SL14B Meet the Lindens: Landon Linden

Landon Linden with Saffia Widdershins

Meet the Lindens is a series of conversations / Q&A sessions with staff from Linden Lab, held as a part of the SL Birthday celebrations in-world. They provide opportunities for Second Life users to get to know something about the staff at the Lab: who they are, what they do, what drew them to Second Life and the company, what they find interesting / inspirational about the platform, and so on.

Tuesday, June 20th saw Landon Linden sit down with Saffia Widdershins, and this article hopefully presents some “selected highlights” of the chat, complete with audio extracts from my recording of the event. The official video of the event is embedded at the end of this article.

About Landon Linden

Landon Linden joined Linden Lab in August 2008, and is currently VP of Operations and Platform Engineering, based in the Lab’s Virginia offices. He has led the transition of live operations and the production platform to support the company’s new products. With a BSc in chemistry. he worked as a research chemist before moving into the IT sector. Since then, he has worked in telecommunications, launching numerous products.

For SL users, he’s possibly most recognised as the man responsible for re-opening the technology blogs the Lab publishes after major issues / outages occur. These had dried up after FJ Linden departed the Lab in 2011, and Landon revived them in 2014. April Linden has since taken over core responsibility for these posts since then.

Landon loves building large-scale systems, and says his passion for virtual worlds is fuelled by his interests in sociology and economics. As he notes, the nature of the work his teams undertake  – running the services, architecting them, improving them, migrating them where appropriate, etc., – is such that most of it goes sight unseen by users, unless there is a problem.

The Discussion

the initial part of the discussion looks at Landon’s background, his interest in sociology and economics – he notes that by working with the Linden Dollar and the Lab’s transactional services he’s learned a lot about economics – and touches on the Lab’s own studies with users.

In this latter point, Landon makes it clear that the Lab does not conduct direct social experiments on users, but obvious does monitor the use of services and capabilities such as the user on-boarding process, games like PaleoQuest, etc., to see how they are being used, where points of weakness lie which might be improved, what kind of metrics are being generated, and so on.

In terms of general SL trends, he makes the point of noting that – and contrary to claims otherwise – the Lab has seen a “considerable strengthening” of the Second Life economy over the last six months, probably sponsored in part by the arrival of Bento, which the Lab is obviously pleased to see.

This moves into a broader chat about the evolution of things like mesh and breedables, and how that helped grow Second Life, the way in which the Lab cannot always anticipate how new features will be used – but do try adapt to how users take them on and start using them.

Using Amazon  Services

One of Landon’s responsibilities has been to oversee and drive the evolution and enhancement of these supporting services and the infrastructure which supports them and Second Life. Most recently, this has included moving various services in to Amazon cloud.

The Lab has been a long-time user of Amazon services, and this current work not only involves moving services to Amazon, but also moving them to a container model, making them easier to test and deploy, whilst leveraging the flexibility offered by cloud-based services. These include reducing the complexity of having to manage a dedicated data centre environment to run the services, the complexities of having to manage capacity, plan ahead for growth and the purchase, delivery, installation and testing of new hardware, etc., in order to meet specific demands (as the cloud provider can “simply” turn on additional servers and facilities as they are required, and add them to the current billing.

Right now, the intention is not to reduce costs per se  in making the move – Landon rather describes the Lab and trying to break even – but is rather geared to leveraging AWS (and ECS?) and thus doing more, infrastructure-wise with the money the Lab has coming in.

Lab Working Environment

While he is based in Virginia, Landon spends a good deal of time at the Lab’s head office in San Francisco, and notes that while the Lab operates a number of office – Virginia, Boston, Seattle, San Francisco – a lot of people actually work from home, and the Lab has a relaxed approach to office-based work requirements – if it is possible to work from home and be more productive in doing so, there is no problem with doing this.

From his personal perspective, Landon views the Lab as the best place he has ever worked, describing his colleagues as “an amazing group of intelligent, passionate people”. Like others at the Lab have said, it is also a place where he tends to learn something every day, whether about technology, how SL is being used by the residents or about people.

This topic touches on the Lab’s history, going back to the late 1990s and attempts to build a VR / haptics system (aka “The Rig“).

