Reflected on Black in Second Life

Riflessi Sul Nero

Riflessi Sul Nero (“Reflected On Black”) is the title of the latest installation by Italian artist Terrygold, which is now open to the public at Solo Arte. It comprises a series of around 15 large format avatar studies, all set out within the setting of an old mine works visitors must explore.

On arrival, visitors should be sure to set their viewers in accordance with the local instructions – accept the local windlight, then ensure Advanced Lighting Model (ALM) is set via Preferences > Graphics and, if your system can handle them, enable shadows (a little is lost in terms of general ambience by not having shadows active, but not enough to spoil the installation). Once set, follow the tracks down into the mine.

Riflessi Sul Nero

Within the tunnels and vaults of the mine can be found Terrygold’s self-portraits, and the reason for the title . Rather than being in her usual alabaster skin, she is using an ebony skin for the portraits – so she is literally a reflection (image) of herself in black. Presented in a large format, these are to be found spaced along the tunnel walls and within the side room and chamber opening off of the main horizontal shaft as it slopes and twists gently downwards.

The mine itself is  superbly done – testament again to Terrygold’s skills as a designer.  Beautifully lit and atmospheric, it gives a very real impression of going underground. The lighting is extremely well done (again, just make sure you have ALM enabled), while shadows further add to the ambience.

Riflessi Sul Nero

The setting might also be a play on words, working on a number of levels. Gold is often mined, and we have Terry’s full name – Terrygold, so we are literally entering a mine to discover the gold of her images. Coal is also mined, and this is a celebration of an ebony look, so again there could be a thematic tie.  Finally – and as Caitlyn pointed out, there is the reference to black gold used in jewellery. Just as the latter can be produced  by a variety of means, including eletroplating, which sees the gold coated with black rhodium or ruthenium, so Terrygold has coated herself in an ebony covering to produce these images.

My one minor quibble with the installation is that the lighting does in places work against the images; in places it can be a struggle to fully appreciate them. Nevertheless, this is an intriguing and interesting installation to visit.

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Gale Storm Retreat in Second Life

Gale Storm Retreat, Aphrodisia Isle; Inara Pey, June 2017, on Flickr Gale Storm Retreat – click any image for full size

Gale Storm Retreat is a Homestead region designed by Chania Leuce (CheekiChica). It adjoins the full region of Aphrodisia, home to Chania’s store and which, at the time of writing, is listed as “under construction. The landing point sits at the northern end of Gale Storm Retreat, serving both regions; a gated path leads up to Aphrodisia, while wooden signs point the way to the more open areas of Gale Storm Retreat.

As the descriptions for the region found in the Destination Guide and in About Land state, this is a remote location, modelled after the US Pacific North-west, where a storm is brewing just off the coast. In fact, the rain has already made landfall – so you might want a brolly and raincoat when visiting!

Gale Storm Retreat, Aphrodisia Isle; Inara Pey, June 2017, on Flickr Gale Storm Retreat

Follow the signs east and south from the landing point, and you’ll pass under a great stone arch, watched over by a wooden windmill, and you’ll find yourself on a high plateau which quickly drops away to the south and west to a sandy coast, where the tide appears to be on the rise. To the east, the land falls sharply away as cliffs, their edge guarded by rocky walls and slender fences.

Walk beneath the line of these eastern rocky walls- avoiding a slim finger pointing inland  – and you’ll find your way southward past a large stone patio with pool and tiled roof, the latter protecting a fire offering warmth and respite from the rain,  and down to a  rocky headland where the revolving eye of a lighthouse watches over land and sea.

Gale Storm Retreat, Aphrodisia Isle; Inara Pey, June 2017, on Flickr Gale Storm Retreat

Below the lighthouse lay the beach and sandbars of the coast, straddled in part by wooden houses raised on stout wooden piles to avoid the ravages of a returning tide. Huts and tents sit further in from the sea, huddled on the sands above the high tide mark, but still looking vulnerable as rain lashes down and lightening forks and flashes its way across the sky.

Further to the west and north, above the lie of the beach, but lower than the main plateau, sits a grassy bluff, home to a stone and wood cottage with smoke rising invitingly from its tall chimney, suggesting another place where shelter from the rain can be found. The cottage sits close to another line of cliffs to the north and which march back eastwards, part of the divide between the coast and the town on the neighbouring region. And old shipping container, converted into a hideaway, sits within the shadow of the cliffs, watched over by the weeping willows lining their narrow tops.

Gale Storm Retreat, Aphrodisia Isle; Inara Pey, June 2017, on Flickr Gale Storm Retreat

This is an atmospheric region, designed for photography and which lovers of the sea and the rain will enjoy. There are plenty of places scattered across the landscape for couple to enjoy, indoors and out – including in at least one of the tree houses. A group joining fee of L$500 secures rezzing rights and the ability to claim the pose gifts on offer at the landing point. Chania also notes that it is a work-in-progress (as with the region to the north), so don’t be surprised if details have changed between reading this description and any visit you make.

