Linden Lab leverage Convai for AI character generation in Second Life

via Linden Lab

Update, December 21st: this alpha experiment has been suspended for the time being – read more here.

On December 18th, 2024, Linden Lab announced the Alpha release of a new Character Designer, a toolset for the creation and management of AI-backed NPCs (non-player characters) for in-world use.

Access to the new Character Designer is, at the time of writing, limited to Premium Plus account holders only – as was originally the case with access to the Second Life Mobile app; so expect access to be expanded over time in a similar manner to that seen with the SL Mobile app.

The Character Designer provides a solid foundation for immersive roleplay, offering a range of features that let you shape and refine the personalities and behaviours of your inworld characters. Current capabilities include:
  • Early-Stage Roleplay Support – Characters respond intelligently through IM, adapting and evolving as you interact.
  • Custom Personalities and Backstories – Define unique histories, preferences, and communication styles to bring your characters to life.
  • Integration with Existing SL Systems – Connect through a dedicated alt account, set arrival points, and fine-tune behaviour filters for a seamless inworld experience.
For a comprehensive overview of all options and detailed instructions, please see the Getting Started with the AI Character Designer guide.

– from the Second Life blog post on the Character Designer

Character Designer is being developed in collaboration with Convai, a platform for developers and creators proving an intuitive approach to designing characters with multimodal perception abilities in both virtual and real world environments.

Precisely how much of the Convai interface and workflow has been incorporated into the Second Life Character Designer flow is unclear to me (primarily because I do not have a Premium Plus account, and so am currently ineligible for the alpha trial). However, aspects of Convai’s ability to build character backstories and personalities appears to have been utilised, and will potentially be built upon, with knowledge and situational awareness capabilities recorded among a list of “planned enhancements” for the toolset.

With multiple experiments already in progress within Second Life in the use of AI alongside in-world NPCs, the development of the Character Generator and the noted work on an upcoming NPC functionality specifically to compliment its use could be of interest to many in developing NPCs for a range of NPC-related capabilites: for utilisation in actual immersive role-play environments, to shopping assistants, tour guides, to assist with simulations and training, education, and more.

Soon, you will be able to place multiple dynamic NPCs that welcome visitors, provide assistance, and enrich the overall atmosphere of your regions. By combining rule-based behaviour tools with Convai’s Narrative Design system, you can craft evolving narratives that adapt to your visitors’ actions and choices.

– from the Second Life blog post on the Character Designer

Convai promotional video. Note that not all capabilities shown may be applicable to the current SL Character Designer

Further information on the new capability can be found within the official blog post announcement, and the links below. I hope to be able to report more on the capability as I gain access to it with other Premium subscribers in due course.

Related Links

Cherishville’s winter 2024 in Second Life

Cherishville, December 2024 – click any image for full size

Lam Erin has redressed his homestead region of Cherishville for the holiday / winter period, bring to it hints of both the Winter 2023 and the Autumn 2024 iterations in small touches, whilst offering something new to visit and appreciate.

Those small touches are perhaps easy to miss – the winding road through the countryside and and arrival of a steam train; but they help remind those who regularly visit Cherishville that there are nice little visual touches to be found, reflecting Lam’s eye as a photographer-artist.

Cherishville, December 2024
Cherishville is a peaceful, photogenic destination set in the heart of winter. With snowfall and stunning scenery, it offers a tranquil escape. Using PBR textures, this region is perfect for capturing the beauty of the season.

– Cherishville’s Destination Guide entry, December 2024

Caught in a night setting with surrounding hills and distant mountains semi-shrouded by falling snow, the region might be seen as  being divided into two halves. to the north, and running west-to-east from the Landing Point is a little hamlet, bookended by a carousel close by the Landing Point and a Ferris wheel at the far end, the two linked by a main street.  It is by the carousel that the steam train might be seen, together with a very familiar touch from Lam which also gives a sense of continuity through many of his region designs: a railways station.

Cherishville, December 2024

The handful  of houses forming the hamlet are all furnished, presenting indoor elements to explore (and escape the snow!), whilst the road turns south as it reaches the Farris wheel to cross the local (and frozen) river. Here lies the second half of the region takes over, a rural setting a little mindful of the autumn 2024 design, the road winding through the countryside, looping back towards the little hamlet as it does so.

