A Pandora’s Box of autumnal dreams in Second Life

Pandora's box of Dreams; Inara Pey, September 2015, on FlickrPandora Box of Dreams September 2015 (Flickr)

Note: this vision of Pandora Box of Dreams has closed.

Lokhe Angel Verlack (Jackson Verlack) has opened the latest in his Dreams series at Pandora Box of Dreams. I’ve been following the progression of his builds since I came across the second iteration back in April 2015 (although I admit missing the opportunity to blog the iteration immediately prior to this one after my visit).

For this, the fifth Dreams iteration, Lokhe has opted to again reflect the season, and is given us a distinctly autumnal environment in which to wander, sit, contemplate, and dream. And it is an absolute delight.

Pandora's box of Dreams; Inara Pey, September 2015, on FlickrPandora Box of Dreams September 2015 (Flickr)

Subtitled Dreams of Secrets, it offers visitors the familiar starting point, up in a skybox which gives a small flavour of what is to come as you sand in a small walled garden, the leaves of the birch tress a rich gold, and a footpath leading to a door in the wall. Touch this, and you’ll be transported the to ground.

Now the first thing to note here is do please have local sounds enabled; the sound scape is as rich as the landscape, and offers additional depth when exploring. Also, have a play with the windlights;  I used [NB] – Misty Day – 5pm for the images here, but the region really does lend itself to a wide range of options  and times of day.

Pandora's box of Dreams; Inara Pey, September 2015, on FlickrPandora Box of Dreams September 2015 (Flickr)

The grassy path continues from the door, and following it, you’ll wind through more laced with the colours of autumn, and come to a flight of stone steps leading downwards to a dirt track which you can follow – or you can branch off, climb more steps and just wander under the trees and through the long grass.

Whichever route you take, you’ll find much to please the eye: leafy groves, coastal views, the odd building or two, quiet streams and brooks crossed by little wooden bridges, and plenty of places to simply sit and ponder or spend time with a companion.

Pandora's box of Dreams; Inara Pey, September 2015, on FlickrPandora Box of Dreams September 2015 (Flickr)

This is another fabulous build in a series that has proven to be eye-catching and immersive with each iteration, and quite possibly the one I’ve enjoyed the most so far. Highly recommended.

Amidst the Mysts of Eyr in Second Life

Mysts of Eyr; Inara Pey, September 2015, on FlickrMysts of Eyr September 2015 (Flickr)

Cube Republic recently sent me a snapshot he’s taken at Mysts of Eyr with a suggestion I should perhaps hop over and take a look. As I always tend to enjoy recommendations, and given Cube and I share an eye for natural beauty, I added Mysts of Eyr to the top of my list of places to visit “next” – although a couple of things have kept me from getting there sooner.

The region was once the home of Mystara and is now under new management. However, the storyline within it offers those who enjoyed Mystara with something of a new volume of tales set within the same universe, while opening the doors to broader RP as well. The setting is now that of one of the many jungle islands of the Eyr archipelago, where survivors of Mystara’s vanishing are attempting to settle – albeit not always with the blessings or support of the locals and other parties with an interest in the island.

Mysts of Eyr; Inara Pey, September 2015, on FlickrMysts of Eyr September 2015 (Flickr)

The Mysts of Eyr web site notes of the new environment:

Our vision is to bring you an immersive, high quality roleplay environment in a unique new setting, within a familiar campaign – the Realm of Mystara universe. We believe that a roleplay sim built community first, crafted with heart and soul, and operating on fair principles provides the best platform for expression.  For former members of Mystara, it is our aim to provide you a home for your character and continuity of storyline. Mysts of Eyr was founded on that hope.

The core concept of Eyr is about stepping out of your comfort zone and embracing your wild side! You will find no quaint medieval villages or towering stone castles in Eyr: a vast jagged island with many hidden secrets not to be underestimated. In Mysts of Eyr, high fantasy meets dense, otherworldly jungle life — and unlike Mystara, a realm ruled by race kings and queens — Eyr is ruled by powerful faction leaders warring for territory.

Mysts of Eyr; Inara Pey, September 2015, on FlickrMysts of Eyr September 2015 (Flickr)

I cannot speak directly for the communities involved in Mysts of Eyr, mainly because I explored the region whilst most who are involved there were most likely either in bed or at work. But I can say this of the region itself – like Mystara before it, it is beautifully conceived and designed, and utterly captivating to the eye, the build brought together under the creative skills of Annie Ibanez.

