Artful Expressions in Second Life

Artful Expressions: Ninna Dazy
Artful Expressions: Ninna Dazy

Artful Expressions is a new gallery opening at 12:00 noon SLT on Saturday, December 3rd, 2016, and which is curated by Sorcha Tyles, an artist and photographer we featured in the November exhibition at Holly Kai Park. I was lucky enough to have the opportunity of previewing the upcoming inaugural exhibition for these pages.

With a 30m x 40m footprint and high ceiling, gallery is ideal for presenting images in a large format. Sorcha has used double-side room divider with built-in frames for images to divide the floorspace into three distinct areas: a front lobby area with seating and where Sorcha displays pieces of her own art, and to exhibition spaces, separated by a central walkway leading down to them.

Artful Expressions: Ninna Dazy
Artful Expressions: Ninna Dazy

“I wanted to offer a place where those artists who seldom get the chance to exhibit,” Sorcha said, as we chatted about the gallery over coffee, “Or are too shy to volunteer their work to be displayed in an ensemble exhibition.” The two display areas are well suited to this role, offering artists displaying here an intimate space for their work, whilst also allowing them to be part of the gallery as a whole.

For the opening exhibition, which will run through until the end of the month, Sorcha has invited Hayael Bracula (Flickr) and Ninna Dazy (Flickr). Each presents nine pieces of their work for the exhibition, all of which richly demonstrate their eye and talent, and it is fair to say they are perfectly suited to a joint exhibition.

Artful Expressions: Hayael Bracula
Artful Expressions: Hayael Bracula

Both women focus there work on avatar studies – although not exclusively so; but their approach is strikingly different. Where one stays with colour within her images, the other leans towards monochrome; while one opts for what might be called a “traditional” approach to her studies, the other in places presents studies which run close to being surreal. However, there is no denying the evocative essence in their respective pieces.

I confess to not having come across Ninny or Yaya prior to seeing their work at Sorcha’s gallery – and that’s to my loss. However, it also perhaps demonstrates that she is achieving her aim from the start in bringing those SL photographers and artists who may have escaped wider public attention to the fore. As such, I hope other art bloggers will also provide coverage of Artful Expressions and the exhibitions held there. “We’ll be changing exhibits monthly,” Sorcha said, “And people are always welcome to come, view, hang out.”

Artful Expressions: Hayael Bracula
Artful Expressions: Hayael Bracula

Artful expressions will official open to the public on Saturday, December 3rd, 2016, at 12:00 noon.

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Fingers and Maloe at DixMix Gallery in Second Life

Finger Scintilla - DixMix Gallery
Finger Scintilla – DiXmiX Gallery

The latest exhibition at DiXmiX Gallery, which opened on Wednesday, November 23rd 2016, features the art of Fingers (Fingers Scintilla) and Maloe Vansant, together with a new display of work by gallery owner and curator, DixMix Source.

Maloe and Fingers are ideally suited to be exhibited together: there is something of a similarity in style and vision in their work, and the pieces displayed at DiXmiX underline this perfectly, presenting a combined, yet highly individual pairing of studies.

Maloe Vansant - DixMix Gallery
Maloe Vansant – DiXmiX Gallery

Maloe’s pieces, drawn from DiXmiX’s personal collection of her work, are on display in the foyer gallery space, on both the lower and mezzanine levels. In all, ten images are displayed, two of them in a very large format, with a focus on the female face. All are striking, using light and shadow, colour and tone to extraordinary effect, to produce pieces with incredible emotive depth.

What particularly struck me about several of the pieces is the way they might be seen not only as studies of the human face, but also as the face as a landscape. A place where colour and shadow mix with the rise of cheek, arch of eyebrow, pout of lips, sweep of nose and covering of flowers, to impart a feeling that the eye is travelling over a new country; a place steeped in emotion, memory and feeling. Look again, and the emphasis shifts, as we are drawn to a particular feature: lips and eyes particularly; and with that shift comes new interpretations.