And about that region to the north? Well, it may be the subject of a future article, once Chania and her friends have had the opportunity to finish building it. Time will tell on that!

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Wintergeist: Pieces of a Whole in Second Life

Wintergeist: Pieces of a Whole

Fuyuko Amano (Wintergeist) is perhaps best known for hosting exhibitions at her Club LA and Gallery, where she also displays her own images, which I’ve personally felt deserving a wider in-world audience. So it was with delight that I received an invitation to see the first public exhibition of her work hosted by another gallery – and hopped over ahead of the official preview to take a look.

Wintergeist: Pieces of a Whole opens at 13:00 SLT on Sunday, July 2nd and is a fascinating tour of Fuyuko’s art – digital world and physical world. Taking place at the InterstellART Artist in Residence Gallery, it presents eighteen primary images, together with a small collage of images in the gallery entrance space.

Wintergeist: Pieces of a Whole

The exhibition mixes images captured in Second Life with those from Fuyuko’s physical world photography, with all of them interspersed with quotes from artists and writers which serve to help illustrate the nature of inspiration in the artist’s life. This makes for a fascinating display, ranging from landscapes from within Second Life through to beautiful macro-level shots of water droplets on leaves and the stamen on flowers. Between them are images that may have you guessing – were they taken in Second Life, of in the physical world? Even abstract work is represented, adding to the mix.

What is also attractive in this exhibition is the range of formats presented, with images in colour and monochrome, or presented as a photograph or post-processed to resemble art, the considered us of filters – even the ratio of individual images.

Wintergeist: Pieces of a Whole

All of this further speaks to the art and craft of a gifted photographer and artist. Thus we have, through subject and presentation, individual images that come together as pieces of a whole – not only presenting us with insight into the artistry of a photographer, but the vision and thoughts of the photographer herself.

As noted, a special preview opening for Wintergeist: Pieces of a Whole will be held at 13:00 SLT on Sunday, July 2nd. Whether or not you can make that, however, this is an exhibition well worth visiting.

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Stony Hill Vineyard in Second Life

Stony Hill Vineyard, Stony Hill; Inara Pey, June 2017, on Flickr Stony Hill Vineyard – click any image for full size

Update July 30th: Stony Hill appears to have closed. 

We were drawn to Ezra Locke’s Stony Hill Vineyard after catching it in the Destination Guide Highlights for Friday, June 30th. A homestead region, Stony Hill Vineyard offers a pleasing Mediterranean summer feel – or as Ezra puts it, “Spanish and Italian influences with a little hodgepodge” – a description as charming as the region.

Surrounded by lush green hills, the region sits as within a verdant valley, a rural setting crossed by dirt tracks which wind over and around the low-set hills and escarpments which sit around the region edges and which offer – from a eye-level vantage point – the suggestion that this land and most of the hills beyond are one.

Stony Hill Vineyard, Stony Hill; Inara Pey, June 2017, on Flickr Stony Hill Vineyard

A large villa set back into some of these uplands dominates the north-east side of the region, large terraces stepping down from it to the lands to the west, their red brick flooring contrasting with whitewashed walls. To the west and south, guarding the villa and terraces, are ranks of grape-laden vines, some of which have already been harvested. These can be pressed and stomped under the partial shade of a wooden trellis close to the landing point – just please do remove footwear beforehand!

A windmill and equestrian centre sit at the foot of the slopes which fall gently southwards from the villa, while west and north across the region three modest single-storey villas still atop grassy slopes and bluff-faced escarpments. Presented as furnished holiday homes, these are available for rent to visitors wishing to extend their stay at Stony Hill – so if any of them do appear occupied, please respect the occupant’s privacy. The villas are available at L$285 per day (L$1995 per week), with a minimum 3-day stay.

Stony Hill Vineyard, Stony Hill; Inara Pey, June 2017, on Flickr Stony Hill Vineyard

Weddings can also be held within the region, as can private parties. However, these are by arrangement only, and those interested should contact Ezra. Should you wish to rez props for photography, you can do so by joining the local group for a fee of L$250. Additional information on the region – including the local weather and the wine of the month from the villa’s cellars! – can be obtained from the Stony Hill Vineyard website.

Stony Hill Vineyard is an elegant region design which effectively suggests a feeling of the Mediterranean and gives a sense of space whilst still fitting a lot in – the main villa, the rental villas, the equestrian area and even a little waterside market spot (neatly sitting between the villa and high rocky shoulders, giving the impression that the waters beyond are a river flowing between the vineyard and the more distant hills). There are plenty of opportunities for photography, while the villa’s upper terrace offers places to sit and relax – and enjoy the local wine.

