An Asperger’s Mood Diary in Second Life

Desideratum Art Gallery: Xia Chieng – Assburguer’s Mood Diary

Asperger Syndrome (AS or sometimes referred to just as Asperger’s (without the “syndrome” when used with the apostrophe)) is an autism spectrum disorder (ASD) characterised by significant difficulties in social interaction and nonverbal communication, along with restricted and repetitive patterns of behaviour and interests. As a pervasive developmental disorder, Asperger syndrome is distinguished by a pattern of symptoms rather than a single symptom, and can be demonstrated by sufferers in a variety of ways, and also presents them with numerous means of dealing with it in their daily lives.

Xia (Xia Chieng), for example, has found a means of addressing the condition through art, using oils and watercolours to express the feelings and emotions she experiences and to give a sense of the her personal situations, outlook and experiences.

This is something I’ve covered twice in the past with regards to her work – the first in 2019 with Life through Xia’s Diary in Second Life, and the second in 2021 with Art and Asperger’s in Second Life, back in September of the year. However, for those who missed those exhibitions, Xia now offers Assburguer’s [sic] Mood Diary, now open at Desideratum Art Gallery.

Desideratum Art Gallery: Xia Chieng – Assburguer’s Mood Diary

If anything, this is a more expressive exhibition that either of the previous two; not because there is more art on offer through this exhibition, but because Zia herself provides a commentary on her art and her life that takes us deeper into her art and her exploration of self.

I see artistic creation as a tool for self-transformation and healing, a way to dialogue with my internal demons and those of our culture, a means to create my own myths with which one moves through the world. 
I am on a personal journey; personal exploration into the essence of life, the relationship between the relationship between my senses, ideas and perceptions and the external world; my conception of space and substance. Only things that are personal can be truly real for me. 

– Xia Chieng

Desideratum Art Gallery: Xia Chieng – Assburguer’s Mood Diary

As a result, this is a powerful series of self-portraits that delve into Xia’s world, each telling a specific tale or mood whilst also being placed into groups defined by both style of the art itself and a collective narrative that flow through them. In this, there is an incredible amount of care and thought that has gone into this exhibition – up to and including Xia’s spelling of “Assburguer’s”, which she notes is a common mis-spelling of the syndrome used by those afflicted by it), all of which further deepens the power and personal nature of the art in display, making it an exhibition best explored through Xia’s words more than my own.

My art is narrative, but not literary, it tells stories but does not create their meaning. It may not mean anything more than we can individually feel. My work is a thing, an object, presented to you for your pleasure and for my relief. It just is what it is. It is not explained alone. I found in art and Second Life a way to escape from the ordinary world, creating my own worlds.

– Xia Chieng

Hence why these are images that should not just be taken physically or literally, there is a metaphorical / symbolic element to them as well – hence the use of the keyhole in Xia’s forehead in several of the images in the case of the latter, and with pieces like Memento Mori, Shadowman, The Keys and Lying Mirror.

But it was in art that I found away to express my feeling and thought. with this I do not pretend that others understand me, but that I find in it a way of knowing myself and transcending what torments me. 

– Xia Chieng

Desideratum Art Gallery: Xia Chieng – Assburguer’s Mood Diary

Thus, Assburguer’s Mood Diary is an exceptionally powerful, emotive selection of art, and one that I – again – highly recommend.

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A Winter Dream in Second Life

Winter Dream Obsession, December 2021 – click any image for full size

For those seeking a winter setting suitable for photography, Winter Dream Obsession might be just the place. Designed by Chanel (MONIYA Robbiani), it occupies roughly half a full region and offers a lot of seasonal and festive cheer.

The winter sun brought out the purity of the heaven-given snow, as if were a blank page for our merriment, inviting you to live a unique experience in a freshly cut Christmas trees smelling of stars and snow and pine resin…

– Winter Dream Obsession, About Land

Winter Dream Obsession, December 2021

Teleporting to the location lands visitors on a village street; where in the world it might be is entirely up to those arriving to decide. The cobbled street is dusted with snow, the houses along it decorated for the season, At one end of the street sits a winter gazebo, a golden tree decorated at its centre, a grand piano available for music.

Winter Dream Obsession, December 2021

At the other end of the street stand tall gates, partially open. A sign beside them points towards a covered bridge, suggesting the path will lead to the North Pole. Whether or not the cottage that sits at the end of the path belongs to Santa or not is again left to visitors to decide, whatever one makes of the figure in red face-down in the snow to one side of the path; is it Santa passed out from all his hard work, or is it a reveller from a local party who has perhaps had a little too much of the mulled wine…or something…?

