The chaotic balance of a cosmos

Chaos, Kosmos
Chaos, Kosmos, LEA21

Chaos, Kosmos, now open at LEA21, is Giovanna Cerise’s latest full region installation. It offers a fascinating environment intended to reflect the idea of the relationship between the cosmos and chaos as seen through the lens of ancient Greek cosmology; the one (the cosmos) having arisen from the other (chaos), and which itself is still reflective of its origins, prompting generations of thinkers, philosophers and scientists to understand its structure and order, and impose upon it an order of their own.

This is an incredibly intricate – and at first glance, no pun intended, chaotic – installation. Structures exists on multiple levels, each comprising a mix of solid-looking and semi-transparent prims. All appear haphazard in design and placement – but all have an underlining organised structure, arising from the use of algorithms in their creation. Flowcharts representing these algorithms lie under, around and on the structures, further suggesting the orderliness of their form and design in contrast to their undisciplined appearance.

Chaos, Kosmos
Chaos, Kosmos, LEA21

Givanna describes this relationship thus, “the beautiful, good and rational order of the world, which always comes from a messy background. The Chaos is not definitely passed by the construction of an intelligible world and of the shapes, but it still continues to be as the foundation on which also the Kosmos stand.”

It’s a very visual representation of a complex concept  – one which, I have to say, works very well. So much so that I’d suggest that more than one visit will be required to understand all of the subtle complexities in the design, and that in doing so, the visitor is liable to have their perceptions challenged and challenged again – just as the cosmos has persistently challenged us to re-evaluate our thinking about it.

Chaos, Kosmos
Chaos, Kosmos, LEA21

Order from disorder – or at least the unformed – also arises in art, through all its many mediums, as Giovanna notes, “It could be understood as a creative act of the artist who derives a sense and an aesthetic and meaningful order from the formless matter.” Again, this is strongly reflected in the nature and style of this installation as a whole, and also in much subtler aspects of the work. One element of the piece, for example, features a design representative of a human hand on which neumes appear, a clear reference to music, reminding us of the link between music and mathematics, here forming almost tonal algorithms which echo the foundations of the installation itself.

The best way to observe the piece as the artist intended is to set your windlight to sunset or midnight, although other lighting works well with many of the structures; then use the teleport system (indicated by the compasses) to move around the elements of the build in the order Giovanna desired. Once you have completed an initial circuit, I’d recommend spending a little time flying and observing for yourself, as there is a lot to seen beyond the preset teleport destinations.

Chaos, Kosmos
Chaos, Kosmos. LEA21

All told, an intriguing installation – one which will open to the public through until the end of December 2014 as a part of the current round of the LEA’s Artist In Residence programme.

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la maison d’Aneli

La Maison d'Aneli - FrancheskaCarter
la Maison d’Aneli – FrancheskaCarter – click any image for full-size

I received an invitation from Aneli Abeyante to attend a special vernissage of the first exhibition to be held at her new gallery, la Maison d’Aneli, which opens on Tuesday, November 11th, 2014. Unfortunately, I cannot attend the preview itself, so I hope she won’t mind me writing about it in advance.

The inaugural exhibition features work by Littleone Aries, Tani Thor, FrancheskaCarter, Nino Vichan and Cayenne Avon, with the opening featuring a special concert featuring Pol Jarvinen’s work and the music of Yummy and Coffee Jaworower.

La Maison d'Aneli - Tani Thor
la maison d’Aneli – Tani Thor

la maison d’Aneli is a brick-built gallery within Impress allen’s region of Virtual Holland. The ground floor feature gallery spaces for Littleone Ares, Tani Thor, FrancheskaCater and a display / telpeort area for Pol Jarvinen and the concert area. Upstairs, the exhibition space is devoted to a joint piece by Nino and Cay, entitled Companions, and of which more anon. Lines on the floor invite visitors to tour the gallery in a specific order of artists, commencing with Littleone Ares, then progressing through the Companions exhibit, then Tani, Francheska and finally to Pol, and the teleporter up to the concert space.

Littleone, Tani and Francheska offer strongly contrasting styles in their work, which makes this a varied and striking opening exhibition. I’ve not been overly familiar with any of their work prior to my visit, but found all three appealing in very different ways; there is a powerful sense of abstract in Littleone’s pieces, which at the same time have a hint of intricate glass art. Tani’s work is more surreal in approach, the images presented quite striking in both their power and statement.