As the road does so, it passes a pleasantly-located farm; to one side, and overlooking the stream, a barns has been converted into a warm house; on the other two form a brightly-lit Christmas Tree farm.

Cherishville, December 2024

Tucked into this is a wealth of detail – places to sit, details to photograph – from polar bears playing on the ice, through reindeer wandering the countryside to teddy bears exchanging gifts. Those requiring props for photography will find rezzing in the region is open – but as Auto Return is off, do please remember to pick-up afterwards!

As ever, an engaging visit.

Cherishville, December 2024

 

Cherishville, December 2024

SLurl Details

2024 SL SUG meetings week #51 summary

Dominae Templum Doloris, October 2024 – blog post

The following notes were taken from the Tuesday, December 17th, 2024 Simulator User Group (SUG) meeting. They form a summary of the items discussed, and are not intended to be a full transcript, and were taken from Pantera’s video of the meeting, which is embedded at the end – my thanks to her for providing it.

Meeting Overview

  • The Simulator User Group (also referred to by its older name of Server User Group) exists to provide an opportunity for discussion about simulator technology, bugs, and feature ideas.
  • These meetings are conducted (as a rule):
  • Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
  • Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.

Simulator Deployments

  • On Tuesday, December 17th, 2024, the simulators on the Main SLS channel were restarted with no update.
  • On Wednesday, December 18th, the servers on the RC channels should be restarted without any deployments being made.

With the holiday period starting in a week, the engineering team will be making a call in the next day or so on whether to run re-starts over the holiday period or not.

SL Viewer Updates

  • Release viewer: version 7.1.10.10800445603, formerly the DeltaFPS RC (multiple performance fixes, etc), dated September 11, promoted September 17 – No change.
  • Release Candidate: ExtraFPS RC, version 7.1.11.12363455226, December 17.
    • Performance improvements: enhanced texture memory tracking, broader hardware compatibility and higher FPS gain;  additional code to improve texture streaming on rigged attachments (e.g. if an earring is made with 2K textures, the viewer will correctly calculate the required resolution for the textures and download them, rather than downloading the full 2K textures), etc.
    • Aesthetics improvements: new Antialiasing setting – SMAA; Contrast Adaptive Sharpening; Khronos Neutral Tone Mapping (can be changed to ACES via the RenderTonemapType Debug setting).
    • UI Optimisations.

In Brief

Please refer to the video below for the following:

  • A discussion on llGetObjectDetails, together with llGOD() or using a rezzer to check for an object’s presence, and potential confusion which can potentially arise, and the potential benefit in using llGetOwnerKey.
    • This sparked ideas for additional functions / parameter for check on objects with regions / parcels – e.g.: llDoesExist() with parameters IN_REGION, IN_PARCEL and IN_OWNERS_PARCEL.
  • A request was made for an update on the server-side lua implementation project, and information on challenges encountered. This prompted Rider Linden to respond:
The project is moving forward, but it is a pretty complex undertaking and we need to move forward cautiously. Remember, we’re trying to swap the VM out from under 20 years worth of scripts… in place and on the fly.

– Rider Linden

  • The above led to a further discussion on Lua some of which can be addressed via the Lua FAQ, although one of the the easiest to answer (“Why replace Mono”?) is perhaps best answered by the observation that the Mono version SL is running is old, and Mono itself is becoming seemingly frozen in time.  This discussion wound through the rest of the meeting.
  • The Lua / Mono exchange segued into a discussion on region performance slowing as avatars enter, together with anecdotal reports of an increase in region crossings timing-out and people being logged-out as a result.
    • Monty Linden again noted the issue of avatars entering regions is being looked at, and requested that reports be filed (including locations and times) when these issues are noted.
    • To help, he has opened a report to which people can append their information via comments.
    • In terms of avatars entering regions and slowing things, he added: “Note that the recent avatar work makes entering *worse* for the offending avatar, better for those already in-region.”
  • Testing llTransferOwnership has shown the function generates two confirmatory message: after opting to Accept whatever is being offered by the in-world object, recipients are hit with the messages similar to “an object owned by somebody gave you a thing”, followed by “you are now the owner of a thing. [ OK ] “.
    • The duplication of messages is in known issue, and due in part to the viewer automatically generating the first message as soon as the Accept button is pressed, whereas the second message comes from the server.
    • The implication appears to be that the viewer message will be addressed, as it can be misleading.
  • An issue has been reported (and reproduced) relating to llGetEnvironment (+ related functions) returning inaccurate unit vectors for Sun / Moon position. There is some potential disagreement as to what is being seen / where the issue might reside, but it is being looked into.

