Savor Serenity: here be dragons in Second Life

Savor Serenity; Inara Pey, September 2018, August 2018, on FlickrSavor Serenity – click any image for full size

It’s been a year since we last visited Savor Serenity, the homestead region designed by Gidgy (Gidgette Adagio); since then the region has relocated and undergone something of a rebuild. So when CybeleMoon (Hana Hoobinoo) suggested we pay the updated setting another visit, we made time to hop over and take a look.

There is no set landing point for the region – or there wasn’t during our visit  -, so I’ve arbitrarily chosen one here, based on the location of a welcoming note card giver. It’s tucked into the south-west corner of the region, which is actually a good place to start explorations.  The introductory note card offers a quote from John Lennon that perfectly sums up Savor Serenity’s various incarnations:

I believe in everything until it’s disproved. So I believe in fairies, the myths, dragons. It all exists, even if it’s in your mind. Who’s to say that dreams aren’t as real as the here and now?

Savor Serenity; Inara Pey, September 2018, August 2018, on FlickrSavor Serenity

Those familiar with the region’s layout from late 2017 might, on camming over / reaching the centre of the land and in considering the region’s windlight and flora, be forgiven for thinking little has actually changed. A familiar pool of water sits at the heart of the region, partially enclosed by what might have once been a fully surrounding octagonal wall, while to the east, steps rise from the waterfront to structures of distinctly elven design. But first looks can be deceptive.

The great Mallorn trees with their elven flets and platforms that once rose from both within and without the flanks of the great wall are now gone, taking with them some of the Tolkienesque feel that Savor Serenity was part of an elven enclave.  In their place are ancient stone buildings, connected by raised paths and stairways wrought of stone and rock.

Savor Serenity; Inara Pey, September 2018, August 2018, on FlickrSavor Serenity

But these are places seemingly long abandoned; walls are pitted and broken, nature’s vines and trunks and shrubs are slowly laying claim to halls and footpaths. Only etching on the glass of the few remaining glazed windows gives a hint that this one once a realm where elves and beasts lived in harmony. Now, only the beasts show themselves, the dragons of Lennon’s quote.

The largest of these wonderful creatures stand to one side of the great pool, wings magnificently spread, head and long neck lowered and stretched, great mane of spikes raised even has flames curls and flicker from wide-open mouth. It is a stance of warning, of guardianship; a great firedrake protecting the land it still regards as home. It is also a magnificent tableau of which visitors can become a part (suitable clothing advised to fully fit the scene!).

Savor Serenity; Inara Pey, September 2018, August 2018, on FlickrSavor Serenity

Elsewhere, smaller dragons sit within the ruins of the the stone buildings or guard the waiting throne high under the eastern dome, or offer lamps to light the way through darkling places, and are immortalised – if such beasts are not themselves immortal – in stone throughout. Their presence, together with the glass etchings, give flight to the imagination: just who were the people who once shared this place with these great breasts, and who nurtured them and clearly loved them? And from whence did they come – and where did they go?

And it is not only our imaginations that can take flight; located on the shore close to the great dragon is a sign allowing visitors to summon a winged beast of their own, and to take flight upon its back to experience something of the life and rapport the long-vanished people once enjoyed with their dragons.

Savor Serenity; Inara Pey, September 2018, August 2018, on FlickrSavor Serenity

Nor is that all. Within this land are secret, treasured places awaiting discovery. Follow the paths paths ruins and under tress and across rocky upheavals to a dragon-topped spire to the north-end, and you’ll find a gallery of CybeleMoon’s magnificent art; veritable tales and fables wrought each within a single image. Should you find your way to the foot of the great wall, you might also find a portcullis offering a way to passages that lead to further secrets in art awaiting discovery, and beyond it, a place to rest with the one with whom you shear your heart – or for just sitting in contemplation alone.

Beautifully conceived and executed, with places throughout  – on land or under it or on the water – awaiting discovery, which places also to sit or to dance, Savor Serenity remains an absolute delight to visit, and a joy for eye and camera to see. Photos can be shared via the Savor Serenity Flickr pool, and donations towards the upkeep of the region are appreciated.

