Landscapes, avatars and digital dreams in Second Life

GenovArt June 2021: Deyanira Yalin

I made a return trip to the GenovArt Galleries, curated by Juna (Junanuj) to continue my promised explorations of the Glass Hall there, after my initial visit to the B&W Hall last month (see: Four artists for June at GenovArt in Second Life).

My visit came just after the opening of the new ensemble exhibition within the hall that features the work of Jamee Thomson (Jamee Sandalwood), Vanessa Jane (VanessaJane66), Deyanira Yalin and Eyes Kirschtaria (varutina).

GenovArt June 2021: Jamee Thomson (Jamee Sandalwood)

Both Jamee and Venessa are highly regarded for their landscape images of Second Life, and rightly so. Although neither is constrained to just this form of art, it is the core of the pieces they present on the lower and upper levels respectively of the gallery.

Each of them has a considered eye for their work, perfectly balancing angle, cropping, lighting, post-processing and finishing to produce truly memorable pieces that both reflect the region in which they were captured and offer very individual views of Second Life.

GenovArt June 2021:  Vanessa Jane (VanessaJane66)

Deyanira Yalin has been active in Second life since 2007, but I believe that this exhibition is the first time I’ve encountered her work; a fact that is to my loss, as her art is simply marvellous.

It is also said that beauty is in the eye of the beholder. I believe that my art is the product of cumulative dreams and visualisation. I get joy if the beholder finds something unique to him or herself that may be hidden or may be an illusion. I do not know if I am an Artist or a dreamer who likes fiction and dreams, but what I believe is inspired by all of the above.

– Deyanira Yalin, describing her art

GenovArt 2021: Deyanira Yalin

A graphic designer by training, Deyanira has had her work exhibited in Mexico City, and her involvement in Second Life has enabled her to fully embrace the digital art form – a fact more than demonstrated at GenovArt.

These are truly extraordinary works that fold into them digital collage, suggestions of abstract art, surrealism, pop art and  – notably those images in the rear section of her exhibition – a tremendous depth of narrative.

GenovArt 2021: Deyanira Yalin

As such, I would respond to Deyanira’s musing on whether she is an artist or a dreamer by saying there is no either/or – she is both, and she is also a weaver of dreams and teller of tales through her work.

Eyes Kirschtaria is another artist whose work I do not believe I’ve previously encountered.

GevovArt June 2021: Eyes Kirschtaria (varutina)

Hailing from Japan, he presents a magnificent series of male avatar studies at GeovArt, all of them deeply rooted in fantasy and the imagination, and each ready to weave its own tale of heroes and / or villains, warriors and princes, magicians and hunters, and more.

Rich in colour and depth, several of these works beautifully blend what might be seen as western fantasy and oriental tales and influences, whilst others offer more traditional oriental tales in the making or enfold touches of science-fantasy (who cannot see shadows of the Dune series hiding within 15, for example?).

GenovArt June 2021: Eyes Kirschtaria (varutina)

With its rich diversity of talent and content, the June exhibition at GenovArt’s Glass Gallery exhibition should not be missed.

SLURL DETAILS

Grauland’s Art Park in Second Life

Grauland Falls Art Park, June 2021 – click any image for full size

I first visited Grauland, the Homestead region held by by JimGarand and home (in the sky) to his M-1 Art Pose business in March 2019. At the time, I was immediately struck by its genuine uniqueness, offering an environment that expresses art as a landscape.

Since that time, Jim has continually revised the region on a regular cycle of iterations, some of which have continued that idea of art-as-landscape, others of which might be regarded as more “natural” settings – tropical beaches, oriental gardens, deserts – all of which have been highly engaging and kept me returning to the region to write about many of them.

Grauland Falls Art Park, June 2021
For the iteration I visited in June, Jim has returned the region to what, for me at least, is its roots – a setting in which art plays an important role in expressing the overall landscape.

Rapidly dropping from eastern highlands marked by a high peak and a curtain of cliffs backed by high mountains, the region is immediately visually engaging; the peak giving birth to falls that in turn feed the streams that break up the lowlands as they flow out to the surrounding waters.

Grauland Falls Art Park, June 2021

Rugged and attractive, with western and northern bays watched over by a ranger’s watchtower to the north-west, two tidy woodland areas and a scattering of buildings, the landscape is highly photogenic. However, it is what is to be found within it that captures the eye.

From obelisks through the familiar concrete blocks to statues, tiered gardens and totems, the art to be found throughout the region fits neatly and elegantly into the setting, bringing it naturally to life.

