Nitroglobus Roof Gallery, August 2024: Scylla Rhiadra – Swerve
August 5th, 2024, saw the opening of Swerve, a themed exhibition by Scylla Rhiadra, hosted by Dido Haas at her Nitroglobus Roof Gallery.
Scylla is, quite frankly one of the most gifted communicators in Second Life; her ability to to use art to convey ideas, feelings, realities and truths, and/or to expose concepts and ideas and encourage the grey stuff between the ears to start firing on all available cylinders, is second to none. This is especially true with Swerve, which takes as its subject matter, a visualisation of the essence of De rerumnatura, (“On the nature of things”), a six-part (and potentially unfinished) poem by the 1first century BCE Roman poet and Epicurean philosopher, Titus Lucretius Carus.
It is also, again quite frankly, an exhibition I’ve found exceptionally difficult to write about. This is partially due to the fact that Scylla lays out out the inspiration and ideas for the exhibition quite wonderfully through both a poster on the wall close the gallery’s main landing point and through the notecard that can be obtained by touching said poster. As such, anything I might further say on in this regard is rendered somewhat superfluous.
Nitroglobus Roof Gallery, August 2024: Scylla Rhiadra – Swerve
“Swerve” is the most usual translation of the Latin term clinamen, a key word and concept in De Rerum Natura, a 1st-century BCE philosophical poem by Titus Lucretius Carus. Lucretius was the great populariser of Epicureanism, and his poem is a long and detailed explication of the ancient understanding of atomism, and of its implications for human life. It is also, in an important sense, the inspiration for this exhibition.
Lucretius tells us that nothing that is not “matter,” composed of atomic particles, exists in the universe. We swim through a torrential downpour of plummeting atoms that crowd the void of space, and these fall naturally in a straight line. Vitally, however, they also sometimes swerve from their straight, downward course and, colliding with others, cohere into new clumps of matter or ricochet off each other in unpredictable ways. “Swerve” is thus the foundation of all existing things, and, as importantly, of all change. The idiosyncratic motion of these swerving atoms is also, Lucretius asserts, the origin of human free will, for we too “swerve” from our natural course according to the dictates of our appetites and passions.
Scylla Rhiadra, introducing Swerve
There’s also the fact that by pure happenstance, I’ve not long since finished reading Greenblatt’s The Swerve: How the World Became Modern, the story of how the last known remaining copy of De rerum natura was rescued from certain loss in the early 15th century, helping to kick-start our modern understanding of modern physics an physical sciences.
While there is much that is perhaps questionable within The Swerve (particularly around Greenblatt’s propensity to interject his own view on religion together with a blurring of historical lines), I have nevertheless found it hard to divorce my thoughts on the fundamental story of the rescuing of the poem and how it potentially influenced modern thinking as outlined in Greenblatt’s book, from Scylla’s far more focused and elegant examination of her opening question posed when introducing her exhibition:
What does it mean to live in a godless, materialist universe ruled by the laws of physics and propelled by the endless fall and collision of atoms in apparently chaotic order?
Scylla Rhiadra, introducing Swerve
This is not in any way to fault Scylla; the fault is mine alone; I have lacked the mental discipline to keep my mind focused purely on Scylla’s work.
However, in trying to keep that focus, what I can say is this. The images Scylla present within Swerve are – as always – of a nature that allows each of them to stand on its own as an engaging piece of art while also offering a depth of reflection and / or enunciation of ideas either posited by Lucretius or to which we might be led in considering of his explanations of life, the nature of the mind and the soul, the driving forces behind our own actions and reactions to the cosmos – and others – around is, and most particularly by our own inner passions and desires, which can both aid and foil us.
Nitroglobus Roof Gallery, August 2024: Scylla Rhiadra – Swerve
In this there is much subtext to be found within many of these pieces – be it the placement of an icon on the wall or the juxtaposition of a woman’s body behind the bloom of a flower. Some of this again stand quite independently of Lucretius’ writing – but at the same time, understanding his outlook and the Epicurean view of the cosmos and humanity greatly enhances how these pictures might be viewed – an they, aided by Scylla’s words, tickle the desire to know more about this almost-lost didactic poem.
