December 2025 SL Web User Group

The Web User Group meeting venue, Denby

The following notes cover the key points from the Web User Group (WUG) meeting, held on Wednesday December 3rd, 2025. These notes form a summary of the items discussed and is not intended to be a full transcript. The official video is embedded at the end of this summary.

Meeting Overview

  • The Web User Group exists to provide an opportunity for discussion on Second Life web properties and their related functionalities / features. This includes, but is not limited to: the Marketplace, pages surfaced through the secondlife.com dashboard; the available portals (land, support, etc), and the forums.
  • As a rule, these meetings are conducted:
    • On the first Wednesday of the month and 14:00 SLT.
    • In both Voice and text.
    • At this location.
  • Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
  • Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.

Updates

  • Upgrades to marketplace PLE retry logic following the issues experienced in October.
  • Testing and evaluating marketplace security options intended to offer grater security for merchants on the MP and users of the MP.
  • Work on account security feature to prompt users to verify their emails to reduce account takeovers.
  • Quality of life update: deployed a bugfix for description character counter.

In Brief

  • The following question was asked by LL: If you could REMOVE a feature from Second Life’s web interface, what would it be (i.e. items viewed as annoying / low-use, not things that might be considered bugs requiring fixing)? Responses included:
    • Removal of the Download Second Life banner on the right of a user’s dashboard (under the Lindens Homes banner), on the grounds that the vast majority of SL users will likely have already downloaded and installed the viewer when accessing their dashboard.
    • The removal / update of the Events section of the dashboard.
  • Requests were made regarding:
    • Providing better traffic information through the DG / Search, etc. For example: ensuring traffic numbers are more immediate rather than possibly referencing the previous 24 hours; perhaps providing more of an average metric (e.g. average number of users of a 24, 48, 72 hours or similar period, etc.), or a mix of both (e.g. users currently within a region + an average over a period of time).
    • Enabling panoramic images taken via the 360º snapshot function to be more widely used within SL web properties (e.g. such as the Destination Guide) and / or to be stored in a manner such that they can be used in the About tab of landmark / place floaters, etc.
    • SL’s web map page to support searches by region name as well as the current options.
    • Clarification on how to get edit rights to the SL Wiki – in short, due to issues of spamming text to the wiki via bots, etc., editing rights must now be requested via e-mail.
    • When better guidelines on the uploading / labelling, etc., of AI-generated content to the Marketplace might be forthcoming. This was said to be still subject to internal decision-making.
  • It was pointed out that login-in tokens may not always be passed to the in-viewer web browser (e.g. someone is using the viewer and receives a link to the Destination Guide, which opens the in-viewer browser, they may still be asked to log-in to the DG website within the browser – despite effectively being logged-in to SL – rather than the in-viewer browser loading the Destination Guide main page).
  • General discussions on (refer to video)
    • Translations within SL properties and the viewer UI, etc. In short:
      • A third-party service (not an AI tool) is used for translations.
      • If those fluent in a given language notice errors in translation, they can report them via the feedback portal.
      • It was noted that translation within SL can be difficult due to the number of “made-up” words / terms which might not readily be recognised as “simple” brand names or specific-to-SL-terms without a more generally translatable term.
    • The date last updated field within Marketplace listings (which currently has a bug so it might not display the correct date, which is being investigated) and for the addition of a Date Uploaded field within listings, so users have both.
    • Marketplace reviews, including giving a clear idea of what the star ranking means (e.g. 1= “I don’t recommend it” through to 4 = “this is good” and 5 = “this is perfect”) in order to try to clarify to merchants and consumers alike what people are indicating when they provide a star rating.

Next Meeting

  • Wednesday, January 7th, 2026.

Susann DeCuir at Cats and Dogs in Second Life

Cats and Birds Gallery, December 2025: Susann DeCuir – Facets of Second Life

Cats and Birds is a small gallery space I had not, up until preparing this article, previously heard of or visited, so was pleased to have the chance to acquaint myself with another location celebrating art in Second Life. Operated by Gaby Gaby Valentin-Steampunk (Gabrielleval), it sits to one side of the nightclub of the same name, and I was drawn to it after reading about the December 2025 exhibition there, which features the imagery of Susann DeCuir.