Grauland Falls Art Park, June 2021

As an art park, the setting is laid out as a place one travel to in order to visit: the landing point is presented as a cark park, the road running from it vanishing into a tunnel that appears to pass under the mountains to connect the part with the rest of the world. It sits bounded on two sides by the remnants of what might have once been a complete costal fortification built during the last world war, but which now stand with gaping windows and walls that have in part started to lean somewhat as their foundations have settled.

Forming the entrance to the park, the great blanks walls of this ruin also naturally lend themselves as a part of the park’s artistic statement, providing access to the tiered gardens that form the starting point for explorations.

Grauland Falls Art Park, June 2021

From the gardens with their cobbled paths, visitors can roam where they please – as indicated by the static characters already in the region that add a further sense of it being a a popular place to visit. A  single path does offer a route from the landing point, one that passes over the region’s three bridges – which also very much form part of the art statement. These bridges lead the way to the largest complete building on the region, a boxy unit offered as something of a meeting / relaxing space.

Jim’s designs are always engaging and a pleasure to visit, but I admit to finding this iteration particularly engaging. There’s that sense of returning to the focus of early iterations of the region whilst retaining a completely unique look and feel.

Grauland Falls Art Park, June 2021

With photographic opportunities can be found throughout, and the 3D art elements bringing a richness to the environment that encourages the visitor to remain, explore and appreciate, Grauland Falls Art Park is not to be missed.

SLurl Details

A Variation in Art in Second Life

Janus II Gallery: Etamae and Imaginary Footprints – Variation

Saturday, June 12th saw the opening of Variation, a joint exhibition of art by Eta (etamae) and Imaginary Footprints.

Hosted at the Janus II Gallery at Chuck Clip’s Sinful Retreat, Variation is the second such collaboration by the artists I’ve visited, the first being Memories of a Forgotten Reality (see: A Foreign Reality in Second Life), which I found to be an absorbing exhibit both in style and its collaborative development – and the e same can be said of Variations.

Supplied without exposition by the artists, Variation appears to follow the approach seen with Memories, with each artist starting with a single piece before passing it to the other, the back and forth continuing as the piece gradually evolve in accordance with the perceptions and thoughts of the artists.

Janus II Gallery: Etamae and Imaginary Footprints – Variation

However, where there was a central theme to Memories that likely focused each artist’s thinking when working on an image, the lack of stated vision apparent with Variation has offered perhaps far greater freedom,  with each piece becoming entirely framed within the individual thought processes and feelings of each artist as they worked with it. Thus, the focus of the art – and the exhibition as a whole, is the variation that marked the evolution of each piece.

The result is a collection of art that is broad in scope and potential interpretation. In terms of style and / or genre, there are pieces that might be said to have their roots in abstraction, others that lean towards expressionism or surrealism, and still others touching on abstract expressionism or digital etching. Not all are 2D or static;  the added 3D elements presenting a certain depth, particularly those that are placed alongside 2D images they appear to reflect.

Janus II Gallery: Etamae and Imaginary Footprints – Variation

In terms of subject matter, the best place to start is to paraphrase a comment by Eta’s SL partner, Jos:

The only perspective that will be objective is your subjectivity.

That is to say, such is the depth to which these pieces speak, the only way to hear what they might say is to witness them for yourself and and let your own eye and emotions frame your perception / understanding of them.

However, with that in mind, I  will say that I found Variation suggestive of a dream state – something enhanced by the overall environment in which Eta and Imaginary have framed the exhibition. A condition wherein the conscious mind is at rest and the subconscious is steady processing all that it has been a party to. Such processing can give rise to bright and dark moments (dreams and nightmares), and similar moments might be found within these piece, tugging and twisting our thinking and emotions into a state of variation.

Janus II Gallery: Etamae and Imaginary Footprints – Variation

Superbly produced and presented, Variation is a marvellously absorbing exhibition.

SL Details

A corner of Cornwall in Second Life

Mousehole, June 2021 – click any image for full size

Tolla Crisp contacted me recently to extend an invitation to visit her new region holding, Mousehole, located to the south of her famous Frogmore, a place I’ve covered numerous times in these pages due to it’s sheer beauty. The two are connected to it via footbridge, with Mousehole expanding on the Cornish theme folded into the current iteration of Frogmore (which you can read about here), making both regions ideal for a joint visit, as well as each one standing on its own.

A Full region using the standard 20K land impact, Mousehole takes its name from the Cornish fishing hamlet of Mousehole (pronounced mzəl, or Porthenys in Cornish), located in the far south-west of the English county, on the shore of Mount’s Bay. Like Frogmore, the overall design is the work of Dandy Warhlol (terry Fotherington), whose hand and eye helps to give that flow of continuity between the two regions.

Mousehole, June 2021

With a population of around 700, Mousehole has a long history as a fishing village that dates back to the 1200s. However, in modern times it is noted more as a visitor / tourist destination and for its many festivals and community events that are held throughout the year.