Savor Serenity; Inara Pey, September 2018, August 2018, on FlickrSavor Serenity

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Avatar studies at Club LA and Gallery

Club LA and Gallery: Lyra Romanas

Now open at Club LA and Gallery, curated by Fuyuko ‘冬子’ Amano (Wintergeist), are two small exhibitions by Lyra Romanas and Io Bechir. Both offer avatar self-studies, and whilst very individual in styles and approach; they complement one another in a side-by-side exhibition.

“As an artist, I am first and foremost driven by an inner creative force, something captures my interest, a process takes form and a journey starts towards a finish product,” Lyra says of her work. “I like to explore my creativity through different platforms, such as painting, drawing, sculpturing, graphics, photography, digital art etc. I developed an interest for digital art mainly through SL, a wonderful playground when it comes to creating fantasies and make them come to life in a picture.”

Club LA and Gallery: Lyra Romanas

Contained within a small studies or workspace, the images are presented in a space suggestive of an artist’s workspace, albeit without all the clutter. Thus, in entering this space, it is as though we’re entering Lyra’s own space to appreciate her art even as she is creating.

Of the images, they stand both as individual pieces and also as three stories, each of four frames apiece, and which we are invited to imagine and extend. In this, they are very much reflective of Lyra’s approach to her art: offering pictures that are very much alive, and very much in the moment, as Lyra notes. “I have a formal art education. But when I create I follow no rules or guidelines regarding my art, I just go with what’s right in the moment.”

Club LA and Gallery: Io Bechir

Across the hallway can be found Io’s selection of art, which might be considered NSFW, involving nudity as it does. I’ve been a fervent admirer of Io’s work since first encountering it, and am always pleased to have the opportunity of seeing more of it. Her self-portraits are always richly evocative and rich a narrative, and the seven images she presents here more than demonstrate this.

Each of the seven has its own story to tell, but I confess that of all of them, Three Hours Early (seen above, right) utterly captivated me; the composition of the image is simply sublime, and the depth of emotion caught within it utterly stunning.

Club LA and Gallery: Io Bechir

Both Io and Lyra will be on display at Club LA through until October, and can currently be seen alongside the photography of Carolyn Phoenix / Sirenis, which I reviewed in August 2018.

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Opening a Storybook in Second Life

Storybook Forest; Inara Pey, September 2018, August 2018, on FlickrStorybook Forest – click any image for full size

If you want your children to be intelligent, read them fairy tales. If you want them to be very intelligent, read them more fairy tales.

– Albert Einstein

The first sentence of this quote is to be found in Storybook Forest, the second of two regions designed by Nessa Zamora (Noralie78), and which Caitlyn and I visited recently as a result of a suggestion by Miro Collas (the other being Lost Unicorn Forest Sanctuary which, along with Lost Unicorn Gallery (designed by Jennifer May Carlucci (JenniferMay Carlucci), you can read about here). At the time, I noted that Storybook Forest deserved a post of its own – so here it is.

Storybook Forest; Inara Pey, September 2018, August 2018, on FlickrStorybook Forest

As the opening quote and the name of the region suggest, this is very much a place focused on the fairy stories and a love of books and reading.  Linked to Lost Unicorn Forest Sanctuary by a bridge that also doubles as the region’s landing point, Storybook Forest is another immersive environment rich in detail. Like Lost Unicorn, it is richly wooded and divided into islands. In places the walls and towers of a fairy tale castle compete with the trees in matters of height. In others the trees, with paths and trails winding under their boughs, are left to their own devices.

Within the walls of the castle, just beyond the landing point is a village teeming with animal folk waiting in greeting for visitors. They have taken Einstein’s words to heart: everywhere are books of poems, fairy tales and adventures – there’s even a little library in the shape of a shelf of books! Wonderfully cluttered yet carefully laid out, it is the first hint of the care Nessa has taken in bringing things within the region together to create what feels like a story in and of itself.

Storybook Forest; Inara Pey, September 2018, August 2018, on FlickrStorybook Forest

A second arched gateway leads the way further into the region, but I urge you to spend time  taking the longer of the two routes to it, so that all of the delights of the village might be seen – and there are a lot, not all of them immediately obvious. When you do reach this second gateway, you’ll find it guarded by a dedication:

To the boy or girl who reads by flashlight
Who sees dragons in the clouds
Who feels most alive in worlds that never were
Who knows magic is real
Who dreams.

