Adrift on a Sea of Cubic Dreams

The Sea of Cubic Dreams
The Sea of Cubic Dreams

The Sea of Cubic Dreams is a new installation by the ALEGRIA Studio team. It is an intriguing piece, a preview, perhaps, of a much larger work which will be opening in the same region in due course, entitled Theatre Night’s Dream.

This prelude piece presents the visitor with a rich blue environment – it’s really best appreciated with the default windlight – penned on two sides by tall blue mural-like walls, the remaining two sides open to the surrounding sea.

The Sea of Cubic Dreams
The Sea of Cubic Dreams

floating on, under, or over the waters here are a series of differently sized black, blue and teal cubes which make good use of materials on their surfaces. They come in several different sizes, and if you get close enough to one (trying standing on the really big ones) you can sit down, give it a shove, and you’ll set off floating across the region until you opt to change direction with another shove, slow to a halt, or collide with another cube. The latter can, depending on the size of the cube you are sat upon, send you tumbling around (and up into the air or underwater), allowing you a bounce around the space.

Some of the cubes you collide with will also react, sliding off on their own or rolling over gently, depending on their size. Controlling your direction takes a little practice, and a set of three transparent region-wide prims stop you from colliding with the region boundaries or flying up off up too high. and it has to be said that bouncing around when someone else is using the cubes can be fun!

The Sea of Cubic Dreams
The Sea of Cubic Dreams

Theatre Night’s Dream is apparently being developed higher up in the air and sounds as intriguing as Cubic Sea of Dreams appears. “This is going to be the new ALEGRIA’s adventure,” the team say of the piece. “A surrealistic CG New Media Art installation inspired in the theatre and fantasy culture, the role of the hero in modern video games era, the Cloud Atlas film and Shakespeare’s A Midsummer Night’s Dream.

“Theatre Night’s Dream opens the gate between the real and fictional sides of its characters, all members of the cast of a theater production, as short stories where their real lives merges with their roles in the play during its release. Two worlds that blend into a night dream where they will have to face their tragedies and fears to become sublime.”

The Sea of Cubic Dreams
The Sea of Cubic Dreams

There’s currently no opening date for Theatre Night’s Dream, but doubtless one will be announced through ALEGRIA’s website and via the LEA blog when the productions starts. In the meantime, visitors are free to enjoy Cubic Sea of Dreams, and Ultraviolet Alter will be performing for the official opening at 14:00 SLT on Saturday August 16th.

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The ethereal beauty of Somewhere in Second Life

Somewhere in Second Life
Somewhere in Second Life

I received a notice about a new exhibition by WuWai Chun which opened on Sunday August 3rd at the Rose Theatre & Art Gallery. I didn’t make it to the opening, sadly, due to other commitments, but managed to pop along as soon as time allowed.

The exhibition is in support of Feed A Smile, a project run by Live and Learn in Kenya (LLK), to provide nutritious warm lunches for over 400 children every day, paid for entirely from donations to the project (see my article on Feed  A Smile written to accompany Draxtor’s excellent World Makers video on the work).

Somewhere in Second Life
Somewhere in Second Life

Called Somewhere in Second Life, the display features selected images from WuWai’s travels across Second Life, which also appear in her Flickr photostream of the same name and which she describes as a personal destination guide. However, the pictures on display are not simply snapshots of in-world locations.

WuWai’s passion is to turn her pictures into paintings. Having taught herself the sometimes arcane art of post-processing, she labours over her scenic snapshots to give them the look and texture of watercolour or oil paintings. The results are images that are quite stunning in appearance, with many of them having an ethereal look to them which quite captivates the eye, drawing you into it.

Somewhere in Second Life
Somewhere in Second Life

These are pictures which really do immerse you in the sensation of visiting a gallery and slowly walking through the halls. There are no Constables or Browns or Balmers among the pictures hanging on the walls between WuWai’s pictures but frankly, had I come across one or two, I wouldn’t have been the least bit surprised,her work is that evocative.

As the exhibition is in support of Feed A Smile, the pictures are available to buy – simply right-click on any that take your fancy.

Somewhere in Second Life
Somewhere in Second Life

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Climbing the Pinwheel

Pinwheels
Pinwheels, LEA26

In February 2014, Mac Kanashimi unveiled Dragon Curves at LEA26. A stunning 3D piece of fractal art which quite captivated those who visited – including myself.