Whilst taking its name and a lot of its inspiration from the hamlet and Cornwall’s rugged coastline, the design also offers and inland setting that offers a mix of hints of Mousehole village and the wilder aspects of the county. Combined, these give the region a unique look and feel whilst also giving a hint why almost a third of Cornwall’s coast and some of its inland areas are designated Areas of Outstanding Natural Beauty (ANOB) – giving them the same status as a national park.

Mousehole, June 2021

The main part of the region is open to the public, encircled by a broad beach broken by rocky outcrops to form smaller coves typical of the kind that might be found along the Cornish coast. Along these sands are places to sit, bars to by found, opportunities for swimming or simply floating on the water.

Sitting within this are two upland areas which might be seen along the upper reaches of Cornwall’s rugged coast around Mount’s Bay, but which equally bring to mind the wilds of Bodmin Moor. Separated by a sandy divide that offers a shortcut between the north and south sides of the island, these two uplands are rich in greenery and home to individual scenes.

Mousehole, June 2021

The larger of the two offers a setting that might have been lifted from the village itself – most notably the famous Mousehole Pub, which shares the hilltop with a stone-built house and a country church. No roads are visible here, however; instead, the buildings stand surrounded by moorland grass grazed upon by donkeys (Cornwall and neighbouring Devon are also noted for their donkeys), with visitors free to wander across the hilltop and perhaps cross the bridge spanning the shallow gorge to touch the second upland.

This smaller hill is home to an abandoned house (I admittedly found the motel sign outside to look and feel out-of-place), its garden overgrown and nature starting to reclaim its interior. Forlorn and decaying, it has the feel of a place that one might come across deep in the Cornish moorlands, once home to a farm or the retreat of a wealthy tin mine owner and his family, now long abandoned and forgotten.

Mousehole, June 2021

Further touches of Mousehole and its surrounds can be found within the region. Just off the southern coast, for example, is an islet that is mindful of the small island of St. Clements sitting just off the entrance to the village’s harbour. Be mindful that the in-world island is actually a private residence, however, so do be wary of trespass.

Also, just off on of the beaches lies the entrance to a cavern. Find your way inside and you’ll discover a little homage to the tale of a hermit who was said to once lived along the coast at Mousehole.

Mousehole, June 2021

Rich in detail and touches – off to the west is a smaller island, home to another little bar and also what might be an abandoned military facility of a kind that can be stumbled across around the English coast – Tolla’s Mousehole is another delight to explore and photograph – and a delight to explore.

SLurl Details

Kultivate 6th annual Spring Art Show in Second Life

Kultivate Spring Art Show, 2021

Currently underway until Sunday, June 13th, 2021 is the Kultivate’s Magazine 6th annual Spring Art Show in Second Life, featuring the work of some 32 artists, supported by daily music events.

Kultivate Magazine is a publication about the cultural aspects of Second Life, its goal is to support art, culture, photography, music, and fashion. The brand includes the magazine, The Windlight Art Gallery, The Edge Gallery, The Kultivate Loft Gallery, Signature Gallery, AIR Gallery, the Select Gallery and the satellite Dene Gallery located in Rosehaven. In addition, Kultivate Magazine is the media partner and primary sponsor of Team Diabetes of Second Life, an official and authorised fund-raising team for The American Diabetes Association.

Kultivate Spring Art Show 2021 – Vita Theas

The participating artists for the  2021 Spring Art Show comprise: 4pril Resident, Amanda, Angel Heartsong, Anouk Lefavre, Cutewillow Carlberg, Dandilyon Jinx, Dawnbeam Dreamscape, Deynira Yalin, Elise Sirnah, Eucalyptus Carroll, Eve Petlyakov, Jamee Sandalwood, Johannes Huntsman, Kacey Macbeth, Kapaan Resident, Klint Kord, Lena Kopiak, Matt Thomson, Myra Wildmist, Ohara Takamori, Phoenix, Roxcee REesident, Sabine Mortenwold, Sandor, Sevant Anatra, Sheba Blitz, Slatan Dryke, Tempest Rosca, Vanessa Jane, Veruca Tammas, Viktor Savior, and Vita Theas.

The setting for this year’s event is a formal garden rich in the colours of spring, the artists all occupying individual greenhouses around the edges of the gardens, a broad footpath offering the way around.

