Of art and a Caged Bird in Second Life

Red Dot Gallery

In July of 2023, I has the distinct pleasure of visiting  Auguries of Innocence, a thoroughly engaging exhibition of art by Janus Falls structured around William Blake’s poem of the same name. Within it, Janus echoed and extended ideas found within Blake’s work, uniquely re-interpreting theme through colour and image. As one can tell from my review of that exhibit, I was deeply captivated by the expressiveness found within it, and so – although admittedly somewhat belatedly – I made a point of visiting another collection of images inspired by a poem Janus is currently exhibiting.

Hosted within her own gallery space – Red Dot GalleryI know Why the Caged Bird Sings presents a series of 14 avatar studies inspired by Maya Angelou’s poem Caged Bird (also referred to as I Know Why the Caged Bird Sings, which is also the title of the first volume of Angelou’s autobiography, itself referenced by the poem). First published in her fourth collection of poetry entitled Shaker, Why Don’t You Sing? (1983), the poem is focused on the themes of freedom, racial oppression using the metaphors of the free and the caged bird.

Red Dot Gallery: Janus Falls – I Know Why the Caged Bird Sings

Through its structure use of mixed meter and irregular rhyme, Caged Bird is again a powerful statement oppression and hope for a brighter future. It’s a message that, in a world where basic human caring, acceptance and social concern are increasing seen as something to be reviled and differences in outlook, gender, sexuality and – yes, race – are reasons to ostracize and condemn, the poem stands not only as a reminder of the past, but also a very real underscoring of the fact that the oppression not only continues, but is spreading insidiously; that all of us who have an ounce of human dignity and compassion need to be firmly raising our voices against it, such that those who might otherwise find themselves caged by the ignorance of others might again have their voices – their rights and freedoms – accepted and restored.

In this, the art of I know Why the Caged Bird Sings presents a visual essay, one running sequentially through the gallery’s space from entrance (where Caged Bird can be read), and around the lower floor back to the upper and thence around the images there, which carries us from images of captivity to freedom and from sorrow to happiness (again reflecting the poem’s (admittedly more layered) mixing of joy and sadness).

Red Dot Gallery: Janus Falls – I Know Why the Caged Bird Sings

Within these images, Janus again shows a consummate skill in using visual contrasts  – light and dark, tone and shading, depth of field and focal point – to draw us into her art and the story it has to tell – as deftly as Angelou uses anapest and iambic meter and stressed and unstressed pairings of ideas   to draw us into the meaning of her poem.

In exploring these pieces, it is also hard not to escape the feeling there is a further message here; one directly connected to our digital world. Second Life is a place that, for many of us, is liberating; through it we can give wing to our innermost truths, wants and desires through the expressiveness of our avatars ad / or our creativity. It presents us with a place where the bars of life in whatever form they take – physical, mental, social, familial, etc., can be escaped (if only, admittedly for a time) and we can find comfort, joy, happiness – even acceptance. Given we have been so fortunate to be able to experience this richness and freedom of expression, do we not owe it to ourselves and those around us to ensure that no matter who and where we are, such freedom is to be as open, as cherished as available to all who seek it within the physical world?

Red Dot Gallery: Janus Falls – I Know Why the Caged Bird Sings

SLurl Details

A view through an Azure Window in Second Life

Dwejra, August 2023 – click any image for full size

Malta stands as a small but proud island nation within the Mediterranean Sea. For much of Human history, it’s location roughly in the middle of that sea has made it hugely strategically important across successive civilisations. From the Phoenicians and Carthaginians through the likes of the  Romans and Greeks through to French and British to name but a few, it has been claimed by many and inhabited since around 6000 BCE. Indeed, until 1963, it was home to what were regarded as the oldest free-standing structures on Earth: the Megalithic Temples of Malta, although the title was taken by the structures at Göbekli Tepe, Turkey – a location also featured in SL courtesy of Konrad (Kaiju Kohime) and Saskia Rieko – see A Night Sky with a touch of history in Second Life.