For those own may not be aware, Susann is a fellow Second Life traveller and blogger, writing about her discoveries in Mein Zweites Lieben (My Second Life), covering all things SL, including the regions and art events she visits, as well as covering her own region of Angel of Pain, which I’ve also covered in these pages, and a broad swathe of SL news.

Cats and Birds Gallery, December 2025: Susann DeCuir – Facets of Second Life

Entitled The Many Facets of Second Life, the exhibition at Cats and Birds is a veritable tour de force of Susann’s work as she documents the places she has visited and also touching upon her own interests within Second Life.

Susann has an admirable eye for angle, focus, composition and shot, allowing her to imaginatively and captivatingly capture the places she visits. She also has the eye of a storyteller and the gentle touch of a rightfully restrained editor; while she may well post-process her images (as most of us do), she does so gently and lightly, and always with a eye to her subject.

Cats and Birds Gallery, December 2025: Susann DeCuir – Facets of Second Life

Thus, throughout all of her captures of regions and settings, she never moves away from the environment settings in which they are found. Instead, she uses her editing skills to compliment the composition of landscape and environment through which she has roamed, rather than the use of alternative settings within the viewer many of us might opt to us. Whilst there is nothing wrong with opting for alternative environment settings when taking photographs, it is nevertheless true that there is always a risk of spoiling the intent presented by the location; thus, by encouraging herself to stay within the bounds of the local EEP settings, Susann remains truer to the original.

Through the 25 images within this collection – each one neatly displayed with a name plate which, when clicked will offer the observer the chance to see it in much greater detail within Susann’s Flickr – we are not so much spectators (or beholders, if you will) of Susann’s artistry and photography; we become fellow travellers with her. We journey through the worlds she has visited, sharing her time and space and sharing in her unique and gifted perspective on Second Life and its beauty and wonder.

Cats and Birds Gallery, December 2025: Susann DeCuir – Facets of Second Life

A genuinely engaging exhibition, highly recommended, and my congratulations to Susann. Please note the exhibition will run through until December 31st, 2025.

SLurl Details

Lake Ruby’s winter’s land in Second Life

Lake Ruby WinterLand 2025, December 2025 – click any image for full size

Lake Ruby is a Full region held by Donna Helendale (Donna Pavlova) and Rakir Helendale, leveraging the Land Capacity bonus available to Full private regions and which is currently the home of Lake Ruby WinterLand 2025.

This is a richly engaging and very visual setting which – as the name implies – is currently dressed for winter and which has, for those willing to seek them out, some surprises that might be missed by the casual visitor.

Lake Ruby WinterLand 2025, December 2025

The Landing Point sits along the northern edge of the region, on a cobbled street running between a parade of shops and the platform of a railway station and caught under gently falling snow.

Two billboards sit between the cobbles and the station’s platform. One of which will provide two notecards: the first will provide a list (extending across two further notecards) of winter-themed regions across Second Life and the other (obtained by clicking the little gift sock on the same billboard) providing a hint to finding a gift forming a part of a hunt. Most of the shops, meanwhile, appear innocent enough – although one does contain a secret of its own (albeit it clearly signed, which I felt somewhat spoilt things, even if I understand why it is so labelled).

Lake Ruby WinterLand 2025, December 2025

And it is at the station that the first touch of the magic imbued in the region might be seen: a steam locomotive is departing the station, hauling carriages behind it as it rises into the sky along magical tracks that fade into the twilight – perhaps as the train will as it goes on its way.  Directly under the train and tracks sits a frozen extent of water where visitors can enjoy the ice skating referenced in the region’s About Land and Destination Guide descriptions.

To the south, behind the little row shops, the land climbs sharply, stepping its way up to where the towers and Gothic spires of a tall castle rise. A fast-flowing stream tumbles from these highlands to form a partial barrier between the castle and the Landing Point.

Lake Ruby WinterLand 2025, December 2025

Crossing this stream without actually entering it demands visitors follow paths, steps and bridges, all of which lead them on a journey of exploration of the rest of the setting; an exploration in which they will discover some – but not necessarily all – of the other secrets sitting within the snowy and rugged landscape.

