Slink et al: Siddean shutters her brands in Second Life

Siddean Munro has been a long-term content creator in Second Life, having joined in 2007 (and as a point of trivia, is one of the few Second Life residents to have to also have an entry in IMDb!). She has perhaps been best known for the Slink mesh bodies, which have been popular among many Second Life users, myself included for that least few years.

As a brand, Slink has always been at the forefront of innovation in Second Life – notably with regards to mesh: in 2011/2 she released her mesh hands and feet – the latter of which, replacing the system feet, did much to ignite the mesh shoe market in Second Life – and the release of the first of her mesh body types, Physique Original, in 2014.

As such, the sudden announcement made on January 1st, 2023 that, with immediate effect, her Slink brand, together with her more recent Cinnamon & Chai body and her One Bad Pixel brand, have been shuttered, and Siddean herself has withdrawn from Second Life.

As a Slink Hourglass user myself – I moved to Slink from Maitreya on account of Slink being somewhat kinder on the viewer when it comes to rendering the body (and allowing for the complexities and quality of attachments and rigged meshes also worn, of course) – I admit to being shaken by the announcement. For those who made the move to Cinnamon and Chai, launched just 12 months ago, the news is likely to be even more of a gut-wrenching lurch.

However, before, anyone starts stamping feet or getting upset at the apparent forewarning (although I could be wrong about the latter), as Siddean offers good reason for why she has made her choice, and there are also a couple of points to bear in mind.

Following two stressful years of pandemic which I am sure we have all been affected by in one way or the other, I suddenly lost my mother in September of 2021, my grandmother in January of 2022 and my cat Cleo in June. I have been unwell and enduring a lot of chronic pain. I have to be very honest, my spark has dimmed a little and I no longer have the energy to pour into this business like I once did.
I’ve done a lot of soul searching over the last 18 months and have come to the very difficult decision that for my own physical and mental wellbeing, I need to move on from Second Life.

– Siddean Monro

In coming to this decision, Siddean also notes that the break is needed as she wants to focus on a new endeavour – as is her right, and we shouldn’t begrudge her this change in direction.

This latter point is doubly true in that while her decision is somewhat sudden in its implementation, it does not mean that it is the end of the road for the Slink ecosystem as a whole; the bodies still work, and there is a wealth of mesh and applier-based clothing still available on the Marketplace and in-world, the bodies still work with Bakes On Mesh, and so on. This isn’t all just going to vanish – so there’s no need for panic.

Of course, there is a risk that a major change with the avatar skeleton will “break” Slink avatars somewhere down the road on the basis that the avatars are no longer maintained – but there is as yet nothing on the horizon that threatens to do this – and it may never happen; as such, things are not going to vanish overnight. There is also a risk that creators entering the mesh clothing arena may opt not to support the brand and focus on Maitreya and Kupra, etc. However, the entire mesh clothing ecosystem has been skewed towards Maitreya, so this will unlikely make things any worse for Slink users. That said, things may be somewhat different for Cinnamon and Chai users, simply because of the newness of that brand; however, I’m simply not familiar enough with that body to know the potential repercussions, so will not speculate here.

As it stands, I don’t plan to move away from my Slink Hourglass any time soon – although I’m fortunate in that I have a Maitreya body “in reserve”, so to speak, so swapping away from Slink isn’t hard for me were I to decide to do so.

But what I will do here is pass on my thanks Siddean for all her work over some fifteen years in supporting Second Life users. I hope her new endeavour brings her as much success and – despite the rigours of the last 2+ years – all the enjoyment most of her Second Life has brought her.

With thanks to Soft Linden for the pointer. 

Hannah’s Dream Again in Second Life

Monocle Man Gallery: Hannah Starlight

Kicking off 2023 at Monocle Man Galleries, curated by Lynx Luga and Kit Boyd is an exhibition of art by Hannah Starlight entitled Dream Again – a fitting title to go with the start of a new year. It is an exhibition taking place in one of the newer galleries spaces Kit and Lynx are providing for artists within the Monocle Man facilities, being hosted within the Cabaret sky gallery.

This is an interesting gallery space, offered as something of a speakeasy-like cabaret club, tucked away out-of-sight of any passing authorities, reached by walking down a back alley and then climbing down into what appears to be a storm drain, but which is in fact the entrance to a “basement” club with wood panelled walls and deco-like electric lights.

