Currently mid-way through its November / December 2023 run at the Kondor Art Garden, a part of the Kondor Art Centre operated and curated by Hermes Kondor, is Carousels, a collection of animated art pieces by photographer-artist Lalie Sorbet.
The exhibition comprises some 20 animated mobiles, each one richly organic in form, and all of them floating serenely along the gravel paths circling the gardens. Each piece is formed from two elements, each bearing an image which has been set to rotate gently, one element moving clockwise and the other counter-clockwise.
Some have their parts rotating more-or-less at the same speed, others have their parts rotating at different speeds to one another; thus the sense of life and vitality is deftly imbued. But no liner notes from the artist are provided, so how we might interpret them is a matter between the eyes and the imagination of the beholder. Might they be exotic plants caught on a cushion of air? Otherworldly life-forms drifting through the gardens on an examination of their own? Objects from the sea-s depths brought forth upon the land? Something else? That is entirely for you to decide as you visit.
What is evident within all of the pieces is the manner in which each of them appears both tactile and delicate. On the one hand, they seem to dare us to reach out and feel the touch of what might be a veined leaf or a ripple of hair-like fibres or a gossamer-thin sphere of silk as it slides across finger tips. On the other, there is a countering sense as to what just the lightest of caresses might do to these exquisite forms of light and colour were we to try and touch them; would they respond open and positively responsive to our fingertips, or might they recoil, contract and deny us further revelations as to their form and nature?
I also found myself wondering as to their creation; were they the result of a digital freestyle approach by the artist, or might they be a continuation of her explorations in using AI software to create their component forms prior to being brought together by eye and script to gain life? This is perhaps not important in the overall scheme of things – Carousel stands “as is” as an engaging and visual collection of pieces – but having recently witnessed Lalie’s work with AI tools (see: Art, AI and Totems in Second Life), I cannot help but wonder if if Carousels is a further aspect of her use of AI as a means to extend her natural artistry.
Vital, rich in colour, subtle in form – and perhaps carrying a hint of the hypnotic through the motion mere still images cannot convey – Carousels is a relaxing and engaging exhibition of animated art, with pieces available for purchase by those who would like to have a piece at home – floating in the garden, perhaps, as a peregrine visitor to their own garden.
SLurl Details
- Kondor Art Garden (Royal Tea, rated Adult)
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