General Q&A

What is being done to improve platform stability and performance?

Landon: We’re always working on these problems. One of the things that is frustrating for residents  – and it’s frustrating for me too – is that lag and crashing out seems to be like a perennial problem. And it is, but the reason it’s a problem is that it’s never, ever just one thing. It’s a near-infinite number of issues and problems, and we’re always working on trying to smooth those things out and reduce them, but it’s always ongoing work. And we’re always trying to balance being able to do new features versus performance improvements and stabilisation work, and I think we strike a pretty good balance there …

… This is going to come dangerously close to sounding like I’m blaming the residents for some of this stuff – and I’m not. But I think … it’s a very creative and expressive place, Second Life, and we really like people to be able to express themselves  in whatever way possible  – and within the confines of the law, at least! But that also means that the complexity of whatever it is that you’re doing, whether it’s in your region or in your parcel or on your avatar, can impact the people around you.  And so we’re trying to strike this balance of how can you express yourself without negatively impacting the people around you. And I think [Jelly Dolls] were a pretty good solution. And it also had the added benefit of feedback to the users, “Hey! Your avatar looks great, but maybe you should tone it down a bit.

Why can we have an unlimited inventory but only 60 groups?

Landon: Inventory is relatively cheap, you’re talking about a very small amount of storage when you have something sitting in inventory, and probably more importantly in the context of this question is the inventory doesn’t necessarily have to interact with other pieces of inventory. So you can pretty much just add anything in your inventory without bound, and UI problems notwithstanding, it doesn’t really have any negative impact on your experience and it certainly doesn’t impact anyone else.

When you’re talking about groups, you have this exponential impact on performance with the number of people who you’re adding into the group [particularly all the Group data which needs to follow you around SL so you can receive group notices, remain part of a group chat, etc.] … I think that’s the kind-of short and long of it. [Groups] have an impact on you and the people around you.

What is the number one cause of lag, and will improved server hardware improve SL?

Landon:  We’re always beefing up the hardware we’re using, and I can tell you the hardware is not a big factor at all in terms of lag. And this is going to be a really unsatisfying answer, but I can tell you that in my experience the single greatest contributor to lag is the network between you and wherever the server is.  So if you are physically far away from the server, you’re going to have a much more laggy experience. Most of our equipment – I dare say all of our equipment is in North America, and the west coast of North America at that. So if you’re in South America, you’re going to have more lag than some that’s sitting in Seattle, Washington. Likewise people who are in Europe and Africa are going to have a more laggy experience than people in North America.

… This is where I’m really going to get into trouble, because I don’t want to come out here and make a bunch of promises, because the things that I’m talking about are going to take probably years to do. But one of the things I absolutely have in the back of my mind is that once we get Second Life fully functioning on cloud services there is the possibility – and I will stress “possibility” – but there is the possibility we can co-locate regions more easily in other parts of the world, in south America or in Europe or in East Asia or Australia. And that would make the experiences for the people who are in those regions a lot better. The flip side to that is, if I’m moving the simulation closer to you and further away from somebody else, you’re making the lag worse for someone else.

… We did some analysis several years ago, regarding this. And what we saw was not a lot of geographic affinity for regions. One of the amazing things about Second Life is that people from all over the world come together and talk and get to know one another and chat and experience Second life together, and there’s not a lot of geographic affinity. There are a few notable exceptions to that, and I think language is one of those things; I think one of the exceptions is people who speak Portuguese, and then tend to almost exclusively come from Brazil. So we can say that if you have a region that caters to, or is attracted to Portuguese speakers, we would probably want to co-locate that region in Brazil.

This is just really stuff that we’re thinking about, there’s no hard plan to do any of this; I think we’ve got a lot of work to do before we can even considering doing something like that, but I’ve absolutely got that in the back of my mind.

Would LL ever consider adding any of the reliable language translation tools back into the viewer?

Landon: For what it’s worth, I’ve actually looked into some of that. I mean … there’s just some amazing tools that are becoming available now using AI machine learning, and I’m really interested in doing some things along those lines. That said, no promises, no commitments; I don’t control the product direction, so I’m looking at it just out of more-or-less professional curiosity and not something I’m actually planning on implementing.