The care and artistry invested in the design is evident from the moment you arrive in the aerial Welcome Area. Here you’ll find directions for getting started, either as a player or an observer (the latter being the recommended way to learn about Mysts of Eyr, even if you are keen to join the RP). There is also information on the admins, the mentors and the various groups and factions operating in the region, all with web links and information note cards. Thus the new arrival is presented with a thorough grounding in a very relaxed approach and eye-catching build.

Mysts of Eyr; Inara Pey, September 2015, on FlickrMysts of Eyr September 2015 (Flickr)

A teleport provides access to the role-play environs, and you can select one of several destinations. For my first visit, I opted for the tavern at Stormstead, the small village / town built by the survivors from Mystara. It proved to be a sound choice as the tavern’s owner, Alteripseity, was on hand to greet me. Not only is he a charming fellow (and someone well-versed in all manner of role-play!), he is also a mentor at Mysts of Eyr, and thus well-placed to help those newly arrived. His establishment is also a most charming hostelry, and I recommend casual visitors can do no better than seeking it as their starting-point for explorations; particularly as not all destinations in the teleport system are necessarily open to public use or on the ground.

There is no enforced dress code for visitors, but I would perhaps suggest a perusal of the Mysts of Eyr website and the various groups, factions and character types found there and an effort to find something that helps you blend a little more, even when wearing the Observer Tag, would likely be appreciated. My usual black pants, blouse and heels certainly looked out-of-place, although I compensated for this by using an animation to vanish underground and letting my flycam explore for me.

Mysts of Eyr; Inara Pey, September 2015, on FlickrMysts of Eyr September 2015 (Flickr)

The range of environments to be found here really is extraordinary. the exist above ground, below ground, under water and in the air – and so discovering them all is something unlikely to be achieved via a casual visit: immersion is required – and rightfully so, even the nature of the role-play here.  Such is the nature of the design that when exploring the ground level, it can feel as if Mysts of Eyr extends far beyond the limits of a 256×256 metre region, particulalr as one finds the cave and cavern entrances and starts underground explorations.

All told, this is a stunning region, one which offers role-players considerable depth and opportunity, and which is supported by a well conceived and constructed web site. I’m not much of a role-player myself, but Mysts of Eyr is certainly enticing and I thoroughly enjoyed my visit and have no hesitation in recommending it to those who are looking for a new role-play home.

My thinks to Cube again for the tip, and to  Alteripseity for his guidance.

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A Steelhead farewell in Second Life

Steelhead City Hall - Steelhead City
Steelhead City Hall – Steelhead City

Update, September 27th: Nevermoor, one os the five Steehead City regions, has a new lease of life. Willow Leafstorm (zoelass) has taken over ownership of the region, which has been renamed and relocated to Ravenwood Forest. There have been some very minor changes made, but the aim is for the region to “live on in the spirit of Steehead”.

Steelhead City, the “American Victorian Steampunk Community in the Second Life Nestled in the Coastal Pacific Northwest” and set around the 1850s,  is to close at the end of September.

The news initially came via an announcement to the Steelhead community from founder TotalLunar Eclipse at the start of the month, followed by further information given in a town hall meeting held a few days later. There are multiple factors involved in the decision, the majority of which are personal in nature, relating to health, career and family situations.

Steelhead Nevermoor, Steelhead City
Steelhead Nevermoor, Steelhead City

I first wrote about Steelhead far back in 2012, and while I’ve had a number of visits since (although admittedly not since around mid-2014), I’ve never managed to get an updated blog post written. Unsurprisingly, a lot has changed since then, although much of the estate remains as I’ve always remembered and enjoyed it.

For example, over the years, the city and port have undergone a series of changes, although the more rural areas of Steelhead Boomtoown and St Helens have remained their natural look and feel with few obvious changes. Similarly, Steelhead Nevermoor has always retained its eclectic mix of rental properties, dark and mysterious churches and hints of fantasy I found instantly attractive during my first visit in early 2012; however, I admit I miss Steelhead Sanghai, the “sino-Steampunk” region, which went off-line a while back, one of two regions that decreased the estate’s size over the years from 7 at the time of my very first visit to the current five.