Winter Dream Obsession, December 2021

The houses and cottages along the street are all furnished, each offering a respite from the snow and the cold for those who need it. Mid-way down the street sits a little outdoor café, offering hot drinks for those who would like to remain outdoors but feel they’d like to warm themselves up a little. Alongside of it, a path leads to the local park, again decorated for the season, with a mini-Santa presiding over everything from his little store.

Elsewhere, Christmas trees can be obtain from a local barn, whilst those who wander for a little, there are also places to spend time cuddling or romancing.  And those who do wander should try beyond the large pavilion as well, where stone step rise to a balconied path

Winter Dream Obsession, December 2021

This is a setting rich in detail, from the little holiday scene village, to the scene set out in the park, to the little train carrying Santa and his elves to all the richness of details the the houses.

But again, rather that have me wibble on about it – why not pay a visit for yourself!

Winter Dream Obsession, December 2021

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Art in the snow in Second Life

Templeton Farm: UNITY art exhibition

Currently open through December 2021 within a winter themed sky platform at Templeton Farm, is the UNITY art exhibition, featuring the work of 21 artists and photographers from across Second Life, each of whom presents (on average) two pieces of art for us to appreciate.

Offering a mix of art from the physical world and Second Life photography, the exhibition leans towards scenes of winter – not surprising given the overall setting – but is not exclusively so. Matt Thompson, for example, presents two of his abstract paintings, Happy Campers, which suggests much warmer times that the depths of winter, and Magical Nature, a richly evocative piece that can speak to winter in its colours, but which also has more than a hint of the sea about it.

Templeton Farm: UNITY art exhibition
Similarly, Sheba Blitz presents two of her marvellous mandala paintings, each of which, whilst capturing the essence of beauty that might be found in the crystalline form of a single snow flake, also carry us away to the warm on comfort of more spiritual realms.

Among those taking part are names that will be instantly familiar, and perhaps those who might offer a first chance encounter with their work. This was certainly the case for me with Amaya Mavinelli, whose work is tucked into the corner for the skating rink around which the first part of the exhibition is arranged. Softly and lightly post-processed, her two works, Bunny and Back Then, sit between pieces by Sisi Biedermann and Michiel Bechir, two artists whose works span the digital and the physical.

Templeton Farm: UNITY art exhibition

Dante Helios (Dantelios) is another artists with whom I’ve been unfamiliar, and his two pieces captured from within SL guard the path that links the ice rink with a snow-covered field around which the second major part of the exhibition can be found, with art also lining one side of the short walk between the two.

The complete list of artists participating in UNITY are: Carelyna, Dante Helios (Dantelios), Dragon (DragonAngelvs), Matt Thomson (MTH63), Pepper (PepperQuinn), Sparkle (SparkleSherbert), Michiel Bechir, Sisi Biedermann, Sheba (Sheba Blitz), Zia Sophia (Zia Branner), Ule (Uleria Caramel), Jaelle Faerye, Mareea Farrasco, Amaya Mavinelli, Moora (Moora McMillan), Robbyn (Robbyn Poliak), Jamee Thomson (Jamee Sandalwood), Viktor Savior (ViktorSavior), AmandaT Tamatzui, Vita Theas and Holly (Hollywood Topaz).

Templeton Farm: UNITY art exhibition

As well the art, the platform also offers walks through the snowy landscape. some lead to what appears to be a dance floor, one to a open-air store, and another to a winter garden that makes for a charming visit as well. All of which makes UNITY an engaging visit.

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It’s Snowing at an Ambience Hideaway in Second Life

Ambience Hideaway – It’s Snowing, December 2021 – click any image for full size

One day, I’ll sort myself out and get to visit Ambience Hideaway, the Homestead region held by yoyo Collas when it is not snowing 🙂 .

I say this because at the start of the year, and on the suggestion of Shawn Shakespeare, I paid it a visit and found it deep in the throes of winter, with snow laying deep over the ground of a rugged landscape (see: An Ambient Hideaway in Second Life). And when I returned for a further visit this month, snow was once again falling to blanket the ground – thus leading to the setting’s current name – It’s Snowing.

