From Baker Street to West Egg and more in Second Life

It’s time to kick-off another week of fabulous story-telling in voice, brought to our virtual lives by the staff and volunteers at the Seanchai Library. As always, all times SLT, and all events in Second Life are held at the Seanchai Library’s home at Bradley University. Locations for events in InWorldz and Kitely are given within the write-ups for those events.

Sunday, June 7th, 13:00 Tea-time at Baker Street

Caledonia Skytower, Kaydon Oconnell and Corwyn Allen continue reading The Memoirs of Sherlock Holmes, originally published in 1894, and which brings together twelve (or eleven in US editions of the volume) adventures featuring Holmes and Watson, as originally published in The Strand Magazine. This week: The Adventure of the Yellow Face, first published in 1893.

A scene from The Adventure of the Yellow Face, drawn by Sidney Paget, 1893
Holmes and Watson discuss The Adventure of the Yellow Face (Sidney Paget, 1893)

“Anything else?” I asked, for Holmes was turning the pipe about in his hand and staring at it in his peculiar pensive way.

He held it up and tapped on it with his long, thin forefinger, as a professor might who was lecturing on a bone.

“Pipes are occasionally of extraordinary interest,” said he. “Nothing has more individuality, save perhaps watches and bootlaces. The indications here, however, are neither very marked nor very important. The owner is obviously a muscular man, left-handed, with an excellent set of teeth, careless in his habits, and with no need to practise economy.”

Thus in part, Sherlock Holmes describes one Grant Munro, who lately visited 221B Baker Street while Holmes and Watson were absent. Having already deduced the pipe to be of great personal, if not monetary, value to Mr. Munro, Holmes is confident that the gentle will return, having obviously been so distracted in his mindset as to have left the pipe behind.

Munro duly returns, and brings with him a tale of apparent infidelity on the part of his wife, which Holmes deduces to more likely be a case of blackmail.  However, the truth eventually reveals itself to be stranger than either he or Munro could imagine….

Monday June 8th, 19:00: The Talking Rock

Gyro Muggins reads Isaac Asimov’s 1955 science-fiction mystery about a repair technician and sole occupant of a space station, a race of silicon-based lifeforms living in the asteroid belt, and a space freighter which may not be all it seems.

Tuesday June 9th, The Great Gatsby, Part 3

Great GatsbyCaledonia Skytower, Corwyn Allen and Kaydan Oconnell continue reading of F. Scott Fitzgerald’s magnificent 1925 novel.

In 1922, Nick Carraway arrives in New York to learn about the bond business. He rents a small cottage in West Egg, home of the newly-rich, only to discover the owner of the huge Gothic mansion next door, the deeply mysterious Jay Gatsby, is prone to throwing lavish parties every weekend, to which in seems everyone comes. Everyone it seems, except Nick’s cousin Daisy, who is married to Tom Buchanan. Together they live across the bay in the more fashion East Egg, where the “old money” resides.

Following a visit with them, Nick is slowly drawn into their world, both discovering Tom Buchanan has a mistress who lives in the Valley of Ashes, an industrial area lying between the Eggs and New York city, and finding himself increasingly attracted to the Buchanan’s friend, the beautiful, if cynically minded, Jordan Baker.

Then, one Saturday, Nick finds himself invited to one of Jay Gatsby’s great parties, and is thus drawn into an increasingly deep well of infatuation, lust, and tragedy, witnessing first hand a darker side of the so-called American Dream.

Wednesday June 10th

06:00: Forever Erma

Erma BombeckErma Bombeck achieved great popularity for her newspaper column that described suburban home life from the mid-1960s until the late 1990s. She also published 15 books, most of which became bestsellers. From 1965 to 1996, Erma Bombeck wrote over 4,000 newspaper columns, using broad and sometimes eloquent humour, chronicling the ordinary life of a mid-western suburban housewife. By the 1970s, her columns were read twice-weekly by 30 million readers of the 900 newspapers in the U.S. and Canada

Join Freda Frostbite and Trolly Trollop as the delve into Erma’s wit and wisdom of everyday life, joined by Caledonia Skytower.

19:00: The Tail of Emily Windsnap

Faerie Maven-Pralou reads from the first volume in Liz Kesseler’s series about a young girl who, having always lived on a boat but having been kept away from the water by her mother, finally gets to have swimming lessons. With them comes a remarkable discovery that leads her into another world…

Thursday June 11th

19:00: Are You My Mummy?

With Shandon Loring.

21:00: Seanchai late Night

With Fin Zeddmore

Saturday June 13th 12:00 noon Seanchai Kitely: Sea Legends

With Sandon Loring – grid.kitely.com:8002/Seanchai .

