The natural beauty of Cold Ash in Second Life

Cold Ash; Inara Pey, October 2018, on FlickrCold Ash – click any image for full size

Leaf (Peyton Darmoset) and Julz (Juliette Rainfall) are among my favourite region designers. Their region designs of Erebos Harbor (read more here), Cloudbreak (read more here) and Ash Falls (read more here) is among the best natural settings to be found in Second Life. So when I received an invitation to pay a visit to their latest creation, I made sure I had the opportunity to spend a fair about of time visiting, and hopped over to take a look.

Cold Ash is the in-world home for the Cold Ash brand of menswear, and the latest iteration of the region has been fabulously designed by Leaf and Julz as both the home of the store and a photogenic place to visit and appreciate.

Cold Ash; Inara Pey, October 2018, on FlickrCold Ash

Visitors arrive, appropriately, at the store itself, located towards the north-east corner of the region. This sits on a large plateau that is typical of the rugged nature of the island and resembles a large, converted warehouse. A railway track runs past the front of the store, separated from it can a broad gravel road that narrows into a winding footpath. Both the path and the railway track form an integral part of the region’s design.

Running from a tunnel on the northern extreme of the island, the tracks to where a metal framed truss bridge spans a watery gulf to reach a southern island. The gravel path gently curves its way down the slope alongside the bridge to also span the water, this time via a low-sided cement bridge, before curling up the slope of the second island, passing under the railway bridge as it does so.

Cold Ash; Inara Pey, October 2018, on FlickrCold Ash

Both track and path lead the way to a lumber yard that takes up the larger part of the second island, the land falling gently on the north side, where the trunks of felled trees lie, already stripped of their branches. Wooden steps run down the slope as well, offering a way down to the single beach running along the coast. This arcs back to another set of steps leading back up to the gravel footpath, offering a small loop around this part of the island.

Which is not to say this is all there is to see on the island. The lumber yard includes a workshop where the logs from cut trees can be cut and worked, prior to being loaded onto rail cars outside. A car workshop sits alongside the lumber shed, looking perhaps a little incongruous given there are no open roads here, but it does actually work within the setting, lending further character to the region.

Cold Ash; Inara Pey, October 2018, on FlickrCold Ash

The main island also offers routes down to the coast. The first is another winding path reached via a crossing over the railway tracks close to the store.

Two more are to be found to the water’s edge, both wooden walkways. The first commences close to the rail bridge and passes under it to reach the eastern coast. The second is hidden from view up-slope from the tracks. However, while it offers a way down to the western waters and provides a view back along the channel between the two island, it also leads to a private residence. Be aware the security orb guarding the house is on a short fuse, so keeping a distance is recommended.

Cold Ash; Inara Pey, October 2018, on FlickrCold Ash

Walk along the eastern coast of the main island, and you’ll find a little hideaway made from a converted railcar doubling as a little warehouse, a wooden porch offering a place to sit.

Carefully married with its sim surround, with a balanced soundscape and a subtle use of wildlife – such as the gulls flying between the two islands – this is another marvellous setting, richly photogenic. With the look of a coastal headland thanks to the way it joins with the surround peaks, Cold Ash is another truly eye-catching design by Leaf and Julz, one that should be visited and appreciated, whether or not you’re looking for apparel; and for the men, it offers the perfect excuse to try out new clothes while enjoying a walk around the islands.

Cold Ash; Inara Pey, October 2018, on FlickrCold Ash

SLurl Details

Blip Mumfuzz at Black Label in Second Life

Blip Mumfuzz: Photographs

Now open at the Black Label gallery is a new exhibition of art by Blip Mumfuzz.  Located in a sky gallery area reached via teleport from the gallery’s landing point, the exhibition can be found both indoors and out, within a large warehouse-like building in keeping with the gallery’s ground level facilities, on its outside walls and across the street. Also note that one of the “backdrops” to the setting is also one of Blip’s pieces.

Blip’s photography started as a means of recording her travels through Second Life in order to help her revisit them through memory. However, as she states in her liner notes for the exhibition, the focus of Blip’s images gradually shifted from capturing settings to capturing individual scenes or objects. In doing so, she started looking at potential subject from a variety of angles – and even as spaces between them to discover the stories they might offer.

Blip Mumfuzz: Photographs

I found that once I found saw something interesting I’d start moving the camera around. Looking over and under, behind and between. I began looking less at the things themselves…but at the visual and spatial relationships between things.

I am an improviser by nature…in life and in my art. My images are typically the result of an unplanned, spontaneous interaction with my environment. Some of the images in this exhibit, however, are more narrative.

– Blip Mumfuzz discussing her art

Blip Mumfuzz: Photographs

All of this is reflected throughout this exhibition, which Blip has opted to simply call Photographs.  Several are what might be called “conventional” images of places Blip has been: Ashemi Reprise, Keleland, Takeuti Town; while others are beautiful abstraction on locations, such as Kekeland Abstract 9, The Last Forever, BL Abstract and Drapes, to name but three.