But I think, to try to answer your question as best I can, I think it’s getting easier and easier to put translation and text-to-speech and speech-to-text services into your products, and I would hope that we get back to doing some of that – but no promises and no commitments, and I don’t control it anyway … I don’t make that call.

 

 

SL14B Meet the Lindens: Patch and Dee

Dee Linden (l), Patch Linden and Saffia Widdershins at the first SL14B Meet The Lindens session

Meet the Lindens is a series of conversations / Q&A sessions with staff from Linden Lab, held as a part of the SL Birthday celebrations in-world. They provide opportunities for Second Life users to get to know something about the staff at the Lab: who they are, what they do, what drew them to Second Life and the company, what they find interesting / inspirational about the platform, and so on.

Monday, June 19th saw Dee and Patch Linden sit down with Saffia Widdershins, and this article hopefully presents some “selected highlights” of the chat, complete with audio extracts from my recording of the event. The official video of the event is available at the end of this article.

About Dee and Patch

Dee Linden is the Land Operation Supervisor for the Lab, and her introductions often includes the phrase, “older than the terrain itself”, reflecting her experience from the physical world realty market. She discovered Second Life in 2003, and quickly decided she wanted to be a part of the Lab’s and of Second Life’s growth, taking to dropping note cards on various Lindens, including Char and Philip, encouraging them to consider hiring her.

This happened in around 2005, when she was recruited as a liaison, prior to joining the concierge team, where she was responsible for training Patch. When he moved to set-up the land team, she lobbied him to join the team, where she has a particular interest in supporting non-profits and groups seeking land for events.

Patch Linden started as a Second Life resident, first joining the platform in 2004, and has been a male fashion designer, mentor, and community lead. His efforts with the latter brought him to the attention of the Lab, and in 2007, it was suggested he consider applying to work for the company.

Initially working as a support agent, he worked his way up through the concierge team, eventually becoming the team’s manager. He later moved to the role of Operations Support Manager for a year prior to pivoting away from support entirely and joining the Product group at the Lab, the group responsible for defining the features, etc., found within Second Life. Here he developed the land operations team, which includes the Land Department of Public Works (LDPW) and the Moles. He’s now the Senior Director of Product Operations, a role in which he is also responsible for the Lab’s support organisation.

Dee is wearing one of the new Bento-supporting starter avatars which will be appearing “soon”TM

Recalling the Early Days

The first part of the interview focuses on Patch and Dee’s time before Linden Lab, on-boarding with the Lab: Patch through his men’s fashion business mentoring new starters, Dee through working with hosting events, mentoring new starters, etc. In discussing their backgrounds and joining the Lab, Dee brought up the very early days  of Second Life, mentioning two things in particular those of us with long memories are likely recall.

The first of these was the avatar rating system. Back then, the old-style profile floater (still used by some TPVs) had a tab in it called Ratings, which had five categories in it: appearance, behaviour, building skills, and two others I now cannot remember (age does that…).

These rating categories were open to others to vote on  – so as Dee said, became a kind of “popularity contest” among users (and one that tended to be gamed – “you rate me and I’ll rate you!”).  Ratings could only be awarded once per avatar per category, and cost L$25 to award, the money  going to Linden Lab.

Also recalled was the original means for the Lab to raise revenue – the “prim tax“. This started when Second Life entered its “closed” Beta phase in late 2002 and ran through the “open” beta which started in April 2003. Initially, this saw a fee of L$10 charge for rezzing a prim, with a flat weekly fee of L$3 (I think) to keep an object in-world. Over time, this system evolved to calculating taxes based on each prim’s volume and also its altitude, and with a sliding scale of fees for objects using prim lighting (starting at L$5).

These changes gave rise to the infamous tax revolt during the latter half of 2003, when users who were working to build infrastructure in SL for other to enjoy – communities, roads, event centres felt they were being unfairly penalised against. This revolt in turn brought about the shift in the economic model of Second Life from the “prim tax” to land tax (tier), with the release of version 1.2 of the service, in December 2003 – although this also wasn’t without its own controversy.