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Please check with the Seanchai Library SL’s blog for updates and for additions or changes to the week’s schedule. The featured charity for June / July is the The Xerces Society, at the forefront of invertebrate protection worldwide, harnessing the knowledge of scientists and the enthusiasm of citizens to implement conservation programmes.

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A fractal Metropolis in Second Life

Met-1_001
Metropolis

At the end of 2015, the population of the world will reach 7.3 billion human beings, among which more than 50% are in urban areas. In 2050, UNO forecasts, as a central scenario, 9.6 billion people, with 2/3 living in cities, which therefore will have to host 2.5 billion additional inhabitants in the next 35 years. Tokyo gathers more than 35 million people, while New Delhi, Mumbai, Sao Paulo, Shangaï and Osaka account already for more than 20 million.

Thus Gem Preiz describes the theme for his latest exhibition of fractal art, Metropolis, which opens on Saturday, June 6th at the Influence Art Community.

Those familiar with his work know that Gem’s fractal art often suggests huge architectural landscapes and forms: towering fingers of colour and light, sweeping cityscapes frozen in time, a glimpse of places of the future and perhaps of worlds away from our own – as much in time as perhaps in distance.

Metropolis
Metropolis

With Metropolis, as his opening description suggests, Gem presents nineteen of these magnificent vistas to comment on the increasingly teeming nature of our global civilisation as more and more of just enter the world, live longer and bring forth a need of ever bigger and more complex cities, which themselves become ever more indistinguishable one from another as our reliance on technology homogenizes them such that shopping malls, business centres, even our lifestyles, become as standardised as everything else we reply upon.

The pieces are arranged in such a way as to suggest the visitor is within the huge metropolis of the exhibition’s title. Spread across multiple levels, linked by catwalks and teleport elevators, the images are suggestive of huge, glass-fronted towers and views across a gigantic cityscape.

Metropolis
Metropolis

To give a senses of scale to this “city”, and to link back to the theme of our ever-expanding and increasingly technology and business-driven civilisation, the squares and levels through the exhibition space are filled with the black silhouettes of people all apparently moving hither and thither, carrying briefcases, pulling travel cases, hurrying to this or that appointment, talking on their cellular ‘phones, haling one another and … occasionally, trying to catch-up with news the old-fashioned way: leafing through a newspaper, or holding a hand to their chin as if pondering – or lost.

So it is that Metropolis works on two levels. Taken as a whole, it admirably stands as an installation that reflects the central themes of Gem’s introductory notes; it demands one cams back in order to take in all of the scenes presents as broadly as possible, to witness this as a a city awash in activity. At the same time the images demand our studied attention, because they are all individually quite simply breathtaking in scope and form; there is a wealth of detail and complexity within each that is truly magnificent. So real do they feel, that it is hard not to wish you could step into them and walk along the halls and corridors that seem to lie behind their tiered, windowed facades, or wander the avenues and paths that sit between their ornate structures.

Metropolis
Metropolis

This is another masterful display of fractal art by Gem which will remain available for at least the rest of the month. Not only has he provided the art and the theme for the exhibit, Gem has also provided a suitable musical track on his You Tube channel which can be listened to while exploring the installation. Recommended.

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Artistic collaboration in Second Life

Collaboration, June 2015
Collaboration, June 2015

One of the strengths of Second Life that’s often pointed to is the collaborative power that lies within the platform. Thanks to the broad range of tools and capabilities offered, collaborative efforts can take many different forms, from content creation through to teaching or music, cinematography, research, and so on.

Where art is concerned, the platform can be a very effective means of collaboration, and I’ve covered a number of examples through the arts reviews in this blog (menu: EVENTS-REVIEWS-TRAVEL > REVIEWS > SL ART AND LEA). However, Kylie Sabra drew my attention to a particularly interesting collaboration between herself and Nils Urqhart, which is currently the subject of a modest exhibition now open at the gallery space at W.E.at Home.

Collaboration, June 2015
Collaboration, June 2015

“It started as a whim,” Kylie says of the exhibition. “Upon a visit to Nils’ photo gallery, I was taken once more by the beauty of his work. I’ve always been a fan of macro lens photography and began to see the possibility the work afforded as an art medium; a beginning point for a new view.

“Nils and I worked together choosing just the right pieces and then I headed in to the Photo Shop and went to work. It was freeing and I had a wonderful time with the project. ”

The result is an intriguing series of paired images, an original macro lens photograph by Nils, who has a passion for colour and lighting, as evidenced in the pictures on display, together with a digital art piece by Kylie which takes all or a part of Nils’ original and offers a different interpretation / perspective on it.

Collaboration, June 2015
Collaboration, June 2015

Taken together, the paired pieces offer a fascinating view of how a subject can be uniquely interpreted and presented, while at the same time, each individual piece by Nils or Kylie, works entirely on its own, offering an eye-catching work that lends considerable grace to any in-world wall and home, with all of the pieces are offered for sale individually.

