STÖMOL, the feature-length science-fiction move produced entire in Second Life, has been awarded second place in the 2020 SUPERNOVA Digital Film Festival.
The film, written, directed, produced and starring Huckleberry Hax, together with Caitlin Tobias, Ylva, Boudicca Amat, Anthony Wesburn and Mich Michabo in leading roles, was one of a number of entries to the festival that were wholly filmed in Second Life and which were open to viewing on-line throughout the festival’s almost month-long run.
The film gained numerous plaudits from those at the festival for its style, content, story arc and composition, including founder and Creative Director Ivar Zeile. It was runner-up to #21XOXO, “a stylized window into the zeitgeist of youth and pop culture,” by Sine Ozblige, and earned a prize of US $750 for Huckleberry and his team.
I was stunned when I watched STÖMOL for the first time. I’ve seen some Second Life animations – we’ve really supported artists that are working in that platform over the years – and I didn’t believe I was going to be taken by a feature length film made in Second Life, but Huckleberry absolutely delivered the goods.
Ivar Zeile, Supernova founder and Creative Director
Very special and deserved congratulations to Huckleberry and his team for STÖMOL’s runner-up status at the festival, it was well deserved. I hope that – as nerve racking as entering this festival was to him – this award will spur Huckleberry to continue filming, and we will get to see the sequel and the answers to the question posed by the film’s end credits (nope, not going to spoil it for those who haven’t seen it! – but if you are interested, my own review of the film can be found in Second Life’s STÖMOL: a review).
Other pieces filmed in Second Life and featured in the festival were machinima by Erik Mondrian, and a piece by Tizzy Canncci.
Erik had a total of three pieces accepted by the festival, comprising his CalArts Master of Fine Arts thesis For the Light of Other Shores, a marvellous 10-part series, selected for the Director’s Choice programme of the festival; together with Tripping through Skyscrapers, his video journey through Gem Preiz’s Skycrapers installation ,and Cetatea Poenari, recording a visit to the region of the same name, and both of which featured in the festival’s Everything Abstract-Sonic programme.
For her entry, Tizzy submitted Out of Isolation Came Forth Light, a recording of a performance by artist SaveMe Oh that took place in CapCat Ragu’s installation entitled Isolation, displayed at Ribong Gallery’s Artspace 1789.
I’d also like to offer my congratulations to Tizzy and Erik for entering their work for the festival. I know that Erik had a certain amount of trepidation in making his submissions, but his work – which I have the privilege to be able to discuss with him and write about (see Erik Mondrian: master of fine arts in and beyond Second Life) as well as follow via You Tube – full deserves recognition through a wider audience.