Steelhead City
Steelhead City

While the estate itself is due to go off-line, Steelhead as a community is determined to continue. The Steelhead group will not be closed, and it is hoped that the school and classes will continue. The Steelhead Salmons RFL team, founded by Fuzzball Ortega, have already indicated they’ll be continuing and have secured land on the d’Aillez Estates to which they are relocating.

In the meantime, the five regions of Steelhead City remain open to visitors (although the welcome centre is a tad denuded of information – don’t let that put you off), and I gather that when the time comes, things may be going out with a bang.

Steedhead Nevermoor, Steelhead City
Steedhead Nevermoor, Steelhead City

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Windlight fellowships: September

The Windlight Gallery Fellowship awardees for September are now on display
The Windlight Gallery Fellowship awardees for September are now on display

The September Windlight Gallery Fellowship awardee exhibits are now open at the gallery for viewing ahead of the formal opening and reception, which will take place on Saturday, September 12th, at 12:00 noon.

The awardees for this month are:  Bamboo Barnes, Canary Beck, Serenitee Bliss, Sparkie Cyberstar, Kayly Iali, Lala Lightfoot, Eeraftr Resident, Saoiriseheart Resident, Theadreem Resident,  Wintergeist Resident, Trav Solar, and Theda Tammas. Between them, the offer a wide range of styles and images, although there is a strong leaning towards avatar-focused images.

Kayly Iali, Windlight Gallery
Kayly Iali, Windlight Gallery

Perhaps the one notable difference in the group is Kayly Iali, who offers a series of her physical world paintings and sketches. These combine abstract with portraiture and oils to present a display which is both eye-catching and breath-taking – as can be seen from the image above.

By Contrast, Trav Solar (below), the only male awardee this month (come on guys, let’s see you applying!), presents a series of avatar studies within a set of slide show displays allowing a broad and very striking range of images to be displayed and shared between them.

Trav Solar, Windlight Gallery
Trav Solar, Windlight Gallery

Crossing the divide between avatar studies and landscape images captured around Second Life is Serenitee Bliss, who presents one of the fullest displays of art I’ve yet seen at Windlight, making full use of the wall space to present a simply stunning collage of images one is instantly drawn to and drawn into as it entices the eyes to linger and capture every detail in turn.

It may seem a little unfair focusing on just three of the awardees for the month, and in truth, everyone selected has offered  display that is both attractive and well worth viewing; I just confess to finding myself drawn to these three artists’ work in particular (although I confess to being very familiar with Kayly’s work).

Serenitee Bliss, Windlight Gallery
Serenitee Bliss, Windlight Gallery

The September Fellowship exhibition will be open through until the end of the month and the opening reception on the 12th has an open door invitation to all wishing to attend. It will feature the voice and music of Caasi Ansar and formal wear is requested. Hopefully, I’ll see you there!

About the Windlight Gallery Fellowship Programme

The goal of the Windlight Gallery Fellowship Programme is to provide promotional and artistic resources to artists in Second Life, and is open to both new and established artists. Space with the Windlight Gallery is provided free of charge for a period of 30 days. Applications for space can be made on-line, via the Fellowship application form, which includes all applicable terms for the use of space in the gallery.

Additional Information

Coastal storms in Second Life

Sommergewitter; Inara Pey, September 2015, on FlickrSommergewitter September 2015 (Flickr)

For those who – like me – enjoy thunderstorms and seeing the sky lit by forks and shafts of lightning arcing down from the sky, Sommergewitter (“summer thunder”) designed by Nida (Nidatine) and Seraph Nirvana, is a must see.

On arrival, you’ll find yourself in what feels like a low-lying coastal region of gently undulating sand and grass capped rolling dunes. Scattered across the three islands into which the region has been split are a number of buildings – a large house and lighthouse close by the landing point on the largest island, and a houseboat and a large, modern pier-style house sitting on or alongside the other islands, which can be reached by wading, rowing boat or a solar-powered catamaran (handy if you are travelling in a group).

Sommergewitter; Inara Pey, September 2015, on FlickrSommergewitter September 2015 (Flickr)

All of this sits under a yellow/grey sky (which I’ve taken the liberty of darkening in some of these shots),  from which rain falls over much – but not all – of the land, and from which lightning periodically forks to strike the ground or, when seen from a distance, forms a flickering sheet of light through the mist of rain.