Some of the latter include a little model village; a cosy cottage carved into the bole of a great tree and another occupying a fallen tree trunk; wooden carvings and stone statues; lantern-draped trees; gazebos hiding in plain sight; what might be a Viking’s tomb; and places to dance and places to sit.

Lake Ruby WinterLand 2025, December 2025

There is no singular path by which the region can be discovered; instead it branches here and there, sometimes clearly, sometimes perhaps less so. Stone steps rise and fall, bridges cross streams, sometimes sturdy in form, other times less so. But whichever path you take, there is something waiting to be seen, and when you’ve done with one route – particularly should you reach the castle – does not mean your explorations are at an end; backtracking to a fork or to where a set of steps might rise or fall could well be in order if you are to discover everything.

The castle itself offers a large cobbled courtyard before its doors, the ruins of a chapel to one side within which stone-carved chess pieces appear to be engaged in a battle royal. Between castle walls and chapel ruins one of those many paths snakes around the southern side of the island, presenting a way to reach the Wizards tower and stone-built lighthouse, the latter occupying the region’s south-eastern headland.

Lake Ruby WinterLand 2025, December 2025

Within the castle there are rooms to be explored, from the grand entrance hall to the library with its flying books and banquet room with its floating candles, while a fire warms a comfortable lounge as rabbits play on cloud-like islands outside.

It is also with – or rather, below – the castle that the deeper secrets of the setting await discovery.  To find them one must pass through the gates to one side of the castle’s cobbled courtyard to where an ice dragon reigns supreme. Here, to one side, the darkened maw of a tunnel entrance awaits the opportunity to swallow you (complete with stalactites and stalagmites sitting tooth-like as once commences once descent within).

Lake Ruby WinterLand 2025, December 2025

I don’t want to give too much away about what lies blow the castle, as this would spoil the surprises. Suffice it to say, go deep enough, and you’ll pass beyond the ice and cold and reach a point where three further routes of exploration wait within the walls of a great crypt.

Depending on the door picked, these involve a circle of chambers where hot pools and crystals and more might be found, together, perhaps with in some Riddles in the Dark (Tolkien fans will understand when they see); a path to a hidden retreat of a wine cellar and the way back to the Landing Point (by way of that “secret” within one of the shops I mentioned earlier) or tunnels (complete with a literal mouth at their far end!) leading to a cove sitting below the castle’s walls.

Lake Ruby WinterLand 2025, December 2025

Rugged and beautiful with a definite twist of mystery-magic and full of places to sit and / or dance, Lake Ruby WinterLand 2025 is engaging visit.

SLurl Details

Cica’s Winter in Second Life

Cica Ghost, December 2025: Winter

December has arrived, and with it, the holiday season has popped its head over the horizon, and I’m more in the mood to start touring winter-themed locations in Second Life. By coincidence, Cica Ghost dropped me a line to let me know she’d just opened her end-of-year setting in her homestead region of Mysterious Isle, thus giving me my first outing to a winter setting to mark the approaching year-end.

Called, appropriately enough, Winter, the setting comes with a quote from T.S. Eliot’s poem The Waste Land, first published in 1922. Eliot is, again entirely coincidentally, one of my favourite writers of the 20th century, and it is not unfair to view The Wate Land a one of the most important poems of that century (and this, if you want my opinion, remains true for this current century as well 🙂 ).

Cica Ghost, December 2025: Winter

Given my love of Eliot, there is a danger here of me getting side-tracked into an examination of Burial of the Dead, from which the quote has been taken:

Winter kept us warm, covering
Earth in forgetful snow

– TS Eliot, The Waste Land, 1922

However, I’ll spare you any such thing, because the focus here is on these particular lines, not the poem as a whole or even part of it from which they have been taken.

Cica Ghost, December 2025: Winter

In their standalone state, these two lines perhaps encompass ideas of the joyous warmth we can so often feel when seeing a snow-covered landscape, together with the opportunities for us to forgot the worries and concerns of life whilst enjoying unique forms of play and fun snow can encourage – or simply by walking through snow and appreciating the quiet beauty it so often brings.

