Opening on Friday, October 12th, 2018 at 12:00 noon SLT is a new installation by Alo (Aloisio Congrejo). Black and Colours is being hosted in The Womb, the recently revamped exhibition space at DiXmiX Gallery. And I have to say, that it is a curious piece.
Lacking liner notes from the artist, the installation is a multi-faceted piece entirely open to interpretation. Within the darkened hall is a mix of 2D the 3D elements, some of which are presented more-or-less as “traditional” photos; others appear to be 3D images offered 2D images; some are strongly abstract in nature while others mimic a polarisation approach similar to that found used by 3D movies to present what appears to be 2D art in 3D. All of which adds up to a richly diverse installation.
As might be expected from reading the title of the installation, there is a deliberate play through between black and the use of colours – most notably red and yellow, together with that other neutral – white. This is itself highly effective in drawing the eye into the installation, while the linear aspect in much of the art adds a geometric dimension to the entire installation that allows the wall mounted elements (together with the figures that might be close to them) to both exist independently to one another, and yet also be bound together by the white-on-black pattern of lines on the floor.
This subtle linking may well not be initially apparent, the eye perhaps initially being drawn to a colourful, strongly abstract free-standing scene within the hall. At first looking like paper shapes patterned in swirls and lines of black-and-white or red-and-black, skewered by red, yellow and black pins forced into the floor, these shapes are transformed by camming around them into what might be dancing couples caught in a complex set of tangos performed to unheard music.
This abstract element is bookended on either side along the length of the hall by Alo’s photo images, which I confess to finding the most eye-catching. Furthest from the floor sculpture is a series of enticing white-on-black images of a near-naked woman. Marvellously lit, this series of images looks almost 3D in its execution, each of the images emphasising a different element of her pose: full body, booted legs, gloves arms with turned-away head between… In their midst is a further version of the image set behind 3D elements, all of which combine to suggest – from a distance, 2D art projected as a 3D piece.
The other display is a subtle and complex set of images of a woman’s head which I strongly recommend camming across slowly to fully appreciate them. Each is a layered construct, designed to mimic a polarised 3D effect, something which comes into focus (quite literally) as the camera faces them and glides from one side to the other. Not only does this highlight the “polarising” element, it also brings forth the subtle shift in colour tones used within the images.
I confess I have absolutely no idea how to interpret or quantify Black And Colours – or even determine if it needs interpreting in any way; I also admit there are elements to the piece that escape my ability to quantify. But this does not diminish Black and Colours in any way; it simply means this is a piece very open to personal interpretation throughout, and thus an installation that should be witnessed first-hand.
- DiXmiX Galley (Bay Port, rated: Moderate)