As well as being steeped in history, Malta is also an archipelago of stunning natural beauty and uniqueness – including having its own endemic sub-species of bee (from which its current name name might be in part derived). The coastlines of Malta’s two major islands have a number of captivating bays, cliffs and more – but potentially one of the most engaging (particularly in terms of tourism) lies on Gozo, Malta’s second largest island. It is that of Dwejra, and it is this location Moonstone (Hecatolite) has chosen to reproduce as a public space in Second Life.

Dwejra, August 2023

Moonstone’s Dwejra, however, is not one that portrays the bay as it is, but rather as it was up until March 8th, 2017: the place famous for the the massive and impressive Azure Window, a huge natural arch 28 metres tall, carved into a limestone promontory extending outwards from the island’s coast.

Sadly, both arch and promontory were lost as a result of a particularly violent storm which struck the island in 2017. However, through her work, Moonstone has ensured we can for a time appreciate it in-world in a manner very similar in appearance to how it stood for most of it’s roughly 200-year history, if minus the spray and foam almost always present as a result of the ebb and surge of the tide breaking over remnants of the cave to which it is believed the Window once provided access prior to the entire cave collapsing into the sea to leave the arch standing alone.

Dwejra, August 2023

However, the Azure Window is not the only natural formation for which Dwejra is famous. There is also Qawra, the Inland Sea and its associated Blue Hole dive site just offshore, said to have been one of Jacques Cousteau’s favourite places to dive.

Qawra is a saltwater lagoon marked by a gently shelving shale beach to one side and high limestone cliffs on the other, through which another archway provides passage for seawater, fish and marine life  – and small fishing boats, the lagoon offering a safe harbour from the latter, its beachside area now the home to a small village.

Dwejra, August 2023

The Inland Sea is very much in evidence within Moonstone’s Homestead design, complete with arched tunnel winding through the cliffs to reach the open waters. In addition to these natural sights (and sites!), it includes some of those built by human hands which have become associated with the location. There is the little fishing enclave huddled on the protected shoreline of the Inland Sea whilst behind them on a grassy rise sits a small chapel, perhaps representative of St. Anne’s Chapel – itself famous for being located close to cart tracks connecting Dwejra to Il-Mixta, one of several locations scattered across Gozo which are believed to be the sites of the island’s earliest settlers.

Across the landscape from the church and sitting on another low hill is a house which is perhaps representative of the house from which the area takes its current name (others of which include Doviera and Dueira). Between the house and the village and the chapel the land forms open fields and grazing typical for the region in the – physical world, and  Moonstone has clearly used a line of cliffs to the east and false road tunnel through them to give the impression that were one to pass through the tunnel, they’d find themselves within the greater landscape of Gozo island as a whole.

Dwejra, August 2023

The village is mostly empty building shells (hardly surprising, given this is a homestead region), but for those willing to explore the foot of the cliffs curling away from the Inland Sea and around the house on its west side might find a route up to their flat tops. If you do, and continue your explorations along the rugged back of the cliffs, you’ll doubtless find a couple of adventure activities awaiting in the form of hang-gliding and cliff diving (off the promontory beyond the Azure Window). Also awaiting discovery back down at sea level is a small rock pool typical of many to be found around the islands of Malta. This one is set out for a little quiet sunbathing whilst those fancying a swim ca do so via a buoy bobbing a few metres offshore from the pool’s surrounding ring of rock.

It would have been nice to see the Dwejra Tower featured in this build. Constructed in 1652, it is one of several coastal watchtowers built to keep an eye out for (and warn against) the arrival of raiding corsairs, and it sits atop the cliffs within observation distance of the Inland Sea and the former Azure Window. However, these towers were of a particular design (and Homesteads do have limited Land Capacity to play with as already noted), so finding a design which fits the look and doesn’t gobble LI isn’t going to be easy, so its absence is both easy to forgive and doesn’t, push come to shove, detract in any way from the finished build.

Dwejra, August 2023

In all, Dwejra in Second Life is beautifully realised given the constraints of region size in SL, and more than captures the look and feel of its namesake. Rich in photographic opportunities and offering opportunities for the aforementioned activities, it is a place which should be visited and appreciated by all Second Life explorers.

