A little Swedish summer in Second Life

Noweeta, May 2021 – click and image for full size

Back in December in 2020, I dropped into Kaja Ashland’s Snoweeta, a charming winter build engaging in its simplicity as it offered a glimpse of Skåne, the southern most county (or län) of Sweden (see A Little Swedish Inspiration in Second Life).

I recently made a recent return to the region at the suggestion of Shawn Shakespeare, who informed me the region has now lost the snow present at the time of my first visit to offer a taste of summer. With the passing of the snow, the “S” has gone from the setting’s name, allowing it to once again become Noweeta.

Noweeta, May 2021

The arrival of summer has brought with it gentle changes to the setting that further enhance it and offer a further reason for a visit, whilst keeping many of the features present back in December 2020, their presence giving the region a depth of place.

At the time of my first trip to the region, I wondered if Kaja has based the setting on an actual location within Skåne, given it apparently sits between the small Baltic townships of Ystad and Simrishamn, musing that it might be one of the roads Henning Mankell’s dour-faced Inspector Kurt Wallander might actually drive along when investigating a local crime, his eyes momentarily drawn to the large farmhouse set back from the main road.

Noweeta, May 2021

With my return, I could not shake that feeling Wallander may turn up – particularly given the marked patrol car still stilling on the road. However, it now appears that the farmhouse may have been brought up and turned into the country retreat for a wealthy family, the surrounding fields turned over to one of the locals.

I say this because the land closest to the house has been overhauled, a new swimming pool giving the suggestion this is no longer a working house. Alongside it sits a large corral for riding horses, whilst a private 7-hole miniature golf course completes the main grounds for the house. The models on this little golf course are quite exquisite, making it an eye-catching feature.

Noweeta, May 2021

With the retreat of the snow comes the revelation that one of the fields sitting alongside the driveway to the house is actually home to a small to a small grass airstrip. A Model 75 Stearman sits at one end that at first glance appears to be a crop duster;  however, its colours suggest it is more of a show ‘plane than a workhorse.

The fields themselves are now rich in growth – other than the little airstrip -, the one on which it sits also having sprouted a windmill, complete with slowly turning sails.

Noweeta, May 2021

Elsewhere, the little hill with its campsite remains, while the small body of water beyond sits free from its icy covering to present another corner where people might retreat and spend time fishing or simply enjoying the company of one another in a moored rowing boat.  And while the wild pigs may have scooted with the changing of the season, they’ve been joined by sheep, offering another sense of continuity with the preceding design.

With the arrival of summer, Noweeta has bloomed with colour and continues to offer an attractive visit for Second Life tourists and visitors alike.

Noweeta, May 2021

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The art of Thus Yootz at Kondor Art Centre

Kondor Main Gallery: Thus Yootz, May / June 2021

This article could appear to be a little biased, as it covers yet another exhibition at the Kondor Art Centre, operated and curated by Hermes Kondor. The centre is a place that I’ve been popping into a lot of late – but that’s because Hermes is hosting some really eye-catching exhibitions by artists from across Second Life; as such, it’s a natural destination for me.

Take the Kondor Main Gallery for example, for the next several weeks this is home to an untitled exhibition of 2D art by Thus Yootz.

Kondor Main Gallery: Thus Yootz, May / June 2021

For those unfamiliar with Thus, she is an artist based in Greece who has been active in Second Life for over 12 years as a creator, region designer, SL wedding planner, photographer and artist. With a MA in art, her physical world art encompassing drawing, painting, etching, sculpture, photography, and has been publicly exhibited.

In this exhibition, Thus presents a selection of her work that demonstrates the breadth of her artistic range. Within the pieces offered are some that have been composed  using images captured in Second Life (such as Magic at Home & Garden Expo, Mischievous Centaurs, Some Days You Feel You Could Fly, and Soft, Unspoken Love Words), some that apparently inspired by places in the physical world (such as Summer landscape at Oniro Beach), and those that pay homage to styles of art (e.g. Crazy Diamonds with its nod to surrealism and René Magritte, and the etching-like Open Heavens), and more.

Kondor Main Gallery: Thus Yootz, May / June 2021
Equally these are all pieces that carry a depth of narrative and richness of emotion that cannot fail to touch those who see them. This richness comes through a variety of elements – the image itself, its title, the use of colour – which all perfectly and gorgeously combine to hold our attention and release our imaginations.