There are perhaps small aspects of Scylla commentary that might give cause for disagreement. Her use of the word godless might be seen as inaccurate, as neither Epicurus nor Lucretius posited a universe without deities; rather they held that such was the natural, elemental nature of an atomic universe, ordered by simple rules and interactions (such as clinamen), there was simply no need for any gods to involve themselves in the affairs of mortals; they could simply get on with enjoying absolute peace for all eternity. However, I would respond by saying that in a wider context – that of the “modern” world – Scylla’s use of godless is well-founded; while we have no evidence throughout De rerum natura that Lucretius was an atheist, in its denial of divine intervention and its repudiation of the immortal soul, the poem was (and sometimes still is) seen as “anti-Christian” and “dangerous”.
Nitroglobus Roof Gallery, August 2024: Scylla Rhiadra – Swerve
There is so much more I could say – but (thankfully for you) I won’t, other than do go as see this exhibition – read Scylla notes and then view her work; allow it to inhabit your thoughts and whisper to you with the voice of history.
The following notes were taken from the Tuesday, August 6th, 2024 Simulator User Group (SUG) meeting. They form a summary of the items discussed, and are not intended to be a full transcript, and were taken from my chat log. Pantera videoed the meeting, and the recording is embedded at the end of this piece – my thanks, as always, for her work.
Meeting Overview
The Simulator User Group (also referred to by its older name of Server User Group) exists to provide an opportunity for discussion about simulator technology, bugs, and feature ideas.
Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.
Simulator Deployments
The SLS Main channel was restarted on Tuesday, August 6th 2024.
On Wednesday, August 7th:
The BlueSteel RC is to be restarted.
The remaining RC channels should receive the Summer Fun simulator update, which includes the initial Combat 2 updates from Rider Linden.
Upcoming Releases
The is an internal discussion going on at the Lab as to the next simulator update. This may either be Picnic or the back-end WebRTC updates – with the most likely order being Picnic first, then WebRTC.
SL Viewer Updates
Release viewer: version 7.1.8.9375512768, formerly the Graphics Featurettes RC viewer dated June 5 and promoted June 10th.
Atlasaurus RC (object take options; improved MOAP URL handling), version 7.1.9.9981869229, July 22.
Maintenance B RC (usability updates / imposter changes) 7.1.9.9555137545, June 21.
Maintenance C RC (reset skeleton in all viewers), version 7.1.9.9469671545, June 14.
Game Controller
As a reminder – Summer Fun includes the Game Controller updates from Leviathan Linden, but these have yet to reach a former viewer release.
Also, and just as a FYI for those trying the pre-release game control viewer:
If the viewer is used on a simulator without the back-end support (e.g. any simulator on the SLS Main channel after toWednesday, August 7th, and Tuesday, August, 13th), the viewer will be logged out in what might look like a crash.
This generally only happens the the GameControl option is enabled, but has also been reported on occasion even with the option disabled.
In Brief
A general and (theoretical) means of cleaning-up the viewer codebase, and the potential risks in doing so (e.g. apparently “unused” code removed or capabilities thought as no longer relevant resulting in content breakage.
The above extended into the use of APIs in the viewer as well, with encouragement for those with ideas for APIs to file them as feature requests (such as this feature request).
Rider confirmed that the promised facelift for the LL combat regions will focus on Concord, Lexington and No Man’s Land.
It’s been noted that outdated map tiles are still appearing on the World Map despite recent updates – apparently, the final updates to the map server have yet to be deployed, hence the delays in updates some might witness.
Please refer to the video below for further details.
† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a rooftop of people every week. They are taken from my list of region visits, with a link to the post for those interested.
Goblins Knob, August 2024 – click any image for full size
Tolla Crisp’s Frogmore expanded recently with the arrival of Goblins Knob, a Homestead region by Tolia and her frequent region design partner, Dandy Warhlol (terry Fotherington). I always enjoy trips to Tolia’s regions as the settings they present are so often inspired by physical world locations whilst taking their ideas in directions totally set aside from any real world location rather than merely reflecting it. In this, Goblin’s Knob immediately captured my interest just from the description Tolla has bestowed upon it:
Goblins Knob is inspired by 1666 Pudding Lane, London, before the great fire, with the added magic of Diagon Alley. Early dawn of quiet hush, fog descends with a gentle brush. Veiling the world in a silent shroud, nature’s whisper not too loud. The Spiderwick comes at the break of dawn, Bogarts and Goblins, and dark Pixie Yarns.