Now, as a part of the Artist In Residence (AIR) round 7 series, Mac is back at LEA26, this time with Pinwheels, which he invited me over to see on Saturday August 2nd, not long after he’d set it up in the region. Pinwheels is another remarkable mathematical structure with something of a fractal bent, and which uses Charles Radin’s pinwheel tilings, themselves based on the Conway triangles, to tremendous visual and artistic effect.

Pinwheels, LEA26
Pinwheels, LEA26

To explain this requires delving into a little bit of maths and geometry, but bear with me. A Conway triangle is a right-angle triangle with sides of 1, 2 and \sqrt{5}. which can be divided into five isometric copies of itself by the dilation factor of 1/\sqrt{5}  (see the image below), and when suitably rescaled and translated / rotated, can produce an infinite growing pattern of isometric copies of the original.

A Conway triangle divided into 5 isometric copies of itself
A Conway triangle divided into 5 isometric copies of itself (via wikipedia)

A pinwheel tiling is essentially a pattern of these isometric triangles where one tile may only intersect another either on a whole side or on half the 2 side (which actually makes the Conway triangle itself a pinwheel tiling – again, look at the image on the right and see how the five smaller triangles are positioned relative to one another). There’s actually more to the math than this, but I’ll let wikipedia explain the rest.

Like Dragon Curves, Mac’s Pinwheels is a huge piece, measuring 256 x 256m, but this time is confined vertically to a height of 256 metres as well, so to get the full measure of the piece – and to appreciate the overall complexity and beauty of the piece, you’ll need to ramp-up your draw distance to at least 600 metres, and cam out.

When you do so, the patterns of pinwheels and triangles and triangles within triangles becomes apparent. Each Conway triangle forms an individual segment made up of five prim isometric triangles of a similar shade (blues, greens, reds, etc, sometimes mixed with whites), which helps the eye to define individual groupings. These segments in turn are arranged to form pinwheels among themselves – although you’ll need to cam overhead to see them clearly.

Pinwheels
Pinwheels, LEA 26

Nor is it static; sections of the design rise and fall, creating an ever-changing landscape of colour and form, with only the arrival point, which is itself quite fascinating to watch. However, this motion isn’t in any way random; the triangles making up a particular pinwheel pattern all move together, and in doing so, they communicate their height and position to one another and to the surrounding segments.

The result of all this is that as the landscape changes and triangles and patterns rise and fall, paths can be found running through the entire construct, allowing the visitor to walk through it starting at the landing point (itself a static platform of 5 Conway triangles), with the individual prim triangles within each larger Conway triangle suitably adjusted so that they form steps for you to follow.

Pinwheels, LEA26
Pinwheels, LEA26

Just how artful this is requires you to walk through the piece. In this way you get to experience how the motion of segments works – no matter how the triangles on which you stand rise or fall relative to one another or to the surrounding patterns, no matter how high the plateau on which you find yourself lifted, or how far down into the depths of the piece you are carried, a footpath can always be found before you and behind you, leading you through the piece without ever necessarily reaching an end.

Pinwheels is another mathematical masterpiece from Mac, and will remain open through until the end of December. If you enjoyed Dragon Curves or if you’re into maths-based art, it’s a recommended visit.

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LEA office hours now weekly

The LEA Gateway - venue for LEA Office Hours, every Friday
The LEA Gateway – venue for LEA Office Hours, every Friday

Following the success of the first Linden Endowment for the Arts (LEA) Office Hours, which took place on Friday 25th July, 2014, Honour McMillan, writing in the LEA blog, has announced that the event is now to be a weekly affair.

The meetings will retain the 10:30-11:30 SLT time slot (that’s AM, as I use the 24-hour notation), and will take place at the LEA Gateway every Friday, commencing on Friday August 1st. Meetings are open to anyone interested in art in SL and the work of the LEA, and committee members will be on-hand to answer questions on LEA grants, procedures, future plans, use of the LEA sandbox and anything else of relevance to the LEA and its work. So if you are curious the work / purpose / structure of the LEA, why not pop along to a meeting? conversation is warmly encouraged!

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Sculpture in motion

Neeks Karu - Kelly Yap Art Gallery
Neeks Karu – Kelly Yap Art Gallery

Kelly Yap Art Gallery is hosting two exhibits, both of which opened on Saturday July 26th, 2014. On the ground floor of the gallery is a series of sculptures by Neeks Karu, while upstairs is Betty Tureaud latest installation.

