Monochrome art at Rainbow Painters in Second Life

Rainbow Painters Art Gallery, August 2021

It’s been a while since my last visit to Rainbow Painters Art Gallery, operated and curated by Timo Dumpling and Patience Dumpling (Patience Roxley), and there have been some changes made since that last visit, of which more below. However, I was specifically drawn by to the gallery following the August 26th opening of the latest themed exhibition there, this one on the subject of Black and White images.

More than 50 artists responded to the call for pieces the gallery put out ahead of the exhibition, and this has given rise to a remarkably diverse exhibition that spans Second Life photography, photography from the physical world, line drawings in pencil, graphite and India ink, and paintings, with subjects ranging from still life, portraits and avatar studies to landscape and nature studies, reflections on art, and pieces touching on the abstract.

I did not see any catalogue of artists as being supplied when I dropped in, although individual displays do carry a name board for the artist for it. I’m also not sure on the overall criteria for submissions quotas; some artists have 4-6 images on offer (some even more!) others just one or two. However, both of these points make the exhibition a place to be explored at length in order to see of all of the art on offer. Further, the sheer volume of artists involved also means that there are bound to be displays and pieces offered that will appeal to anyone interested in art in Second Life.

Rainbow Painters Art Gallery, August 2021: Sandralee Palianta

Given there are over 50 artists participating, I’m not going to list everyone here – doing so can all too often sound like a space-filling litany. I will say there there is a good cross-section of names that will likely be familiar to many who visit galleries and exhibitions in Second Life (Matt Thompson (Mth63), Eta (Etamae), Sheba Blitz, Angel Heartsong, Chuck Clip, Therese Carfagno, Ilyra Chardin, for example), together with names that may be new to some or at least perhaps not generally noted as participating in art events – I was particularly delighted to come across a trio of pieces submitted by friend and colleague, Erik Mondrian, whilst Sandralee Palianta’s collection of exquisite Sharpie Pen drawings simply captivated me.

It always feels unfair to single out just two or three artists from such ensemble exhibitions, simple because of sense of favouritism that results – but then, art is subjective. This being the case, and without any casting of shade on those I don’t mention, I will say that I found Sandralee’s work compelling not least because of the etching-like quality contained within each piece, and the balance of light and dark to be found within all of them, from the deco-esque “Lady” pictures through the plant and flower studies.

Rainbow Painters Art Gallery, August 2021: Angel Heartsong

Angel Heartsong’s quartet of avatar portraits, meanwhile, held my attention for the manner in which they breathe life into their subjects in a way that colour avatar studies, no matter how well processed after the fact, can often miss; while alongside Angel’s work, Viktor Savior’s set of Japanese style wall hangings complete with verses in Russian and English, equally held my eye for the simplicity and complexity within them.

Truth be told, it’s hard not to be engaged by each display offered within the gallery as you come to it, but I will say that of them all, one piece in particular quite took my breath away – and I cannot even properly attribute it!

Together We Stand by Heather (I can give no more than this as the artist’s name is not provide when editing the image, only those of Timo and the frame’s creator) is an utterly perfect black-and-white study that encompasses  so much: balance, framing, angle, motif, narrative, depth of field, use of vignette and chiaroscuro techniques, lighting and shadow, and more, to present an utterly and genuinely exquisite piece that (sadly) is not offered for sale, but which fully deserves all the admiration it receives.

Rainbow Painters Art Gallery, August 2021: Heather

As noted at the top of this piece, there have been some changes at Rainbow Painters since my last visit. The first of these is the Rainbow Painters Maze – which as the name implies, is a walk through a maze in which pieces from a number of artists is display and which can all be seen in turn by going the wrong way through it (check the arrows on the floor!). The second change (for me at least!) is that a pair of gazebo-style structures that respectively house a display of art and poetry by Mountain String and another selection of pieces by various artists. Both the maze and the gazebos sit to the front of the main gallery, flanking either side of the events stage and the gallery’s landing point, and can nicely round-out a visit to the gallery.

