Of puppets and art

PimperPuppets® Being Beautiful in the Art Scene
PimperPuppets® Being Beautiful in the Art Scene – LEA 9

Open now at LEA 9, and running through until Sunday, April 26th, is a new BubbleTheatre® play by d-oo-b (Eifachfilm Vacirca). It’s a delight to see. Shows commence every 5 minutes throughout the day, and last for around minutes.

PimperPuppets®: Being Beautiful in the Art Scene runs for about 20 minutes and, as the title suggests, is a piece of puppet theatre, beautifully executed with the help of some tidy scripting. The puppets are avatar-sized creations, and the story unfolds across a series of skyborne sets the audience is carried to by means of automatic teleporting, with cameras specifically placed to follow the story.  To watch the show, simply sit in one of the numbered chairs set out at the landing point and tap ESC a couple of times to free-up your camera; a countdown will inform you when the show is due to start.

Serge learns he's been selected as the featured artist in the Grand Hall show..
Serge learns he’s been selected as the featured artist in the Grand Hall show…

The story is a satirical take on the world of creatives, and I rather suspect that elements of it might ring uncomfortably true for some involved in SL if they see it! I won’t dwell on the plot too much, as it is fun to see it unfold. Suffice it to say it takes place in the art world, where one artist, offered the opportunity to provide the focal art piece in an upcoming show, struggles mightily with his art (and his angst), such is his need to impress, to create pieces that “give
new dynamics” to the places where they are displayed; meanwhile, another artist finds her work isn’t regarding as needed for the exhibition, and as she considers the first at best over-rated, sets to work on a Machiavellian plan to ensure her art is selected…

It’s a story that is beautifully told, both rich in humour and also darkly prickly in places. Both artists central to the unfolding tale (although not the only characters, the cast is quite broad) are equally pompous when it comes to their own work.

Lucia learns she hadn't ...
Lucia learns she hadn’t …

For example, In one delightful scene, the “disregarded” artist – Lucia – sets about describing her work in a manner befitting Arthur Dent when asked to describe his thoughts on Vogon poetry: “It was a physolactic entrocalypse of the etheric dimension … an animophobic introclecstate of profane dialectics, a submorphic frame that stimulates subcutane erections that induce in the cervocularic consciousness a feeling of reanimation.” Later, as the play draws to a close, the other artist, Serge, reaches his point of enlightenment via a soliloquy worthy of Hamlet, one delivered under the an arch formed by two curved knives which themselves carry a strong symbolic undertone…

The puppets, created via a combination of Blender, GIMP and the magic of SL scripting are marvellous creations in and of themselves; they move as required within the individual scenes, and their movement, combined with camera  shifts within some of the scenes helps draw the audience further into the play. They’re also available to buy on the Marketplace.

""It was a physolactic entrocalypse of the etheric dimension ... an animophobic introclecstate of profane dialectics..."
“”It was a physolactic entrocalypse of the etheric dimension … an animophobic introclecstate of profane dialectics…”

The end of the show will carry you up to an events area, where you may well encounter d-oo-b himself, along with the cast. Live entertainments are scheduled to take place here throughout the show’s run; please see the d-oo-b’s blog for events and times. Should you wish to re-trace your steps through the story, or re-visit individual scenes for the purposes of photography, do note there’s a manual teleport system available as well. Look for the teleport tablet on each level.

As noted, this is an excellent little show, perfectly executed and making clever use of a number of SL capabilities – scripted camera control, teleporting, etc., and all without Experience Tools. I have no hesitation in recommending it for a visit, particularly if you are familiar with the art / creative scene (there are a few of what might be regarded as “inside jokes”) – but do remember, the show ends on Sunday, April 26th.

Serge, in the midst of the "Hamlet moment" ...
Serge, in the midst of his”Hamlet moment” …

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Viviana Houston concert to benefit MIC Imagin@rium

MIC's watery exhibit space not only offers a unique environment for installations displayed there, the gallery's own builds are works of art themselves
MIC’s watery exhibit space not only offers a unique environment for installations, the gallery’s own builds are also works of art and well worth exploring, celebrating as they do the cultural heritage of Rome

On Monday, April 20th, starting 13:00 SLT, Viviana Houston will be singing at a special Save the Culture concert to help raise money for the MIC Imagin@rium gallery in Second Life.