Kultivate Spring Art Show 2021 – Vanessa Jane

Entertainment for the rest of the show- my apologies to John and Tempest for only getting to it as it reaches its mid-point – is as follows (all times SLT):

  • Thursday, June 10th
    • Daily Giveaways: 10 gift cards.
    • 13:00: live musician Ziggy Sixpence.
    • 14:00: live vocalist Jackie Lefko
  • Friday, June 11th:
    • Daily Giveaways: 10 gift cards.
    • 18:00: live musician Dee Timeless.
    • 19:00: live musician Thunderfoot.
  • Saturday, June 12th:
    • Daily Giveaways: five skyboxes by Inverse.
    • 17:00: live vocalist Aislen Sings.
    • 18:00: live musician J Lively.
  • Sunday, June 13th:
    • Daily Giveaways: two 3D Environment 360 view skyboxes by Inverse.
    • 13:00: awards ceremony.
    • 14:00: live vocalist Sarita.
    • 15:00: live vocalist Samm Quenda.
    • 23:30: Art Show ends.

So be sure to hop along and enjoy the entertainment and appreciate the art!

Kultivate Spring Art Show, 2021 – Sevant Anatra

SLurl Details

A Hazelnut’s Kingdom in Second Life

Hazelnut’s Kingdom, June 2021 – click any image for full size

Hazelnut’s Kingdom is a 5-region estate held by Noubeil (noubeil Alpha) and landscaped by Dandy Warhlol (terry Fotherington) I was invited to tour some time ago – so my apologies to Noubeil for only now getting to write about it.

Drawing its name from Noubeillane – “Hazelnut” in Occitan – the estate presents a highly immersive interpretation of the Ariège Pyrenees, together with the coast of southern France, that is utterly breath-taking.

Hazelnut’s Kingdom, June 2021

Offered as a public / private estate, the estate can be enjoyed by anyone with a love of nature and natural settings, but those wish to avail themselves of all of its facilities: rezzing rights; the ability to set home within the the estate’s public spaces; the use of group-owned items in the estate (including horses and boats), should consider a visit to the group membership area and pay L$500 to join the estate group.

Some 12 locations are available for rent across the estate, featuring houses that are in keeping with the overall theme. Most are located either on the small islands to the east of the estate, or in the western uplands. They vary in rental price, and at the time of my last visit, all but four were occupied.

Hazelnut’s Kingdom, June 2021

The preferred landing point lies to the south-east, in a corner of the estate’s coastline alongside a small harbour. A greeter will supply various links to places such as the estate’s website and rentals page, etc., while a teleport board offers a quick way of reaching the two major public venues as well as some of the rentals (please be careful with the latter as the properties are likely occupied).

A pair of gates provide access to  north running path that passes behind the local stables to come by way of river, wharves, and trail to the local town, fronted by a golden sanded beach and watched over by a medieval church with a commanding view across the estate’s northern lowlands from its perch up on a headland.

Hazelnut’s Kingdom, June 2021

Here there is much to see, with multiple trails offering routes around the headland and its church or that climb the slopes on which the town has been built and then roll into the lands beyond, with their mix of rocky foothills, sloping fields tumbling stream and waterfront and hillside villages. Backed by high mountains to the west that represent the Pyrenees, this northern aspect of the estate is quintessentially southern France with just a touch of northern Italy – something again totally in keeping with its Occitania roots.

More public spaces are to be found here, including a stage for open-air music performances – music is very much a part of Hazelnut’s Kingdom – and off to the western foothill, the high stone walls and stern towers of a high castle – one of the best integrations of the Fanatik design I’ve seen in a while; so good in fact, that I wouldn’t be surprised if it turned up in one of the many scenic aerial shots that grace television coverage of the Tour de France each year!

Hazelnut’s Kingdom, June 2021

The western highlands also offer a lot to explore, as the trails running to and from the castle and through the woodland below it are only too eager to reveal. Some of the large rental properties are to be found in these uplands, together with high lakes, tumbling streams, a cable ride up to to a high plateau, and even a walk up to snowy uplands – so take a coat and suitable walking gear!

The two most notable public spaces in the estate lie to the south, occupying another flat table of rock, one that rises from the landing point mentioned earlier, and connected to it by a winding path that connects to the great chateau that crowns the rock. This is home to grand rooms and a stables on the lower level and, on the upper, The Queen’s Bar.

Hazelnut’s Kingdom, June 2021

Sitting quite literally below the chateau, and reached via a path that hugs the foot of the plateau and which starts a little set back from the landing point, is The Owl Club, a venue hewn from the living rock, a little Tuscan-style setting located just outside to add some further atmosphere. Also, keep an eye out for the other caverns nearby!

Immersive and photogenic, Hazelnut’s Kingdom is an engaging visit, although time is required to do the estate proper justice. Also, even the depth of detail involved, some adjustment to the viewer will likely be required for those on mid-ot-lower-spec systems.

Hazelnut’s Kingdom, June 2021

SLurl Details