Littleone Ares
la maison d’Aneli – Littleone Ares

FrancheskaCarter’s work, which forms the largest part of the exhibition, draws on a number of themes, styles and influences, presenting a dynamic display of art that is – to me, at least – quite magnetic; and I say that without any intent to slight either Tani or Littleone. There is so much to captivate here, the interweaving of styles, forms and contrasts is entrancing.

Just look at Murbian, with its New York-like street of today and Urbaniste above it, featuring a street scene from over a century before; these pieces both complement and contrast with one another not only in the scenes they depict, but also in the manner in which they are presented. The New York picture possesses bold, modern strokes, the picture showing us a horse-drawn past offer far softer lines and colour, immersing us further in the bygone age it represents. Similarly, Chati offers an immensely powerful statement, while Amoureux magnificently captures the power and sensuality of the Argentine tango.

La Maison d'Aneli - Companions
la maison d’Aneli – Companions

Upstairs, Cay and Nino offer a very different piece. “Welcome to the attic,” the introductory note card reads “Filled with memories of the companions who shared our lives.” following this is a short poem recalling the love and affection offered to us by favourite pets. This is, in short, a little trip down memory lane which is at once very personal, and almost somethings any of us who have shared our lives with a pet will instantly emphasise with.

Here, amidst the clutter one can all too often find in a roomy attic – old copies of newspapers, toys long forgotten, packing crates and travel trunks, furniture past its prime and more  -, lie a series of paintings and drawings of pets and their owners from times past. Each picture tells a story of its own, and each draws us into it in an almost intimate way, at the same time conjuring memories of those pets we have ourselves loved, and who offered us unconditional love in return. This is a wonderfully personal display in many ways, both through the pictures offered and the setting itself.

As an inaugural exhibition, this is, as noted above, quite a stunning array of art (all of which is offered for sale, and would grace any home), and one not to be missed. Congratulations to  Aneli on both the opening of the gallery and this excellent exhibition.

La Maison d'Aneli - FrancheskaCarter
la maison d’Aneli – FrancheskaCarter

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LEA open AIR 8 land grant applications

LEA_square_logo_60Applications are now open for round 8 of the Artists in Residence (AIR) programme operated by Linden Endowment for the Arts.

Twenty regions (LEA10 through LEA29), donated by Linden Lab and managed by the LEA, are offered under the AIR programme, and successful applicants will be given the use of one full region for a period of five months. The region may then be used on an individual or group basis for such diverse activities as:

  • Full sim exhibitions and / or immersive installations
  • Curated projects, especially those which have a connection to physical exhibitions and events (mixed reality).
Sister Planet, LEA AIR 7 entry by Kimika Ying - review
Sister Planet, LEA AIR 7 entry by Kimika Ying – review

Artists are asked to take no more than 3 months to execute their build, so that their installation is open to the public for at least the last 2 months of their grant. However, artists may also open their installation ahead of the three-month build deadline, and many artists in the past have used their land to have multiple exhibits.

The timeline for application as it currently stands is:

  • Application deadline: November 30th, 2014
  • Notification by: December 15th, 2014
  • Sim handover and public announcement: January 1st, 2015
  • End of round: June 30th, 2015.

The application form can be found at the end of the official announcement for AIR round 8. Those needing assistance in completing the form can refer to some guidelines provided by Honour McMillan.

Bread and Roses, LEA AIR 7 entrant
Bread and Roses, LEA AIR 7 entry by Elle Brewster – review

Those wishing to available themselves of a smaller amount of space for art exhibits and projects can apply for space on an LEA core region. These grants run for approximately three months, with parcels / regions available on LEA1, LEA2, LEA4, LEA8 and LEA9.

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Among the Moles of Lumenaria

Meauxle Bureaux
Meauxle Bureaux – click images for full size

Ciaran Laval recently posted about the return of Lumenaria, Kayle Matzerath’s fabulous and whimsical build from Fantasy Faire 2013.Once the location of shops and stores, it now serves as home to the Moles of the Linden Department of Public Works – so it’s become a kind of Mole Town, you might say.

As a fan of the build, and of Kayle’s work in general – as anyone who has seen my SL garden knows! – I decided to fly over and take a look for myself earlier in the week. I say “fly”, as the region the Moles occupy can be reached directly from my house, via a flight across Blake Sea and then down the coast of Satori. So I hopped into G-NARA and headed south-east.