The result is a captivating scene, rich in atmosphere and look – a photographer’s delight.  Nor does it end there, wander the island, and you’ll come across strange curios and scenes, including pianos standing out on the dunes, a drum kit near the water’s edge, a lone table set for afternoon tea, and an easel and painting kit, apparently hastily abandoned when a downpour started directly overhead.

Sommergewitter; Inara Pey, September 2015, on FlickrSommergewitter September 2015 (Flickr)

Not all of the region is caught under a blanket of rain; travel west and north and you’ll find the beach pleasantly free of vertically arranged water, offering plenty of spots to sit and enjoy the sun while looking out over water of the more horizontal variety. Or if you prefer, you can head indoors and find sitting and snuggling spots where you can feel cosy.

For my part, I simply wandered through the rain, enjoying the storm while avoiding the lightning strikes (which oddly didn’t appear to bother the local sheep too much, despite a series of strikes occurring quite close to them!). This is a lovely setting, quite beautiful in its looks and deceptively simple in its approach; a place that allows something of nature’s own beauty to speak for itself through a coastal summer storm.

Sommergewitter; Inara Pey, September 2015, on FlickrSommergewitter September 2015 (Flickr)

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Four talents at the Living Room in Second Life

Nico Time - The Living Room
Nico Time – The Living Room

Tuesday, September 8th, 2015 marks the opening of this month’s art exhibition at The Living Room, and for September, Owl and Daallee are presenting the work of not one, but four talents from Second Life, with the gallery space also undergoing a remodelling as well.

On offer through until the end of the month are selected works by CK Ballyhoo, Jamisson Burnstein, DanelleDee, and someone whose artistry I’ve long admired and enjoyed: Nico Time. All offer an intriguing mix of styles and content, both from Second Life and the physical world, making this month’s exhibition a multi-faceted event.

CK Ballyhoo - The Living Room
CK Ballyhoo – The Living Room

On the gallery’s upper level, CK presents a series of images entitled SL Skies. As the name suggests, this presents a series of skyscapes captured by the artist, who notes of them, “no filters have been used except for the black and whites, to put an emphasis on the clouds.” The result is a set of pictures, some individual, some paired, all displayed in their own little settings, each of which has been created to match the scene captured within the image itself.

 Jamisson Burnstein - The Living Room
Jamisson Burnstein – The Living Room

Occupying the same level as CK, Jamisson offers images he’s captured during his explorations of Second Life. These are centred on three large format slide show screens, each of which slowly runs through a set of images loaded within it, depicting not only places but people as well. The pace of progress is such that each image can be fully and properly appreciated before the next fades into view.

Jamisson notes that he rarely exhibits his work in-world, “But The Living Room is a special place – so I am honoured to show some of my pictures here.” He’s absolutely right on his observation about The living Room, and on the strength of the pieces he is displaying I’d certainly like to see his work gracing more galleries.

DanelleDee - The Living Room
DanelleDee – The Living Room

On the lower level gallery area, Danelle presents a selection of her art from physical world. These are a mix of black-and-white and colour drawings and pictures, some with a distinctly geometric feel to them, some more abstract and others encompassing subjects such as fruit, sailing boats and butterflies. Having only joined Second Life in 2014, Danelle notes that she has found that her involvement in-world has both helped in her personal growth and encouraged her to express herself more fully; I empathise.

Alongside of Danelle’s display is Nico’s. I’ll be the first to admit this review is perhaps a tad biased towards him given I’ve included two images of his display. However, I simply cannot help it; I’ve long admired his work  through Flickr, the SL feeds, Avatar Social Network, etc. He has, to me, a marvellous eye for composition, colour and presentation, and I’m delighted to see his work appear at The Living Room.

Nico Time - The Living Room
Nico Time – The Living Room

The exhibition will officially open at 12:00 noon SLT on Tuesday, September 8th, with a party featuring music by Joe Paravane. There will also be a closing party at 23:00 SLT on September 29th, featuring Matthew Perrault.

And don’t forget The Living Room’s monthly live music party, which for September is set for the 17th, and features Bat Masters at 17:00 SLT, followed by Lyndon Heart at 18:00.

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