Yumi’s Art at the Lin C Gallery

Lin C Art Gallery: Yumi

The Lin C Art Gallery, curated by Lin Carlucci, has opened the doors on its April exhibition, featuring as its chosen artist Yumi (Yumanthi), with an official opening event on Wednesday, March 27th, 2019.

Entitled Yumi’s Art, the exhibition presents around 29 pieces, which might be broadly split into three areas, each of which reflects Yumi’s approach to her work.

I am in SL a lot to visit places for photo-shoots of landscapes, people and situations, and show them in my special View. I love to work with light and shadow and special and different colours I use from the viewer tools and other paint programmes.

I love to present my photos in my galleries and other places and am always glad when people enjoy them. I am learning a lot from great artists in SL and my art is a work in progress.

– Yumi, describing her art

Lin C Art Gallery: Yumi

The ground floor exhibition space is largely devoted to Yumi’s images of her Second Life travels, providing interesting and in place unusual views of the places she has visited. Above these, on the mezzanine level, is a selection of avatar studies, some of which might be deemed NSFW, and what I can only describe as a series of experiments in colour, some of which border on the abstract, and three of which, depicting scenes involving a mermaid, I found attractive in their bold use of colour and contrast.

An interesting and eclectic mix of images and styles, Yumi’s Art officially opens with music and dancing at 13:00 SLT on Wednesday, March 27th, and runs through until  Thursday, April 26th, 2019.

Lin C Art Gallery: Yumi

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The stunning beauty of Ukivok in Second Life

Ukivok; Inara Pey, March 2019, on FlickrUkivok – click any image for full size

Update: in keeping with Serene and Jade’s approach to keeping their region designs open for approximately a month, Ukivok has closed, and SLurls have therefore been removed from this article, as the host region is under private holding. 

As I’ve frequently noted, Serene Footman and Jade Koltai are the creators of what are arguably the most evocative region designs made for Second Life.Each of their creations tends to last for a month, and when available, should not be missed, given they are so beautifully presented and perfectly reflect the physical world locations that form their inspiration.

Each and every design – the majority I have written about in this blog – are exquisite, but I confess there is something about their latest design – Ukivok – that is utterly breathtaking; quite the most visually impressive presentation of a rugged, isolated island, one that offers an informative look at a part of the world perhaps unknown to most.

Ukivok; Inara Pey, March 2019, on FlickrUkivok

Our new sim is a recreation of the abandoned Alaskan village of Ukivok … Once home to around 200 Iñupiat, the village is located King Island, which is situated in the Bering Sea, around 64km off the Alaskan coast and 145km from Nome.

– Serene Footman, describing Ukivok

The Iñupiat (or Inupiaq) are native Alaskan people whose traditional territory extends from Norton Sound on the Bering Sea to the Canada–United States border. Those who once lived on Ling Island called themselves Aseuluk, “people of the sea” or Ukivokmiut – a name combining the name of the village and “miut”, meaning “people” (and so might translate as “people of Ukivok”).

Ukivok; Inara Pey, March 2019, on FlickrUkivok

The village itself seems an impossible place; built against a rocky slope of the island’s flank as it rises at a 45-degree angle from the sea. Houses and community buildings sit upon wooden platforms, themselves standing on stilts, with the platforms rising in uneven tiers, connected by rickety looking wooden walkways and steps. Nestled between the frigid sea below and the desolate upper slopes of the island, the most recognisable building in the village is perhaps the 2-storey faded white block of the former Bureau of Indian Affairs school, the closure of which in the latter part of the 20th century marked the beginning of the end of village life on the island.

For their build, Jade and Footman could not recreate all of King Island, which is 1.6 km wide (and, as an aside, was named thus by Captain James Cook in 1778, in recognition of Lieutenant James King, a member of his crew). Instead, they have focused on the bay the village sits above, and the village itself.

Ukivok; Inara Pey, March 2019, on FlickrUkivok

And the reproduction perfectly captures the windswept, elemental look and feel of the now-deserted Ukivok perfectly, including a homage to the school mentioned above. The landing point sits off-shore platform that provides a glorious first look at the island as it rises from the waves, reaching an impressive, and entirely natural 108 metres above the surrounding sea floor.