Befitting this, Cica presents a snowy landscape intended for wandering and finding its wonders. The latter particularly come in the form of Cica’s engaging creatures, all of which are – once again, appropriately – white. In this, what I found particularly attractive about Winter is its monochrome-like environment, one in which I’d recommend enabling Shadows in your viewer if your computer is up to it.

Cica Ghost, December 2025: Winter

This build does offer fewer places to sit than many of Cica’s previous installations through the year;  to me, this encourages the idea of walking through this winter wonderland, rather than jumping from sit point to sit point, this making it more enjoyable. In this Winter is an easy-going, happy setting in keeping with the season for many of us, allowing us to ease into the winter months, the holiday season and prepare ourselves for the year’s end.

SLurl Details

  • Winter (Mysterious Isle, rated Moderate)

Space Sunday: updates on launches and Goddard

Shenzhou 22 lifts-off from the Jiuquan Satellite Launch Centre, northwest China, 12:11 Beijing time, November 25th, 2025. Credit: CMSA

A handful of updates for this week covering some previous reports and articles.

Shenzhou 22launches to Tiangong

In my previous Space Sunday article, I covered the unfolding situation aboard the Chinese Tiangong space station, where three tiakonauts – Zhang Lu, Wu Fei and Zhang Hongzhang – “stranded” on the station. This was because their Shenzhou 21 spacecraft had been used to return three other tiakonauts – Chen Dong, Chen Zhongrui and Wang Jie – to Earth after their vehicle was deemed unfit to bring them home following a strike by orbital debris, thus leaving the first three without a return vehicle.

At the time of writing that piece, I noted that China was ramping work on Shenzhou 22, originally due for launch with a crew in 2026, so it could launch to Tiangong in an uncrewed state to provide the three crew on the station with a return vehicle, and that this mission could launch as soon as November 25th.

A camera aboard Shenzhou 22 shows it with solar panels deployed in orbit, November 25th, 2025. Credit CMSA

This is precisely what happened, with the vehicle launched atop a Long March 2F/G rocket from the Jiuquan Satellite Launch Centre in northwest China at 04:11 UTC on November 25th (12:11 Beijing time). The vehicle, flying under automated control, rendezvoused with Tiangong at 07:50 UTC, less than four hours after launch.

As it was flying without a crew, Shenzhou 22 brought with it additional supplies for the space station, including additional fresh fruit and vegetables for the crew, medical supplies, and equipment the crew might be able to use to repair the damaged viewport on Shenzhou 20’s orbital module, which also remains docked at Tiangong.

Shenzhou 22 (on the right) at Tiangong. Credit: CMSA

If this can be done, then Shenzhou 20 is liable to be returned to Earth under automated control; if not the Chinese Manned Spaceflight Agency (CMSA) has indicated it will be abandoned in orbit to free the docking port it currently occupies ready for the arrival of Shenzhou 23 in April 2026.Presumably, if abandoned, and giving the risk of collision, Shenzhou 20 will be commanded to make a controlled re-entry into the upper atmosphere to largely burn-up with any surviving elements targeting Point Nemo in the South Pacific Ocean.

Russia’s Only Active Manned Spacecraft Launch Pad Damaged

On Thursday, November 27th, at just before 09:28 UTC, Soyuz MS-28 lifted-off from the Baikonur Cosmodrome, Kazakhstan. Aboard were the Expedition 73/74 crew bound for the International Space Station (ISS) comprising carrying cosmonauts Sergey Kud-Sverchkov (mission commander) and Sergey Mikayev, and US astronaut Christopher Williams (NASA).

The flight proceeded smoothly, with the Soyuz vehicle achieving orbit and rendezvousing with the ISS a little over three hours after launch, docking with the nadir port on the Rassvet “mini-module” (formerly known as the docking Cargo Module) of the Russian section of the station.

Soyuz MS-28 (foreground), docked against the Rassvet module of the ISS, November 27th, 2025. Credit: Roscosmos

However, during the launch from Site 31/6, damaged was caused to the launch facilities, with the Service Platform apparently collapsing into the pad’s flame trench (used to direct a rocket’s super-heated exhaust away from the vehicle and pad during lift-off).