Goblin Knob’s Destination Guide description
Goblins Knob, August 2024
Now, I’ll be honest, the Diagon Alley reference went right over my head – although Wilhelmina, my companion for the visit, immediately caught it. In my defence I will say that my ignorance is borne of the fact that I am probably one of the few people in the world never to have had the desire to read the Harry Potter books (despite loving fantasy in general) or watch the films. That said, the reference to DiTerlizzi’s and Black’s series of books (and subsequent TV series and film) was all too clear; and that and the idea of mixing 17th century London with elements of steampunk very much whetted my appetite for the unusual and the eye-catching.
This is a place which should be visited using the looks environment settings (World Environment → Used Shared → Environment). It is also a region where PBR materials are much in evidence, including on the terrain (one of Alex Bader’s PBR materials sets looks to have been used – I’ve been using within my home island as well). I have no idea if texture and Blinn-Phong fallbacks are provided where the PBR has been used, but if you drop in on a non-PBR viewer and find expanses of grey or white or similar, this will likely be the reason why. You’ll also want local sounds on whilst visiting as well.
Goblins Knob, August 2024
Visits begin on the east side of the region, on a small wooden pier sitting just above the surface of the water. The fog is heavy and the night dark, but two great fingers of rock loom out of the water whilst the shadowy form of a tall building rises tower-like a short distance from the pier. The latter is illuminated by the tall form of a floodlamp tower topped by the gapping mouths of klaxon horns. This marks the first coming together of the strange mix of influences. With thick heavy cables clearly visible, the floodlamps would appear to be electrically powered, setting them a little at odds with the idea of 1600s London; another little twist comes in the form of two strange flying vehicles “moored” (inasmuch as they are serenely hovering above it) at the pier – although they do have the steampunkian element.
Further mystery is added by the long shafts of spears protruding from the water as if thrown in an attempt to ward off a sea creature of some kind. To one side of the pier, the high wall backing it gives way to a west-point channel cutting into the region, on the other, step rise up from the water’s edge to provide access to the cobbled street above ad it runs along the edge of the deep walled canal, a peculiar mix of lit buildings somewhat crammed together whilst separated by archways and cobbles alleyways.
Goblins Knob, August 2024Three primary bridges span the canal, with a slightly rickety looking boardwalk forming a fourth crossing, this above the short tunnel leading out to the waters by the landing point pier, providing access to a heap of buildings cut off from the rest of those to be found on the canal’s north side by another deep-walled channel. Steps on the far side of this boardwalk rise up to the flat rooftop where a cannon ominously points its snout up the line of the canal, rather than out to sea, as if awaiting something nasty to come down through the waters. from further inside the town.
It is on the north side of the canal and along the cobbled street there that many of the more wizardly (or perhaps magical might be a better term) elements for the region might be found, both within shops (or a shop) and at the roadside vendors. Further to the west and across another bridge, this one spanning a channel feeding water into the main canal from a rocky waterfall, lay more hints (others being in the form of posters in doors and walls of buildings already passed, for those keen of eye) that the circus is in town. Indeed, a trip down a short alley arched with roses will bring you to where a path winds through the local woods to the rather forlorn circus itself.
Goblins Knob, August 2024Meanwhile, in the waters of the main canal just below where the circus wagons sit on the town’s street, a possible reason for the inward looking cannon might be found as it menaces a ship trying to make passage through the narrow waters. At its western end, the canal opens out into the sea once, high stone walls continuing to keep the streets high above the murky waters. But where, on the south side, the wall marks the limit’s of the town’s extent save for piping of unknown use, to the north the town continues along what might have once have been a substantial wharf, but which is now the foundations for a ramshackle building looking almost like the grandfather of all motels and lit an eerie green.
Nor is the canal merely a source of navigation for watercraft; overhead, a procession of balloons and dirigibles appear to be following to whole-knows where. Among these, but not a part of their number, given it is firmly anchored to the ground, is a balloon from which a zipline ride might be taken at a very sedate pace.
Goblins Knob, August 2024
Most – but not all – of the building here are façades, and I admit, outside of the higgley-piggledy cramming of the buildings, I’m unclear as to the reference to the London of 1666 and the Great Fire. However, none of this detracts from a setting that is very heavy in atmosphere and rich in detail, particularly when it comes to the steampunk elements. Even the otherwise incongruous elements such as flood lamps and 20th century English telephone boxes just work, and I particularly liked the tavern’s wall of framed pictures and the little jokes nested within the images.
Very different from other Frogmore venues, but engaging and photogenic, Goblins Knob is a fascinating curio of a region.
Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates from the week through to Sunday, August 4th, 2024
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Release viewer: version 7.1.8.9375512768, formerly the Graphics Featurettes RC viewer dated June 5 and promoted June 10th.
August brings with it – for those of us in the northern hemisphere – the latter part of summer and the promise that autumn is about to get out out of bed and start looking in our direction. But before it arrives there is still time for those who wish to grab the opportunity and have some summer fun – be it a vacation or simply a little time at the seaside.
It is the latter – a trip to the seaside – that Cica Ghost celebrates in her August 2024 installation Summer Camp. While it many not have anything to do with the more formalised affairs families in various countries pack their kids off to for a part of summer, Cica’s setting does have much to offer the kid residing in all of us: sand castles, friendly dinosaurs, happy-go-lucky snakes, fishy cars to sit on, opportunities to dance.
Cica Ghost, August 2024: Summer CampAs is usual with Cica, the installation is framed by a quote, this one from a poem by the American poet, writer and physician, William Carlos Williams.
In summer the song sings itself
– William Carlos Williams, The Botticellian Trees
Williams’ work is a fascinating trove; most closely associated with the modernism and imagism movements, both in word and art, his poetry drew on multiple inspirations whiles often centres of related imagery – such as trees.
Cica Ghost, August 2024: Summer Camp
The Botticellian Trees itself interweaves the theme of trees and reflection on art (or at least, an artist, hence in part the title), but it is perhaps best know for this pair of lines, fully capturing as they do all of the beauty, promise and feeling that summer can bring, regardless of our age. Here, it perfectly captures the essence of Summer Camp.
There’s really not too much else to say about this installation; it is very much something to be experiences rather than read about. The creatures and figures found throughout are offered for sale in Cica’s shop, storefronts for which are perched up on the cliffs overlooking this sandy realm. The fish cars may be static, but they still offer places to sit (and other can – as usual – be found throughout), with a touch of acrobatics / balancing thrown in as well. And then there are the sand castles to wander through and (in places) climb, while for those who’d like more of a bird’s eye view (or should that be crow’s eye view 🙂 ), there’s always the balloon floating serenely overhead.
NASA’s Perseverance Mars rover took this selfie on July 23rd, 2024 (sol 1,218 of the mission). The “arrowhead” rock dubbed “Cheyava Falls” is centred in the image. The white spot on surface of “Cheyava Falls” is one of two points “cleaned” of surface dust so the rover could examine the composition of the rock’s surface directly. The second spot was used by the rover’s drilling mechanism to obtain a core sample of the rock, the hole for which as be seen just below the abrasion patch. Credit: NASA/JPL / MSSS
On July 25th, NASA released a statement on a recent find made by the Mars 2020 rover Perseverance as it continues to explore an ancient river outflow delta within Jezero Crater on Mars.
The statement relates to a rather unusual arrowhead-like rock NASA has dubbed “Cheyava Falls” which attracted interest both due to its general shape and the fact its surface has white veins of calcium sulphate—minerals that precipitate out of water – running across it. More particularly, between the veins, Perseverance imaged tiny mineral “leopard spots”, whitish splotches ringed by black material.
On Earth, such spotting can form when organic molecules react with hematite, or rusted iron. These reactions, in turn, can fuel microbial life. “Cheyava Falls” is the first time they’ve been seen on Mars, and so it is understandably a cause for interest and some excitement, and marked the rock – measuring around a metre in length and half a metre across at its widest, – and a target for more detailed study.
Captured on June 12th, 2024 (sol 1,178) this 360-degree view of the region dubbed “Bright Angel”, the outflow plain on the edge of Jezero Crater in which “Cheyava Falls,” is located. The 346 images making up this view were captured using the MastCam-Z instrument on the rover’s mast and stitched together after being sent back to Earth. The colour of the completed mosaic has been enhanced to bring out subtle details. Credit: NASA/JPL / MSSS
This commenced with analyses of various parts of the rock using instruments mounted on the turret at the end of the rover’s robotic arm, notably SHERLOC, PIXL and WATSON.
SHERLOC – the Scanning Habitable Environments with Raman & Luminescence for Organics & Chemicals – revealed the compounds both within the white veins and on the surface of the rock as a whole, are consistent with those known to be involved in the advent of life. Meanwhile, WATSON, the Wide Angle Topographic Sensor for Operations and eNgineering imager associated with SHERLOC was able to provide detailed images of the “leopard spots” and the calcium sulphate veins, revealing multiple other minerals to be present, some of which contain elements which might assist in the formation of life; whilst the Planetary Instrument for X-Ray Lithochemistry (PIXL) instrument confirmed the “leopard spots” themselves contain both iron and phosphate, and so might possibly have once powered organic processes.