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A summer’s day on Iona Shores in Second Life

Iona Shores, August 2021 – click any image for full size

Earlier in August, Ocean (OceanLag) poked me about making a return visit to the Homestead region of Iona Shores. I last visited the region in June 2019, when it offered a mix of public spaces and private rentals – a combination that can be hard to blog about, given the potential for encouraging trespass into the latter.

Since then however, much has changed. Now the home of Ana Cristole (Anais Cristole), the region offers a new setting, courtesy of the design work of the ever-brilliant Busta (BadBoyHi) and is now offered to the public as location largely open for exploration, relaxation and photography. I say “largely”, because there is a house occupying part of the region that lies within its own parcel; while it has no signs to indicate it is private, I would suggest that caution is employed and it is treated as such to avoid trespass.

Iona Shores, August 2021

Like its Hebridean name sake, Iona Shores sits within a group of islands – although these are off-region in nature. Also, it would appear that were this to be a place in the physical world, it would reside in latitudes a lot further south than Scottish waters, given the monkeypod trees that can be found scattered over the uplands and narrow lowlands of the region, and the occasional palm trees waiting to be found around the coast.

It is the sharp contrast between the uplands and the beaches that define the nature of the setting. The former rise sharply as a trio of rocky plateaux with predominantly near-vertical cliffs and steep slopes, the beaches forming an almost all-encompassing skirt around their feet. the house occupies the largest of these plateaus, which is flanked on either side by the other two and is connected to them by a pair of bridges.

Iona Shores, August 2021

All three of these rocky tables has its own route to its top, but moving between the three is a little difficult assuming the house is a private residence, as it straddles the route from the plateau to the south-west to the one in the north-east, and thus blocks a direct route across all three.

That the direct route is blocked is not to the detriment of any exploration of the region – Ana has a right to have her house as she desires, after all. But more to the point, the fact the house is there encourages visitors to spend more time exploring via the island’s other routes. Also, given the manner in which they have been connected to the house rather than being left separate from it gives the suggestion that the two flanking plateaux have been cultivated as wild gardens for the latter. Each has been been planted with wild flowers and offer places to sit and relax, an old well also occupying the top of one of them.

Iona Shores, August 2021
Further places to sit can be found around the beaches, some of which can be reached with relative ease from the (quite arbitrary) landing point I’ve offered here while others might take a little walking to in order to discover / reach – such as the cove to the north-east with it’s little shaded and slightly makeshift hideaway. The lowlands between the three plateaus offer narrow paths between the east / west and north / south sands, helping with exploration, but the best way to find all the coastal spots is to follow the sands around the water’s edge.

Off to the north-west there sits a small nub of rock rising from the waters, home to a small lighthouse. Connected to the rest of the island by a wooden walkway, it sits as a perfect vantage point for looking back and appreciating the rest of the setting.

Iona Shores, August 2021

As one would expect from a design by Busta, Iona Shore is perfectly put together, a natural setting that offers a lot to see and plenty of opportunities for relaxation and photography and is undoubtedly a place that should be seen by all who enjoy exploring Second Life.

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Biancajane’s art in Second Life

Sisi Biedermann Gallery: Biancajane

Biancajane Juliesse has been involved in art and painting since she was four years old and her mother gave her a paint by numbers oils set. From the start she fell in love with both the smell of the paint and the creative opportunities it presented.

The love affair continues to this day: known in the physical world as Mary Sparrow, Biancajane is a gifted artist whose work has shipped to over 30 countries around the world. Specialising in fine art creating commissioned heirloom portraits for over 25 years, and also works closely with interior designers to create custom artwork for residential and commercial spaces.

Sisi Biedermann Gallery: Biancajane

While she came to Second Life primarily as a means to relax, she became involved in its creative potential in a number of ways, such as her prefabs and furnishing business in-world, and through the exhibition and sale of prints of her original art.

A selection of that art can now be seen at Sisi Biedermann’s Gallery at an exhibition that officially opens on September 1st, 2021 – although it is open to the public now – and runs through until November 1st. In all, some 20 pieces are presented, the majority of them portraits, although a neat little selection of famous perfume brands is also offered.

