Musiclandia: in relation to music

Musiclandia, a full sim art piece by Livio Oak Korobase, opened on LEA-11 on Wednesday August 28th as a part of the 5th round of the Artist-in-Residence (AIR) programme. The piece is billed as an exploration of music as an art form, and offers-up the following teaser:

What is the definition of music? What is the relationship between music and mind? What is the connection between music and emotions? Search for your answer in Musiclandia.


It’s a fascinating piece, offering a watery landscape in which musical instruments form a series of set pieces inviting exploration. This is an interactive piece, requiring a reasonable amount of time in order to discover all of its secrets, so it’s worth taking your time to look around each of the pieces and discovering what there is to see and learn – note cards are offered at various points around the installation, providing further information and food for thought.

The arrival point provides some basic instructions – you’ll need sounds active to enjoy the exhibit (although not necessarily media streaming enabled) and you should drop draw distance to 128 or so metres to stop most distractions from the neighbouring regions creeping into your view. There’s no set order to exploring things, just go where your eyes take you, out from the little village square under the massive brick piano and across the water.


Some of the many roles music plays in our lives are explored here; how it can channel a freedom of personal expression, how it can play an emotional, spiritual or therapeutic role. In these explorations, issues of identity and self are also touched upon. Symbolism is also strong here; some of it obvious, some of it less so; when it comes to matters of self, a towering stag, harp held within its antlers, reminds us umuntu ngumuntu ngabantu – “you are who you are because of how you relate to others around you”.

The food for thought comes in a number of forms; the Musiclandia Beach, for example delves into the role of music and sound in creation myths, including the origin of that simple Biblical phrase “In the beginning was the word”. Elsewhere, the Lab and Jam area examines the role of music in therapy, while Feathers and Kites probes matters of self and identity.


In these explorations, Livio draws on the writings of a number of people; some may be recognisable – even notorious / controversial – to visitors, others perhaps not so; but the selected passages do invite further explorations; if you find this is the case, the sources are cited, and the Interwebz are your friend.

Which is not to say that it’s all a dry, intellectual piece; there are plenty of opportunities to find your own self-expression through music, be it via dance, interacting with objects or enjoying the sensation of simply playing an instrument.


The piece isn’t limited to the ground, either, there are a couple of sections up in the sky; Moby and Paradiso. The latter looks like it is intended to be used as live music / entertainment venue, although this is by no means clear (at least, I didn’t get a note card explaining its purpose on my arrival).

Getting around the exhibit can be done on foot, via the teleport map in the village square, or for those who are feeling serene, via a number of Harleywan Haggwood’s flyable kites. As mentioned above, this is a piece that requires a little time – and an open mid – to explore, and the kites are actually a fun way of getting around and letting thoughts and reactions to the piece flow freely.


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