I confess that Neeks Karu is not a name that rings bells with me – which on the strength of this exhibit, really is to my loss. On display are a dozen free-standing and wall mounted sculptures, all but one of which include a degree of moment, and many of which appear to be founded on geometry – several of the wall-mounted pieces in particular are mindful of fractal progressions.

Neeks Karu, Kelley Yap Art Gallery
Neeks Karu, Kelly Yap Art Gallery

There are no descriptions accompanying the individual pieces – or at least, none I could find in clicking, but the names are evocative: “Exclusion”, “Web”, “Safety”, “Quest” and so on. Each piece is also somewhat hypnotic in its influence; or perhaps mesmerizing might be a better term, drawing the observer into them, encouraging close-in camming in order to watch the changing forms and patterns.

Providing you’re not completely hypnotised by Neeks’ work, make your way upstairs and you’ll find Betty’s latest work, rendered in her hallmark rich colours. This also uses geometry and movement in a piece which is quite deceptive when first perceived, and actually requires a little time (and perhaps a little careful camming) to appreciate fully.

Betty , Kelly Yap Art Gallery
Betty Tureaud , Kelly Yap Art Gallery

Floating in the multi-hued space are five brightly coloured frames. These wash back and forth along the length of the space, as if to the ebb and flow of the tide – or tides, as each frame can move both faster and slower than the others in a seemingly random pattern, and can suddenly reverse direction or pause. Depending on the rate of motion and speed of change, every so often the frames come together to brief nest one within another within another, largest to smallest. Or, if not all of them, then perhaps three or four of them, while the remaining frames slide away in one direction or the other, as if unwilling to be a part of the orderly gathering.

Careful camming is in order because when viewed from certain positions, such as either end of the room in which they sit, the frames use distance and perspective in an optical illusion familiar to all of us, but which is nevertheless fascinating to witness. Depending on their positions relative to one another, their sizes appear to be reversed: the largest may appear to be medium-sized, a medium-sized frame appears much smaller and the smallest suddenly appears to dominate the rest. Only when they reach their nested equilibrium as they slide along their shared path, is the truth of their relative sizes revealed.

Betty T, Kelly Yap Art Gallery
Betty Tureaud, Kelly Yap Art Gallery

All told, two interesting and complementary exhibits.

Transcending Borders: first art entries on display, audience prizes reviewed

On Monday July 21st, 2014, the University of Western Australia (UWA) announced the opening of their new combined Art and Machinima challenge, Transcending Borders, which brings together their 7th MachinimUWA and their 5th UWA Grand Art Challenge into one event.

I provided an overview of the challenge at the time, including the fact that there are prizes amounting to L$1,030,000 on offer to artists and machinima makers – and to members of the public who wish to participate in the voting process on entries.

Transcending, by Xia Firethorn
Transcending, by Xia Firethorn

Submissions for the challenge have already started, and FeeWee Ling, curator of the UWA’s 3D OpenArt challenges, brings word that the first two 3D art entires are now on display in the Transcending Borders gallery area above the UWA’s home regions. Machinima entires will be listed on the SLArtist website as they are received.

The entries are Transcending, by Xia Firethorn (shown above) and Union by Silva Khandr (below).

Union by Silva Khandr
Union by Silva Khandr

As noted in my initial coverage, there are special prizes on offer in the audience participation part of the challenge (a total of L$135,000 for audience participation in the art category and a total of L$105,000 in the machinima section). All you have to do is list your personal Top Ten entries in either the art or the machinima sections of the challenge (or both!). Prizes will be awarded to audience members whose top 10 lists most closely align to the final juried top 10. Keep your eyes on the UWA blog for details on how to enter.

For full details on the competition and prizes, please refer to the UWA blog post announcing the launch of Transcending Borders.

The challenge is open to entries through until midnight on October 31st, 2014; judging will conclude in December 2014, when the winners will be announced.  I’ve always enjoyed following the UWA challenges, and with Transcending Borders, I’m particularly looking forward to seeing all of the entries, art and machinima, having been privileged with a request to join the judging panel. Hope you’ll also enjoy viewing the entries and drawing-up your own Top Ten lists.

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