Monocle Man Gallery: Hannah Starlight

Dream Again is a collection of 28 images, either mounted on the walls of the club or on easels located around the the columns and edges of the dance floor. Predominantly avatar-centric these are images rich in content and message – commentaries, if you will on life, love and expressing oneself, at least one of which I seem to recall from a prior exhibition (His Song), which does not in any way detract from the overall thrust of this exhibition.

Offered in a variety of formats, small and large, 4:3 through to fully panoramic, these are pieces which are all richly expressive and predominantly celebratory in nature. Given the time of year, some of the pieces might be seen as holding to the Christmas theme and ideals of faith: Here’s My Heart, Lord, The PrayerHe Carries Me, and  – perhaps most notably – A Baby Changes Everything. However, even while they may do so, they also speak to more secular interpretations; take A Baby Changes Everything: is it not true that a baby, whether of natural or divine conception, a miracle that truly changes everything for its parents?

Monocle Man Gallery: Hannah Starlight

Meanwhile, Beautiful Warrior speaks to the physical beauty of the subject, as we are drawn to look at her face. However, her pose, the placement of her arms in particular, speaks powerfully and eloquently to her inner strength in the face of what can be a terrifying and seemingly implacable foe – check the description of the piece for more on this.

Elsewhere within the collection, Hannah offers more direct celebrations on love, marriage and the joy of being able to freely express oneself and enjoy life. All are worthy of appreciation, although I confess that Light for Your Path drew me to it, not only because of its panoramic nature; whilst New Light, tucked away behind one of the columns, carries with it a simple, direct message of the power of new life, layered with the taboo nature of pregnancy as an expression of beauty (one might even say it offers a link to the other pieces with a divine lean to them: might the light of the Sun breaking through the clouds be taken as a spiritual reference to the light of God?

Monocle Man Gallery: Hannah Starlight

I’ll leave that for you to decide if this might be the case. In the meantime, I will say that Dream Again is a richly engaging exhibition, and it officially opens at 12:00 noon SLT on Sunday, January 1st, 2023 with a performance by Rogue.

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Monocle Man Caberet Gallery (Flying Fortress, rated Adult)

Bay City New Year 2022/23 prim drop in Second Life

Bay City 2022/23 New Year Prim Drop, Saturday, December 31st, 2022

Saturday, December 31st 2022 will once again see Bay City celebrate the turning of the year with their annual Prim Drop festivities.

An outdoor, black tie attire and/or full dress event, the Prim Drop is open to all Second Life residents, with festivities opening at 23:00 SLT at the Bay City Fairgrounds in North Channel. Marianne McCann will be providing the music and fireworks in a 2-hour extended DJ set, and food and drink will be provided.

This will also be the final opportunity in 2022 to donate to Child’s Play Charity,  a US 501c3 non-profit organisation which helps seriously ill children around the globe during their hospital stays with the purchase of games and gaming equipment. So even if you can’t make it to the event itself, do please consider taking a couple of minutes out of your SL day and stopping by the Bay City Fairgrounds and making a donation via one of the collection bins there. 2022 has already seen over L$260,900 raised for Child’s Play – so why not hop along and join the fun and help push the funds even higher!

Get your photo taken at the Bay City Prim Drop 2022/23

About Bay City and the Bay City Alliance

Bay City is a mainland community, developed by Linden Lab® and home to the Bay City Alliance. The Bay City Alliance was founded in 2008 to promote the Bay City regions of Second Life and provide a venue for Bay City Residents and other interested parties to socialize and network. It is now the largest group for Residents of Bay City.

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Looking at the Linden Homes Premium houseboat update

The Jolly Roger – one of the updates to the Linden Houseboat designs released on December 8th, 2022

At the SL19B events in June 2022, Patch Linden indicated that among the on-going work related to subscription plans, the Lab and the LDPW would be re-visiting some of the original Linden Home designs associated with Premium Subscriptions, starting with the Traditional Homes to update them and offer additional , new, floorplans (see: SL19B MTL – Patch Linden: Premium Plus and more + video for details of the announcement).

