Angi Manners at DixMix Gallery in Second Life

DiXmiX Gallery: Angi Manners
DiXmiX Gallery: Angi Manners

In Lust We Trust is the title of an exhibition of 15 images by Angi Manners (Anj4) which opened on Saturday, February 4th at DiXmiX Gallery, curated by Dixmix Source.

A creator of avatar skins and co-owner of the Polar Bear brand of erotic poses designs for photographers, Angi regards photography as her passion. For In Lust We Trust – and as the title might imply – she presents a series of erotically charged pictures, together with three or four which veer more towards the sensual end of the scale than the erotic, but all of which might be considered NSFW.

DiXmiX Gallery: Angi Manners
DiXmiX Gallery: Angi Manners

There is no doubting the artistry involved in all of the images: the composition, framing, lighting, posing, is all exquisite; yet I initially found myself drawn more towards those I regarded as being more sensual than outright erotic – such as Let Me Think About It, The Body Applier (both of which are seen at the top of this article), That’s Not So Funny (directly above) and Pole Dancing.

It’s a reaction I found interesting: I consider myself broad-minded; in both the physical world and in Second Life I’ve been involved in many “adult” activities, yet I’ve always regarded sexual engagement between two people as a deeply personal thing, and can suffer so degree of inner discomfiture when seeing sexual acts openly performed / displayed.

DiXmiX Gallery: Angi Manners
DiXmiX Gallery: Angi Manners

This is not in any way a negative reflection of Angi’s work. Far from it; rather, it speaks to the power of her images as I found myself pondering my reaction to those which are more explicit and erotic, questioning what actually triggers that inner sense of discomfort I can feel around overt public eroticism. Thus, In Lust We Trust  – for me at least – offered a fascinating play on emotions and reactions which, quite conversely, drew me back to the more erotic series of images to study them further, adding a further subtle twist to the title of the exhibit.

In Lust We Trust in located in the gallery’s Black Gallery exhibition space, occupying both the lower and upper floors, and will remain open through until March 4th.

SLurl Details

Artful Expressions in Second Life: Blip and Nekonuko

Artful Expressions: Blip Mumfizz
Artful Expressions: Blip Mumfizz

Sorcha Tyles opened the next exhibit at Artful Expressions, her boutique gallery, on Saturday, February 4th, and it  not only includes two guest artists, but also presents a new design for the gallery itself.

Now occupying a two-storey structure, a teleport board linking the ground floor with the upper, the gallery has twice the floor space of the previous unit. The lower floor is devoted to Sorcha’s own photography  – which is more than worth a visit in and of itself; she has a marvellous eye for subject, mood and setting, and her studies are entrancing.

Artful Expressions: Socrha Tyles
Artful Expressions: Socrha Tyles

The upper floor is given over to Sorcha’s invited guest artists, and in this lies another of the attractions of Artful Expressions: Sorcha actively seeks out those who may not have exhibited widely in Second Life in the past, or have perhaps been overlooked by other galleries. Thus, her gallery is an ideal location for discovering the work of artists and photographers you may not have previously come across in-world.

“I am an improviser by nature…in life and in my art,” Blip Mumfuzz says of herself and her work. “My images are typically the result of an unplanned, spontaneous interaction with my environment.”  She goes on to state that she became interested in SL photography as a means of recording her travels across the grid. But then, “I noticed that I started seeing differently … I found that once I found saw something interesting I’d start moving the camera around.  Looking over and under, behind and between.  I began looking less at the things themselves…and more at visual and spatial relationships things.”

Artful Expressions: Blip Mumfizz
Artful Expressions: Blip Mumfuzz

The result is a set of studies offering  a unique perspective on the virtual world in which we roam and which utilise a refined use of line, form and use of colour to create images which are deceptive in their elegant simplicity, inviting us to look into them and discover the story each contains.  You can see more of her work on Flickr.

Nekonuko Nakamori, the second artist Sorcha is exhibiting through February, is a physical world artist with a grounded in Japanese art and who specialises in conceptual / abstract art in oil.