A teleport hub, restored and presented at Sniper Siemen’s Second Life 1999 / 2017 – The Story, on display from March through June 2017 (reviewed here)

Patch also discusses the teleport hubs (“telehubs”) and their impact on community and immersion in Second Life. Again, for those who don’t remember, in the early days of SL there was no direct teleporting. Everything was mainland-based, and teleporting was via teleport hubs, with a free payable to LL. These hubs naturally became the focal points for people to build around, so they’d get traffic / an audience. Thus, the hubs in turn encouraged people to hop around the mainland and then go and explore what lay around each hub and get involved in activities they discovered.

He went on to say the Lab may be looking at the surviving telehubs and doing something with them. Whether this means re-establishing the network in some manner than encourages people to use it, or whether it is a case of “restoring” them as museum pieces is something he and Dee refused to offers further hints about, other than in the most general terms.

Selected Q&A Items

Most Interesting / Challenging Projects To Work On

Patch: There’s PaleoQuest, learning island and social island, I think rank right up there with it; you know, coming from the whole mentor, “I like to help people, I walk in the residents’ shoes every day” perspective that I put on all of our projects, I’d have to say that one’s very important to me.

Probably the Portal Park would be my third favourite … as far as most challenging, I would say Linden Realms. You know, it’s the grandfather of the Experience Keys system [aka “Experiences” today] … it’s basically what experience tools were built upon / along side of or in parallel with, were developed for. We basically set out to say, if we were to try to give people a way to create games or put a gaming engine creation tool within Second Life, what would we do? And out of that was born both experience tools, the tool set and Linden Realms at the same time as demonstrator for it.

The interesting thing about that is, that over all of the years it’s been running it is still one of the most popular experiences, with a very high number of unique visitors daily. And it keeps us on our toes! Again, with ageing content and such, more maintenance tends to go into it to keep it running over time; so we want to make sure it doesn’t break down, and with that, we also have to have the agility to be able to respond to any changes to the tool set that it runs on, as that may occur. So keeping up with all of that over the years has probably been the primary challenge, because just short of rewriting the whole thing or just scrapping the whole thing, we’ve found some pretty interesting ways to keep it going.

Dee: Linden Realms will always hold a very special place in my heart. It was one of the first really big one that I worked on; Linden Homes as well, the originals. PaleoQuest is still my favourite to play, and Horizons, I think, was probably the most challenging of the more recent ones … Unlike Linden Homes, with Horizons parcels you can deed your parcel into your group, and we had to make the mailbox [configuration controllers] and the houses work for the group, where we didn’t have to worry about that with Linden Homes … there are now a few businesses in Horizons, but it is predominantly residential.

Continue reading “SL14B Meet the Lindens: Patch and Dee”

The art of SL14B in Second Life

SL14B Community Celebration; Inara Pey, June 2017, on Flickr SL14B Community Celebration

Art in all its forms has always tended to be a part of the SL14B Community Celebration, and this year is no exception. In fact, art is well represented, with the familiar four art parcels around the Cake Stage, and further art parcels within each of the exhibition regions, all of which are in addition to the individual art displays to be found among the exhibitor spaces.

In the run-up to the SL14B gates opening, I was able to visit many of the art displays and installations on offer, and while this is not intended to be an extensive list / set of reviews, I thought I’d highlight those I particularly enjoyed visiting.

Illusion by Solkide Auer and Magda Schmidtzau

Location: SL14B Spectacular art parcel.

You’ll need a little viewer set-up to appreciate this piece, but the effort is more than worthwhile, as the installation is a grand demonstration of projected lights and images. In short, set your time of day to midnight and make sure Advanced Lighting Model (ALM) is active via Preferences > Graphics. If the latter gives you performance issues, try ramping down your draw distance (note you do *not* need to have Shadows enabled as well; but ALM is required to see the effects – without it, you’ll just see blank walls).

Illusion by Solkide Auer and Magda Schmidtzau – SL14B Spectacular

Before you step through one of the four Anywhere doors ranged before you at the landing point, make sure you cam up and catch the play of projected lights on the structure. Then when you’re ready, pick an Anywhere door, click it to open it, and click on the exposed wall to teleport up into the structure. The doors deliver you to the various levels, where you can enjoy the marvel of projected images set within individual “rooms”, each group of images offering glimpses of a setting / story.