It is these latter style of image, coupled with Blip’s vibrant use of colour, that perhaps tend to grab the observer’s attention, drawing the eye into them through the richness of colour and unusual perspective.  These show their location through an unusual perspective or offer a remarkable perception of space through their panoramic presentation, marking them as attention-taking pieces. However, among the bright paintings are a number that are more muted, their softer tones contrasting strongly with the bolder pieces. This gives the exhibition an added layering of effect; it is as if the brighter images are the loud extroverts at a gathering, demanding their presence is witnessed and their story heard. Meanwhile the softer toned images scattered among them come across as the introverts; they try to pass unnoticed, content to allow the other make all the noise – but their story is no less compelling when heard.

Blip Mumfuzz: Photographs

I’m not actually clear on when the exhibition closes; I assume it will be around mid-November, given it opened on October 13th. However, I do recommend taking the time to see it before then.

SLurl Details

Blip Mumfuzz at Black Label Gallery (Eternal Posession, rated; Moderate)

2018 SL UG updates 43/1: Simulator User Group

Ashemi Reprise; Inara Pey, September 2018, August 2018, on FlickrAshemi Repriseblog post

Server Deployment Plans

As always, please refer to the server deployment thread for the latest news and updates.

  • On Tuesday, October 23rd, the SLS (Main) channel updated to server release 18#18.10.04.520268, comprising internal fixes.
  • On Wednesday, October 24th, 2018, the RC channels should be updated as follows:
    • BlueSteel will apparently remain on server maintenance package 18#18.10.04.520268.
    • Magnum and LeTigre were “TBD” at the time of writing.
    • Note that the deployment information for Snack in the thread (version 18.10.19.520844) is incorrect – see below for more (this may be removed after these notes are published).

SL Viewer

The start of week #43 has seen no change to the current viewer pipelines:

  • Current Release version 5.1.9.519298, dated September 5, promoted September 26. Formerly the Rakomelo Maintenance RC viewer – No change.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
    • Animesh RC viewer, version 6.0.0.520636, October 18.
    • Spotykach Maintenance RC viewer, version 5.1.10.520444, October 11.
    • Estate Access Management (EAM) RC viewer, version 5.2.0.520057, September 28.
    • BugSplat RC viewer, version 5.1.9.519462, September 10. This viewer is functionally identical to the current release viewer, but uses BugSplat for crash reporting, rather than the Lab’s own Breakpad based crash reporting tools.
    • Love Me Render RC viewer, version 5.1.8.518751, released on August 20.
  • Project viewers:
  • Linux Spur viewer, version 5.0.9.329906, dated November 17, 2017 and promoted to release status 29 November – offered pending a Linux version of the Alex Ivy viewer code.
  • Obsolete platform viewer, version 3.7.28.300847, May 8, 2015 – provided for users on Windows XP and OS X versions below 10.7.

Environmental Enhancement Project – EEP

  • The Snack RC channel has been updated with a new EPP release, 18.10.20.520891, which seems to fix the issue of EEP skies looking weird (black skies, fast-moving clouds) when seen on non-EEP viewers.
  • Rider Linden is now working on adding LSL support to EEP.

Aditi Account Set-up Reminder

Given EEP is available for testing on Aditi, a quick reminder on how to log-in to that grid if you have not done so before or in a long while:

  • File a support ticket requesting access to Aditi.
  • Wait for support to confirm your account has been set-up.
  • Log-in to Aditi. This may not give you a full copy of your inventory, however it will flag your inventory for syncing with Agni.
  • Syncing operations are run daily at roughly 02:00 SLT, so if you wait about 24 hours (depending on the time of your initial log-in to Aditi), your inventory on the beta grid should be synced with your Agni inventory.

The EEP testing region is: secondlife://Aditi/secondlife/EEPTesting/247/44/23.

2018 viewer release summaries, week #42

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates for the week ending Sunday, October 21st

This summary is generally published on every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that test viewers, preview / beta viewers / nightly builds are not recorded in these summaries.

Official LL Viewers

  • Current Release version 5.1.9.519298, dated September 5th, promoted September 26th. Formerly the Rakomelo Maintenance RC viewer – No Change.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
  • Project viewers:
    • Environmental Enhancement Project (EEP) viewer updated to version 5.1.10.520819, on October 19th.

LL Viewer Resources

Third-party Viewers

V5-style

  • No updates.

V1-style

  • Cool VL viewer updated to version 1.26.22.21 on October 20th – release notes.

Mobile / Other Clients

  • MetaChat updated to version 1.2.8010 on October 19th – release notes.

Additional TPV Resources

Related Links

Jules at the new Artful Expressions gallery

Artful Expressions

Artful Expressions, the boutique gallery curated by Sorcha Tyles, made its return to Second Life, with a new skyborne location and an exhibition of monochrome photography by Jules (GiulianaNicol).

The new gallery is offered on a rocky platform surrounded by just enough foliage to suggest a garden / woodland setting, giving it a pleasant outlook through the large windows and open front door (the latter guarded by an owl to prevent people walking outside and slipping off the edge of the rock). A little smaller than previous iterations of Artful Expressions, the gallery offers a cosy, warm space for exhibiting art and as a place where art lovers can hang out and make use of the corner coffee bar.