One of the leading privately held venues for art for a number of years, MIC has drawn  respect from across the community for hosting a wide range of art installations and exhibits, and for also offering a beautiful venue for a range of activities and which celebrates the rich cultural history of Rome.

However, a shortfall in finances of around L$50,000 means the gallery is currently unable to meet its upcoming tier, and the aim of the concert is to help raise funds to make up the shortfall and allow MIC to remain active in Second Life.

No Signal, MIC, May 2014
No Signal by Nessuno Myoo, MIC, May 2014

To further assist in the fund-raising effort, there will be a special sale of MIC Imagin@rium fashion at the gallery’s store in the Temple of Portunus, commencing on Sunday, April 19th.

“This has been a hard thing for me to face,” Mexi said. “After years of hard work from a lot of people, we have encountered a shortfall in tier. I had considered taking the region offline; but there is always the worry that once it goes offline, it may never come back.

Viviana Houston, singing in support of MIC from 13:00 SLT on Monday, April 20th
Viviana Houston, singing in support of MIC from 13:00 SLT on Monday, April 20th

“We have several projects going on in the physical world, which have meant we’ve been unable to host any installations lately, and so funding from donations have fallen sharply. However, most of that is behind us now, are we are convinced that if we can get past this immediate problem, we’ll be OK for the future.

“Thanks to the extraordinary generosity of Viviana, we now have a real chance to make-up the shortfall, and I hope everyone will come along to the concert and help us keep MIC Imagin@ruim alive for people to continue to enjoy.”

One of the hallmarks of MIC Imagin@ruim is that as well as hosting in-world art exhibits and installations, it has also bridged the divide between the physical the virtual. One such example of this came in December 2013, with Red Shoes, which saw MIC and 25 artists in Second Life collaborating with the Il Margutta Gallery in Rome and Mexican visual artist Elina Chauvet.

Giorgio Mayo's piece for Red Shoes at MIC, December 2013
Giorgio Mayo’s piece for Red Shoes at MIC, December 2013

Save the Culture with Viviana Houston will take place in the MIC  Amphitheatre on Monday, April 20th. On offer will be great music and the opportunity to help a wonderful venue for art continue into the future. And if you can’t make the event, donations to Mexi will be put directly to the region’s tier.

Watching the balloons

Balloons
Balloons

Balloons is Cica Ghost’s latest installation at Wondering Dew, where it replaces her wonderfully atmospheric Ruins, which I wrote about here. Having officially opened on Sunday, April 12th, Balloons is a similarly atmospheric piece, although in a somewhat different manner.

From the landing point, you look out over a low-lying landscape which undulates gently. Flowers and grass grow tall here, and a lone tree stands on the coast. In the distance stands a city, but a city that’s most unusual in form; rather than rising up into the sky, the tall buildings are bent and oddly deformed, stooping back towards the ground on which they stand. Fog or smoke enshrouds them, and giant cobwebs lay stretched between them, giving the city a neglected feel.

Balloons
Balloons

It is something that is seemingly lost on the denizens of this strange place. While most of them stand in the fields surrounding their city, few appear to be paying it any attention; their focus is instead on the balloons bobbing gently in the breeze, strings hanging tantalising down, most of them just out of reach.

Most, but not all; some have clearly dropped down to within reach of outstretched hands, to be grasped firmly and, whether it be with shocked surprise or sudden pleasure, have then lifted the ones grasping them up into the air, carrying them on the eddying currents of air so they float over the crowd and drift between the city’s curled towers.

Balloons
Balloons

Flying in this way is obviously a delight, something several of those left on the ground clearly wish to experience. To this end, some have been enterprising in their attempts, calling upon step ladders to help increase their ability to grasp passing strings as ballloons float overhead as other watch and point. Such is the wonder of these balloons, that even the bed-ridden reach longingly for a passing string and the hope of … what? Freedom? Flight? Escape?