A clever and vibrant use of projected lights and images, wrapped around an imaginative means of presenting art.

TJ’s Mediamagic – Thoth Jantzen

Location: SL14B Captivate art parcel.

Full disclosure time: I think Thoth is one of the most engaging and imaginative multi-media artists in Second Life; as such, his installations tend to be a must-see, although some caution my be warranted with this one if you can be adversely affected by flashing images and lights.

TJ’s Mediamagic! by Thoth Jantzen – SL14B Captivate

There is a certain amount of set-up to be done to properly appreciate Mediamagic! Information boards provide the full details, but the essentials are: set your time of day to Midnight, make sure you have Advance Lighting Model enabled  (Preferences > Graphics), set media to autoplay, and allow scripts to play media. An information kiosk will also provide you with the information needed to enjoy the installation as well as some gifts from Thoth.  Once you are set, explore, enjoy the use of light and sound, and do make sure yo visit the upper levels (steps and then TP). If you can, be sure to cam  / flycam out from within the build to fully appreciate the play of lights.

Tornado To Oz by Noke Yuitza

Location: SL14B Enchant

Another piece best seen at Midnight and with ALM enabled, this is a beautiful piece in both its execution and its simplicity. Description isn’t necessary – just enjoy.

Tornado To Oz by Noke Yuitza – SL14B Enchant

What is SL Without Artists? – The Dirty Grind

Location: SL14B Beguile art parcel.

While not the easiest environment to navigate at times (blame that on the people teleporting in and out of these busy regions more than anything else), the Dirty Grind’s homage to art – visual and musical – might seem self-centred, but as a community it cannot be denied they’ve done a heck of a lot to promote arts over the years. As such, this retrospective, carrying with it a reminder that SL is unique among all forms of artistic presence / expression, simply because it can instantly and immersively bring people from all over the world together to enjoy a moment of that expression.

CarnivALL Boudicca Amat

Location:  SL14B Wonderous.

“Second Life is a place that allows us to spread the wings of our imagination and let it take flight…” Boudicca tells visitors who enter her gallery space. “Our only limit is our imagination.”

Having a little fun with myself at Boudicca Amat’s CarnivALL – SL14B Wonderous

Within the gallery, Boudicca offers her take on the ideals of carivalesque – the literary style that uses humour and chaos to subvert the more dominant style or approach of a piece – through a series of trompe l’oeil art displays.

This approach to SL art is perhaps most famously exemplified in the works of Molly Bloom (whom I’ve covered extensively in the blog, and offer this link as a reminder of her work). It’s not necessarily an easy art form to bring together in Second Life, but Bou does so with grace and panache. What’s more, she offers a studio within the gallery where you can have a go yourself ! I had fun (with a quick bit of post-processing) in duplicating myself with two of the displays available to visitors, rather than going for a single 3D look to an image 🙂 .

Inside Art by Ginger Lorakeet

Location: SL14B Spectacular.

On the subject of the trompe l’oeil style of art, Ginger Lorakeet has been a part of the SLB scene for as long as I can remember. She’s back this year, once again offering her interactive art pieces – some of which have been seen at past events, others of which are new.

I always like to mention Ginger’s work at SLB events as her art is fun and interactive. Simply find a picture you like, click it, and add yourself to it. With a little camera jiggling, you can grab a photo of yourself in a photo / picture. In addition, this year Ginger offers visitors the chance to fully immerse themselves in a scene.

Masked: Carnevale di Venezia by Catalina Staheli – SL14B Beguile

These are far from the only art exhibits to be found at SL14B, and as much as I’d like, I don’t have the room to go through them all. I would, however, just like to mention in passing Kody Meyers, Anibrm Jung, Catalina StaheliJohn Brianna and Graham Collinson, all of whose work I appreciate, and all of whom are also exhibiting at SL14B. Be sure the check-out the SL14B Art Parcel SLurls and the complete list of exhibitors to make sure you catch everyone.