The portraits are utterly captivating in their depth and detail. Several of the pieces include the subject’s pets – notably dogs – which adds a further layer of personality to them. As a cat lover, I particularly love the image of a woman in a red evening gown with her long-haired Siamese cat seated on a cushion at her feet. While the woman may be the intended focus of the picture, Biancajane has purrfectly captured the cat’s expression and the fact it knows who the real subject of the picture actually is!

As well as pictures that appear to have been posed, the selection also includes group and individual pictures that have a marvellous sense of immediacy about them, like snapshots that unexpectedly capture a moment of sheer, unstaged joy or a moment where thought distracts the subject, again adding a sense of life and vitality to them.

Rounded out by a portrait of Frida Kahlo, famous for her own portraiture and self-portraits, this is an engaging exhibition, with individual pieces offered for sale. A couple do appear to be mis-labelled, but this is a minor distraction, and while I would have liked to see some of Biancajane’s animal and landscape paintings among the selection (yes, I know, I’m greedy!), this is nevertheless a selection of start that will engage the eye and mind of any patron of the arts in Second Life and is more than worth a visit.

Sisi Biedermann Gallery: Biancajane

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Impressions and surrealism in Second Life

ArtCare Gallery, August 2021: Anja and Therese Carfagno

August 26th, 2021 saw the opening of a joint exhibition at Carelyna’s ArtCare Gallery. featuring the work of two very different artists whose work nevertheless presents something of a whole when presented side-by-side.

Anja (Neobookie) describes herself as a Second Life photographer who enjoys exploring Second Life and capturing the places she visits – as witnessed with her Flickr stream.  However, as she has demonstrated in recent exhibitions, she has a gift for creating pieces of surrealist art that perfectly encompass the richness of that movement, and at ArtCare she presents six large-format pieces in proof of this.

Each offers a backdrop of a wooden fence in front of which has been strung a washing line, and it is what is on the line that forms the focus of each piece. Offered in vibrant colours, these subject range from surf boards to toothbrushes and toothpaste tubes, passing by way of  Minion handbags and melting ice lollies. and more.

ArtCare Gallery, August 2021: Anja

These are images that initially appear simple in their presentation, rich in colour but which – for those who look – perhaps offer a little comment on life and living (might Minion Bags, for example a commentary on the drive for us all to conform as best we can to the dictates of  modern consumerism, and Ice Ice Baby a reflection on the passage of time (or the brevity of summer?). But however you take them, there is no mistaking the joy and lightness each piece offers when simply taken in its ability to bring together the ordinary and the extraordinary to create completely something truly unique and engaging.

Therese Carfagno is an artist with an intriguing range of styles and presentation that can encompass real and Second Life photography, her work touching upon abstraction, collage, impressionism, expressionism and more.

The pieces offered at ArtCare very much reflect this richness; they are also offered as “families” or “collections” of themed images, ranging from pairs of pieces through to a quartet entitled Blood. Within them we can find abstraction in the form of Wall, collage in the triple set entitled Sophia and digital overlays with the Sita pairing – and more, including a touch of sensuality a triple set of monochrome pieces. However, the most striking set is that of Blood, a quartet of portraits, again monochrome, that offer a depth of narrative that forces the attention to come back to it over and over.

ArtCare Gallery, August 2021: Therese Carfagno

The contrast between these two small exhibitions couldn’t be stronger in terms of colour: Anja’s works are all vibrantly saturated in their use of colour, their brightness infectious. With the exception of the Wall and Sophia series, Therese’s selection is generally heavier in tone – if not mood;  the colours more muted, and lean more towards monochrome. Individually, they are very different selections, yet together they offer a flow of art and style from one to the other that is impressively engaging.

Needless to say, a visit to this joint exhibition is highly recommended.