Captured on July 18th, 2024 (sol 1212 of the mission) using the WATSON imager aboard the NASA rover Perseverance, this image of the rock dubbed “Cheyava Falls” show to of the large white calcium sulphate veins running across the rock, and between them bands of material whose reddish colour indicates the presence of hematite, covered in millimetre-sized light patches surrounded by a thin ring of dark material, and referred to as “leopard spots”. Similar spots can form on sedimentary terrestrial rocks and are frequently an energy source for microbes. Also annotated is one of a number of nodules of pale green olivine. Credit: NASA/JPL / MSSS
This is the first time that a combination of all three of these types of deposit have been found in a single location on Mars, thus raising even more interest in “Cheyava Falls” and potentially making it the strongest contender yet for indicating basic microbial life may have at one time existed on the planet. However, as the science team has noted, the situation is far from clear.
On Earth, whilst they are noted for their association with microbial life, “leopard spots” are initially the result of an abiotic chemical reaction. So even if the same processes were at work on Mars and may have eventually gone on to feed Martian microbe which may have come about courtesy of the other processes at work in the rock, it is also possible other factors intervened which halted any microbes getting a kick-start with life. In this, matters are complicated by the presence of olivine mineral fragments in the rock.
Olivine is a product of magma – and magma is not friend to organics, as such, their presence in the rock suggest they and the phosphates may have been deposited at temperatures too great to allow organic material to survive, but the phosphates were deposited into veins and pits in the rock after it had been initially laid down as sedimentary mud and compressed into rock, thus giving rise to the veins and spots.
To understand how the rock may have formed, the rover was instructed to take a core sample of “Cheyava Falls” on July 21st, and only the 22nd rock sample to be taken by the rover since it arrived on Mars in February 2021 – the being due to drilling operations having been cut back as a result of a series of issues with the drill mechanism and a desire to avoid it failing prematurely as a result of wear and tear.
Some of this sample will be analysed by the rover itself using its on-board lab. Unfortunately, while this may reveal more of the rock’s history, its unlikely to definitive answer the question of whether microbes might have once nommed on the minerals in the rock; there are simply too many variables involved for the rover’s limited capabilities to reach such a definitive conclusion on its own.
Captured using the front right Hazard Avoidance Camera A on the the rover’s chassis, this image shows Perseverance with the turret of its robot arm positioned over “Cheyava Falls”, ready to drill a core sample. This image was captured at the local mean solar time of 15:16:29 on July 21st, 2024 (sol 1215 of the mission. The image is unprocessed and show natural daytime lighting on Mars. Credit: NASA/JPL / MSSS.
As such, the material gathered in the sample would need to be returned to Earth. For this to happen NASA need to sort out how it is going to managed getting the sample – and others Perseverance has gathered (and in some cases already cached on the Martian surface). The problem here being that, as I’ve noted in previous Space Sunday updates, is that NASA has no clear idea as to how such a sample return mission might be completed; its original planes for far too complicated and way too costly – estimates by the agency’s own Office of Inspector General (OIG) pushing the mission upwards of US $9 billion – making it impractical and prompted NASA to re-think the whole thing.
Given this, the mystery of “Cheyava Falls” is liable to remain long after Perseverance has moved on in its exploration.
Boeing Starliner: “Hot Fire” Test Success, But No Return Date
In my previous Space Sunday update, I provided an update on the Boeing CST-100 Starliner Crew Flight Test (CFT) mission to the International Space Station (ISS), but things were hanging in the balance, as there were tests taking place at the time which could determine the vehicle’s readiness to make a return to Earth.
At the risk of repeating myself, Starliner vehicles use two propulsion systems: four larger orbital manoeuvring and attitude control (OMAC) system, used for making significant manoeuvres, and 28 smaller reaction control system (RCS) thrusters used to carry out precise manoeuvring and also to help stabilise and fine tune the vehicle’s pitch, yaw and roll during and after use of the OMACs. Four sets of thrusters, each comprising an OMAC unit and seven RCS units, are equidistantly places around the Starliner’s service module in external units called “doghouses”. During the flight up to the ISS, the RCS thrusters in particular suffered a series of issues and helium purge line leaks.