Just take Crepuscular Creature of Plume and Don’t Fear, for example. In the former we have a marvellous flight of fantasy that wraps so much into it: what is the twilight creature, and where is the world behind it? Are we looking upon an alien being of the interstellar void that has happened upon a distant world or barren rock whilst seeking a home?

Kondor Main Gallery: Thus Yootz, May / June 2021

Or is it simply a trick of the camera and light that has rendered an Earthly insect as an exotic creature, a deceptive use of foreshortening turning our otherwise familiar Moon into a distant place about re witness the arrival of a gigantic alien… Meanwhile, in Don’t Fear might be found so many stories revolving around Death, the river Styx and its famous ferryman (or in this case ferrywoman?) and heroes, heroines and quests.

And then there is The Dragon, which stands as a literal suggestion of the Chinese idiom Hua Long Dian Jing – painting the Dragon’s eye – with the idiom itself expressing the perfection bound in each of the pieces in this collection.

Kondor Main Gallery: Thus Yootz, May / June 2021

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Finding a Hidden Bottle in Second Life

Hidden Bottle, May 2021 – click any image for full size

Num Bing-Howlett (Num Bing) and her SL partner, Clifton Howlett, sent me a personal invitation to visit their latest region design, Hidden Bottle, which recently opened.

I’ve previously written about Numb and Cliff’s designs in these pages, and have always enjoyed exploring them, so I took the first opportunity I could to hop over and “have a pike” as people are prone to say in the part of the world I was born in.

Hidden Bottle, May 2021

For this build, Numb and Cliff have created a little tropical corner of the world given over to pirate legend, as the About Land description notes:

Welcome to Hidden Bottle @ Gin!
Pirates discovered the Gin islands long ago & used it’s hidden location to distil their bootleg Gin. Now we continue on using their same recipe for happiness…sunshine, smiles, & a great gin!
Be careful for the overhead gondola & enjoy your time here at Hidden Bottle…& don’t forget the tonic!
Hidden Bottle, May 2021

I’m a little surprised the tipple being made wasn’t rum given it’s pirates we’re talking about; perhaps the story is simply something made up by the local to encourage tourists – or maybe the pirates in question had a more refined taste 😉 – and of course, “gin” is entirely in keeping with the region’s designated name – and there is a still awaiting discovery, if you can find it!

The setting primarily comprises a ruggedly handsome pair of islands that rise from the sea, and which if viewed from above look like a hook extending outwards from a blocky wrist.

Hidden Bottle, May 2021

It might be that, once upon a time the two were joined as one, but time and nature have worn a watery channel between them, a channel now spanned thanks to the hands of Man, a broad wooden platform crossing over the water and that serves as both a home to a small bar and also as a boarding point for the cable car system that runs around and through the islands.

The latter is an impressive ride, rising from the the water-spanning deck to follow the square cliffs of the “wrist” island, its cables supported by tall pylons that lay at first embedded in the rock of the island to lift cable cars up over a corner of the island’s flat head, before dropping their cables back down towards the sea and a neat line of their brethren that march single file out over the shallows of the sea and around the north side of the “hook” island, where they loop the highest peak and then descent by way of gorge and rocky arch to once more join the low-lying deck.

Hidden Bottle, May 2021

The cars that run along this cableway offer an ideal means to see much of the beauty of the setting, while platforms periodically placed along the route – some of them quite precipitously – offer places to both board and leave the cars and continue exploring on foot.

Mirroring the path of the cable cars, as is oft the way with such systems, are paths that wind up the cliffs and hills of the island, allowing people the means to explore on foot – and as the cars do not reach all the places waiting to be discovered, following them upwards (and back down!) is recommended.

Hidden Bottle, May 2021

For those who prefer, the southern and eastern curve of the islands cup within them calm waters where swimming or lazing on an outrigger boat might be enjoyed together with resting on the sands. Beneath the waves, for those who care to look / dive, fish and turtles swim whilst above, extending from the cliffs, an events stage offers another lookout point. And for those who fancy exploring more, a grassy route passes under a great arch of rock to reach the north side beach and its own hideaways.

With winding paths meandering over the hilltops, boardwalks and stairways climbing the cliffs to platforms and palm-crowned heights rich with the song of exotic birds as they fly around and through the trees, Hidden Bottle is a delight to explore. Throughout all of this are numerous places to sit and relax and just appreciate the setting and its promise of distant escape and freedom. and, needless to say, present photographers with a wealth of opportunities to exercise their shutters. In fact, you might say, Hidden Bottle / Gin are a perfect tonic if you need a getaway!

Hidden Bottle, May 2021

My  thanks to Numb for the invite!