This is for you.

Storybook Forest; Inara Pey, September 2018, August 2018, on FlickrStorybook Forest

As well as a dedication, it stands as an invitation to let go of adult things, embrace our imaginations and let them roam free alongside us through the rest of the region, and immerse ourselves in all it offers and brings to mind.

And there is so much to find here: from Peter Pan – delightfully encapsulated in a little diorama using figurines by Silas Merlin – to Cinderella, complete with pumkin-turned-coach, to Hansel and Gretel, Sleeping Beauty and Snow White (complete with an interesting twist on the Seven Dwarves!). Each tale and fable is presented in its own setting, reached via winding trails than offer hints of other stories, such as Little Red Riding Hood, the Frog Prince and Bambi, and further little vignettes of local characters and creatures.

Storybook Forest; Inara Pey, September 2018, August 2018, on FlickrStorybook Forest

Central to these vignettes is a certain tea party, set against a backdrop of water falls, presided over by a “Deppian” (so to speak) Mad Hatter, with a White Rabbit, Cheshire Cat and – of course – a young Alice – all in attendance. There are further elements and hints of Lewis Carroll’s tale to be found here – the deck of cards with a heart on prominent display, the sign post (which admittedly can be found elsewhere), and a rabbit hole with its invitation to jump down it. This should be heeded for an extra – if brief – adventure fully In keeping with the theme of the setting.

As well as a the vignettes and dioramas retelling their tales, Storybook Forest offers many places where visitors can sit and allow memories wash over them or have their imagination take flight – or rest their avatars while their camera takes flight across the landscape. These places can be found scattered through the woods, out on the waters than split the land and – in the case of a harpsichord awaiting a player – up atop Cinderella’s tower.

Storybook Forest; Inara Pey, September 2018, August 2018, on FlickrStorybook Forest

A delight for the eye and the imagination, Storybook Forest has been beautifully conceived and executed, forming a marvellous destination either on its own (which I recommend, if only to give it the time it deserves whilst exploring, and to avoid any overloading of the eye and imagination), or as a part of a broader visit that encompasses Lost Unicorn Forest Sanctuary and the lost Unicorn Gallery. When visiting, please consider making a donation to the region’s continued existence via the little book piles scattered throughout the land.

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More art at the Astral Dreams Project

Astral Dreams Project

The Astral Dreams Project has opened a further round of artist exhibitions. As I noted in July, when the installation first opened in July, the aim of the installation, itself a reproduction of the Piazza di Spagna in Rome, was to celebrate Italian arts and creativity in Second Life. However, for the latest exhibition, Oema Resident, the installation’s curator, has thrown her net a little wider.

Astral Dreams Project: Giovanna Cerise

Occupying the two 3D galleries (one of which occupies to location of the Keats-Shelley Memorial House) are home to exhibitions by JadeYu Fang and Giovanna Cerise. Both are striking artists, perhaps best known for thematic installations of their own.

For Astral Dreams, both offer pieces that appear to be influenced by some of those installations pieces. Giovanna, for example, includes a piece reminiscent of Clinamen Read here for more) and an element of From the Worlds to the World (read here for more). Meanwhile, JadeYu includes pieces that are reminiscent of her OpeRaAnxiEty (read here for more) among the selection of pieces for her exhibit.

Astral Dreams Project: CybeleMoon

Across the piazza, the twelve 2D art spaces present works by nabrej Aabye (physical world art); Dido Haas (avatar studies); Cullum Writer (physical world digital art); Kiana Jarman (avatar studies); CybeleMoon (Hana Hoobinoo) – mixed media / SL photography); Megan Prumier (avatar studies); Skip Staheli (avatar studies); Nekotto (avatar studies); Ambre (Ambre Singh) – avatar studies; Lam Erin (waterscapes); Naiike (avatar studies) and Ful Macchi (landscapes).

Of these artists, I confess to be drawn to the images and imagery of CybeleMoon – who creates the most fantastic stories through her art; the remarkable studies by Dido Haas, who has a way of capturing the very life of her avatar; the fabulous digital forms by Cullum Writer; and Lam Erin’s painting-like landscapes and waterscapes.