Date of Next Meeting

  • Tuesday, January 7th, 2025.

† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a rooftop of people every week. They are taken from my list of region visits, with a link to the post for those interested.

2024 SL viewer release summaries week #50

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week through to Sunday, December 15th, 2024

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Release viewer: version 7.1.10.10800445603, formerly the DeltaFPS RC, dated September 11, promoted September 17 – NO CHANGE.
  • Release Candidate: ExtraFPS RC, version 7.1.11.12306234817, December 13 – New.

LL Viewer Resources

Third-party Viewers

V7-style

  • No updates.

V1-style

  • Cool VL Viewer Stable: 1.32.2.28, December 14 – release notes.

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

Astoria’s wintertime in Second Life

Astoria, December 2024 – click any image for full size

Astoria is a Homestead region held by Eromara Vita and Dots (Dotties Stoop). For December 2024, and unsurprisingly, the region is dressed for the winter season and decorated with touches in keeping with the time of year. The easiest way to summarise the region is via its Destination Guide description:

Astoria is a Dutch winter destination perfect for snow lovers. Glide along ice skating paths, explore hidden caves, or take a scenic walk with loved ones. Enjoy dancing on the spacious dance floor or relax in cosy cuddle spots. Ride the ski lift to the mountaintop ski bar and descend on skis, snowboard, or sled for an exhilarating experience.

– Astoria Destination Guide description

Astoria, December 2024

In terms of design, the region is split into five islands (although the channel between two is so small, it’s easy to think of them as a single finger of land running long the north edge of the region). The waters between and around the island are frozen, thus forming the skating paths, the ice reaching out to touch the off-region surround of snowy mountains.

It is on the eastern end of one of those islands that the Landing Point resides, complete with a couple of jolly (if slightly argumentative!) carollers waiting to greet incoming visitors. Reindeer are fenced in here, possibly awaiting Santa’s arrival as the snow falls, and their time hitched to his sleigh. Going on the red-and-white logoed tractor-trailer inching its way over the ice, complete with red-suited guide, they may not have to long to wait before he arrives!

Astoria, December 2024

A hump-backed bridge spans the ice here to reach the largest of the islands. This forms the setting’s highest (indeed, only) summit: a tall hill with a steep but climbable gradient crowned by a coffee bar with outdoor seating and, at the time of my visit, vehicle which looked at if Batman might be out trying to remember where he left it – although as rezzing is open and Auto Return is off, I’m not sure if it was made to be part of the setting or left by a visitor who used it as a prop (but it is unlocked).

If you don’t fancy the climb up the hill, a walk around the coast to the south-western extent will bring you to the chair lift for an easy ride up to the coffee bar. Sleds and snowboards can be obtained from rezzers at the top of the chair lift for an easy ride down.

Astoria, December 2024

It is to the south-east of the main island that visitors will find the dance floor mentioned in the description above, sitting on its own snowy island across the ice. And speaking of ice, those wishing to skate appear of have three choices: pop on their own blades and set out on the ice freestyle, or keep and eye out for the skating balls along the edge of the Landing Point island. The latter take two forms: couples and singles. As I was on my own during my visit, I cannot speak to the doubles skating balls, but the single follows a scripted path around the island in a manner that reveals everything whilst leaving you with hands free for dramatic photos, if you so chose!

If you opt to remain on the northern islands for exploration, you can follow them as they point west, a little covered bridge neatly linking them. After this an avenue of tree with boughs bent as if to try to protect you from the falling snow will lead you onto the a further bridge and the larger of the two islands on the eastern extent of the region. From here is it just a short hop to the tall island with its hill – or if you prefer, you can remain where you are and escape up into a cosy tree house.

Astoria, December 2024

The final – and smallest – of the islands is something of a wildlife reserve; a magical place where not only do penguins and polar bears meet – but they seem just fine in roaming and skating around together 🙂 .