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2021 Raglan Shire Artwalk in Second Life

Raglan Shire Artwalk 2021

Raglan Shire, Second Life’s Tiny community, has once again opened its doors to people from across the grid as participating artists and visitors to the Raglan Shire Artwalk 2021.

This year marks the 16th Artwalk, with the event running through until Sunday, June 20th, 2021. It  offers an opportunity not just to appreciate a huge range of art from both the physical and digital worlds, but to also tour the Shire regions and enjoy the hospitality of the Raglan Shire community.

Raglan Shire Artwalk 2021: Sisi Biedermann

A non-juried exhibition, the Artwalk is open to any artist wishing to enter, and has minimal restrictions on the type of art displayed (one of the most important being all art is in keeping with the Shire’s maturity rating). All of this means that it offers one of the richest mixes of SL art displayed within a single location in Second Life, with 2D art is displayed along the hedgerows of the Shire’s pathways and tree platforms overhead and 3D art among the community’s parks.

Each year attracts well over a hundred SL artist – and this year is no exception. The depth and range of art on display is guaranteed to keep visitors exploring the paths and walks around the through the hedgerows – and if walking proves a little much, there are always the Shire’s tours to ease the load on the feet.

Raglan Shire, Artwalk 2021: Skyblue Earthboy (l) and Uleria Caramel (r)

Also, teleport boards are provided to help people find their way around the exhibition spaces. However, given this is an opportunity to visit and appreciate Raglan Shire, I do recommend exercising your pedal extremities and doing at least some of your exploration on foot – just keep in mind people do have their homes in the regions as well.

Given the number of artists involved, there isn’t a published list of participants, but anyone interested in the world of SL art is bound to recognise many of the names of the artists here. The Artwalk is also a marvellous way to see art from both our physical and digital worlds and for catch artists both familiar and new to your eye. Just don’t try to see it all at once; the Artwalk is open for a month, which gives plenty of time for browsing and appreciating the art without feeling overloaded.

Raglan Shire Artwalk 2021: my little corner

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All of the Raglan Shire Artwalk regions are rated General)

Four Bridges in Second Life

Four Bridges: Summer Quest, May 2021 – click any image for full size

I recently received an invitation from Trill Zapatero (Wynaz) to visit her latest creation, which has just opened to the public.

Operating under the banner Summer Quest @ Four Bridges, it is a two region estate (A Full and a Homestead) that she has spent the last four months working on. Now in the Destination Guide, it is a location that does, without any exaggeration, make for a simply stunning visit.

Four Bridges: Summer Quest, May 2021

Those arriving for the first time should be delivered to the main landing point, located on an aerial platform over the estate. It is here that visitors will be able to join the estate’s  Experience – a vital part of the visit, as it will enable seamless teleports between some of the locations within the estate, and this is key to getting to see everything the regions have to offer. It is also at the landing point that visitors can obtain the local teleport HUD, which also works through the experience.

The latter provides access total of 16 destinations within Four Bridges, thus providing a quick means of hopping point-to-point. However, to appreciate the estate fully, I strongly recommend setting time aside and using one of the teleport boards available at the landing point to reach ground level, and then set out on foot.

Four Bridges: Summer Quest, May 2021

The setting is that of a mountainous region, the surround encompassing both regions forming a  ring of high mountains while the regions themselves built up using landscaping kits by Alex Bader. This is quite stunning work, providing a high peak within the Homestead region, with with slopes descending into the Full region and rocky arms reaching out to circle a large, crater-like lake.  And believe when I say that these words simply do not do the build any justice whatsoever.

A deep gorge extends outwards from the crater lake, splitting the land open as it runs south, gradually broadening until it passes through a narrow neck spanned by a humpbacked bridge. This bridge forms part of a lowland track that winds around the regions and climbs part-way up into their highlands to offer an extensive route to walk – or ride – around the the setting (those with a wearable horse can wear it, while there are horse rezzers to be found around the route for those otherwise on foot.

Four Bridges: Summer Quest, May 2021

Throughout both regions are rope slides, climbs, places to sit both indoors and out, a major slope running down the side of Crazy Fox mountain that looks as if it is ideal for skiing and / or sledding when the snow falls, boats to sit upon or take out on the water, opportunities for swimming and more. Nor is that all – there are adventures to be found both underground and underwater.

