Dropping in to Michiel Bechir’s Gallery in Second Life

Michiel Bechir Gallery

One of the best ways to see art in Second Life is to visit the many boutique galleries that can be found across the grid. I say this because they generally have limited space, and so offer a small number of artists on exhibition, allowing a visitor to better appreciate the art on offer without feeling overwhelmed by the sheer volume of work or the number of artists.

Take Michiel Bechir’s gallery, for example. The latest exhibition there features the work of four artists: two offering individual exhibits, and two forming a joint exhibition.

Michiel Bechir Gallery: RoseHanry

With Sunrises, RoseHanry presents a collection of eight images on that subject, with her introduction:

The theme for this exhibit was born when I visited the amazing private SIM “Vintage Lace” owned by the talented Skip Staheli and Delinda Dench. I took a photo that I posted on Flickr by the name a new sunrise which is included in the collection of photos in the exhibition.

I grew up near beaches where I had the privilege to watch sunrises and sunsets building the skies in fascinating lights and colours, and I have tried to re-create that magic on my works in a different way that I am use to doing.

– RoseHanry

The result is a selection of eight tonal pieces ranging from monochrome through sepia to full colour that offer personal. In particular this use of tones helps to bring out the rich differences a sunrise can bring, from the seemingly black-and white of the very early dawn, when the Sun is so low on the horizon when facing it, the light seems to wash colour from your surroundings, through the the orange brightness that comes as the Sun climbs high enough for its light to be refracted by the early morning haze.

Michiel Bechir Gallery: Ethan Hawkins

Across the foyer is an exhibition by Ethan Hawkins, offering a mix of landscape and avatar studies, with a lean towards the latter. These avatar images are of a personal nature for the artist, reflecting as they do his relationship with his SL partner, Tresore. However, they each represent scenes anyone who has been in a relationship will both recognise and empathise with the emotions they represent.

Ethan’s landscape images are similarly evocative, offering romantic views of locations in Second Life which have a sense of having been painted without the appearance of being overly post-processed. This exhibition is rounded-out a a series of four images of waterfowl and an owl that truly bring the subject matter to life.

Michiel Bechir Gallery: Ladmilla and Eli

The upper floor of the gallery features a joint exhibition by Ladmilla and Eli Medier, who between them run The Edge Gallery. They are perhaps best known for sharing Ladmilla’s images with Eli’s words, and have oft been featured in these pages. Here they share their images and styles. Both are accomplished in capturing pictures that offer a story, with their images here forming nicely contrasting, yet complimentary sets.

Rounding out the gallery’s art is a selection of Michiel’s own landscape images, featuring some of the many locations across Second Life, with this selection carrying an emphasis on green.

Michiel Bechir Gallery: Michiel Bechir

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A South Shore Bay in Second Life

South Shore Bay, May 2020 – click any image for full size

Designed by Sloomi, South Shore Bay  on the Homestead region of Malaekahana Island, is presented as a place with a touch of a Mediterranean summer about it. A mix of public spaces and four private residences (three of which – I think – might be available to rent), it is a simple, easy-on the eye place with much to offer.

Built around a central lake, the island has a slight lagoon feel to it, the land opening out to the north and south to form rounded, low-lying headlands. Three of these have houses built on them, one of which id definitely private, the other two being two of the possible rentals. The remaining headland, occupying the south-west corner. The track connecting this beach with the path circling the lake also forming the region’s landing point.

South Shore Bay, May 2020

With a mix of Joshua and palm trees, the beach offers plenty of parasol-shaded places to sit and admire the sea view, the path leading to it also home to a small open market. Should you get peckish when visiting, a bar sits at the northern end of the sweep of the sand, with fresh fish and chips on offer.

Take the lake path eastwards, and it will take you along a narrow waist of low land caught between the gentle sweep of a seaward bay and the flat-topped hump of a hill that is home to the remaining summer house on the island. In terms of location, this perhaps offers the best views, one out across the bay to the off-region island, the other inland over the region’s lake. This lake appears somewhat tidal: there is a narrow channel to the west that connects it to the sea, and the sands just above the current water line appear to have a high tide mark running around them, as if the water level can periodically increase.

South Shore Bay, May 2020

To the east, the island has a rich screen of trees through which the footpath passes. By no means dense, the trees are sufficient enough to screen one of the beach houses from the path, whilst also perhaps sheltering the lake from any eastern winds, as well as holding the sands along the top of the hill in place.

After passing through the trees, the path swings closer to the lake than the sea, providing space for another much smaller beach on its seaward side, complete with a cuddle space on an old rowing boat before a further copse of trees serves to screen the south-east house from the rest of the island and provide any occupants with some privacy.

South Shore Bay, May 2020

A further bay sits on the north end of the island, nestled between the two headlands there. A little more rugged in nature than the southern bay, this is home to a colony of seagulls, while for those who don’t fancy walking, a balloon with single pose swing slung under it circles  slowly overhead.