Meauxle Bureaux
Meauxle Bureaux

The last time I’d spent time in this part of the virtual world, it looked like the Moles were working on a little string of islands for Petites along Souverain, Laugier and Fernandes, just off the coast of Satori. These islands have long gone (or have possibly moved, I’m not sure which), and the “Mole Town” occupies a new region – Meauxle Bureaux – sitting alongside of Souverain and Fernandes, which offer waterside access to the town via the Mole marina in Fernandes and a jetty in Souverain. After landing on the waterway, I left G-NARA moored at the marina area (at least until auto return kicked-in).

The town is pretty much as it appeared at Fantasy Faire, the same twisty little streets leading up to the great hall, the same gaily coloured rooftops and the same formal park area – even the windlight is the same. However, the Moles are now in residence, as the signs outside the doors of many residences announce. They seem to be a healthy bunch; on the stone paved streets sit market stalls offering fresh fruits and produce, as well as flowers for the green-fingered … clawed …. Moles, and bicycles appear the be the preferred method of wheeled locomotion.

Meauxle Bureaux - rum, rum, rum, rum ...
Meauxle Bureaux – rum, rum, rum, rum …

However, all the good-for-you edibles doesn’t mean the Moles live a life of abstinence, as Ye Olde Abnor Mole Pub demonstrates. Here locals and visitors are offered the chance to sit down and enjoy a drink or three, play the odd board game or challenge each other to a friendly game of pool. Given the menu on the wall, I’ve little doubt that there may also be the odd bout of impromptu and Pythonesque singing breaking out should anyone happen to ask what’s available to eat. It starts out with fish and rum before proceeding through the likes of rum, apples, seagull and rum and fish, rum, rum, apples and rum, to eventually arrive at rum, rum, rum, rum, rum, rum, rum, bananas, rum, rum, rum, and rum, with a note that bananas are, in fact, off. Enjoy the greeting when visiting as well!

Meauxle Bureaux
Meauxle Bureaux

The humour continues out in the street, where an obelisk can be found, upon which is writ is letters large and golden, four of the Good Neighbour Commandments for Second Life Mainland, which may raise a smile when being read – click on the picture to the right for a sample.

LDPW builds are celebrated in the main hall, and clicking on the pictures will deliver a SLurl for those interested. There’s also a gallery of Moles to be found there as well. Lindens also have their spots in the town; Michael Linden, for obvious reasons, has a little place on the “quieter” side of town (in that some of the houses are still unoccupied), while the ever-charming Shaman Linden has a little studio tucked away near the marina entrance.

That the Moles have had homes in SL is not new – sail the waters around some of the mainland continents, for example, and you’ll likely bump into those belonging to Moles past and present. However, seeing a little town like this, where they can congregate and spend time away from the rigours of banging prims together and carving mesh, adds a lot to their presence in SL which, despite being oft critiqued, forms a valuable service. That the town is a re-use (with the creator’s full knowledge and approval, I might add) of a very popular build that may otherwise have lain forgotten and lost, makes a visit to Meauxle Bureaux doubly pleasant.

My only real complaint is that the rezzing areas at the marina and quayside seems to be restricted to land group members. I had hoped to re-rez G-INARA or possibly my Loonetta 31 and do a spot more flying or sailing in the area to see what else may have popped-up; unfortunately attempts left me informed that I didn’t have the right to do so, leaving me with no choice but to use the more boring method of teleporting back home. Nevertheless, a fun visit, and one I’ll doubtless repeat the next time I fancy a long-haul sailing trip!

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A trip to Holly Kai park

Holly Kai Park
Holly Kai Park

I’ve not had too much free time in SL of late; visits have comprised attending meetings or visiting destinations for blog articles and little else. It’s that time of year when demands are being made on my time elsewhere, and even my reserve of articles “in preparation” is starting to look a wee bit thin.

However, I did get the opportunity to go sailing of late, and decided to make my way to Holly Kai, part of the Hollywood estates north of Blake Sea. Until recently I had my home on a corner parcel in the region, and while flying over it a while back, I’d noticed that there was some large-scale redevelopment going on. So, curious to know more, I boarded my little Loonetta 31, Exotix 2, and set out to poke my nose in.