A three-decked unit, the Service Platform sits under the actual launch pad and Soyuz  the Soyuz rocket when in its upright position when on the pad, supported by three gantries on the pad itself (which open like jaws when the rocket lifts-off). Prior to launch, the service platform provides critical access to the lower portion of the booster as well as providing the mechanism required to support the rocket’s base. Its loss has temporarily rendered Site 31/6 inoperable.

A computer-generated model of the Soyuz Service Platform (aka maintenance cabin) used at Site 31/6 at Baikonur. Credit: unknown

What is particularly significant about this is the Site 31/6, first used in January 1961 and which has seen over 400 launches since then, is that currently, it is the only launch pad at Baikonur available for launching Soyuz and Progress. A second facility – Site 1, which was used as the launch pad for Yuri Gagarin’s historic flight, was decommissioned in 2020 due to lack of funds required for essential updates.

This means that, for the time being, Russia has no means to launch either Progress or Soyuz craft to the ISS. Following the incident, the Russian Space Agency Roscosmos issued a short statement confirming the damage, and stated that all the parts required to affect repairs are available, and repairs will be completed in the “near future”.

Site 31/6 at Baikonur following the launch of Soyuz MS-28 on November 27th, 2025, with the wreckage of the collapsed service platform circled. Credit: Roscomos

Russian spaceflight expert Anatoly Zak, who runs the Russian Space Website, and whom I’ve quoted in the past in these pages, notes that the platform could take up to 2 years to fully repair, but the pad itself could be brought back into use by Roscosmos “borrowing” the necessary hardware from the decommissioned Site 1, which is still standing.

Currently, the next planned launch from Site 31/6 is that of the uncrewed Progress MS-33 mission, due in late December 2025. At the time of writing, Roscosmos had provided no update on the status of that launch in light of the pad damage.

Boeing Starliner Update

NASA and Boeing have announced that the next flight of the latter’s troubled CST-100 Starliner crew vehicle will be an uncrewed flight to the ISS, and that overall, the number of operational crewed flights the vehicle will fly to the ISS will be reduced from 6 to 3 (for a total of four flights overall).

A Boeing CST-100 Starliner with its forward docking hatch open, approaches the International Space Station in preparation for docking during the uncrewed Orbital Flight Test 2 in 2022. Credit: NASA

Starliner has been the subject of numerous articles in these pages, having suffered a series of embarrassing flaws and issues, the most recent being during the vehicle’s first crewed flight test, which saw issues with the vehicle’s thruster systems and resulted in the flight crew of Barry “Butch” Wilmore and Sunita “Suni” Williams remaining on the ISS for a total for 286 days rather than their originally planned 7-14 days.

On Monday, November 24th, NASA announced the next launch of Starliner to the ISS – targeting a possible April 2026 lift-off – will be uncrewed and only carry supplies to the space station. Officially referred to as Starliner-1 and originally intended to be the first operational flight of the vehicle with a crew of 4, the flight is viewed by NASA as a further flight test to confirm Starliner’s suitability to commence crewed flights to the ISS.

Breakdown of Boeing CST-100 Starliner. A: Crew capsule (reusable), comprising: 1. hinged nosecone protecting the docking mechanism. 2: parachute compartment cover. 3: Crew access hatch 4: MR-104J RCS thrusters (25 in total). 5: 6 auto-inflating airbags for landing. 6: Heat shield (ejected during landing). 7: NASA Docking System 8: Parachute compartments (x3) 9: Window (x3) B: Service module (expended) 10: power and consumables umbilical connecting to the capsule. 11: Radiators (x4) 12: “Doghouse” thruster unit (x4 and location of the vehicle’s thruster issues). 13: Propellant tanks. 14: Doghouse roll control RCS thruster. 15: 4 x RS-88 engines for launch escape capability in the event of an abort. 16: Solar panels. Credit: NASA

In the same announcement, NASA indicated that in light of the delays to Starliner operations, they had agreed with Boeing that the number of planned flights using the vehicle will be reduced from the contracted 6 to 4 – including the Starliner-1 mission. This means Starliner will now only be used for three operational crewed flights to the ISS, the remaining two being held as “options” by NASA.