Since then, NASA and Boeing has been working through matters, delaying the return to Earth for both the vehicle and its crew of Barry “Butch” Wilmore and Sunita “Suni” Williams. Most recently, comparative testing between “doghouse” units on Earth and those on the Starliner in orbit revealed large temperature spikes occurring within latter’s doghouses when pulse-firing the RCS thrusters immediately after the used of the OMACs – and these spikes are believed to be the cause of leaks detected in the RCS helium purge lines and cause the failure of one of the RCS thrusters.
To combat this, Boeing and NASA have been developing an alternate procedure for the use of the RCS systems in an attempt to eliminate the noted temperature spikes in the “doghouses”, and the tests carried out on July 27th aboard Calypso were designed to test these new procedures. Following an initial review of the test data, NASA issued a statement noting:
The test involved firing 27 of the spacecraft’s 28 jets for short bursts, moving through them one at a time to check thruster performance and helium leak rates. Preliminary results show all the tested thrusters are back to preflight levels based on thrust and chamber pressure.
As part of the test configuration, all helium manifolds, which control and direct the flow of helium, were opened allowing engineers to continue evaluation of Starliner’s helium supply and leak rates. The teams verified Starliner continues to show the margin needed to support a return trip from the station.
Boeing CST-100 Starliner major vehicle elements. Credit: Boeing
In other words, there is currently a high confidence within NASA and Boeing that Starliner is fit for purpose in being able to bring Wilmore and Williams back to Earth.
However, prior to a final decision being made in this regards, a formal return readiness review meeting must be held. This is a necessary step to certifying a vehicle which has experienced issues is believed to be fit for a return to Earth, and which usually sees a target date for its return is identified.
Prior to the hot-fire test, NASA indicated this meeting might take place during the week immediately after the test; but on August 2nd, NASA indicated it would not occur any earlier than the week commence August 5th, so as to allow further review and vetting of the test results. This resulted (again) in a lot of social media driven speculation NASA were about to “abandon” Starliner.
This speculation appears based on unlinking a number of suppositions: that: a) NASA’s delay with the readiness review meeting shows “something is wrong”; b) as NASA is still prepping the four-person Crew 9 for launch to the ISS on August 18th, but doesn’t have room for it to dock (there are only two docking ports on the ISS which can be used by Crew Dragon, one of which is occupied by the vehicle used by the 4-person Crew 8, and the other by Starliner); ergo, c) NASA “must” be considering sending Starliner back to Earth uncrewed, in order to make way for the Crew 9 flight.
While it is true that that data may yet surface that warrants NASA to consider returning Calypso to Earth uncrewed and looking to other means to bring Wilmore and Williams home, there is absolutely no evidence for this being the case at this point in time. Further, it’s actually not the only contingency NASA has at its disposal.
If the confidence in Starliner remains high, but the return cannot be completed until after August 18th (and assuming Crew 9’s launch is not itself delayed), the agency could opt to bring Crew 8 back to earth ahead of the launch of Crew 9. Doing things in this order would not be optimal – but it is possible. However, as it stands, and as Steve Stich, NASA’s Commercial Crew Programme Manager, has made it clear where NASA’s focus for Starliner lies.
I think we’re starting to close in on those final pieces of the flight rationale to make sure that we can come home safely, and that’s our primary focus right now. We have contingency options; NASA always has contingency options … But right now we’re really focused on bringing Butch and Suni home on Starliner.
– NASA Commercial Crew Programme Manager Steve Stich
Outside of this, and following the July 27th tests, Boeing issued its own statement noting that return preparations are underway, and has held an “integrated simulation” – essentially a full dress rehearsal of Starliner and Calypso’s departure from the ISS and return to Earth, involving ground controllers and Wilmore and Williams in readiness for readying for “potential returns throughout August”.
In addition the ISS crew used the station’s CanadArm 2 robotic arm to complete a visual inspection of Starliner’s exterior – both the Calypso capsule and the service module. Such inspections are a normal part of preparing for a vehicle’s departure from the ISS. All of which seems to underline Boeing and NASA are fully expecting Williams and Wilmore to return to Earth aboard the vehicle.
In the meantime, and in news unlikely to sit well with Boeing shareholders, the continuing issues with the Crew Flight Test have resulted in Boeing taking a further US $125 million charge from NASA. This brings the total amount charged to Boeing as a result of the delays across the entire Starliner programme to US $1.6 billion against NASA payments to Boeing for Starliner development totalling US $5.1 billion.