SLurl Details

  • Dwejra (Love Temptations, rated Moderate)

Art and emotion: Theresa Hermit in Second Life

St Elizabeth’s University Original Campus Gallery: Theresa Hermit

Saturday, July 29th, 2023 saw the opening of an exhibition of photography and art from the physical world by Theresa Hermit at the Original Campus Gallery within St. Elizabeth’s University.

I believe this is the first time I’ve witnessed Theresa’s work, but am unsure as to whether this is her first complete exhibition, or the first to be widely advertised. The term “introducing” is used in the advertising, but I gather from chatting with Pat Wheelwright, Director of Residential Living at St. Elizabeth’s, that Theresa has displayed her work there in the past (she is also both the university’s Art History teacher and current president), but these may have been limited in terms of audience, being only advertised within the university’s membership. Either way, I’m glad to have had the opportunity to witness this exhibition, which offers quite the showcase for Theresa’s multi-faceted artistic talents.

St Elizabeth’s University Original Campus Gallery: Theresa Hermit

In the physical world, Theresa holds a Bachelor of Fines Arts (BFA) degree and has recently completed her Master of Fine Arts (MFA). For those not clear on the difference between these and the Bachelor of Arts (BA) and Master of Arts (MA), the latter two usually centre on the scholarly, academic and critical study, whilst the BFA and MFA centre on professional artistic practice within the chosen field of study. Her work encompasses multiple mediums including watercolour (including gouache), oil, and printmaking, whilst also enjoying drawing and  – as demonstrated in this exhibition – photography, where she also develops her own images as well as taking them.

The latter is located on the ground level of the gallery space – the exhibition covering a total of three floors within the gallery – presenting a fascinating series of black and white photographs, mostly taken at a farm in Connecticut. These show a keen eye for composition whilst the use of black and white film brings a sense of time and age to the buildings, furniture and hardware which is sublime in giving a deeper sense of narrative and history that might otherwise have not been apparent.

St Elizabeth’s University Original Campus Gallery: Theresa Hermit

Within this selection are also images quite fittingly captured at a property once owned by Edward Steichen. He was both a pioneer in the craft of fashion photography and, more particularly in this case, often credited with elevating photography into a recognised art form – and I have little doubt that were he to view the images here, he would embrace them as such.

The middle and upper levels of the gallery  – and the stairways linking them – are host to a selection of Theresa’s paintings covering a range of subjects. In this, and as Theresa herself notes, she is not so much led by the artistic opportunity of something she sees, but by the emotional response she feels towards what she sees. This is perhaps most clearly seen within Darkness Falls, a painting of sunflowers set against a backdrop of smoke / dust, painted as a personal response to the events of September 11th, 2001.

St Elizabeth’s University Original Campus Gallery: Theresa Hermit

Theresa also notes that she eschews “realism” in many of her paintings in favour of her emotions (what she refers to as her work being “representational”), and this further adds a personal depth to her paintings. Again, take GGP Wedding; this is a reflection of the wedding of Theresa’s great-grandparents, taken from a photograph of that event. Within it, the newly weds are shown almost ghostlike; figures and details blurred – a perfect reflection of an event that might be recalled from a time when the eye and mind were too young to capture and imprint all that was seen firmly into memory, allowing the details to become misty over time.

What is also striking about this exhibition are the notes Theresa provides (click the small, wall-mounted signs offered close to the entrances of all three levels of the gallery space). These offer a richness of information, examining the origins of the photographs and paintings, the influences that helped inform their creation, and insights into the approaches she takes to her work. These notes help carry us into Theresa’s creative processes in a very personal way.

St Elizabeth’s University Original Campus Gallery: Theresa Hermit

A genuinely personal, engaging exhibition, and my thanks to Cayla (YumiYukimura) for the invite to visit!

SLurl Details

An aquatic Waterfall Café in Second Life

The Waterfall Café, August 2023

‘Twas off to explore a quarter full region build recently, after SunShine Kukulcan passed a tip suggesting a multi-level setting I’d enjoy exploring – and she was right!