Stony Hill Vineyard, Stony Hill; Inara Pey, June 2017, on Flickr Stony Hill Vineyard

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July at Artful Expressions in Second Life

Artful Expressions: Cecilia Nansen Mode

The July exhibition at Sorcha Tyles’ Artful Expressions gallery opens on Saturday July 1st, and in keeping with the gallery’s recent expansion, features three guest artists exhibiting their work: Rose Hanry Jarom (RoseHanry), Lawrence D. Pryce and Cecilia Nansen Mode (Cecilia Nansen). All three present displays focused on avatar studies, each presenting an individual style and approach to their work.

Artful Expressions marks Cecilia’s debut exhibition, and on the strength of the images she’s selected, this will not be her last. As a tangential coincidence, her partner, Jes Mode, is exhibiting at DixMix gallery in his first public outing with his photography (see my recent review in these pages). Having now seen their respective work, I’d love to see them exhibit together – and may see if I can arrange that for Holly Kai Park!

Working in both colour and black-and-white, Cecilia’s pieces are exquisite, and I particularly like the  fact that within the nine pieces, she has presented three sets of three, each offering a narrative flow or thematic continuance between the images in each set.

Artful Expressions: Lawrence D. Pryce

Lawrence D Pryce says of himself, “I’m just a hermit who took up photography as a means to encourage my introverted personality.” Introverted he may well feel, but his art speaks volumes. We’re perhaps all used to seeing studies from in world which are carefully posed and framed to tell a particularly story, but while these are all clearly posed, each is so natural in setting and tone, there is not a single story to be told. Instead, each offers a host of tales in the making – and, perhaps, each offers a glimpse into the artist’s thoughts and his embrace of being alone.

Rose is not only a photographer, but a designer of poses for her work as well, noting that she likes to bring setting, windlight and pose together when taking photos. The result is some of the most natural images I’ve seen for a while. Carefully crafted again they may well be, but so to are they natural – and expressive of a story. I freely admit to being entranced by the lifelike depth present in Dream dreams no one else can see (below).

Artful Expressions: Rose Hanry Jarom

Once again, Sorcha has selected three outstanding artists who come together to present an exhibition linked by a central theme of avatar studies, whilst each offers unique perspectives and a unique approach to their work. The exhibition officially opens at 14:00 SLT, with music by DJ Julianna. Don’t forget when visiting the gallery, you can also enjoy Sorcha’s own photography.

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UWA to remain in Second Life for two more years

UWA: Winthrop Clocktower and the Reflection Pond, with the SLeducate area on the right (which you can read about here) all now set to remain in Second Life for the next two years

On Friday, June 30th, Jayjay Zifanwe contacted me with some excellent news: the University of Western Australia (UWA) is to retain a presence in Second Life for a further two years – albeit on a reduced scale.

UWA has enjoyed a long presence here in Second Life, operating multiple regions and becoming a stalwart supporter of virtual arts through its grand challenges and other competitions and opportunities offered to artists to present their work, as well a through support of machinima in physical world film challenges, such as those run by Screen My Shorts.

However, in September 2016, it was announced that due to changes within the UWA, its digital presence was to be largely shut down, with all but one of the five regions being removed from the grid at the start of October 2016, and the last given a stay of execution for at least a year.

Then, in October 2016 came word that one of the regions would transfer to the management of Sonicity Fitzroy (aka Dr Phylis Johnson) of the San Jose State University (and is now called SJSU Virlantis), while the four remaining regions – University of WA, UWA, UWA Winthrop and WASP Land would remain in place in-world until July 2017 before finally vanishing into the night.

Noke Yuitza: Transcendence Despite Falling Rain – an entry in the last UWA Grand Challenge style of art competitions, Transformations. You can see all the Transformations entries at the UWA Gallery

Now, two of the regions will be continuing for at least two years, as a jubilant Jayjay informed me via IM:

“I’m pleased to be able to tell you that thanks to the ‘UWA Community Partnerships Programme’, the University of WA and UWA regions will now be remaining in Second Life for the next two years,” he said. “This is absolutely wonderful news, and I’d like to thank everyone who have believed in and participated in all we have done and achieved over the years.”

Nor is that all. As noted above, one of the things UWA is famous for in it patronage of the arts, is its series of grand challenges involving 2D and 3D art and machinima – and there is good news here as well.

“A benefactor has donated L$300,000 for a machinima challenge,” Jayjay went on. “So we will be running one with art as the theme. Participants will be asked to select one or a number of artworks on display at UWA and weave a story around it or them.”

The Transformations exhibition space, UWA Gallery

Full details on the news about the extension to the two regions, and detailed information on the machinima challenge will be made available via the UWA of SL blog in due course. In the meantime a hint of the coming news can be found on the blog.

For now, congratulations to Jayjay, FreeWee Ling and everyone involved in making this happen.

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