This does raise some questions around the entire CST-100 contract. In 2014, NASA agreed a fixed-price contract of US $4.2 billion for the development of Starliner and six operational crew flights (Starliner-1 through Starliner 6). In 2016, NASA amended the contract to pay Boeing an additional US $287.2 million per launch for the original Starliner-3 through Starliner-6 missions. As such, it is not clear if holding on to what would effectively be the “starliner-5 and “Starliner-6” flights as “options” is to avoid NASA and Boeing getting into an argument over refunds in the original contract.

A completed Boeing CST-100 Starliner vehicle within a clean room at Boeing’s facilities at Kennedy Space Centre, Florida. Credit: NASA

Overall, the Starliner project is now estimated to be some US $2 billion over-budget. While much of the additional cost has been paid for by Boeing, adding to the company’s word on top of the 737 MAX debacle, it is still a major embarrassment to NASA. For its part, Boeing may still hope to salvage its reputation (and generate revenue) by using Starliner in conjunction with the Blue Origin / Sierra Space led Orbital Reef commercial space station, in which Starliner a designated the crew transfer vehicle (a role Sierra Space also hope to fulfil if it can successfully implement the crew-capable  version of their Dream Chaser space vehicle).

Lawmakers Seek to Support Goddard

I’ve covered the disturbing situation at NASA’s Goddard Space Centre a few times in these pages recently (notably: Space Sunday: of budgets and proposed cuts and Space Sunday: more NASA budgets threats and Space Sunday: Goddard fears and comet updates), in which the NASA management appear to be facilitating a shut-down of facilities at the centre in accordance with the unapproved Trump administration budget for 2026, using the “20 year plan” for refurbishing and updating the centre as cover. It now appears that US lawmakers are asking questions as to what exactly is going on – and requesting NASA’s Office of Inspector General (OIG) carry out a full audit to make a proper determination on whether the actions are harming individual projects based at Goddard – or NASA as whole.

The effort is being led by Zoe Lofgren, Ranking Member of the House Science Committee, who has been joined by 15 other lawmakers, including Valerie Foushee Ranking Member on the Subcommittee on Space and Aeronautics. The letter, forwarded to NASA OIG on November 21st, 2025, followed a November 10th letter Lofgren to NASA Acting Administrator Sean Duffy and Goddard centre management stating the closures “must cease” until such time as NASA has submitted the changes for oversight by Congress and OIG.

The concerns from Congress stem from the fact that while initiated prior to the government shutdown, the closures and moves at Goddard were accelerated during the shutdown period, with many staff at NASA being ordered to pack their offices and data whilst technically on furlough and without any of the necessary paperwork required to allow them to work during a shutdown – called federal work exceptions – being submitted by Goddard Centre management.

In particular, it has emerged that pressure has been placed on two of NASA’s flagship science projects – the Dragonfly quadcopter mission to Saturn’s moon Titan (see: Space Sunday: A Dragonfly for a moon) and the Nancy Grace Roman Space Telescope (shortened to RST).

The Dragonfly quadcopter is due to launch to Saturn’s moon Titan in 2028, but has faced upset at Goddard due to staff being forced to relocate. Credit: JHU/APL

Both of these missions are based within Goddard’s Building 11, one of those earmarked for update. Prior to the acceleration of the emptying of facilities under the “20 year plan”, those involved in both projects were assured their work would not be affected, and both would be allowed to continue within Building 11 through until July 2026. However, on November 3rd, both were informed they had just 4 business days to pack-up their work and move out of the building. This was followed by reports that contract movers arrived following the deadline and started to remove highly sensitive equipment from the RST laboratories without proper Office of Safety and Mission Assurance (OSMA) oversight to ensure proper safety protocols were followed, potentially risking equipment to damage. Whilst these moves should not be taken as a sign either mission is at risk of cancellation, the lawmakers note in their letter to NASA’s OIG:

The rushed move introduced completely unnecessary cost, schedule and risk factors for Roman and Dragonfly that could have been avoided or mitigated if the agency had acted with due caution, care and patience … If this is how the agency handles one of its most high-profile flagship missions, how many other missions are in imminent danger of being irrevocably lost?
Building 11 at NASA’s Goddard Space Flight Centre (GSFC). Credit: NASA

A further cause of concern is revelations that equipment including 3D printers, test instruments – even entire laboratories – with a value potentially reaching into the millions of dollars, has been labelled to be either given away or simply disposed of.