An easy-going, comfortable design with multiple places to sit and finished with a gentle sound scape, South Shore Bay presents exactly what it says in the About Land description states: a quiet place to relax.

South Shore Bay, May 2020

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2020 Raglan Shire Artwalk in Second Life

Raglan shire Artwalk 2020

Raglan Shire, Second Life’s Tiny community once again throws open its doors to people from across the grid as participating artists and visitors to the annual Raglan Shire Artwalk.

This year marks the 15th Artwalk, which opened on Sunday, May 17th, and runs through until Sunday, June 21st, 2020. The event offers an opportunity not just to appreciate a huge range of art from both the physical and digital worlds, but to also tour the Shire regions and enjoy the hospitality of the Raglan Shire community.

Raglan Shire Artwalk 2020 – Kody Meyers

A non-juried exhibition, the Artwalk is open to any artist wishing to enter, and has minimal restrictions on the type of art displayed (one of the most important being all art is in keeping with the Shire’s maturity rating). All of this means that it offers one of the richest mixes of SL art displayed within a single location in Second Life, with 2D art is displayed along the hedgerows of the Shire’s pathways and tree platforms overhead and 3D art among the community’s parks.

Each year attracts well over a hundred SL artist – and this year is no exception. The depth and range of art on display is guaranteed to keep visitors exploring the paths and walks around the through the hedgerows – and if walking proves a little much, there are always the caterpillar rides to ease the load on the feet.

Raglan Shire Artwalk 2020 – Barry Richez

Also, teleport boards are provided to help people find their way around the exhibition spaces, while balloons which offer rides around the region and through the art displays. However, given this is an opportunity to visit and appreciate Raglan Shire, I do recommend exercising your pedal extremities and doing at least some of your exploration on foot – just keep in mind people do have their homes in the regions as well.

Given the number of artists involved, there isn’t a published list of participants, but anyone interested in the world of SL art is bound to recognise some of the names of the artists here. The Artwalk is also a marvellous way to see art from both our physical and digital worlds and for catch artists both familiar and new to your eye. Just don’t try to see it all at once; the Artwalk is open for a month, which gives plenty of time for browsing and appreciating the art without feeling overloaded.

Raglan Shire Artwalk 2020

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All of the Raglan Shire Artwalk regions are rated General)

Revisiting The Eye Gallery in Second Life

The Eye, May 2020

It’s been a while since I last visited The Eye Gallery, owned and curated by MonaByte. Originally opened in 2014 – although it has relocated since opening – the gallery offers exhibitions by invited artists as well as displaying Mona’s own work.

Currently, it is Mona’s work in both 2D and 3D that is on display within the gallery’s rooms.

My first steps in SL came through teaching: conducting various projects with my RL students. Then came Escuelita para Pekes, a place for friends where I shared beautiful moments lecturing to SL children. At the same time, learning to build became my passion and the sim 1+1 was my daily meeting place where true friendships were born. I also took art tours through different sims and galleries to help promote SL art. Then my sister and friend Duna Gant gave me the honour of managing Culture, the workshop responsible for poetry reading and other events at Artemis Gallery. My work with her was a wonderful experience.

– MonaByte describing her initial years in Second Life

The Eye, May 2020

Mona’s work a bold in tone and content, and red features heavily in the works on offer in this exhibition, with some of the exterior walls and spaces of the gallery coloured to match. Her 3D work is also rich in context, and emotion, each piece conceptual in is transmission of both: Balance, Freedom, Obsession, Conflict … Two pieces even celebrate her love of Red, which is also reflected in the 2D work in the main gallery building where as series of images of poppies and red flowers capture the attention.

The upper floor of the gallery annex offers a trio of landscape photos and two more fantasy-oriented images. They lean more to blue in their tone – a reflection of both the time of day at which they were taken and their subject matter.

An engaging and pleasing exhibition.

The Eye, May 2020

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Kintsugi: spiritual beauty and renewal in Second Life

Kintsugi: Spirited Beyond

Having recently opened in May 2020, Kintsugi: Spirited Beyond has been garnering a lot of attention – and rightly so; it is a place of serene beauty, lovingly created by NorahBrent and Zalindah.

Kintsugi (金継ぎ, “golden joinery”), also known as Kintsukuroi (金繕い, “golden repair”), is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-etechnique. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise.

Wikipedia

Kintsugi: Spirited Beyond

I include this description, because Kintsugi: Spirited Beyond grew out of a personal loss experienced by NorahBrent, as Zalinah notes in her profile:

Pulling her grief and transforming it into creativity was her only way of coping. She asked me to join her and I couldn’t resist.