Through all of this are many places to sit and relax, together with opportunities for photos and fun – not all the sit points are to be found on chairs or benches! And make sure you check out the entrances to the caves – they sit on opposite sides of the large island and should be hard to miss –  a visit is not complete without a trip through one of them!

Astoria, December 2024

Astoria is a pleasant and engaging place to visit, so be sure to pop over and take a look.

SLurl Details

  • Astoria (Porto Leone, rated Moderate)

Alex Bader’s landscapes in art in Second Life

Alex Bader: Landscapes by Alex, December 2024

Alex Bader is a name in Second Life synonymous with some of the best landscaping kits and texture sets available for use in-world (his work also being available to other platforms as well). For my part, he is one of the two landscape and plant creators who are pretty much my go-to names in Second Life when it comes to landscaping, either at home or on behalf of friends (the other being Cube Republic).

However, what many among Alex’s friends and customers may not know – and I count myself as being in both categories – is that Alex is a skilled and high-regarded graphics artist and landscape painter in the physical world. As a graphics artist, his work has won international design awards and his clients have included the Scottish Ballet, Glasgow School of Art, the Centre for Contemporary Arts, Citizens Theatre, Glasgow Art Fair, Glasgow Jazz Festival and the BBC Symphony Orchestra.

Alex Bader: Landscapes by Alex, December 2024

From the above list of clients, it is probably obvious that Alex hails from Scotland, where he became inspired by his father’s watercolour landscapes and love of the Scottish countryside. This stirred his own interest in and passion for both the Scottish countryside and expressing its beauty in art through both photography and painting, as well as contributing to his involvement in 3D graphics design.

I spend a lot of time enjoying the landscape, whether walking the dog through forest and on beaches or cycling in the hills and woodland of Scotland. So it’s almost inevitable that I feel the need to communicate the impact this has on me. Whether through photography, design or painting – the result is always the same process of observation, discovery and expression.

– Alex Bader, discussing his passion for art

As an artist, Alex has seen his images and paintings exhibited across Scotland, each piece finely crafted and exquisitely capturing scenes and places in all of their allure and elegance. Whilst his father worked in watercolours, Alex has come to prefer oils for his art, painting out of his studio rather than in the field, using reference images and sketches of the location he intends to reproduce on canvas. His work also ranges form expressive realism, rich in detail and beautifully representative of a subject, through to more abstracted landscapes.

Alex Bader: Landscapes by Alex, December 2024
In painting, my main aim is to convey the rich textural detail of the landscape using loose, expressive brushwork while remaining true to the colour and values of nature. Through this combination, I hope to engage the audience on multiple levels – to draw the viewer in to the scene with a real sense of place while exciting the eye artistically.

– Alex Bader, discussing his passion for art

All of this is now available for Second Life residents to appreciate for themselves, as Alex has opened an in-world gallery where limited edition digital copies of his physical world landscape art can be admired and purchased. Situated in one of Alex’s own building designs – The White Loft Skybox Interior Space (I should mention I am also a fan of Alex’s buildings, owning both his Beach House and Forest Cabin, both of which I regard as superb) – the gallery is a clean, no-nonsense space perfect for displaying art.

Alex Bader: Landscapes by Alex, December 2024

Pictures are displayed framed and sized to a realistic scale for home display in-world, with each piece limited to just 10 copies. As a particular piece is sold out, I understand Alex plans to replace it with another on the same limited edition basis. Given that each image is limited in number, purchases are not made through the displayed copy of a painting; instead, payment is made by clicking on one of white sales cubes located under each painting. As purchases are made, cubes turn from white to red and reduce in size, making it very easy to see how many copies of a given painting remain available.

Nor are people limited to just having Alex’s paintings in-world; the original oil paintings can also be purchased in the physical world as a part of a cross-over exhibition”. All of the originals are available via a dedicated part of the Studio Skye website,  also called Landscapes by Alex. As with the limited digital copies, each painting is individually priced – and this price includes international shipping costs (all painting sold unframed for ease of shipping).

Alex Bader: Landscapes by Alex, December 2024

Whether seen in-world or on-line, Alex’s paintings are a delight to behold, and will grace any home, physical or virtual, so do please be sure to hop along and see for yourself.

Related Links