Maloe Vansant - DixMix Gallery
Maloe Vansant – DiXmiX Gallery

Walk through the gallery from the foyer, and you’ll pass through the Black and Grey Galleries, featuring images by Gaus (Cicciuzzo Gausman) and DiXmiX Source respectively. Again, these present images on a similar theme: the female form; both artists offering a series of sensual and in some instances, erotic studies.

Finger Scintilla’s work occupies the White Gallery. Here are twelve images which again offer facial studies and employ a vibrant, living use of colour, tone and light  to quite remarkable – might I say startling – effect.  Several of the pieces have a feeling of abstraction about them, others a suggestion of collage. All are powerful in content.

Take Electric Fervour and The Future Is Mine Only, both seen at the top of this article. Each is incredible in its presentation and depth. Each reaches out us and hold us in a way which is not just down to their sheer size; there is life within them; a life most clearly expressed through their eyes. Nor are these two images alone. There is an expression of life which permeates all of Finger’s images displayed here. Each of them leaves one with the unshakeable feeling that if the eyes are – as the old saying goes – the window of the soul, then Fingers is giving us a glimpse into the souls of his subjects.

Finger Scintilla - DixMix Gallery
Finger Scintilla – DiXmiX Gallery

Together, these are two fabulous exhibitions of work by two remarkable artists. Neither should be missed while on display at DiXmiX Gallery. Fingers’ work will remain on display through until the beginning of January, and Maloe will be at the Gallery through until the end of February.

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Stories at the Park for November in Second Life

Stories at the Park, November 2016
Stories at the Park, November 2016

On Sunday, November 20th we held the final Stories at the Park event for 2016; commitments being what they are in the run-up to Christmas, we’ll be skipping December and re-convening the story telling sessions designed to coincide with our art exhibitions at the park until January 2017.

Stories at the Park also offers a unique way in which the art on display at Holly Kai Park each month can be interpreted – through the words and eyes of others. For me, the stories and poems presented at each session never fail to open a whole new world of perception and narrative around a piece of art. And when there are two or three pieces written on the same piece, then the floodgates of thought and viewpoint are thrown wide.

November’s session made this latter point really apparent: several of the pieces had two or three stories written to accompany them, and each one offered a unique perspective on the piece and – if I’m honest – the thought processes of the writer! I was particularly fascinated at the ways in which The Rains of Kastamere, an image by Shakespeare (Skinnynilla) was interpreted by this month’s contributors.

Those offering stories this month with Caledonia Skytower, R. Crap Mariner, Aoife Lorenfield – a skilled weaver and reader of tales from Seanchai library, who was joining Stories for the first time as both writer and reader, and also Robijn, who submitted four beautiful pieces, all of which were read by Trolley Trollop.

The Rains of Kastamere by Shakespeare (Skinnynilla) had no fewer than three pieces written about it
The Rains of Kastamere by Shakespeare (Skinnynilla) had no fewer than three pieces written about it

I actually didn’t get to hear all the stories until after the fact – RL meant I had to spend a portion of the session away from the keyboard, but it did then give me the opportunity to walk through the current exhibition and listen to the recording of the readings whilst examining the pictures which inspired them, without any distractions of watching recording software, keeping an eye out from new arrivals, etc., which usually occupies my time at these events.

As this was the last of the 2016 Stories event, Cale and I – this being a joint idea between us – spent a little time mulling the sessions held to date, and I think we’re both pleased with how things have gone; submissions for each event has been strong (32 pieces for one session!), and the readings have been well received by our audiences – so much so, that I might have to expand the current cushion seating for future events.

Our artists, as well, seem to be pleased with the events and hearing how other interpret their words through story and verse. Offering your work to be included in something like this can be nerve-racking. It’s one thing to have your images interpreted privately by those viewing them; it’s quite another to entrust them into the hands of others whose words could go on to forever frame your work in the minds of those who see it whilst reading or hearing those words.

So, my very genuine thanks to all of our artists throughout 2016 who have willingly allowed their work to be included in each of our Stories at the Park events. My  equally sincere thanks as well, to all of the writers and readers who have participated this year. Without you, Stories in the Park couldn’t take place.