Designed and built by Katie (Katie Luckstone), The Waterfall Café is an engaging setting which, whilst predominantly occupying the sky, captures the richness and beauty of undersea realms, combining them with a sense of fantasy (and a twist of sci-fi in places) to present a location alive with colour and with an engaging sense of life and wonder, all intended to offer a retreat-come-hangout for all those wishing to escape from the “norm” and relax with friends.

At the time of my visit, The Waterfall Café offered five locations open to the public: The Kraken (which is a very good place to start explorations),  Waterfall Café itself, Mystic Café, a a ground level coastal setting, and the Night Train. These are all connected via a teleport system (which also provides access to a non-public – I presume – work area), although it is possible to move between The Kraken and the Waterfall Café on foot, which I’d suggest is worthwhile.

The Waterfall Café, August 2023
As you step into this café, you will be transported to a world of whimsy and wonder. The aquatic theme infuses every aspect of the space, creating a visually stunning and immersive experience. Whether you prefer to sit in the main dining area or explore our secret underwater dining area, you will be surrounded by a mystical atmosphere that is both calming and captivating. As the sun sets, the mood shifts to a more intimate and romantic vibe, perfect for a cosy dinner for two on the night train which adds an extra touch of mystery and adventure.

– The Waterfall Café About Land description

The Kraken is a small lounge area offered in vibrant greens and with turquoise walls suggestive of a cavern below the waves. In keeping with its name, the lounge has a distinct octopi theme – although one not in any way menacing -, although the leaf-like seats set out before the bar offer an interesting elven-like counterpoint. The bar itself is a novel affair: those serving drinks are able to do so whilst relaxing on pool loungers floating on the water flowing outwards from where it falls from the rocks behind the bar (doubtless helping to keep the bottled beverages on the shelves there nicely cool), the bar itself holding said water in check, preventing it from soaking the feet of those occupying the leaf chairs.

Just through the doors of this curiously inviting lounge is a teleport disk connecting with the rest of the location, and a tunnel with water flowing outwards over its stone floor directing feet down to where The Waterfall Café awaits.

The Waterfall Café, August 2023

The end of his tunnel takes the form of a L-shaped passageway, the waters descending from above spreading to form a pool over the paved floor to a depth of a few centimetres, allowing vines and plants to form a floating carpet. Windows line the passageway’s walls, mixing views out to a coral reef with wall-mounted tanks to one side, whilst windows and doorways look inwards toward the rest of Café on the other as tables and chairs – some suspended from the ceiling – long both arms of the passageway present places to sit pass the time.

At the far end of the longer arm of this passageway is a huge watertight door. Swung back against its big hinge, it suggests a secret lying beyond, thus beckoning visitors to step through. But while it does indeed hide a secret, it should not be the immediate focus for explorers. Rather, that lies around halfway along the passage’s length, and the open rectangle of a stone doorway as it provides access to what had at one time been a large vaulted hall.

Lit by the phosphoresce of sea plants and the light of aquariums, the chamber has been split into two levels through the addition of a wooden floor. This leaves the lower level as something of a large entrance hall serving four small rooms and passages leading deeper into the Café. Each of the smaller rooms offers an intimate, private space, lit by water from tanks (or possibly windows to the world outside – you decide!), whilst one of the passages leading the way deeper into the Café passes over a glass panel through which the ocean floor can be seen, together with dolphins swimming by, unconcerned by whatever might be going on above their heads.

The Waterfall Café, August 2023
Aged wooden stairs climb to the added floor above where, under the vaulted ceiling a more open and decidedly sci-fi looking seating area awaits, comfortable armchairs floating serenely under their own power. Aquariums and animated digital murals set into the archways around the room’s side give the impression of it being exposed within the oceans depths, while alongside the stairs climbing up to it, a further doorway provides access to a large viewing area, modelled to look like a cave with one wall again apparently open to the sea – or at least separated from it by an near invisible transparent wall.