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Once Upon A Tide in Second Life

Once Upon a Tide, August 2021 – click any image for full size

I first dropped into Once Upon A Tide, a build by Mïa ((zielonooka1) occupying a homestead region, just on a month ago as July was drawing to a close. If I’m honest, I cannot remember whether the landmark came from Mïa herself (my apologies to her if it did!), whether I heard about the region through other means (in which case my apologies to whoever poked me about it) and I grabbed the LM on that first visit, or the landmark came via other means. Anyway, it’s taken me a while to put fingers to keyboard and write about the setting, as I’ve (a little unfairly) allowed other things to get in the way – so again, apologies to Mïa.

No description is provided for the region in it’s About Land floater, but that’s not a problem, as it makes for a charmingly easy visit for those who drop in, offering – in the words from Mïa’s profile – “a little bit of Ireland”. The focal point for the setting is a compact rectangle of buildings, sitting as both a waterfront promenade of businesses look down over a sea wall to the west and the fishing boats that are making their way to wooden and concrete piers and as a beachfront row of businesses as they look eastward over broad cobbles and broader sands to more waters, these broken by sandbars and rocks that are in turn watched over by the local light house.

Once Upon a Tide, August 2021

The landing point sits at the top of the wide steps that offer a way down from the rectangular street scene to the sandy beach, presenting visitors with a choice – to walk around the shops and places of business as they stand back-to-back and side-to-side as if in defensive huddle atop their sea walls, or trot down to the sands and wander over their warmth.

A walk around the former will reveal that the majority are façades, although one of the pubs and the neighbouring coffee shop each have interior décor as well as outdoor seating on the cobbles, should anyone fancy a sit down. But the fact the majority of the builds are façades doesn’t diminish them; they collectively offer numerous opportunities for photography  – joining the local group will provide those who need them with rezzing rights (just – as I always tend to request – remember to pick up anything you put out when you’re done).

Once Upon a Tide, August 2021

The beach, meanwhile, runs along most of the east side of the island, curving around its south side to become a narrower ribbon of sand before it encounters a rocky shoulder extending out from the town’s sea walls. Here, tucked between the wall and the tide, is a place for outdoor music, the nearby steps providing a handy route up to the pub and coffee house for those who might be in need of refreshment after dancing in the Sun. Along its eastern arm, the beach offers numerous places to sit, the opportunity to snag some fish’n’chips, and even the chance to watch some home movies (aka YouTube) whilst lying on the sand.

To the north, the land becomes a little more rugged. Low cliffs mark the northern coastline, a place where a quartet of beach houses stand over the waters below, supported on wooden piles and beams that extend outward from the edge of the cliffs. These are available for rent by those who wish to extend their visit in the region (or even make it a most home – 100 LI is included in the rental fee).

Once Upon a Tide, August 2021

Between the beach houses and the town sits what might have once been the grounds of a large building many, many decades ago. These now sit as informal gardens, just a single block of ancient stonework and arches remaining. Poles strung with lights stand close by, suggesting this might also be a place for outdoor events as well – a fact also spoken to by the plastic cups strewn  under the lights, awaiting collection.

Between the northern cliffs and the sands of the east beach, the land stands as a grassy table, offered as a camp site and the preserve of a pair of trailer homes that look as if they’ve dropped in from the United States, the battered pick-up truck with its Alabama plates adding to this feeling. A meal is being prepared alongside an outdoor fire, and someone has put together a makeshift tub for bathing – although I have to admit, the campsite’s weather report system had me smiling.

Once Upon a Tide, August 2021

Easy on the eye and the viewer, offering room to relax, opportunities for photography and a setting where the various points within the region both sits as a individual settings and flow together as a whole, making Once Upon A Tide interestingly varied for explorers and photographers alike.

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A quartet of artists at Elven Falls in Second Life

Elven Falls Gallery, August 2021: Sisi Biedermann

Elven Falls Gallery, operated and curated by Ant (AntoineMambazo) and Aires Hax, is a relatively recent venture to arrive on the Second Life art scene, offering four galleries spaces for art exhibitions, and a growing sculpture garden for 3D work. The majority of the gallery spaces each offer two floors in which artists may display their work, with all four halls currently being occupied by a quartet of artists who offer displays that are fully engaging, whether taken individually or collectively.