Ambience Hideaway – It’s Snowing

However, where the setting I visited at the start of the year was suggestive of a snowbound island, possibly lying off the coast of a northern latitude continent, the one I dropped into in December 2021 offered the look and feel of an Alpine village, high in the mountains, perhaps on the edge of a ski resort, close enough to offer chalets skiers can rent for their vacations, but far enough so that the local horse farm to continue doing business.

The landing point lies towards the north-west of the region, sitting on its highest point, a broad shoulder of land that appears to thrust outwards from the surrounding (of-region) mountains. A path runs south between a field set aside for events and a drop to where the rest of the village sits as the hillside falls gently away eastwards to what might be a mountain lake. to the east.

Ambience Hideaway – It’s Snowing

Two routes are available down into the village itself, each leading the way to the little market that stands before a large chalet-style building that sits as a kind of après-ski centre, a little café sitting next door. Chalets sit clusters along the slope, with a little chapel to add further atmosphere to the setting. To the north on the lower slopes sits the house farm, the herd gathering together to eat the hay that is being deposited via tractor.

Ambience Hideaway – It’s Snowing

For me, the horses came as a reminder of the region’s look at the start of the year. They were smaller in number then, but like here, they could be found roaming the snows. A further reminder of that start-of-year setting came as I reached the shores of the lake, where I found penguins huddled in defiance of this being a purely Alpine setting. A short distance away, and extending over the water, sits a place where humans can also enjoy huddling – this time around a fire.

The chalets are all open to people popping in if they wish, and all are comfortably furnished. As well as these and the lakeside deck, there are other places to sit and pass the time – such as the converted rail car that is being guarded by a copse of trees, or the wagon on the hillside or the pavilion sitting at the end of the trail leading away from the landing point.

Ambience Hideaway – It’s Snowing

With snow falling on the high ground, and touches of humour scattered around – Santa might need some help getting his sack down the chimney of the large chalet – there is much to see here, without the region being overly taxing on a half-decent system (or at least, it wasn’t on my mid-range PC). Opportunities for photography abound, and exploring across the snow is easy, on and off the the obvious trails.

Should you pay a visit, be sure to say “hello” to the alpaca!

Ambience Hideaway – It’s Snowing

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Clay and Seed in Second Life

Clay and Seed

It has been a fair while since I’ve had the pleasure of viewing Haveit Neox’s 2D artwork in SL outside of the entertainment regions he and Lilia Artis produce annually for Fantasy Faire. So when Akiko Kinoshi (Akiko Kiyori) informed me he and Lilia would be teaming with another artist I admire – Bamboo Barnes – to present a new installation at her Akimori art centre, I knew I’d have to pay it a visit.

Located within is own skybox, Clay and Seed takes as its core theme the erosion of the environment and human relationships, with the work of all three artists interwoven, each taking inspiration from the other two. But before getting into specifics, it is worth noting some key points: you should use the local EEP settings (World → Environment → Use Shared Environment); you’ll need to have ALM enabled (Preferences → Graphics → make sure Advanced Lighting Model is checked) and you should set your draw distance to 256m so that the entire skybox remains rendered during your visit, as it is a part of the overall installation.

Clay and Seed

This skybox offers a desert scene centred around a single body of water, the dunes rolling away into the distance under a sky rich in fields of clouds, the Sun low in the west. The predominant colour caught by the clouds is red, as if the light of the lowering sun is illuminating them from below. But the more one looks at it, the more the red, the more it speaks to rusting metal, its surface bubbled and marrred.

Together, the desert and sky speak to that theme of erosion of the environment, and each supports various elements making up the core of the installation. On the desert sits a number of structures. In particular, sitting close to the lake – possibly the last body of water in this realm? – is a combined 2D and 3D mini-installation by Bamboo Barnes that utilises lighting projectors within cube-like spaces visitors can wall through to experience her 2D art.

Clay and Seed

Around this are several structures placed by Akiko. Through the largest of these – a Japanese style house that partially extends out over the water – a train of horses prance before they snake their way up into the sky to where the second element of the installation, a pair of citadels, are floating.

Linked by curling paths that wind about both buildings and around a central set of net-covered rings over which fish-ships float, the two citadels are home to more of Bamboo’s art whilst their high windows offer poems by Lilia. Their combination of words and images further convey commentaries on destructiveness, growth, abuse, hope, gratefulness and loneliness. Follow the paths that roll and wrap themselves around the two citadels, and further vignettes by Haveit, each with its own symbolism.