Even without the village, the island makes for an incredible sight, and it’s clear considerable thought an effort has gone into designing and building it; if you can, make sure you cam all the way around it to fully appreciate the beauty of the design. A board walk links the landing point with the shoreline, where a steep set of steps offer the way up to the first platform – and the start of an adventure up through the village, using steps and ladders (click the latter to ascend / descend them), passing through areas that offer echoes of the lives once lived here, and opportunities to sit and appreciate the island as a whole.

Ukivok; Inara Pey, March 2019, on FlickrUkivok

The Ukivokmiut were subsistence hunters and whalers who had lived on King Island for centuries. Their activities on and around the island included hunting for seals and walruses, crab fishing, and gathering bird eggs and other foods.

– Serene Footman, drawing on notes about the Aseuluk of King Island

Above the upper levels of the village are more steps, linking shelves of rock one to the next. Some of these steps might be easy to find, others hidden by the scrub hedges that cling to cliff and slope. Follow one group, and you may find your way to the north-eastern headland, which again offers a stunning view back across the rest of the island to the village. This route will also take you past an homage to an entirely natural tor of rocks that crown the physical world King Island.

Ukivok; Inara Pey, March 2019, on FlickrUkivok

The crown of this Jade and Serene’s version is a little different, and lies to the south-east. It is marked by a single statue looking down over the village, and the view gives a further understanding of Ukivok’s seemingly precarious position on the island. Close to the statue is a zip line which descends steeply (and quite rapidly) down to an outcrop of rock and shingle close to the landing point. Should you take the ride, you’ll have to fly back to the landing point or to the island; or you can rest a while on the chairs set out on the rock.

Set under an ideal windlight, surrounded by ocean foam and perfectly placed submerged terrain that is naturally suggestive of rocky shallows close to the island, Ukivok is completed by another superb sound scape. And once having seen it, I think you might find it hard to deny it is one of the natural wonders of Second Life – so many sure you visit it while it is here.

Ukivok; Inara Pey, March 2019, on FlickrUkivok

Duna Gant at The Eye in Second Life

The Eye: Duna Gant

I first became aware of Duna Gant‘s art in 2018, during an ensemble exhibition in which she was presenting five avatar studies that quite captivated me. So when the opportunity came to see more of her work at The Eye art gallery, curated by Mona (MonaByte), I had to hop over and take a look.

Apparently untitled, this exhibition feature a baker’s dozen of Duna’s art, the focus here being on nature, and some of the pieces are extraordinary studies of flowers that offer an abundance of life within them – just pan your camera over the paintings close to the entrance to the exhibition to see for yourself.

The Eye: Duna Gant

You can see life, emotionally, in black and white, but I prefer to see it and live with it in colours. Colours as synonyms of diversity. Diversity of opinions, of perceptions, of creeds, of cultures, of sensibilities. It is what Nature around us shows us. an example of an infinite palette of colours in perfect harmony.

– Duna Gant, describing her exhibit at The Eye

These pieces are wonderfully delicate, but also rich in subtle colour and texture; the flowers such that you feel you could reach out and cup them gently in your fingers and inhale their scent.

Within the second half of the gallery space, the paintings become broader in scope, some reflecting nature’s seasons as well as her diversity of colour. Aquarelle, for example, suggests summertime on the river, while March and Winter speak for themselves in terms of season and title, but present both without the need for words through their use of colour.

The Eye: Duna Gant

Another engaging exhibition from a talented artist and painter.

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Gaining a little A L T I T U D E in Second Life

A L T I T U D E; Inara Pey, March 2019, on FlickrA L T I T U D E – click any image for full size

I jumped over to have a look at A L T I T U D E after catching it in Maddy Gynoid’s Echt Vituell. Sitting on and over a Homestead region, it is one of the most unusual and imaginative settings I’ve seen in Second Life for a while.

Designed by Dan the Hammie (DannChris), A L T I T U D E presents a place to “hang out, play and listen to indie music, alternative music, live performances and voice events.”