Our November writers and readers for Stories at the Park: Robijn, Trolley, Cale, Crap and Aoife
Our November writers and readers for Stories at the Park: Robijn, Trolley, Cale, Crap and Aoife

If you’d like to listen to the November stories, written to pieces from our guest artists Sheba Blitz, Maxie Daviau, Shakespeare (Skinnynilla), Sorcha Tyles and Terrygold, I invite you to hop over to the Holly Kai blog, where you’ll find all of the stories, images of the pictures which inspired them, and some audio extracts from the event. Or you can use the links below 😉

If you’d like to try your hand at writing a 100-word short story (a “drabble”) or a poem of up to 100 words for one or more of the pieces of art featured at our next exhibition to include a Stories at the Park event (which will likely be opening around Saturday, January 14th) then please refer to our Stories at the Park guidelines. Remember, if you’re not comfortable reading your own work or using Voice, you don’t have to: one of our readers will happily read your submissions.

In the meantime, the current Art at the Park exhibition will be open through until Sunday, November 27th, so if you haven’t already done so, I hope you’ll pay a visit.

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From Here On There Be Dragons in Second Life

Split Screen - From Here There Be Dragons
Split Screen – From Here On There Be Dragons

Now open at Split Screen, curated by Dividni Shostakovich, is From Here On There Be Dragons by Alpha Auer. It stands as a celebration of these mythical, mystical beasts and much of what they represent  both culturally and in terms of our own psyche.

Within an abstract environment of ornate towers lit from within and semi-transparent floors, sit the dragons of the title. From Alpha’s notes, they stand as guardians of self; that this strange structure is perhaps – if I might borrow from the current British television incarnation of a certain sleuth) – a “mind palace”, in which is hid the wonders and terrors contained within our deeper selves; countries of the mind through which we might only travel with care, and having accepted the challenge presented by the dragon standing before each one.

Split Screen - From Here There Be Dragons
Split Screen – From Here On There Be Dragons

More than just a guardian, however, the dragon can be seen as a symbol of the challenges we might face in travelling those countries of the mind. As the protector of treasure, it stands as the guardian of Self; as a creature of power, harnessing a primal element – fire – it is a reflection of our own force of personality; it can also stands as a symbol of the fears we might want to overcome and of our own self-courage in doing so; and it may also reflect our baser emotions: anger, selfishness, temper.

But there is more here that introspection. As notes, this is a celebration of all that dragons can represent. Hence why the floor of this “mind palace” is inlaid with a leaf from Abraham Ortelius’s Theatrum Orbis Terrarum (“Theatre of the World”), considered to be the first true modern atlas. It is, as Alpha notes, a reminder that dragons once represented the unknown and the need to take care in the world at large: that there were limits to our knowledge and understanding of all that lay around us.

Split Screen: From Here On There Be Dragons
Split Screen: From Here On There Be Dragons

Then there are the dragons themselves, a mixture of common western and eastern archetypes, all vibrant and alive in this ethereal setting. Within their claws many hold an egg; a further symbol of the dragon’s role in many creation mythologies. Of course, in some religions the dragon symbolises the End of Times. In fact there is hardly a culture in the world, east or west, north or south, where the dragon doesn’t resonate in some way.

Hence why Alpha notes, “Dragons have always been with us, although we have come to deny their existence and their potency.” Hence why, perhaps, she also includes an extract from T.S. Eliot’s Little Gidding, allowing it to stand as an echo of the fact that dragons have always been with us, and always will be.

Split Screen - From Here There Be Dragons
Split Screen – From Here On There Be Dragons

From Here On There Will Be Dragons will be open through until the end of January 2017, and you can also pick up one of alpha’s free avatars during a visit.