And what of us, those who stand and watch, alongside the island’s cats as they look on mournfully, as neglected as the city itself? What are we to make of this scene? Is this perhaps a commentary on the dangers of obsession? The wilting fingers of the city’s tired towers with the shimmering cobwebs spread between them, perhaps a warning against becoming too focused on a single thing, be it an activity, object or something else?

Balloons
Balloons

Or are the balloons themselves a comment on our quest for freedom, to be able to soar above the problems of everyday life as presented by the shadowy city, its cobwebs symbolic of the many things which can obscure our view or even bind us in the mundane? The artist doesn’t seek to enlighten us; instead she leaves us to interpret things as we choose.

What she does provide, however, is a balloon which visitors can obtain for free at the landing point, allowing them to experience what it is like to float above the ground and beneath the sky like the citizens of this strange land. I won’t promise it’ll help you decide what is going on in this deceptively beautiful land; but I can say that floating around on the end of a piece of strong can be a lot of fun, and it’s easy to see why the locals enjoy it!

Bolloons should remain open through until the end of April, so why not hop over and see what’s going on for yourself?

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A fractal rhapsody

Rhapsody in Blue Fractals
Rhapsody in Blue Fractals

Officially opening at 13:00 SLT on Saturday, April 11th, at the Influence Art Community is a new exhibition of fractal art by Gem Preiz.

“I spend my time amazed with the extraordinary detailed patterns of the fractals, as well as their incredible diversity,” Gem says of his work. “From my explorations in this fascinating universe, I bring back digital images that I have been displaying on SL for two and a half years, using them to illustrate themes which inspire me.”

Rhapsody in Blue Fractals
Rhapsody in Blue Fractals

The result is a series of pictures which come together under the title Rhapsody in Blue Fractals, which Gem uses to form a narrative tracing the story of the universe through to humanity’s arrival and our attempts to fill it with our own creations.

The pieces  – twenty in total – are displayed two and three at a time through a series of rooms hanging in space, a single blue walkway running between blue-framed doorways providing the means of progress from one room to another. The choice of blue is deliberate, as Gem notes, “blue as the water from which life arises, as the sky and the air we inhale.”

Rhapsody in Blue Fractals
Rhapsody in Blue Fractals

Each piece bears its own title, giving a clue to its place in the story: Genesis, emerGence, BioloGy, and so on – the capitalised G another link to the blue theme and the title of the piece; Rhapsody in Blue being George Gershwin’s famous 1924 musical composition for piano and jazz band. And it is also, as Gem notes, a play on the first initial of his name, and the person to whom the exhibition is dedicated.

The pieces themselves are also rendered in blue, and each one is intricately detailed and quite beautiful in depth; so much so that time is really required to study and appreciate each piece fully – and even then, it is possible to come back and pick out yet more details on a subsequent visit.. They also represent something of a retrospective of the various styles of fractal art he has produced over the last 30 or so months, something which adds a further layer to the exhibition as a whole.

Rhapsody in Blue Fractals
Rhapsody in Blue Fractals

I’m not sure if there will be a music stream running once the exhibit formally opens, however GEM suggests three YouTube tracks should be listened to when visiting the exhibition, and having wandered back and froth through it with them playing, I tend to agree with him:

Oh, and when you reach what appear to be the end of the blue path and are facing the last image – trust to fate and step off the edge; there’s a little surprise waiting, which is perhaps itself a commentary on the possible cyclical nature of the universe!

Avatars as art

Femme by Sabbian Paine - Holtwaye ArtSpace
Femme by Sabbian Paine – Holtwaye ArtSpace

Open now at Holtwaye ArtSpace are two exhibitions of art which focus on avatars.

The first, Femme, features a series of eight images by Sabbian Paine, located on in the north wing of the gallery’s ground level building.

While small in number, the images displayed are highly individual and both graphically and narratively powerful in content.