A L T I T U D E; Inara Pey, March 2019, on FlickrA L T I T U D E

The music venue sits up in the air, “an abandoned hangar on a forgotten island”, held aloft by a combination of cement pillars rising some 60 metres above the water / ground by a mass of propeller engines slung beneath the baseplate on which it sits. Several more platforms float in the sky around it, some offering places to sit, others more functional in nature.

The hanger itself is little more than a rusting metal framework curving over the venue and facing a building that might, at one time, have been a small airport terminal or similar. Despite its industrial appearance, however, the club has a friendly, almost cosy look and feel to it. Events are regularly staged as per the schedule board over one of the stages.

A L T I T U D E; Inara Pey, March 2019, on FlickrA L T I T U D E

Down below, apparently floating on the water, is a stunning garden spot sitting behind tall stone walls with a decidedly Tuscan look and feel; a reminder of Dann’s previous builds of Natural Falls (see Navigating Natural Falls in Second Life).

Watched over by leaf-laden trees, this is home to the most exotic of plants, a place where Nature’s chaos prevails in the most marvellous of ways, be it with the free form of plant growth, the broken, lopsided train of a of greenhouse, the slightly tumbledown suggestion of age and ruin, the delightful corner snug, or the myriad other attractions to be found here.

A L T I T U D E; Inara Pey, March 2019, on FlickrA L T I T U D E

Such is the detail and design in the garden, it is easy to lose track of time camming around its enclosed space, seeking out all the little details, while several places to sit and relax offer further enticements to stay and enjoy the setting and watch the butterflies. Art is also to be found here, courtesy of Chirzaka Vlodovic and Mistero Hifeng, while opportunities for photography abound.

With great electrical pylons take a perpendicular march across the water in relation to the high music venue and the long gantry-like walkway that sits besides it, the entire regions sits beneath a forever twilight sky that frames both club and garden perfectly.

A L T I T U D E; Inara Pey, March 2019, on FlickrA L T I T U D E

A sign close to the gantry landing point warns visitors that they are about to enter someone else’s dream. Given the overall design and layout of A L T I T U D E, it is a dream worth taking the time to visit and share in; beautifully conceived and presented.

A L T I T U D E; Inara Pey, March 2019, on FlickrA L T I T U D E

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A Spring Awakening at Ce Soir in Second Life

Ce Soir Spring Awakenings – TerraMerhyem

Open now through until May 2019 at Ce Soir Arts is the Spring Awakenings art exhibition, which includes 2D and 3D art together with poetry and a series of live events in the spoken word.

As spring dawns, it’s time to turn our attention to the beauty of nature – and the beauty of the human spirit. We – in the northern hemisphere – are coming through the last dreary days of winter, moving slowly into the freshness of spring! Winter is beautiful: snow sparkling in the moonlight, sweet red cardinals taking refuge in snowy firs, and the warmth of home enveloping us as we come in from the cold. But spring! And awakenings!

 Ce Soir co-owners, Mireille and Ǣon Jenvieve-Woodford

Ce Soir Spring Awakenings – TaraAers and BJojo Songlark

The art exhibition is extensive, spread throughout several of Ce Soir’s buildings and in the surrounding gardens, making it an ideal opportunity to not only appreciate the art on display, but to explore gallery and grounds.

The participating artists for the exhibition, as listed in the guide note card are: Ǣon Jenvieve-Woodford, Amy Inawe, CybeleMoon, Daze Landar, Fae Varriale, Isabel Hermano, Jolie Parfort, Jojo Songlark, JudiLynn India, Mathilde Vhargon, Michael Romani, Mireille Jenvieve-Woodford,  Morgue McMillan-Shoreland, Paula Cloudpainter, Pieni, Rage Darkstone, Randy Firebrand, Russell Eponym, Secret Rage, Silas Merlin, TaraAers, TerraMerhyem, Virginia, Xanthe and Xirana Oximoxi.

Such a diverse group of artists marks this as one of the broadest themed exhibitions I’ve visited in a while in terms of individual interpretations of the the theme, with names both familiar and new to me. It’s always a delight seeing the work of CybeleMoon, JudiLynn India, Michael Romani and Silas Merlin, but it was an absolute delight to discover the beautiful images of Second Life birds by Jolie Partfort and sculptures by TerraMerhyem. Each artists appears to be presenting at least two pieces of art, and some may be interactive and require touching – check the notices often to be found in each display area.

