”, it transitions through a number of different EEP settings, each of which casts Nymerion under a unique sky and lighting. If I’m honest, I’m not sure all work – but those that do give the setting an additional layer of mystery and magic.

Offering a homage / recollection to the original Otherworld by Elicio, Nymerion carries with it Akiko’s own touches which make it both unique and engaging in its own right, making any visit highly worthwhile.

Nymerion, September 2026

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