This work started in November 2022 with the Traditional Homes, and on December 8th, with an update to the Houseboats theme. As I’d swapped back to the Houseboat theme a couple of months ago, I’ve been interested in taking a look at the new designs since their release. However, it has only been in the last few days that I’ve had the time to take a good look at them – so I’m now going to bore you with my thoughts on them!

In all the new update to the Houseboat theme includes:

  • Four new Houseboat designs, with a custom tinting system, controlled via the house control panel.
  • Updated House controllers to reflect the addition of the new designs; which now give the details of the theme, name of last house rezzed and parcel centre in their description field; use a common communications protocols with the rezzer and with houses on the parcels with which they are associated, so that all themes (except Fantasy) may safely be mixed and matched.
  • The addition of the Linden Homes scripted house numbers have been added to the Contents Pack.

Again, just to be clear – this is an update to the existing Houseboat theme, not a new and separate release of houseboats; so if you already have a Houseboat as your choice of Premium Linden Home, you’ll find the new designs available in your houseboat rezzer.

The Dock Holiday Premium Linden Home Houseboat design, with inset to the lower left, a view through from the front room to the rear stairs 

The four new designs included in the updates are a very clear departure from the original four. Whilst the latter might be said to have their emphasis on the boat element of “houseboat” and looking as if they were specifically built for a life on the water, three of the four new design might be said to emphasise the house part – take away the hull underneath them, and they’d look as home on dry land as (say) any of the Traditional homes.

Not that this is a criticism per se; houseboats come in many forms, after all. However, I do wonder how sloping rooftops will look among the original designs, and whether their looks are just a little too “housey” for some. Along with the new designs has come a series of names which continues the use of word play which has marked the naming of groups of regions within Bellisseria; thus we have the Dock Holiday, the Shore Thing, the Knot Shore and (perhaps not quite as punny), the Jolly Roger.

To start with the Dock Holiday. This is a 2-storey houseboat of moderate size and featuring a large deck to one end, with a mooring-side front door and double doors accessing the large deck. The lower floor comprises two rooms, one accessed through the front door and the other connecting to the deck via the double doors. Both rooms are linked via an archway, with the deck-facing room perhaps offering a good lounge area and the larger, rectangular space possibly ideal as a kitchen / dining area. Upstairs is a single room roughly half the length of the lower floor.

The Shore Thing Premium Linden Home Houseboat design. Inset is an interior view of the main room looking through an open door of one of the rear rooms, and a view of the stern of the houseboat and its walkway and window-doors accessing the two rooms to the rear of the design

Both the Shore Thing and the Knot Shore are single-floor designs with a superficial similar, with the Knot Shore offering a slightly longer, narrower house form compared to the wider Shore Thing.

The latter has a total of four rooms – a large main room with access to a large forward desk shaded by an overhanging roof, together with two smaller rooms at the opposite end of the houseboat, each with doors opening on to a small deck area. Between the front and rear rooms is the fourth, offset to one side, allowing space of a short hallway to reach the front room for the main side door.

The Knot Shore Premium Linden Home Houseboat design, release as part of the theme update on December 8th, 2022

Knot Shore, meanwhile features three rooms, two larger rooms to the front and rear, and a smaller room between the two, again offset to allow a hall to link the front and back rooms. A large exterior deck runs along two sides of the design. Overall, this is probably the smallest of the new designs in terms of internal floorspace.

Of the three thus far noted, I’d say the that Dock Holiday offers the greatest flexibility of use overall, thanks to it’s large, semi-open lower floor design and upper bedroom area. However, all three are liable to feel cramped in comparison to the fourth design: the Jolly Roger. To call this “roomy” would be an understatement, and its design is made all the more flexible by both the lower and upper floors being directly and easily accessible from dockside.

The Jolly Roger and, inset, the interior of the large upper deck seen from its curved, forward end

On the lower floor is an entry hall / room which could potentially double as something like a dining area for those wo wish, with stairs going to the upper deck, and two rooms opening off of the room which could form, say, a bathroom and a kitchen. Forward of this, via another door, is a large rectangular room which could form a comfortable living area. If you opt for a “traditional” up / down style of house layout, that is.

However, the upper floor – which runs to over 3/4s of the Jolly Roger’s overall length – is a single, large open space. This offers lots of opportunities for subdivision, should you want multiple bedrooms or more privacy. However, it also naturally lends itself to becoming the main living space – lounge, dining, and kitchen – leaving the rooms downstairs to become sleeping, etc., areas.