Beyond this first hall with its two floors, the Waterfall Café offers more visual delights in the form of multiple chambers of varying sizes and styles. I could potentially wibble on at length about these, but I’ll save you the pain because, frankly, the entire complex really should be witnessed first-hand. Just be sure to take your time in exploring, as these are spaces where careful camming is required in the larger space in order to appreciate the amount of detail they contain, and where there is a wealth of artistic expression on Katie’s part deserving of discovery.

The Waterfall Café, August 2023

One of these inner halls of the Café forms the “official” landing point for the location, providing another of the teleport disks. There are the only (in the case of the Night Train and Mystic Café) or most obvious (in the case of the ground level locations) for getting to see the rest of the location’s public offerings.

Both the Night Train and Mystic Café are much smaller that The Waterfall Café. The former offers an intimate ride through a night-time setting aboard a train carriage comprising its own private dining area and lounge / bedroom, whilst the latter presents a pavilion-like café-bar sitting within an otherworldly garden. It’s a dreamy setting, perhaps only lacking a dance system for those so inclined but which does offer an interesting selection of music (local sounds, not the audio stream), featuring extracts from the soundtrack of Beetlejuice.

Finally – almost – there is the ground-level coastal area. Sitting under a turquoise night sky, it is home to a number of tiki-style cabins with solid walls, all open to the public and the largest of which sits out over the waters, proudly raised on stilts which anchor it to a small rocky outcrop. It’s a romantically-inclined setting suggestive of tropic island paradises – and one that hides a secret. It find it through discovery, you’ll need to backtrack to the big watertight door at The Waterfall Café; but I’ll leave you to discover it in piece.

The Waterfall Café, August 2023

All told, a deeply satisfying visit – and my thanks to SunShine for the pointer!

SLurl Details

(Loveless Unity is rated Moderate)

The art of Raven Arcana in Second Life

Raven’s Eye Gallery

Today I’m shining a spotlight on the art of Raven Arcana, a Second life photographer-artist whose work I’ve seen featured a some ensemble exhibitions, but until June 2023, hadn’t really had the opportunity to focus on her work  in these pages. That was when her themed exhibition Destination Unknown opened at Artsville Galleries – although again, time being what it is, I also didn’t actually get the opportunity to write-up that exhibit at the time of its opening. However, at the time of writing this piece it remains available to visitors for a while longer, and so is touched upon here as well.

Raven’s primary gallery space is located with her own region of Clandestine, which is also dedicated to the Digital Arts Gallery, a collective of SL artists and bloggers. Thus, Raven’s gallery can either be reached directly or via the teleport area available at the DAG event space, which also provides access to other galleries and locations within the region (which are outside the scope of this article). For ease of reference, all SLurls to places specifically mentioned here can be found at the end of this article, rather than also being embedded in the text, per my usual approach.

Raven’s eye Gallery: Raven Arcana

Occupying a 2-storey space set within its own skybox, Raven’s Eye Gallery offers a rich introduction to Raven’s photography for those who might not be familiar with it. At the time of my visit, the lower floor presented a diverse selection of Raven’s landscape work, with all of the images beautifully evocative whilst demonstrating an eye for framing that within some rightly eschews so-called “golden rules” of composition in favour of a broader and more fitting artistic balance.

These are images which also demonstrate Raven’s talent for post-processing and effect, with some finished with photograph-like clarity and others treated to resemble watercolours or oils. A particular attractiveness in some of the latter lay in the way Raven has captured the spirit of the Impressionist and Romance landscape painters, the style and finish selected by Raven for each piece is perfectly matched to its focus and subject.

Raven’s eye Gallery: Raven Arcana

The landscapes continue on the upper floor – which at the time of my visit was only partially laid out – but are mixed with pieces that are more thematically inclined. Future Sunset, for example, would appear to offer a direct link to Destination Unknown, itself a powerful selection of pieces focused on climate change / global warming and the inherent threat they contain to life and civilisation. Meanwhile, When Fiction Becomes Reality presents a powerful commentary on the (predominantly patriarchal) suppression of women’s rights, whilst Biker’s Paradise offers an unapologetic celebration of the freedom and joy to be found travelling the open road.

