Now open at La Maison d’Aneli, curated by Aneli Abeyante, is a multi-level collaborative installation entitled Lalawood which is quite the most unconventional – and potentially controversial (for some) interactive installation I’ve seen in Second Life for quite a while.
Designed by Onyxxe, Iono Allen, JadeYu Fhang and Theda Tammas, Lalawand is difficult to quantify. Intended to be humorous, it is also in part pointed, perhaps controversial, irreverent (with what appears to be a healthy dose of self-satire), anarchic and – perhaps most of all – unconventional.
You never heard of LALAWOOD? What a pity! It is the best playground in Second Life. A kind of LEGOLAND, just without the first L. Yes you understand well. Finally a place where you are allowed to show off your talents, value and persona without any restraints … You will meet kings, queens, godfathers, godmothers and many other successful gods. You even can bump at Philip Linden while wandering around.
– Onyxxe, describing Lalawood
The installation comprises six levels, including the landing point where something of an introduction to the installation is to be found, together with instructions on how to best view the installation. From here there is a teleport to the first actual level of the installation itself.
To describe the five primary levels of the installation would be to spoil the element of discovery and perhaps unduly influence personal interpretation of Lalawood. suffice it to say each includes interactive elements, starting with the “iLala” music player that provides a music track to accompany your exploration of the installation (it is essential you have local sounds active). These interactive elements combine in-world objects and those presented to your inventory you are asked to add to your avatar.
Perhaps the easiest way to define Lalawood is that it is an exploration of self and the role of ego in our Second Life persona. In this, it raises topics we may well find familiar through our experiences in Second Life (the roles of sex and drama), and a sideways look at many of the attractions / activities people find within the platform (artistic expression, creativity, the ability to generate income), and how these might affect, challenge and change us.
In this, the presentation of the themes might best be termed anarchic; some may seem to border on being insulting to those who engage the the various pursuits noted above (art, etc.) – hence why a sense of humour is emphasised in the instructions for the installation. However, there is a strong dose of self-irreverence on display by the four artists themselves as they satirise themselves as much as anyone else.
How one responds to Lalawood really does come down to a mix of personal sense of humour and ability to interpret the various elements found throughout its different levels. I confess that while I found myself smiling in places, in others I found things perhaps a little forced, while the inconsistency of teleports (some are interactive click-to-TP, others open the map and require a manual TP) a little distracting as the latter drew me out of any sense of being involved in the installation. So I’ll leave it to you to plumb the depths of the installation and draw your own conclusions, lest anything I might add here unfairly biases your experience.
- Lalawood, La Maison d’Aneli (VeGeTal PLaNeT, Oak Park, rated Moderate)
- la Maison d’Aneli in this blog