SL14B: Meet the Lindens

SL14B Community Celebration; Inara Pey, June 2017, on Flickr SL14B Community Celebration

Alongside all of the resident-led events and activities planned to mark SL’s 14th anniversary, one set of events are liable to draw considerable interest from Second Life Users: the round of Meet the Linden sessions hosted at the SL14B Auditorium.

As with recent SLB events, Meet the Lindens will comprise one session a day, from Monday, June 19th through Thursday, June 22nd, and offer Second Life users the opportunity to hear from – and likely ask questions of – Linden Lab staff.

Patch and Dee Linden with Saffia Widdershins (l) and Zander Greene (r) at Meet the Lindens event during SL13B in 2016

This year all of the Meet the Linden sessions will take place between 14:00 and 15:00 SLT, with the schedule lining up as follows.

Day (14:00 – 15:00 SLT) Lindens
Monday 19th June Patch Linden, Senior Manager, Product Operations, and Dee Linden, Land Product Specialist
Tuesday 20th June Landon Linden, VP of Operations and Platform Engineering; Oz Linden, Technical Director, Second Life
Wednesday 21st, June Xiola Linden, Lead Community Manager
Thursday 22nd June Oz Linden, Technical Director for Second Life and Grumpity Linden, Senior Producer at Linden Lab

Again, all these sessions will take place at the SL14B Auditorium.

Revised after realising slight opsie with the dates…

SL14B: Celebrating Second Life

SL14B Community Celebration; Inara Pey, June 2017, on Flickr SL14B Community Celebration – click any image for full size

Second life celebrates its 14th year as an open virtual world on Friday, June 23rd, 2017. This means that once again, the Second Life Birthday Community Celebration is taking place in-world to mark the platform’s anniversary.

SL14B officially opened its gates at midday SLT on Sunday, June 18th, and events run through until Sunday, June 25th. The regions will then be open for viewing for a further week, although there will be no major entertainments or activities during that time. I’ve been fortunate enough to help out in the background for the event, and so have been watching the infrastructure and exhibitor builds take shape, and I have to say that people have really risen to this year’s theme of Carnivaleqsue.

The infrastructure builds at this years events comprise the expected roads and stages – the Cake Stage, Live Stage, DJ Stage and Stage Left – together with the Auditorium build, Welcome Area, Time Capsules display, and Max Mystery Land. With the exception of the Tim Capsules display, each covers between one and two regions (with the Cake Stage centred on its usual four regions), and offer some amazing interpretations of the celebration theme, and I have little doubt they’ll all be seeing a lot of use during the festivities.

SL14B Community Celebration; Inara Pey, June 2017, on Flickr SL14B Community Celebration

For the DJ Stage, Cynimon Catnap offers  a lush forest environment with tall trees and rich colours – and which hides what feels like an entire circus within it. Giraffes offer a welcome, giant carved lions give airborne acrobats the chance to test their skills, while paths wind among the trees, leading the way to carousels, Ferris wheels, bumper cars – and hidden glades where people can escape the inevitable rush. And, of course, topping  it all, literally as well as figuratively, is the DJ Stage, standing atop – what else? – the circus ringmaster’s beautifully adorned top hat!

Facing the DJ Stage across the width of the SL14B regions is the Welcome Area, by Darkstone Aeon. This is intended to be the starting point for visits to SL14B, containing information, Teleport boards, details of scheduled events and more. All this is set within a rocky environment, with an oriental lean to it. Great Chinese-style dragons (always at the centre of festivals) undulate over and through (literally!) the landscape, or stand on high peaks keeping an eye on everything. Follow the steps cut into the rock and the paths and ways carefully, for there is much to see here. Should you grow tired, or wish an alternate view of the region – be sure to take one of the dragon or balloon rides!

SL14B Welcome Area and Teleports; Inara Pey, June 2017, on Flickr SL14B Welcome Area and Teleports

To the south, and between both the DJ Stage and the Welcome Area, you’ll find the Auditorium, once again built by ADudeNamedAnthony. This year we have a design of clean, modern lines which carry within them a hint of Art Deco. Surrounded by broad avenues and bracketed by parkland, the Digital City venue would look at home in almost any city environment. Within it can be found the main auditorium, which will be home to talks and presentations throughout the week, supported by two smaller forum halls.