In requesting the NASA OIG – which is charged with oversight of NASA’s operations, specifically to prevent and detect crime, fraud, waste, abuse, and mismanagement, as well to promote efficiency, effectiveness, and economy throughout the space agency – the letter requests that the OIG assesses cost impacts of the changes at Goddard, determine how the moves were funded and identify any negative effects on Roman, Dragonfly and other missions based within Goddard’s facilities.

Responding to Lofgren’s initial concerns and the letter to the OIG, Goddard Acting Director Cynthia Simmons and the associate administrator for NASA’s science mission directorate, Nicola Fox have stated what is happening at Goddard is “merely” an implementation of the 20-year plan (which was designed to be a phased approach to renovating / replacing  / closing many of the older facilities at the space centre over a 20-year period between 2017 and 2037), further claiming the current actions will reduce costs at Goddard by US $10 million per year and avoid US $64 million in deferred maintenance costs over the remaining years of the plan.

Rising operations and maintenance costs over a prolonged period have forced NASA to implement efforts to ensure the centre’s long-term viability through more efficiently utilizing available space and consolidating or reconstituting facilities. … All these efforts are in alignment with NASA Science Mission Directorate leadership and are designed to position Goddard for the future and protect ongoing missions, many of which are in pursuit of key decadal priorities and Congressional direction.

– Letter to Congresswoman Zoe Lofgren from Goddard Acting Director Cynthia Simmons and Nicola Fox, associate administrator for NASA’s science mission directorate

Whilst potentially accurate, the response from Simmons and Fox does not explain why the changes at Goddard are being carried out without the proper oversight from OSMA, and apparently without the proper transparency on the part of Goddard’s management or NASA Headquarters.

At the time of writing, George A Scott, NASA’s Acting Inspector General, has yet to respond to the lawmaker’s letter. Whilst OIGs frequently respond to Congressional requests for investigations by doing so, they are independent entities and so not actually obligated to do so. However, Scott is regarded as a capable and unbiased IG, having joined the office in June 2018 as NASA Deputy IG and following a 30 year career within the Government Accountability Office (GAO). He has previously been highly critical in how NASA manages itself and it funds, specifically with regards to contracts around major projects – such as the Space Launch System and its associated hardware – and in demanding better transparency by the space agency.

The blossoming of Sakura Islands in Second Life

Sakura Islands, November 2025 – click any image for full size
Sakura Islands is a richly detailed Japanese-inspired space with three immersive zones: a funky rooftop cityscape, a dreamy night skybox nestled among cherry trees beneath starry skies, and lush, pastoral islands blanketed with cherry blossoms. Enjoy contemplation and quiet reflection or a peaceful balloon ride. You may even spot a forest troll!

– Sakura Islands Destination Guide and About Land description

I’m always drawn to evocative Oriental-themed settings in Second Life – as I’ve oft mentioned, I spent a fair amount of time in the Far East at one point in my life (and still like to return when the opportunity presents itself), and it left a lasting impression on me. So when I came across the Destination Guide entry for Sakura Islands, I had to hop over and take a look.

Sakura Islands, November 2025

Occupying just over one-sixth of a Full private region leveraging the Land Capacity bonus available to such regions, Sakura Islands is the work of Nic Belmonte-Voxel (Nic Voxel). As its description notes, it is vertically split into three parts, with the rooftop setting serving as the main Landing Point (although this is not enforced).

The latter is a small setting that is not without its quirks, such as the chairs held aloft by little balloons and available for the intrepid looking for somewhere to it. It’s also a place clearly under the control of our feline overlords (you know what they say: dogs have owners, cats have – staff).