– Zalinah

Kintsugi: Spirited Beyond

So it might be said that Kintsugi: Spirited Beyond that has a deep connection for both NorahBrent and Zalinah, and especially offers a means for Norah to mend her loss through creativity, making it a part of her personal expression, making it a part of who she is, rather than trying to disguise or hide it. This is turn gives any visit to Kintsugi a personal element, the visitor sharing not just in the creativity displayed in the completed region, but also in the healing process that is folded into its design and presentation.

The natural beauty of the region is evident from first arrival, but to help encourage exploration, a story as been added; those arriving are asked to find the nine spirits located throughout the setting, with each spirit found within a location: house, forest, water, garden, and more, there secrets revealed through local chat.

Kintsugi: Spirited Beyond

Thus, the best way to describe Kintsugi is as a subtle story told through a series of vignettes, each defined by a specific part of the region design, and knitted together as a whole by both the stories awaiting discovery and the natural flow of the landscape across the islands and water-borne elements reached via stepping stones that wind across the shallow, reflective waters that enfold the islands and their treasures.

The Japanese motifs found throughout the region  – Cherry trees, Torii gates, koi pond, raked zen garden, water lanterns and more – are used to marvellous effect, both adding to the spiritual feel to Kintsugi whilst also gently brushing it against the imagination sufficiently for the active mind to call forth stories of its own that might find a home here.

Kintsugi: Spirited Beyond

At the same time, there is much to capture and hold the attention of the more casual visitor: the natural beauty of the setting, the mystery of the deserted town on the high hill, the places to sit and appreciate each element within the region’s unfolding story. And obviously, there is much to commend the region to the eye and lens of the Second Life photographer.

Kintsugi is a truly bewitching setting, rich in detail and narrative, fully deserving of a visit. When you do, please consider making a donation at the landing point to help ensure its continued presence in Second Life.

Kintsugi: Spirited Beyond

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Second Norway: making the changes

Second Norway, March 2020

At the end of April I was able to confirm that Second Norway, after recent concerns about its future, would be continuing as a part of the Luxory Estates group, with Vanity Bonetto and her team taking over day-to-day management of things – land management and sales / rentals, etc., with Ey, Mialinn, SlaYeR, joining the Luxory team with responsibilities for the road and rail network, management of the Second Norway airport and for social / community elements within the estate. See: Second Norway: the future is bright.

In that article, I noted that as part of the change-over, there would be a certain amount of work being put into the estate, with the northern regions being re-worked to offer new island home spaces, together with a re-laying of roads and rail systems through the more connected regions within the estate.

Second Norway: one of the new islands, already occupied

So what has happened in the two weeks since the hand-over? Well, rather a lot. As Vanity noted to me as I dropped in to take a look at progress:

We are working our pixels off here!

The northern regions have now all been relaid to offer three or four islands apiece (although some have “mainland”elements running through them. These offer islands sized between (at the time of writing) 7,292 sq m through to 11,776 sq m (although there was one smaller parcel at 4,688 sq m still available). Prices for the parcels are in line with other Blake Sea estates, and can be found in the Second Norway sales office).

Second Norway: one of the larger island parcels awaiting occupancy

To the south, closer to the airport and the land around it, parcels with water and road access are in development, although it will be a while longer before these are ready of occupancy. At the same time, Ey and SlaYeR have been rebuilding the road and rail system, as Ey recently blogged:

We have been here before, SlaYeR and I. Hauling railroad tracks, getting them in place. Laying warm asphalt on new stretches of road. As the basic terraforming of the north-west is now done, the (rail)road guys can move in, as we have done many times before. New land will emerge connected to the road network. This is sort of back to the future for us.

  – Ey Ren, May 9th, 2020

Second Norway: the new waterfront district being developed by AustinLiam

South of the airport is a further development, this one being undertaken by AustinLiam, offering a working waterfront district, with further rental islands alongside of it.

Even with the work on-going, sales have started, and the new parcels are proving popular among former Second Norway renters who had to move out while the changes were made to the extent that Vanity informed me the Luxory land team are finding it hard to keep pace with demand. Despite all the changes, the open waterways have remained operational, and it’s possible to sail / motorboat around the new islands even while the work continues.

The rental islands come pre-formed and semi-landscaped with rocks and a small channel that cuts through one corner to provide a small, separate island reached via a connecting stone bridge. Moderate terraforming is allowed, providing that it is neither excessive nor spoils the overall theme for the estate – so no private mountains or fjords! Similarly, building and other structures must be in overall accordance with Second Norway’s temperate / northern latitude theme.

Second Norway: two more of the new rental islands, already occupied

There’s still a way to go with the changes, as both Vanity and Ey note; but considering it’s only been a couple of weeks since the hand-over occurred, a lot has been achieved, and it’s easy to see the Second Norway is well on the way to becoming a renewed community with a secure future that offers a lot to tenants and visitors alike.

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