I’m not sure how much longer Destination Unknown will remain open to the public – my apologies to Raven for not previously covering it in these pages; as such I’d recommend a visit alongside a trip to Raven’s Eye Gallery during August 2023, in the hope you get to see it before the next exhibition replaces it at Artsville. That said, make no mistake, a visit to Raven’s Eye is well worth the time for anyone with an appreciation for art.

Raven’s eye Gallery: Raven Arcana

SLurl Details

Note that Clandestine is rated Adult.

Dropping into Sonder in Second Life

Sonder, August 2023 – click any image for full size

Located within the lake district of Heterocera, and folded into the Lake District Association, Sonder is a community-focused location mixing public spaces and private residences within a beautifully natural environment designed by Emm Vintner (Emm Evergarden of The Nature Collective fame) and Teagan Lefevre (of Le’eaf & Co fame), who have together with Teagan’s SL partner Cayleigh, taken over the management of the Lake District Association (LDA).

The LDA is a widespread community, encompassing multiple locations across Heterocera, with Sonder being the latest addition / development, as an information card available from a kiosk located close to the landing point explains:

The Lake District Association was originally founded by Lorenzo (wizardoznerol) and Kathena Mavendorf. Its members are owners and patrons of the lakes and waterways of Southwest Heterocera (or Atoll Continent). We are interested in the natural beauty and preservation of this unique area in Second Life. The Lake District area spans from Tethea and Or to the northwest, through Sesia, Andraca, Pruni, Enyo, Laothoe, Hector and Notata in the East and Gunda – which is our newest location.

– from the introduction to Lake District Association

Sonder, August 2023

Set back from the Atoll Road, Sonder’s Landing point delivers visitors within the paved square of a small town or village, a place split between elevations and presenting a mixture of shops, homes and buildings of mixed styles and materials which speak to a good degree of age and growth. At the lowest extent sits a large body of water marked by a fish market (I hate to use the term “seafood”, despite the sign, given the fact the water is landlocked, so fresh goods are liable to be well, freshwater in nature unless trucked in 🙂 ), a boat repair boat and the opportunity for fishing.

Above the lake, the main square offers the aforementioned kiosk for information on the LDA together with an experience-based teleport system providing access to points of interest and a bicycle rezzer for those who fancy a wheeled ride around the setting. Chief among the teleport destinations is the local micro brewery, located on the upper level of the village, a rentals board located just outside its sign-lit entrance.

Sonder, August 2023
The Lake District is home to communities, cafes, retreat centres, parks, trailer parks, swimming and boating areas, a launch into Linden ocean, dance club, soon to have church, and a bowling alley. So much is happening and constantly being added. The Lake District is a bustling place with a real heartbeat for SL living and play

– from the introduction to Lake District Association

One of the rental properties is also located on the upper terrace of the village, taking the form of an apartment block, so be sure to note the Private Residence sign to avoid trespass – similar signs mark the rental cottages in the open land beyond the village as well. This can be reached via dirt track passing an arch, stone steps running down to a path and trail running alongside the stream that passes through the landscape from the townside lake.

Sonder, August 2023

The track runs past a barn when a horse can be obtained by those wishing to ride around the setting – and beyond, if they so wish – stay mounted and us the map and it is possible to reach over nearby LDA locations.

Running westward, the trail runs past the local windmill-tuned-pub – with its cafés, pub and brewery, Sonder offers a richness of choice for those seeking a beverage or two! –  leading the way past the rental cottages to a communal barbecue terrace and game area. When following it, do keep an eye out for the beehives.

Sonder, August 2023
We are a relatively new group, founded at the beginning of April 2023. We want to see this area become a destination and a wonderful place to live, work and play. We appreciate and celebrate the unique beauty of the landscape of our area and are working to preserve and better the regions we live in.

– from the introduction to Lake District Association

Needless to say, given the partnership of Teagan and Emm, Sonder is a highly photogenic destination, one offer numerous things to do or see, and with room enough for those who wish to simply pass the time.

Sonder, August 2023

SLurl Details

  • Sonder (Gunda, rated Moderate)