The former of these comes in the form of two caves – Dack Cavern and Gwendolyn Cave. These can be reached by both the teleport system HUD or by finding their entrances and walking into them – providing you have accepted the local Experience at the main landing point, that is. Those who have will be teleported to the caverns proper, which occupy platforms over the regions. Of the two cave systems, Gwendolyn is the larger, offering a winding trail underground, complete with further teleport systems back to ground level that will delivered you to different points in the park.

Four Bridges: Summer Quest, May 2021

For the underwater aspect to the park, scuba tanks mark points where people can slip underwater and swim among the fish – although currently, you’ll nee your own diving kit; the tanks and goggles provided will provide a link to a Marketplace listing for those who might wish to purchase their own.

What I particularly like about this setting is the walks and the climbs. Trill has gone to great lengths to create an environment that looks and feels natural, right down to the way the trails have logs to hold the dirt in place as they climb / descend slopes and the stone steps along some of the trails sit as if cut into the rocks and the way of flat surfaces of rock have been turned naturally into paths around cliffs. Even the wooden steps and platforms that can be found throughout the mountains and cliffs look and feel right in their construction and placement.

Four Bridges: Summer Quest, May 2021

There’s a delightful magic about Four Bridges that makes a visit genuinely worthwhile, and the camp sites, the seats and swings, the cabins, lodges and other buildings scattered around high and low, together with the assorted activities – swimming, riding (horses and rope slides!), walking, diving, caving and exploring will keep visitors truly occupied; while photographers will appreciate the views and opportunities for capturing shots.

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ArtCare Gallery in May in Second Life

ArtCare Gallery: LikaCameo

I hopped back to Carelyna’s ArtCare Gallery this week to take in the latest round of art exhibitions, and once again found a rich mix of art from Second Life and the physical world to appreciate.

I was initially drawn back to the gallery with the announcement of new exhibitions by Kimeu Korg (Kimeu) and Matt Thomson (MTH63), both of which are located on the lower level of the gallery space, although a trip to the upper level of the gallery also reveal art that captures the eye.

ArtCare Gallery: Kimeu (Kimeu Korg)

Kimeu is, for me, Second Life’s most noted surrealist artist. His work easily matches the likes of Max Ernst and René Magritte, and is unique manner in which it can so often blend elements from the physical world and Second Life to create vignettes – although at ArtCare, Procrastination focus solely on pieces produced within Second Life. These are simply delightful, each one a story unto itself, featuring Kimeu’s distinctive character, frequently laced with a gentle humour.

Matt Thompson built his reputation as a landscape photographer in Second Life, but has been spreading his canvas – so to speak – and with New Journeys presents a series of abstract paintings, the title doubtless a nod to this being a further expansion of his artistic expression. As Matt himself notes, abstractionism oft comes with convoluted explanations as to what each splash and swirl of colour represents (perhaps not always postulated by the artist), which can get in the way of simply enjoying the mix of colours and the suggestions of of life, motion, patterns and form.

ArtCare Gallery: Matt Thompson (MTH63)

And for those who care to read his bio, Matt has a wicked sense of humour (and a love of Douglas Adams, which makes him more than OK in my book 🙂 ).

The upper level of the gallery space features exhibitions by LikaCameo, Downboy (MarcJersey), April (Agleo Runningbear) and Jolie (JolieElle Parfort).

ArtCare Gallery: April (agleo Runningbear)

Known as April Louise Turner in the the physical world, Agleo is a woman of many talents – artist, shaman, teacher, poetess, to name but four. Here she presents a series of the most engaging paintings of animals what might be considered spirit paintings of the creatures involved. In the neighbouring hall, Jolie offers images from Second Life that have been processed to resemble paintings, forming another engaging collection.

However, and with due respect to Jolie and April, both of whom have been covered several times in these pages, I was particularly drawn to the exhibitions by LikaCameo and Downboy, both of whom are artists I’ve not previously encountered in Second Life.

ArtCare Gallery: Jolie (JolieElle Parfort)

Downboy is another artist who seeks to tell stories through his images – all of which have been produced in Second Life. However, his work is particularly attractive for the manner in which he uses soft tones, an almost brushed monochrome, and depth of life.

Lika, meanwhile, presents a series of the most incredible true life studies and portraits that deserve to be seen first-hand, as witnessed by the hero image at the top of this article.

ArtCare Gallery: Downboy (MarcJersey)

I’m not sure how much longer the installations by April, Jolie, Lika and Downboy will remain at ArtCare (as noted above, Matt’s and Kimeu’s exhibitions have just opened and so will be around for about another month), so I do recommend dropping in to see them sooner rather than later.

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