Artful Expressions: Jules

For her exhibition, Jules presents a set of six self-portraits, each of which offers a life study and a broader narrative into which it can be framed. Each is powerful in both presentation and the story to be found within it, perhaps made that much stronger through the use of a monochrome finish.

The narrative for each piece is suggested through both the image and its title – and I do recommend looking at each of these pieces both independently of their titles – that is, before taking a peep via Edit – and after. Doing so can often result each perhaps has two stories within it – one shaped by first seeing it, the second by the title itself; making a visit double the viewing pleasure.

Artful Expressions: Jules

A small, intimate exhibition of some genuinely engaging and imagination-stirring art marks the welcome return of a boutique gallery that has been missed these last few months.  It will remain open through until the end of November 2018.

SLurl Details

Artful Expressions (Niaoupolis, rated: Adult)

The rural delights of The Peak in Second Life

The Peak; Inara Pey, October 2018, on FlickrThe Peak – click any image for full size

Note: The Peak is no more, as such SLurls have been removed from this post.

A photogenic community sim, with a European-countryside theme. A full sim with a selection of areas to explore, interactive games to play, rides. We are very voice friendly. We provide rentals as well. Tags: Music, open mic, karaoke, blog, carnival.

So reads the introduction to The Peak // Community, a new full region offering – as noted – a mix of public spaces and private rentals. Designed by KaidenTray, the region recently opened its doors to the public, and I was alerted to its presence by Shakespeare and Max, who had dropped in a couple of days prior to my own visit.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

There are a couple of remarkable things about this region. The first is the sheer visual appeal it presents, brining together a mix of elements together in what is as very photogenic setting that makes excellent use of the full 30K land capacity available to Full private regions. The second is, that as he notes in his Profile, Kaiden is a member of the Osbourne family in the physical world, and is not shy about the time he spends in Second Life (where he also runs a landscaping business).

While described as a “European countryside theme”, The Peak perhaps most clearly has its roots in rural Britain in terms of overall approach and styling whilst also casting its net far wider than just the UK and Europe. The country church and many of the houses would not look out-of-place among the rural byways of England, whilst the rugged nature of the landscape perhaps carries with it a hint of Scotland; even the wooden chalets out on the southern side of the region suggest the holiday camps from the days before air travel became cheap enough for almost anyone to enjoy.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

But so too does The Peak carry within it hints of the continental life, thanks to a large Tuscan style villa sitting towards the south-east corner, at the end of one of the semi-paved roads. Just below this sits a little coastal village, slightly separated from the rest of the region by cliffs and rocky slopes. With the brightly painted frontage of the buildings, this could easily be a place sitting on the Spanish coast – as the signage over doorways further suggests.

The more North American feel is evident on the north side of the region. Here, and to the east, a carnival sits, separated from the rest of the landscape by a narrow L-shape gorge. This is marked by the gentle rotations of a tall Ferris Wheel and the twisting madness of a roller coaster, while the derelict walls of a massive industrial-style building have been converted into both a bumper car arena and a gallery of street art, some of which carries a social message. It is here, perhaps that some of the region’s entertainment events will be held: parked within the carnival is a flat-bed truck, ready to serve as a stage for activities, while table games  sit close by as an alternative from for entertainment to the park’s rides.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

Meanwhile, to the west, a large sign points the way to the expanse of a trailer park proudly flying the Stars and Stripes, which also incorporates the wooden chalets mentioned earlier.

Quite excellent us is made of elevation throughout the region, with the roads and paths winding up and down slopes, around shoulders of rock, with cobble footpaths twisting their way down to what might otherwise be hidden walks along the edge of the sea, or by way of public courtyard down to the previously mentioned Spanish-themed village. For me, the winding, rise and fall of the principal road through the region again gives The Peak a distinctly English feel, as I’ve travelled along many such single-track lanes in certain parts of England many, many times.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

Being a relatively new region, most of the properties on the region have yet to be rented. Most are easily recognisable by the presence of a green For Rent box outside of them. I assume these boxes will vanish as places are rented, so a good rule of thumb during visits might be to treat the majority of houses, cottages and cabins on the region as rental / rented residences, regardless of whether a rent box is visible or not. For those who fancy being the lord (or laird) of the area, the rental properties extend to a fortified manor house, the church and manse close by adding to the feeling that this part of The Peak may have once formed a landed estate in the region’s past.

At the time of my visit, some work was still going on within the region, so don’t be surprised if you come across the odd sign indicating this to be the case; there’s also something of a Halloween theme presents as well. But these aside, The Peak is one of the most engaging and considered new regions I’ve visited in Second Life: the wealth of detail, the blending of styles and ideas, the inclusion of a natural and atmospheric sound scape; all of this comes together to present a place well worth visiting, exploring, photographing and simply enjoying. Those who do take photos are invited to share them via The Peak Flickr group.

The Peak; Inara Pey, October 2018, on FlickrThe Peak