A possible design for the upper deck of the Jolly Roger

This is the approach I’ve taken with the Jolly Roger, the upper floor of the design providing plenty of room for me to install a living area, a dining area and a kitchen on an open-plan basis. What’s more, the size of the space means it is not in any way cramped and actually has room for some additional furniture; I’m thinking of a nice recliner / reader to go alongside the bookcases!

Nor does the flexibility end there: with careful placement, the upper deck area can be used to offer stairway to the flat roof of the Jolly Roger, which lends itself to a variety of uses – including (for me) a helipad, utilising a rezzer to call up my MC-900 Explorer whenever needed (and thus not being a blot on the view neighbours might otherwise enjoy from their houseboats or camping out on LI unnecessarily).

Another view of a possible layout for the Jolly Roger upper deck, laid out as a living area

Overall, the new houseboat designs have much to offer,. The updated house control panels mean the new houseboats have about the same options for interior décor as some of the more recent Linden Home designs, providing them with a fair degree of options for decorating.

It’s too early to say how popular these additional houseboat designs might be – scouting around my watery corner of Bellisseria didn’t reveal too much in the way these designs being put to use as yet. However, given the low-key announcement of their availability and the fact it is the holiday period, more time is really needed for them to gain traction. For may part, I’ll continue to tinker with the Jolly Roger; it has all the potential to be a roomy second home – so if you have a houseboat, why not hop over to it and take a look at the new designs yourself?

A Return to Buddha Garden in Second Life

Buddha Garden, December 2022 – click any image for full size

In February 2002, I visited Buddha Garden, a “paradise of pleasure” put together by Gian (GiaArt Clip) and Havih. As I noted at the time, it was tucked into the north-west quadrant of a Full region and formed a place deserving of its description, as I noted in A Buddha Garden in Second Life.

So when co-creator of that iteration of the setting, Gian, dropped me a line to say that Buddha Garden has relocated to a Homestead region, I knew I’d have to hop over an take a look for myself. Now working with the assistance of Ella (Shaye Suki), Gian has produce a setting that builds on the original, keeping much of what made it a pleasure to visit back in early 2022 whilst offering an entirely new take on the original vision.

Buddha Garden, December 2022

The main part of the setting retains its highlands feel in the form of a west-facing arc of cliffs from which great falls tumble into a round lagoon embraced within the arms if low sand banks and rocky outliers. The landing point for the region sits on the southern of these arms, alongside little wood-built café-cum-teahouse. Japanese in tone, this sits across open waters from a small island which is home to a small Onsen style bathhouse and accompanying cabin reached via  a ridge of sand sitting just under the waves.

Follow the sand of the beach towards the cliffs, and you’ll find a pool sitting at the base of alone waterfall. Steps on either side of it respectively offer paths up to a hideaway overlooking the pool and also up around the east side of the main island. Here a further set of falls drops through a series of natural steps linking rocks and pools guarded by carved statues of Buddha sitting in quiet meditation despite the roar of water.

Buddha Garden, December 2022

Two further pools set at the base of this falls, one clearly man-made and with a hideaway behind it (and another cooled by a curtain of water sitting above it and reached by its own steps); the second pool forming a natural body of water bordering the inland side of a grassy field. A paved path marks the outer edge of the field, passing a garden camp site warmed by a blazing fire and an old fence separating the garden from the field,

More fence posts march out into the open waters. They mark another submerged path, this one leading to another off-shore island topped by a stone tower. This is the home of the Khin Tower Art Gallery, offered by Gian as a place for artists to display their work free-of charge for between a week and four weeks total.

Buddha Garden, December 2022

2D SL images digital art, paintings and illustrations are welcome (but no nudity), and there is some potential for 3D pieces to be displayed. Those interested should contact Gian in-world for further details (the sign at the foot of the path leading up to the island also offers information on the gallery).

Back on the island proper, the stone bridge arches over a small stream fed by a low-lying waterfall issuing from under the crossed legs of one of the cliff-side Buddhas. Beyond the bridge, the path passes onwards through a copse of trees to a clearing where a monk in the traditional orange robes signifying peace sits reverently in meditation before a further, aged, statue of Buddha, watched over by young wolves.