As noted, this is a modest exhibition, offering just 6 pairs of images. Nevertheless, it stands as an ideal introduction to what I hope will be a continuing collaboration between Kylie and Nils.

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Wakeboarding and parasailing in Second Life

Wakeboarding on the AD25H "Little Bee"
Wakeboarding on the AD25H “Little Bee”

In April, I wrote about Ape Piaggo’s latest waterborne project: the AD25H “Little Bee” tender speedboat. Since that time, things have progressed, and while the boat is still not quite ready for release, Ape offered me the opportunity to do some further testing on what amounts to the pre-release version – and obviously, I jumped at the chance!

This latest version features just about everything the “full” version will include, other than the car.

Yes, that’s right, the car. As this is a trailer-mountable speedboat which comes complete with its own trailer, Ape has decided to include a car capable of towing both in the release version of the boat as well. Coming on top of everything else packed into the Little Bee – an extensive range of couples and singles poses, a racing mode, the hydrofoils, ACSS, painting options, the ability to let friends drive it, coffee making (yup, really!) plus the wakeboard and parasail, this makes for a pretty comprehensive package.

Wakeboarding on the AD25H "Little Bee"
Wakeboarding on the AD25H “Little Bee”

The parasail system was actually available on the earlier model of the boat I previewed. However, this has since been improved and was one of the things Ape asked me to test. So, one bright Second Life morning, as the Sun came up over the straits, I hopped into the boat and bravely volunteered my Crash Test Alt to give the parasail another go while I tried the wakeboard. The last time my alt took to the air in the parasail, she was fully clothed; I was kinder this time, and furnished her with a swimsuit 🙂 .

Both the wakeboard and the parasail are rezzed from the boat’s Accessories menu. Note that you will have to be on water that allows object entry, and should leave a degree of space behind the boat (don’t rez them when moored with a pier right behind you, for example). Once rezzed, riders simply sit on the wakeboard / parasail (and will receive a wearable handle for the former), and away you go.

Parasailing on the AD25H "Little Bee"
Parasailing on the AD25H “Little Bee”

During testing, I found it best to keep the boat to around 40% of throttle; any higher, and things began to get decidedly iffy on region crossings.  The board is independently steerable from the boat using the LEFT / RIGHT arrow keys, and the parasail rider can adjust their height with the UP / DOWN keys. The wakeboard also includes stunts accessed via the PAGE DOWN and the UP / DOWN keys, although I could only get the latter to work, which had me dipping low to run my hand through the water.

The PAGE UP key for both the wakeboard and the parasail allows the “CineCApe” camera to work, which provides interesting views of things for the rider of either, and I’ve made use of this in the sneak peek film below. I do recommend using the camera with the wakeboard in particular, as it really adds a further dimension to riding the board.

Parasailing on the AD25H "Little Bee" - getting into the air
Parasailing on the AD25H “Little Bee” – getting into the air

Slowing the boat will have the obvious effect of dropping both the wakeboard and parasail rider back into the water, and the former will adopt a “waiting” pose, ready for the boat to start moving again, while the latter will see the parasail gently collapse as the air resistance lessens, and the rider drops down to a gentle splashdown.

Given all it has packed into it, the AD25H “Little Bee” is liable to be a “must have” buy for anyone interested in owning / driving a compact speedboat; I’ve yet to come across anything quite so enjoyable to drive and ride it in its class, and given the price is set to be under L$3000 for the boat, trailer and car, it’s going to be an absolute steal when released.

I’ll hopefully be running a full review of the boat once it is available. In the meantime, as noted above, another sneak peek video.

Small town living in Second Life

Crestwick Island; Inara Pey, June 2015, on Flickr Crestwick Island (Flickr) – click and image for full size

Crestwick Island is a small town sited in a picturesque bay, and it’s not unreasonable to state that it has perhaps been better days; the streets are a little careworn, some of the houses equally so. And while there are attempts at colour and gaiety in the town centre, it’s hard not to escape the feeling that you’re visiting a little corner of the world that has passed its prime while seeking to hang on to it as best it can.

Which is not to say it is in any way a place that shouldn’t be seen – entirely the opposite, in fact. Designed by Isa Messioptra and Ciphertazi Wandin, Crestwick Island is actually a joy to see and wander through, and considerable care has been taken to offer a place that has a very genuine feel to it while enfolding the kind of quirks and whimsy that will bring a smile to the face of any visitor as they perambulate through the streets and along the footpaths and tracks. There’s even a few nods towards the the realm of Hollywood – although they may escape immediate recognition except to the film buffs among us.