Sisi Biedermann is an artist I’ve often covered in these pages; so much so that it is probably well known to regular readers that I find her once of the most engaging, evocative and remarkable artists in Second Life; her work apparently knows no boundaries, and she is ever-willing to engaging in genres and and experiment with styles, approaches finishes, whilst her subjects involve everything from the natural world through in-world settings to the fantastical and even touches on the abstract and the near-surreal. Thus, her exhibitions are often a voyage of discovery even for those who are familiar with her work.

Elven Falls Gallery, August 2021: Sisi Biedermann

At Elven Falls, Sisi offers what I’m going to call a triptych (and admittedly using the terms a little loosely in this case) exhibition, in that it comes in three parts – two of which are very definitely connected. These are on the lower floor of the hall, where Sisi takes us on a walk through two well-tended gardens. The English garden to the left that has the inevitable neatly mown lawns and rose bushes (as well as other floors), while to the right we pass through a Chinese garden with water features.

Given Sisi is a photographic artist and a painter, I’ve no idea if these images started as the former and were then processed in to the latter, or began as acrylic-based paintings; but the truth is, this doesn’t matter: all of the pieces are given a slightly surrealist bent that makes them captivating in their beauty. Meanwhile, on the upper floor of the gallery, Sisi exchanges the peace and beauty of the garden for another world entirely, that of Steampunk in all its mechanical and Victorian glory. A stunning collection of digital images finished as etchings, these images sit as a kind of middle panel in this “triptych”, straddling the two, offering a further demonstration of Sisi’s range of artistic expression.

Elven Falls Gallery, August 2021: JudiLynn India

JudiLynn India also needs no introduction here, also being an artist whose work never fails to attract my attention. A painter focusing on abstract work, she has been active in Second Life as an artist since 2010, and her work never fails to catch the eye with its form and richness of colour.

At Elven Falls, Judilynn splits her display into four parts. Three (two on the lower floor of her exhibition space and one on the upper), each present sets of 12 original pieces, Defined as sets in terms of colour, they are offered for sale on the basis that when sold, the purchaser takes the original from the gallery, leaving a blank space. The rest of the space offers a more “traditional” – displays of JudiLynn’s art in which the purchaser receives a copy, and the original remains on display. Whether original or copies, all of these pieces again demonstrate the richness of JudyiLynn’s abstract work.

Elven Falls Gallery, August 2021: Kraven Klees

Should one call Kraven Klees an artist or an illusionist, is a question that often comes to min when viewing his work.

Working in mixed media this incorporates digital manipulation and techniques that include fractal abstraction, digital impressionism and a touch (in places) of surrealism, he more that qualifies as the former. Yet in his finished work, there is something more; these are works that speak not so much of conscious focus in their creation as they do of abstracted automonism. Such is the unconscious foundation within his work, Kraven’s pieces also call for a pareidolic or apophenic response from the observer as the eye moves from perceiving each image as a whole to focusing on its parts and back again.

Here, Kraven presents a range of his art that can be fully appreciated on both levels – use the teleport disk outside of the main gallery building and between the halls holding the exhibitions by JudiLynn and Sisi in order to reach the upper levels of the gallery.

Elven Falls Gallery, August 2021: Faith Maxwell

Faith Maxwell is an artist whose work is new to me, despite the fact she has exhibited widely in a Second Life. Working in both 2D and 3D formats, she produces the most engaging pieces as wall-mounted art and free standing sculpture that range from the abstract to contemporary in style, passing by way of Modern Art. These are piece that, whether animated or static, have a richness of life about them that is immediately apparent, drawing the to each in turn to appreciate its beauty and form.

Smaller than the exhibits by the other artists, occupying just a single level of gallery space, this is nevertheless as an engaging a display of work as the others, toe smaller number of pieces allowing the eye and mind to feel more settled in viewing them.

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