Artful Expressions: nekonuko Nakamori
Artful Expressions: nekonuko Nakamori

Within Second Life, and as Blip started out, she uses photograph as a visual journal of her travels within the grid. Each piece, a precise 1:1 ratio image, presents a location she has visited, usually with nekonuko herself somewhere within it – sometimes prominently, other times distantly. Carefully post-processed they are offered not only as a record for her wanderings, but as a painting, almost of a waif at large in the world.

Both Nekonuko and Blip will remain on display at Artful Expressions through until the end of the month.

SLurl Details

The Recreation in Second Life

The Ladies Room: The Recreation
The Ladies Room: The Recreation

Either find your place or lose yourself in the grid of impressions and projection. Second Life is about you and the ability to find your own fascination. Find yourself. Position yourself. Be a part of the world which your imagination can create.  Take a picture!The lights are on you.

Thus Hills (Hillany Scofield) introduces The Recreation, one of two exhibitions of her art (and the art of others) she is currently showing at her gallery The Ladies Room. She goes on to note that The Recreation draws inspiration from an installation she provided for the 2016 Indie Teepee festival. However, for me, it stands as a marvellous expansion of her March 2016 exhibition Immersed, hosted at The Good Days Gallery (read here for more).

The Ladies Room: The Recreation
The Ladies Room: The Recreation

To appreciate this exhibition, it is essential you have Advanced Lighting Model (ALM) enabled in your viewer (via Preferences > Graphics), as it makes extensive use of projectors (you do not need to have Shadows enabled as well).

As with Immersed, The Recreation presents a set of large format images, before which stand faceless, female mannequins. Within this grouping is a pose system, and – as per  the introduction – visitors are invited to jump on it and create their own images within the space (a second pose system is located to one side as well).

The Ladies Room: The Recreation
The Ladies Room: The Recreation

Outside of the central display, the walls of the gallery offer further images under the title The Walls Are Alive. Also being examined by the faceless mannequins, this mix of slide show and projected images presents pictures taken by visitors to The Recreation who have taken Hills’ invitation and used the pose system. She notes that more will be added to this collection as the exhibit continues.

As an examination of the juxtaposition between physical life and virtual life, The Recreation is completed by text and verse which encourage us to ponder the realities and opportunities of both. It is also within the frame of juxtaposition – in this case individuality (in the shape of those taking photos of themselves in The Recreation) and uniformity (in the shape of the faceless mannequins), that this piece reflects (dare I say recreates?) much of the ambience and presence of Immersed.

The Ladies Room: The Recreation
The Ladies Room: The Recreation

When visiting, I also encourage you to tour Your Shine Through, Hills’ the second of Hills’ current exhibitions at The Ladies Room (to the right as you enter the gallery), which presents a series of monochrome pieces. Sensual / erotic in nature, they provide a story of intimacy between lovers.

SLurl Details

Light Reflections in Second Life

Light Reflections
Light Reflections

Light Reflections is the name of a full region installation in Second Life by Venus Adored. Spanning six levels, it is, as the name suggests, an experiment in light and reflections.

Visitors start at the top of the installation, where sit instructions on how to set the viewer to best enjoy the experience. Unfortunately, the most important instruction is absent: visitors must have Advanced Lighting Model (ALM) enabled via Graphics > Preferences in order to see the installation correctly. Failing to do this will leave some of the levels apparently devoid of detail.

Light Reflections
Light Reflections

Each of the levels below the instructions provides an environment in which lighting and projected lights are used in different ways. In the first level, for example, visitors can fly around in soap bubbles (use the WASD / arrow keys for movement, and PAGE UP / PAGE DOWN to change height), and project lighting pattens on to the walls and floors of the room as they approach them.

Another level offers a set of different scenes, each within its own cube, where light and particles are again used to add ambience to the environment. Another offers an entirely monochrome setting, while the final (ground level) presents a landscape enhanced by projects lighting. Through the entire piece are interactive elements – the soap bubbles mentioned above, a paper boat visitor can rez and sail at the ground levels, and diamonds offering which will animate an avatar when touched in others.

Light Reflections
Light Reflections

Light Reflections is an interesting piece offering a good demonstration of projected lights in use, although I couldn’t help be feel some of the levels might have been combined (particularly the three introductory levels of instructions). However this doesn’t detract of the installation; if you enjoy seeing or an curious about projected lighting effects, Light Reflections is a worthwhile visit and will remain open though until the end of June.