Astral Dreams Project: Cullum Writer

Which is not to say I don’t have an appreciation of the work by the other artists; truth be told, all over something eye-catching or unique. Together they all make an interesting exhibition, one that will be open through until at least the end of the month.

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Within a Lost Unicorn Forest in Second Life

Lost Unicorn Forest Sanctuary; Inara Pey, September 2018, August 2018, on FlickrLost Unicorn Forest Sanctuary – click any image for full size

Lost Unicorn Forest Sanctuary is the full region component of a trio of regions we were recently pointed towards by Milo Collas. Designed by Nessa Zamora (Noralie78), it is themed after an elven fantasy setting, routed somewhat in Tolkien, but with enough departures to make it clear this is not in any way a Middle Earth clone. It is, however, one of the most visually impressive and  – when taken with its two neighbouring regions, Faerie Tale and Storybook Forest – creatively intriguing settings we’ve recently visited in Second Life.

Such is the scope of all three, that I’m devoting a couple of posts to them, with this one focusing in Lost Unicorn Forest Sanctuary and Faerie Tale. I’ll look at Storybrook with a follow-up article in the near future.

Lost Unicorn Forest Sanctuary; Inara Pey, September 2018, August 2018, on FlickrLost Unicorn Forest Sanctuary

A journey begins towards the north-east of Lost Unicorn, within a stone tower. Beyond it, an entire world awaits visitors. Distinctly elven in design as noted, it feels somewhat Sindarin in nature: rich woodlands with tall trees that support the flets of elven tree-houses.

A more direct Tolkien symbol faces south-east: the great Argonath, the Pillars of the Kings. Carved in the likenesses of Isildur and Anárion in Tolkien’s mythology, they stood on either side of the River Anduin, guarding the northern borders of the realm of Gondor. Here, the great figures stand either side of a river much narrower than the great Anduin, and which winds its way inland, one of three that cut the region into several landmasses, each connected to the next by bridges that invite visitors to explore them all.

Lost Unicorn Forest Sanctuary; Inara Pey, September 2018, August 2018, on FlickrLost Unicorn Forest Sanctuary

Across the landscape unicorns roam, keeping watch whilst resting under the eaves of trees or in the shafts of sunlight rotating through them. Within the water, mermaids swim And which may trap you in the water if you’re not careful – just look for the whirlpool, and great sea beasts raise their heads from the coastal seas.

Throughout this landscape, coloured by plants and the changing colour of leaves overhead, paths and trails wind their way. The more obvious lead to the tree-houses, others point the way to secret glades and places hidden among trees and hills,  awaiting the chance to delight the eye. Some of these – such as the entrance to the crystal cavern – again carry hints of Tolkien (the gate into Moria). Others draw on other realms of fantasy, such as faery gardens.

Lost Unicorn Forest Sanctuary; Inara Pey, September 2018, August 2018, on FlickrLost Unicorn Forest Sanctuary

Not all of these places are necessarily easy to find, so there are teleport points also waiting to be found offering a short route through the region. For those who prefer other means of travel, a flying horse rezzer can be found close to the landing point.

However, I strongly recommend taking the time to walk along trails and climb steps lest you miss things along the way. This is certainly the best way to reach the great council house to the north-west. Located above falls that tumble into a slender pool below, this can only be reached on foot by climbing up into the flets of the elven tree-houses. Watched over by dragons circling overhead, it is a place of rest and serenity, a kind of inverse Imladris, sitting above the lands, rather than hidden in a valley below them.

Lost Unicorn Forest Sanctuary; Inara Pey, September 2018, August 2018, on FlickrLost Unicorn Forest Sanctuary

Nor is this all; close by the landing point tower, at the end of a short path, a rowing boat can be found. Sit in this, and you’ll be transported across the waters to Faerie Tale, one of the neighbouring regions, and home to the Lost Unicorn Gallery. Here you’ll be delivered to a wooden wharf within a great cavern, with signs inviting you to ascend by stair, platform and bridge – although for those who prefer there is a bubble car rezzer or  – for part of the way up – a rope climb. At the top of the climb is the gallery: a fairytale castle sitting on a great finger of rock around which a great dragon is coiled, apparently at war with a powerful unicorn.