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Sunday, November 20th: Stories at the Park in Second Life

The authors and storytellers: Caledonia Skytower, Trolley Trollop and R. Crap Mariner
The authors and storytellers: Caledonia Skytower, Trolley Trollop and R. Crap Mariner at the October Stories at the Park

Sunday, November 20th will see the next in the Stories at the Park series, jointly presented by Holly Kai Park and Seanchai Library – and I hope that you’ll pop along to the event, which starts at 15:00 SLT.

Stories at the Park coincides with the monthly Art at the Park exhibitions at Holly Kai Park. Each month, story writers and poets from Seanchai Library and beyond are invited to visit Holly Kai Park and view the 2D and 3D art on display, and then to write a 100-word short story (“drabble”) or a poem of up to 100 words about any of the pieces of art which inspire them.

Submitted stories are then read in the live voice session for each Stories at the Park, which takes place at the Storyteller’s Garden, in the centre of the art display area. Authors can either read their own works, or if they prefer, have one of the Seanchai Library staff read them. Submitted stories are also published on the Holly Kai Park blog.

Stories at the Park - the audience arrives
Stories at the Park, October 16th – the audience arrives

For November, Caledonia Skytower, Aoife Lorefield, R. Crap Mariner  and – all things being euqal – Trolley Trollop – will be on hand to read pieces inspired by our current artists at the park: Sheba Blitz, Maxi Daviau and Skinnynilla, Terrygold and Sorcha Tyles.

While the readings are in Voice, there’s no need for you to have an active microphone; as long as you can listen via speakers or headset, that’s all you need. So, why not join us for some superb stories and poetry from 15:00 SLT on Sunday, November 20th at Holly Kai Park?

Just climb the steps by the lading point. And of course, you’re welcome to come early and explore the art and the park, or stay after and wander the paths and tracks of Holly Kai Park.

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Always Closer in Second Life

Nitroglobus Roof Gallery: Always Closer
Nitroglobus Roof Gallery: Always Closer

Now open at Nitroglobus Roof Gallery, curated by Dido Hass is Always Closer, a selection of personal images by Elo (elorac Paule).

Through the sixteen images on display, we are asked to join with Elo as she reviews her exploration of BDSM and discovery of submission (which might not be what you might believe it to be after reading those four letters) as a part of her in-world time. Alongside of this, they are presented as a reflection of Elo’s year, which she acknowledges has been an emotional one for her in both the physical and digital realms.

Nitroglobus Roof Gallery: Always Closer
Nitroglobus Roof Gallery: Always Closer

Displayed in the familiar large format used at Nitroglobus, these are sensual images presented – for the most part – in soft lighting and muted tones. Often, with photographs featuring nudity and / or adult theme like BDSM, the observer is cast into the role of the voyeur; we are given a sense of being given an illicit peek at a situation. With only a couple of possible exceptions, that’s not the case here; with these images we’re being asked to share in the emotions evoked by the images: moments of loving affinity, of vulnerability, of introspection, of surrender, and of human change.

Alongside the desire to evoke an emotional response in her audience, Elo notes that she also sees her pieces in terms of songs, and offers Affection by Cigarettes After Sex as a companion piece to this exhibit.  in walking through the gallery. For reasons I can’t fully determine, Swing Out Sister’s cover of Windmills of Your Mind Iooped its way through my head; perhaps it was a subconscious linking of Elo (who is French) to Michel Legrand, composer of the song’s score; whatever the reason, it didn’t seem inappropriate.

Nitroglobus Roof Gallery: Always Closer
Nitroglobus Roof Gallery: Always Closer

Accompanying the exhibition is a personal note by Elo, alluded to above, which should be read alongside of the visit. Not only does it offer further insight into the very personal aspect of her photography, it also reveals her own understanding of the true nature of “submission”, devoid of the trappings of labels such as “BDSM”: that it is effectively the expression of love between two people; the willingness for each to give their best to the other without question or hesitation.

Always Closer is a fascinating exhibition. both through the art and Elo’s own words. Introspective, intimate, personal, it  both reveals Elo’s life and journey and gives rise to contemplation of our own thoughts, feelings and – perhaps – direction, as we straddle the physical and the virtual.

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