Buddha Garden, December 2022

A horseshoe pool sits beyond the clearing and trees, fed by yet another waterfall tumbling from the lip of an out-thrust of rock mid-way up the side of the main cliffs. This high lip is home to another location carried over from the original Buddha Garden; a retreat reached only by ascending the wooden steps climbing the face of the sheer rocks on the far side of the wide pool.

The base of these stairs and platforms also points to where people can pass by way of makeshift bridges, sandy beach and tall rock arch to the second arm of the west-facing lagoon. At their top, meanwhile, the stairs only provide the means to reach the retreat, but also to way further up the cliffs past the butterfly cave from the original build, and on up by way of more platforms to where an ancient ruin stands in wait of visitors and lovers of tai chi.

Buddha Garden, December 2022

All of the above still only scratches all that is available within Buddha Garden; within its expanded beauty are multiple places to sit and relax or engage in meditation and / or enjoy the company of a close friend or loved one. There are hidden details I’ve intentionally not mentioned here – they deserve to be found by the keen-eyed and focused explorer. As such, I’ll leave it to you to explore the island for yourself – you won’t be disappointed!

My thanks to Gian for the invitation to re-visit.

Buddha Garden, December 2022

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The appeal of Dido’s greyscale Nudes in Second Life

Nitroglobus Roof Gallery: Dido Haas – Nudospective

Since co-launching the original Nitroglobus Gallery and, over the last several years, Nitroglobus Roof Gallery, photographer-artist Dido Haas has established a well-deserved reputation for curating one of Second Life’s most engaging galleries for art in Second Life. Month on month she brings out the very best in the artists she invites to exhibit within the gallery’s halls, resulting in perhaps the most consistently enthralling series of art displays each and every year, hence why I attempt to cover the gallery as fully as possible through the year.

However, there is a drawback to all of this: such is the amount of work involved in managing and curating the gallery, Dido’s skills as a photographer-artist rarely get to be seen in-world, and this is a shame, as her work is the equal of any of those she invites to exhibit at the gallery. Hence why, when she drops a note about presenting a (possibly short-term) exhibition of her work in the Nitroglobus Roof Gallery Annex, I’m scooting across to take a look.

Nudospective, as the name implies, is something of a “retrospective” in a much as it comprises a set of images Dido has produced over time. It is also, again as suggested by the title, utilises nudity as a linking theme. As such, this is an exhibition that might best be considered NSFW when viewing.

Nitroglobus Roof Gallery: Dido Haas – Nudospective

My love of Dido’s photography lies in several elements. First, she tends to work predominantly in black-and-white or greyscale or with a monochrome lean. Secondly, she specialises in avatar studies and thirdly – and most importantly – she has the ability to communicate so much through her work simply through the use of angle, pose, and focus rather than relaying on excessive props or post-processing.

This is very much in evidence within Nudospective; mostly presented in greyscale, these are pieces which – although utilising nudity – are not in any way directly sexual or voyeuristic. Rather, they are elegant narratives on the beauty of the female form as visualised through the medium of a virtual avatar, some of which offer what might be considered a subtle commentary on the subtleties of beauty compared to the expectations of beauty.

Nitroglobus Roof Gallery: Dido Haas – Nudospective

Take, for example, Legs. It features what is all too frequently a tool of heightened (literally and metaphorically) sexualised beauty: the high heel. But is it the heels that give the legs image their inherent form and beauty, or is it their muscle tone, angle and placement – all of which could be present sans the heels? Similarly, in Freckles alongside of it, is it really the firmness and curve of a breast – again so often seen as an expression of sexuality – really as worthy of our attention as a mark of beauty as much as the simple patina of freckles over the flesh of an upper arm and shoulder?

Across the hall, and a little conversely, Belly Piercing comes from another direction entirely. Within it sits a duality of innocence pointing towards a certain sexuality. On the one hand, it offers a natural statement on the beauty of a body piercing, whilst on the other the ball of the pearl, sitting on the cusp of the navel and the play of shadow within it offers a suggestion of focal point of female sexual pleasure.

Nitroglobus Roof Gallery: Dido Haas – Nudospective

Beautiful executed individually, taken collectively, Nudospective forms an engaging, easy-to-appreciate exhibition of photography which potentially has a lot to say.

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