Sakura Islands, November 2025

Visitors arrive on the “central” rooftop, a place where a figure of Totoro, the first of several references to the acclaimed 1988 Japanese animated fantasy film, My Neighbour Totoro, stands under an umbrella, presumably waiting to greet new arrivals. Another reference to the film is also hidden in plain sight, but I’ll leave you to find it (clue: mouseover things, and assuming no-one else has left it running!).

A little penthouse-like room sits to one side of the roof, offering places to sit (and a third reference to the film 🙂 ) while soot sprites bounce around in a corner. Outside, bridges span the alleyways between buildings, presenting access to three more rooftops. One of these looks like a flying saucer out of the 1950s or 1960s, a steel-and-concrete frame with stairs climbing up to it giving the impression it is hovering above the roof over which it sits.

Sakura Islands, November 2025

Facing the flying saucer / UFO on the opposite side of the Landing Point rooftop is a shipping container reached by a makeshift bridge and which has been converted into a little cabin, presumably for a painter. The remaining accessible roof has a lean towards the industrial. Watched over by a Japanese ghost floating over it, it also has a shower tub sitting on it – possibly for use by the cabin owner? The other visible rooftops are not directly accessible, but are home to blossoming sakura.

Moving between the three main locations is via teleport boards and the use of a local Experience (with the ground level offering two destinations – one on the higher reaches of the setting (which I would recommend as a good arrival point during a first-time visit), and one at the foot of high waterfalls.

Sakura Islands, November 2025

Meanwhile, the second skybox in the region is located at a higher altitude, and presented within a sky sphere giving it the Oblivion-like impression of being set high in the sky, looking down on surrounding peaks, with rocky lands rich in more sakura below it. It’s a quiet place offering places to sit, the skybox itself one of Cory Edo’s designs.

However, it is the ground level which really caught my attention. Rugged, it is lined on two sides by high curtain walls of rock separating it nicely from the rest of the region, leaving the remain two sides looking out over water to off-region islands, the tall tower of a lighthouse rising from a nub of rock to stand as a sentinel between the setting and the islands to the south.

Sakura Islands, November 2025

If you follow my suggestion vis. ground level teleporting, you’ll find yourself standing on a flat-topped table of rock forming an attract wildling garden crossed by two main footpaths. One of these, running east-to-west connects the garden with bridges providing access to two of the other highland areas, whilst the north-south path provides access to the shoreline on the southern side of the setting and to the shingles of the gorge separating the larger islands from the more northern parts of the setting.

Within this garden, and reached by a separate path, is a dry landscape / rock /Zen garden (pick your preferred name!), and also a hot spring with seating for those wanting to relax in the water. Meanwhile, the main garden continues westward on the far side of the bridge, where the second of the table-topped islands resides.

Sakura Islands, November 2025

Roughly the same size as the first island, this is home to the summer / tea house and again offers indoor and outdoor seating, together with more sakura sprinkling blossoms over paths, grass and flowers. A bridge has been slung across the cleft between this island and the smallest of the three (which can also be reached via a further bridge reaching out to it from the landing point rock), where sits a small shrine.

Eastwards from the landing point rock, the land juts out from the surrounding cliffs to form a promontory alongside the high waterfall feeding the main gorge. This again forms a garden space with room to sit down under the watchful eyes of a goat. Stone steps curve down from here to arrive at the foot of the falls, presenting a further means to reach the main gorge and explore its length, with a little bridge and stepping stones helping you to keep your feet dry as you head for the waterside tea house or the steps leading up to the north side of the setting.

Sakura Islands, November 2025

Throughout all of this there is much to discover – such as the hot air balloon rezzer (which is not the only means to taking to the air by balloon and drafting around the setting; again, mouseover things! 🙂 – plus, a third balloon is also present, but it is static in nature); the raft and rowing boat out on the waters offering their own little retreats; the prone Totoro tucked away and perhaps not too obvious to at first spot, but nevertheless offering another place to sit.

There are a couple of oddities that perhaps need correcting – a floating tree, water tumbling out of mid-air (unless a part of the landscape was simply refusing to load in my viewer!) – but these in no way detract from the setting’s beauty and sense of calm. In all, Sakura Islands is perfectly conceived and executed, and – needless to say – very photogenic.

Sakura Islands, November 2025

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