SLurl Details

February at The Edge in Second Life

The Edge
The Edge

Saturday, January 28th, 2017 marks the formal opening of the latest exhibition at The Edge gallery, curated by Eleseren Brianna. The Edge is the fashion division of Kultivate Magazine, with a focus on the artistic and cultural side of fashion in both Second Life and the physical world.

Taking part in the exhibition are:  Delypop Cresci, Calima Dufaux, Hikaru Enimo, Algezares Magic, Ruby Ornamental, Apocketfullofbutterflies Resident, Khronoz Resident, Beatrice Serendipity, and Catalina Staheli. Layka63 Resident had also been scheduled to exhibit, but having been absent for more than a week, Eleseren has had to offer a selection of her own work for display.

The Edge
The Edge

The majority of the pieces on display across the gallery’s three levels are avatar studies, although some are given an added twist in that they are by some recognisable names from the world of Second Life modelling. The range of styles within the exhibition is varied, and the contrasts between approaches to subject matter and framing making for an interesting point of examination of the pictures and artists as one progresses through the gallery.

However, that said, I admit to being somewhat biased when it come to art; I much prefer images which suggest a narrative or offer the imagination licence to take flight. Static poses bereft of a deeper connection tend to have me passing over them perhaps a little too quickly, and I did find this to be the case at times with this exhibit.

The Edge
The Edge

But where I did find that narrative / challenge to the imagination, I found it to be strongly evoked, to the extent that I was drawn back, and into, to the work of some of the artists over and again, making this a rewarding visit that had my camera – and eyes – lingering as grey cell cogitated and reflected.

The February exhibition officially opens at 14:00 SLT on Saturday, January 28th, with a live music performance by Dimivan Ludwig. Formal dress is requested.

SLurl Details

Life Is A Journey in Second Life

Life Is A Journey
Life Is A Journey

“I always find that life is like a certain road. A path you walk on from birth to death. While walking that path you constantly can choose which direction you go,” Elin Egoyan states when introducing her exhibition Life Is A Journey, now open at the Paris METRO Art Gallery. “But also you are sometimes forced to go a certain direction, if you like it or not. Because of things that happen with or around you your path can suddenly make curves or slips into a total different direction then you ever could have imagined.”

It’s a thoughtful and somewhat philosophical statement, leading into a somewhat introspective piece, revealing some of Elin’s physical world while throwing open the doors to those broader questions we all tend to ask ourselves from time to time on the subjects of life, purpose, progression, growth  – or as Elin succinctly puts it, “what for (bleep) sake is the purpose of this stroll through life?”

Life Is A Journey
Life Is A Journey

At first glance, the introduction and notes given under the title of the exhibition might seem as odds with the exhibition itself. Displayed within the gallery are 24 pieces of Elin’s physical world art, together with a number of supporting in-world creations. The paintings are all bold statements, some decidedly abstract in nature, others more pictorial. Some stand alone, others carry a theme, existing as both individual pieces or joined forming natural sets of images – this being most notable in the selection of Dreamtree paintings, linked as they are to one another and the poem A Tree, A Dream.

However, the link between exhibition title and musings on life can be found on a number of levels. All of the paintings, all of the in-world creations by Elin reflect her own journey in life, her travels in self-discovery, learning and finding those things which bring her joy. Similarly, several of the pieces reflect the idea of life’s journey directly and through their titles. Then there is the rich use of colour and form, reflective of the richness of life and the fact that our journey is rarely straight, and at times choices must be made.

Life Is A Journey
Life Is A Journey

All of this makes Life Is A Journey something of a thought-provoking exhibit for those willing to look beyond initial impressions. But so to does it reinforce the simple pleasures life can bring us: the use of line, colour and abstraction in these paintings make each of them a genuine pleasure to appreciate.

Some hold that “real life” art doesn’t translate well into the virtual medium of Second Life. I tend to disagree. There is no reason why the full richness of an artist’s talent and intent cannot translate into the virtual medium any less well than a post-processed or cropped image originally captured in Second Life, and Elin’s pieces more than exemplify this simple fact.

SLurl Details