Crestwick Island; Inara Pey, June 2015, on Flickr Crestwick Island (Flickr)

Take, for example, the town’s beauty salon; the sign over the windows proudly proclaims it to be The Best Little Hair House in Crestwick – a play on the title of a certain musical and 1982 film about a Chicken Ranch in Texas, and starring Dolly Parton and Burt Reynolds.

The beauty salon shares the town’s main street with the local medical centre, newspaper offices, bank, books shop and dance studio, with the town hall presiding sternly over all of them. Sitting kitty-corner to the beauty salon is the still chic Rosewater Cafe, offering refreshments, a place to while away the hours and dancing for those in the mood.

At the opposite end of the street to the town hall can be found the art gallery, featuring Isa’s stunning artwork (which can also be found on Flickr, as can Cipher’s) and which sits under a fading billboard which will take movie buffs Back To …. another  film from the 1980s starring Michael J. Fox…

Crestwick Island; Inara Pey, June 2015, on Flickr Crestwick Island (Flickr)

Nor is art limited to the gallery; there is some impressive graffiti to be found on the walls of certain buildings, and it can also be found in doors as well. In this respect, do make sure you pay a visit to the local place of worship; it has something quite novel to offer visitors, and a trip to Crestwick Island would be incomplete without stopping by!

Further out from the town the landscape is a little more rugged, and a tall plateau rises to the north west, topped by what looks like an old observatory dome and a smaller building. Stone steps with rusting iron handrails offer a way up to the dome, as does a winding sandy track – and anyone who has visited Griffiths Park and Observatory in Los Angeles might has a slight sense of deja-vu walking up the track; I know I did.

Crestwick Island; Inara Pey, June 2015, on Flickr Crestwick Island (Flickr)

Do take note, however, that like the town’s church, the observatory isn’t all it seems, and I wouldn’t be at all surprised if the name “Roswell” slips into your thoughts once you’ve climbed the ageing metal stairs up to the dome…

All told, Crestwick island is a visual treat, whether seen under the default windlight (to which I made only minor tweaks for most of the picture here) or under … well, probably just about any one you care to choose; it’s instantly picturesque, the slightly running-to-seed look actually adding to the look and feel of the town. If you’ve not visited already, it’s well worth the time in stopping by; you can even enjoy a little wine in the park or a snuggle at the cliff side camp…

Crestwick Island; Inara Pey, June 2015, on Flickr Crestwick Island (Flickr)

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Visionary Tales in Second Life

Visionary Tales
Visionary Tales

Set to open at 15:00 SLT on Wednesday, June 3rd, is the latest exhibition at Max Butoh’s marvellous Dathúil gallery. Visionary Tales features the  artistry of Pollyanna4, who describes herself as a “photographic storyteller” – and a visit to Dathúil will reveal why.

“My artworks are stories, people, places and moments in time.,” Pollyanna explains. “I am inspired by many things, music, a lyric, a verbal conversation, or the mood and atmosphere of what greets me.”

Visionary Tales
Visionary Tales

The result is a series of 21 images, which can also be found on Pollyanna’s stunning Flickr stream, and here divided into three story sets, which she describes as, “Coming Home ~ Trials and tribulations of a difficult journey”, “Dolls ~ From the Heart” and “Abstracted world (stories/people/views/outlooks)”.  Each of the pieces includes a small book in the lower right corner which, when clicked, will offer a short piece of text in personal chat to help frame the image; and these can themselves be powerfully emotive:

Lost and alone, cold and confused.

She fell to her knees and screamed to the heavens above Dear God, help me…there has to be a way!

Falling in a heap on the wooden slats of the bridge, she closed her eyes.

Visionary Tales
Visionary Tales

“Often, I create from the idea itself and build my imagery around the idea,” Polyanna continues in describing her work. “However, on other occasions it is a glancing feeling which makes me get out my camera and capture the essence. Texture and shadow within a photograph are things I enjoy exploring, giving many different variations on the normal photographic image created by the SL camera.

“My aim, is to make people think. To look at every part of the photograph and read for themselves, with the help of the title and or music/poetry, just what the story is being told. ”

The result is a series of pictures and associated texts which encourage the observer to enter into the piece that are looking at, to share in the story that is being shown to them, and thus to carry it in whatever direction they take – or it leads; .both images and words beautifully evocative.

Visionary Tales
Visionary Tales

This is another outstanding exhibition in what is fast becoming my favourite gallery in terms of its design, ambience and the range of exhibitions featured since it opened. I have no hesitation in recommending Visionary Tales as an exhibit worth seeing. In keeping with the theme, the formal opening event on June 3rd will feature singer and storyteller Russell Eponym. Thereafter, Visionary Tales will be open through until the end of June.

My thanks to Lucy and to Max for the warm invitation to drop-in and preview the exhibit.

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