Ce Soir Spring Awakenings – Jolie Parfort

Three landing points are given for the exhibition, so rather than embedding SLurls here in the text, I’ve included them at the end of this article.

The spoken word events feature Ǣon Jenvieve-Woodford, Aoife Lorefield, Bryn Taleweaver, Caledonia Skytower, Dubhna Rhiadra, Mireille Jenvieve-Woodford, Morgue McMillan-Shoreland, Russell Eponym and Stranger Nightfire. These are side to be taking place through until Sunday, April 14th, but to be honest and outside of the opening event, I failed to find a schedule either at the exhibition or on the Ce Soir website; group membership may be required to receive word on dates and times.

Ce Soir Spring Awakenings – Ǣon Jenvieve-Woodford

Richly diverse, located throughout the fantasy inspired Ce Soir landscape, Spring Awakenings is a joyous – and quite joyful – celebration of art.

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Ce Soir is rated Moderate.

Touring Toshi Farms in Second Life

Toshi Farms; Inara Pey, March 2019, on FlickrToshi Farms – click any image for full size

We originally visited Toshi Farms back in , when the region was in the depths of winter. However, at the time things were such that I didn’t get to write about it, so when Shawn Shakespeare suggested we should go see the region now spring has arrived, it was added to the list of places we should see “soon”.

Designed by Syx Toshi and his SL partner Bryn Toshi (Bryn Bulloch), Toshi Farms is a homestead region designed as something of a public park, linked at it now is to its neighbour, Peace, lying to the north.  Whist “farm” might feature in the title, the design of the region is intended to be that of a nature reserve.

Toshi Farms; Inara Pey, March 2019, on FlickrToshi Farms

Bryn and I have tried to create a natural country setting that you would experience in RL. A Farm and Wildlife refuge where you might catch a glimpe of any of over 50 different animals.

– Syx Toshi, describing Toshi Farms

Caught in spring colours, both regions present an engaging and photogenic opportunity for exploration – although beware that at least a part of Peace a private home to Syx and Bryn.

Toshi Farms; Inara Pey, March 2019, on FlickrToshi Farms

Dry dirt tracks wind through both regions, offering clear routes of exploration, although there are paths to be found that depart from them, allowing  visitor to wander off the tracks. However, given that both regions are undergoing construction / update, be aware things might get shuffled about (the Toshi’s home, for example, uprooted itself and moved from Toshi Farm to Peace between two of our visits! 🙂 ).

Follow the tracks, and you’ll find some of the wildlife Syx mentions – bears, raccoons, birds; while horses, cattle and goats occupy the fields in both regions. Also to be found along the paths are places to sit and relax – benches, blankets on the grass, swings; while water tumbles through streams and hill mountains cast a protective wall around the setting.

Toshi Farms; Inara Pey, March 2019, on FlickrToshi Farms

Close to the bridge linking Toshi Farm to Peace sits a summer-house (or it did on my last visit! – As noted things are still being changed 🙂 ). Within it, a fire burns warm in the hearth and comfortable sofas await visitors, banks of flowers surrounding it on three sides. Climb the stairs to the little balcony above, and a blanket lies set with a picnic.  Walk down to the waterfront a short distance away, and a dock with kayaks gives the opportunity for those  who wish to take a trip out on the waters – say to the offshore diving platform.

One of the things that makes Toshi Farm attractive are the static characters that have been set out here and there. They bring a little life to the regions – although I’m not entirely sure all of the handymen working here and there are completely au fait with the tasks they have been given – although they do raise a smile on being seen.

Toshi Farms; Inara Pey, March 2019, on FlickrToshi Farms

A charming pair of regions (assuming Peace remains a public space – it is still under construction at the time of writing) that are pleasing to the camera’s eye, Toshi Farms makes for a worthwhile visit – and this shouldn’t be missed, even if Peace doesn’t remain a public offering for visitors. And given things are in a state of flux, more than visit might be in order!

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