Clay and Seed

And symbolism is very much the key here. Whilst offering something of a fantastical scene with centaurs and merfolk, Haveit’s city in the sky offer echoes of our own religious mythology. These range from painting on the outer walls of the citadels, and are also formed by the the likes of the the procession of horses that rise from the desert to climb the steps leaving up to the fish-ships in what might be seen as an echo of the story of Noah’s ark.

Further metaphor might be seen in the manner the the citadels and their surroundings float in the sky like a kind of New Jerusalem with all its promise of salvation. But the the desert below and sky above, together with the centaur vignettes speak the the reality of the matter, as do the images and words by Bamboo and Lilia: we, and we alone, are responsible for the fate that might befall us – just as we alone might yet be able to lift ourselves into a form of salvation (or at least, one of recovery), if we are prepared to work together.

Clay and Seed

Or that is my interpretation at least. Your might well be entirely different. And that is the marvel and beauty of Clay and Seed, in presenting the interwoven work of three superb artists, it has the power to speak with many voices.

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Between Autumn & Spring in Second Life

Between Autumn & Spring, December 2021 – click any image for full size

It’s been over a year since my last visit to ARNICAR India’s Homestead region, making it long overdue for a re-visit. So when Shawn Shakespeare sent me the LM for the winter 2021 setting, it served as a reminder to get my boots on and go pay a visit.

Sitting beneath a twilight sky that gives the setting something of an other-worldly feel, Between Autumn & Spring offers a marvellous winter setting that is one of the cosiest and most romantic I’ve so far visited this winter. This actually comes as no surprise, given ARINCAR’s eye for detail.

Between Autumn & Spring, December 2021

The primary landmass rises from a frozen body of water, a low-lying, if semi-rugged island. Somewhat oval in shape, it is crowned by a tall house occupying the flat top of its rocky spine. Warmly furnished, it sets the tone for the rest of the setting’s touches of fantasy, comprising two floors connected by an external ladder that climbs one wall to reach a balcony outside of the bedroom.

Ringed by trees, the house sits on a hill that, under its blanket of snow, forms a series of broad steps down to the lowlands between it and the frozen water. Stone stairs pass down the slope to the south, passing by way of the setting’s landing point and onwards to a garden space marked by an old stone wall. From this, paths around the outer edge of the island offer routes of exploration – and there is a lot to see in following them.

Between Autumn & Spring, December 2021

To the east, for example, a bridge supported by balloons passes over the ice to reach a little circular bump of rock that, in spring and summer, would be shaded by the broad span of the oak tree that sits upon it. A second bridge, rough in form, then leads on to a second small island and and a covered skating rink offering a seasonal diorama.

From the main island’s north shore extends a finger of land pointing to a solidly built ruin of a building that has been converted into a summer house. Inside, a fire burns in the hearth, and the table facing it is set for two to sit and enjoy a slice of Christmas cake – or cuddles on the room’s large bench seat.  Westward, meanwhile, and across the ice where children skate, sits a second pair of islets. The larger of these offers an old greenhouse that has also been converted into a summer house. But how to reach it in warmer months when the water is no longer frozen might appear to be a problem – until one remembers the ice-locked rowing boat moored at the east side islands.

Between Autumn & Spring, December 2021

In and around all of these locations are multiple places to sit, vignettes to admire and photograph, and views to appreciate. Along the edge of the main island for example, visitors will come across a couple of snowmen (courtesy of Cica Ghost, and not the only pieces by her awaiting discovery) looking for all the world like an elderly couple out for a snowy stroll – and possibly not appreciating the cold in the air, going by their expressions!

Or there are the penguins who have clearly staked a claim to two more rowing boats. These have been pulled from the water and then unturned on a wooden deck to prevent the snow from filling them and so form the perfect perch. Meanwhile, out on the northern promontory, deer watch the comings and goings of visitors, unperturbed by their presence, and a couple of ptarmigan appear to be discussing the weather  – or possibly whispering hopes that no-one decides one of them might be better gracing a festive dinner table!

Between Autumn & Spring, December 2021

Throughout the setting are multiple places to sit, indoors and out, some of them providing views of these and the other vignettes awaiting discovery, other providing places to simply sit and think – or cuddle – and take photos. Fireplaces, again both indoors and out, help keep some of these warm whilst other might best be enjoyed wrapped up against the cold and drifting snow.

Rich in whimsy and seasonal delights, ripe for photography and wrapped in a charming soundscape, Between Autumn & Spring is another graceful setting by ANRICAR, and not one to be missed.

Between Autumn & Spring, December 2021

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