This is a magnificent setting, designed by Jennifer May Carlucci (JenniferMay Carlucci). An entire story unto itself, time should be spent camming around it and appreciating it. The halls of the castle form an exhibition space for art. Climbing through the different levels of the castle are displays by Iruki Levee, Aleriah, Ursula Floresby, Pretty Rexen (prettyparkin Rexen), Freyja (Freyja Merryman), Natalie (Natalie Montagne), Luka Henusaki and Efinyn Jinx. Together they provide a wonderfully mixed exhibition of landscape and avatar studies.

Lost Unicorn Forest Sanctuary; Inara Pey, September 2018, August 2018, on FlickrLost Unicorn Forest Sanctuary

However, the gallery isn’t purely about displaying art, it also serves to support First Book, an organisation dedicated to providing access to new books for children in need, and which since 1992 has distributed more than 100 million books and educational resources to programs and schools serving children from low-income families throughout the United States and Canada. A portion of all donations made to the Lost Unicorn Gallery go directly to First Book.

Should you opt to make your way back to Lost Unicorn, there is a path running south that will take visitors by bridge and tower to Storybook Forest – but that is a journey for another blog post.

Lost Unicorn Forest Sanctuary; Inara Pey, September 2018, August 2018, on FlickrLost Unicorn Forest Sanctuary

For now I’ll leave you with thoughts of visiting Lost Unicorn and, should you enjoy it as much as we did, I hope you’ll consider a donation towards the upkeep of the regions – and perhaps in support of First Book.

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A Carnival of the Arts in Second Life

Carnival of the Arts: Silas Merlin

The Dirty Grind Independent Artist community is celebrating its fifth anniversary over the weekend of Friday, September 7th through Sunday, September 9th, 2018 with a Carnival of the Arts. The weekend will be marked by live music sets throughout the three days, and also art displays by Enola Vaher, Toysoldier Thor and Silas Merlin, who appears at the Dirty Grind as the celebration’s featured artist.

The focal point for the event is a newly revamped venue building, where the artists can be found, and a stage area has been established in the back lot area. Inside the building, 2D and 3D art Enola and Toysoldier is located on two floors to one side of the building, with Silas’ 2D pastel art from the physical world and his 3D mesh sculptures created for Second Life can be found at the back of the building, again on two floors, facing the stage area.

Carnival of the Arts: Enola Vaher

The music event kicks-off from 15:00 SLT on Friday, September 7th, and at the time from writing, the schedule looked as follows:

Time Friday 7th Saturday 8th Sunday 9th
14:00 Shannon Oherlihy Wald Schridde
15:00 Davis Cisiszer Thunderfoot Lorefield Lexie Smith
16:00 Strum Diesel Phime Alcott Winston Ackland
17:00 The Matthew Show Senjata Witt DimiVan Ludwig
18:00 Jamba Losangelas Grace McDunnough The Vinnie Show
19:00 Twostep Spiritweaver Bearsheart Effinjay
20:00 Benski Korhonen Suzen Juel Ethan Kamaboko

However, given that events can always undergo last-minute changes, be sure to check the Dirty Grind website for updates or changes to the schedule.

The art displays are compact, but deliver a good sense of the work of the three artists. Enola’s 2D art – featuring both SL photographs and also drawings – is displayed on the upper floor of the gallery space she shares with Toysoldier Thor, and is an evocative mix of images. On the ground floor, Toysoldier presents a mix of his 2D paintings and 3D art, which is always captivating to see.

Carnival of the Arts: Toysoldier Thor

Silas Merlin remains one of the artists I deeply admire. His work in pastels is extraordinary, and while perhaps a little on the small side, the pieces presented at the Dirty Grind serve as a welcome introduction to his 2D work for those unfamiliar with it – and I do recommend seeking his art out whenever you have the opportunity to do so. His 3D work is perhaps more familiar to people in Second Life, being very popular among collectors, and the pieces he’s selected for this exhibition again present a good cross-section of his sculptures for those wishing to familiarise themselves with his 3D work.

So, do make a point of hopping along to the Dirty Grind over the weekend and wishing them a happy anniversary.

Carnival of the Arts: Silas Merlin

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