Femme by Sabbian Paine - Holtwaye ArtSpace
Femme by Sabbian Paine – Holtwaye ArtSpace

Take Swan Lake as an example (the leftmost picture in the trio at the top of this article). Here is a piece of masterful execution as the poise and elegance of the woman, the fall of her gown, the arms of her arms, presents an image strongly evocative of  the stately appearance of a swan. At the same time, the black gas mask encasing her head adds a subtle twist to the image, removing her identity from view in what may seem an oppressive or menacing way whilst simultaneously enhancing her swan-like looks. Thus there is a subtle enfolding of elements here: the direct comparison with a swan, the hinting at the classic ballet and the idea of hidden secrets.

Each of the pieces offers a narrative of its own, making this a small, but highly engaging exhibit in which you may well find yourself spending far more time studying each piece than you might otherwise have expected.

JJ Goodman - Holtwaye ArtSpace
JJ Goodman – Holtwaye ArtSpace

Located in the skyborne gallery space (reached via the teleport sign outside of the ground level complex) is a relatively new (having opened on March 28th) exhibition of images by JJ Goodman.

On display are eighteen images, the majority of which are once again focused on avatars (although one or two are broader in nature).

JJ Goodman - Holtwaye ArtSpace
JJ Goodman – Holtwaye ArtSpace

Here the focus is very much on avatars going about their lives, be it a man bathing in a pool, participants in a carnival, a group of guys dancing at a 50s-style diner, and so on. Many of the images have a vibrancy both in colour and composition which give them a unique feeling of “living”. Others are beautifully posed, lit and shot as to evoke a story of their own.

In this there is something marvellously engaging in the juxtaposition of various styles displayed within the images displayed here, with the likes of Chess Girl, Duncan, and Coop’s Serenity offering that rich depth of narrative which draws one into each of the pictures – and particularly in the case of pieces like Coop’s Serenity, directly into the subject’s eyes -, which beautifully contrasts with pieces like 50’s Guys and Candy Girls, where the story is painted more in the picture as a whole, and the richness of the colours within it.

JJ Goodman - Holtwaye ArtSpace
JJ Goodman – Holtwaye ArtSpace

Taken together, these two exhibition present two fascinating and very different studies into avatars as art, and both are recommended visits.

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Something for the petrol heads

Museum of The History of the Vehicle - LEA 2
Museum of The History of the Vehicle – LEA 2

For those with a passion for trucks, vans, motorbikes, motor racing and – most of all – cars, there are a couple of events going on in SL that might interest you.

The first, The History of the Vehicle, is taking place at LEA 2. Billed as being six months in the making, the exhibit is curated by Sapphire  Hotaling as a celebration of wheeled vehicles in Second Life from 2005 through to the present day, with some 130+ individual vehicles from almost 50 designers and creators on display,

Museum of The History of the Vehicle - LEA 2
The History of the Vehicle – LEA 2

With the exception of the main building, located on the north side of the region, and a large display area to the east, the majority of the museum space is open air, with various display areas clearly marked and reached via footpaths, and a landscaped park extending to the south and west of the region, linking the main vehicle displays with a memorial to vehicle racers and designers who have passed away, and a stage area which will host live events at the weekends throughout the time the exhibit is open – check the display boards within the exhibit for details.

There’s no set route for exploring the region – just go where your feet / the footpaths take you. Individual display areas are clearly enough marked, and while nothing is for sale within the region, there are plenty of note card / LM givers to the in-world and SLM stores for the designers displaying their latest wares.

Museum of The History of the Vehicle - LEA 2
The History of the Vehicle – LEA 2

The displays are interesting enough, and some do indeed give a feel for how vehicles have visually evolved over the years; however, I have to confess that I toured the exhibit unable to shake the feeling it’s more car show that historical piece. Outside of the “Evolution” exhibit, there is precious little information chart the actual history of vehicle development in SL – the evolution of scripting, capabilities, etc., which to me is a bit of a shame, although I fully understand that putting something together like that isn’t necessarily easy – not everyone is interested in scripting evolution, etc.

Even so the range of vehicles on display is impressive, and the park like layout helps to make the exhibit feel less crowded, vehicle-wise, even allowing from the large east side display area; once you step off of the main path and onto the grass with its wooden walks, it’s easy to relax and find a place to sit a while.

All told, History of the Vehicle makes for a visual treat for car and vehicle fans.

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