Holly Kai Park
Holly Kai Park

For those unfamiliar with Holly Kai, it’s a residential region, with several private parcels located around a central public park area – and it was this area (together with some modifications to the parcels) that I’d seen undergoing redevelopment. The work has been undertaken by a small team comprising Fred Uralia, Autumnx Rain and Conte Alchemi (who has been responsible for the park’s design), the aim being to enhance the park and offer it as a suitable stopping-off place for those sailing through or exploring the waters to the north of Blake Sea. And I have to say, the results are impressive.

The new park combines a tropical beach area with a summer green park through which streams flow, water falls from rocky banks, trails wind through trees and around rocks, and moorings offer plenty of space for boats to tie-up alongside for a while. It runs from west to east through the middle of the region, with the beach area to the west, although this does admittedly have one of the mooring areas sitting between it and the open waters, although the strategic positioning of palm trees means that it doesn’t spoil the view per se.

Holly Kai Park
Holly Kai Park

One the east side of the region is a further mooring area, this one located alongside an events / party area built out over the water. Between this and the beach sits the main park, separated from the latter by the sweep of a stream as it runs between steep rocky banks. Here visitors can wander as thy please, following the trail that leads the way around the river bank, or climbing the slope up to a flat, grassy plateau and a weathered wooden deck overlooking the river, while another path winds through tall oak and beech trees, linking the park and beach together.

For those exploring the waters north of Blake Sea, Holly Kai park offers a relaxing stop-off point for any trip – auto return is set to 60 minutes, which should allow good time for exploring, and boats can be rezzed at the mooring areas.

The park officially opens on Saturday, November 8th, but visitors are already welcome. Once open, the park will feature an open-air art display, with pieces from artists displayed throughout the grounds, and pieces and artists rotated every so often to keep things fresh.

Holly Kai Park
Holly Kai Park

All told, a lovely new addition to the waters around Blake Sea, and one worth watching.

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Transcending Borders: L$115,000 in prizes for audience participation

Friday, October 31st marked the closing date for submission to this year’s combined 5th University of Western Australia’s (UWA) Grand Art Challenge and MachinimUWA VII challenge. In all, there have been 105 entries – 67 pieces of art and 38 machinima films.

The challenge presented by Transcending Borders has been for entrants to interpret the title of the competition in any fashion they deem applicable, and produce a 3D artwork or film based on their interpretation. So the title might be seen as transcending borders between space and time, or the past and present or the present and future; it might be interpreted as divisions between dimensions, real and virtual; or borders separating nations or cultures or languages; it might even combine several of or all such idea, or something else entirely – such as the many borders we encounter as we navigate our physical and virtual lives.

Pixel Sideways
Pixel Sideways “Transcending Borderz” (click images for full size)

Now, with the closing date reached, the task of judging the entries begins, and with it the opportunity for all residents in Second Life to share in the prizes on offer as a part of the Transcending Borders challenge. On offer are two prize pools, totalling L$57,500 apiece, one for the Machinima challenge, the other for the art challenge.

All you have to do is visit the art exhibits on display at the UWA gallery area and / or watch the machinima entries and then submit a list of the entries you think will finish in the TOP 10 in order 1st – 10th as decided by the official judging panel.

  • Entries should be submitted by e-mail to  jayjayaustralia-at-hotmail.com or via note card submitted to Jayjay Zifanwe in-world
  • All entries should include your name, and be titled either “Transcending Borders 3D Art Audience Event” or “MachinimUWA VII Audience Event”, according to the category being entered
  • You can enter the art participation event or the machinima participation event or both (make sure you submit one “top ten” list for each category in the case of the latter).
Luko Enoch: Borderless
Luko Enoch: Borderless

Each category (art and machinima) offers a total of five prizes, which will be awarded to those entrants whose lists come closest to the final order decided by the judging panel:

  • 1st Prize L$ 20,000 + an invitation to be on the panel for the next grand art challenge
  • 2nd Prize L$ 15,000
  • 3rd Prize L$ 10,000
  • 4th Prize L$ 7,500
  • 5th Prize L$ 5,000

(A total of L$57,500 in each category.)

In addition, the five winners in both categories will receive a special RL prize pack.

Entries for both of the audience participation events should be received no later than Midnight SLT on Wednesday, December 3rd, 2014.

Remember, this is not a popularity vote. Your top 10 entry / entries should be your prediction of who the actual top 10 will be according to the official judging panel.

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Note: the images and machinima included in this item should not be taken as any indication of my personal preferences as a member of the  Transcending Borders jury. They are included purely for the purposes of illustrating the article.