South of the Auditorium rises the Cake Stage. This is once again another of Mikati Slade’s gloriously colourful and distinctive designs, occupying the central corners of four adjoining regions. It will feature many activities and parties throughout the week including the Lab’s Masked Ball (Monday, June 19th 11:00 13:00 SLT) and Come As You Were party (Wednesday, June 21st 18:00 – 20:00 SLT) – find out more about these two events here.

SL14B Auditorium; Inara Pey, June 2017, on Flickr SL14B Auditorium

East of the Cake Stage, and occupying two regions, is the Live Music stage, designed by Chic Aeon. A curious design, the live stage sits within a mini urban setting which merges glowing building blocks with Monopoly like buildings. Caught in darkness (set your viewer to midnight if your environment doesn’t automatically change), it offers the neon feel of a city, beyond which, when facing the right direction, the glowing mass of the Cake Stage rises.

To the west and a little south of the Cake Stage is Stage Left, designed by Faust Steamer, and while I shouldn’t perhaps have favourites, I have to say it is one of the two infrastructure builds I particularly like at SL14B. Those who recall Faust’s Stage Left from SL13B are sure to be blown away by this year’s design, which again takes a fantastical twist on the carnivale theme for the celebrations, throwing in a Hindu incarnation of Cerberus, together with some Chinese influences.

SL14B Stage Left; Inara Pey, June 2017, on Flickr SL14B Stage Left

The scale of this build is just amazing; to really appreciate it, you have to cam out; to understand the sheer power evoked by it, simply stand next to the teleport dias / pool and look up as the great armoured beast lowers its middle head to look at you. This build also uses a local experience for teleporting – jump into the teleport pool and allow the experience too be lifted to the stage up on the beast’s broad back.

The other build we particularly enjoyed in our pre-opening ramblings and photo-gathering is the Max Mystery Land (aka Community Park), designed by Lim Pikajuna. Occupying a single region at the southern end of the Community Celebration estate, this offers all manner of entertainments above ground, in the air, underground and even under water. A theme park on (and in) a mountain, Max Mystery presents visitors with sky cars, go karts, pedaloes, boat rides, underwater bumpers cars, a disco, a mono-rail – there’s even a chapel!

SL14B Max Mystery Land; Inara Pey, June 2017, on Flickr SL14B Max Mystery Land

In addition to all this comes the exhibitor builds and displays. As usual, these are an eclectic, tumbling mix of designs and expressions, encompassing art in all its forms, promoting communities, commemorating individuals, showcasing skills, and of course offering fun and amusement or opportunities for quiet contemplation. Many have entered into the theme of the celebrations with gusto and imagination, making wandering the exhibitor regions a delight. Some have opted for displays pretty close to previous years’ offerings, and one or two still have yet to learn that slapping textures on prims that reach up into the sky might be eye-catching, but not necessarily in a positive way.

I’ll have more to say on exhibits and art at SL14B in the week. For now, I’ll leave you with the key SLurls – you can find a full list on the SL14B website, where you can also find the celebrations schedule (use the drop-down menu for individual stage, etc., schedules).

SL14B Core SLurls

All regions rated General.

Tales for the young at heart and more in a farewell to Bradley University

It’s time to kick-off another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s Second Life home at Bradley University, unless otherwise indicated.

Sunday, June 18th

13:30: Tea-time with Dad: Gemma’s Choice

John Morland reads Kipling’s Just So stories.

18:00: The Wind in the Willows

Meet little Mole, wilful Ratty, Badger the perennial bachelor, and petulant Toad. Over one hundred years since their first appearance in 1908, they’ve become emblematic archetypes of eccentricity, folly, and friendship. And their misadventures – in gypsy caravans, stolen sports cars, and their Wild Wood-continue to capture readers’ imaginations and warm their hearts long after they grow up.

Begun as a series of letters from Kenneth Grahame to his son, The Wind in the Willows is a timeless tale of animal cunning and human camaraderie – although some in current times unkindly see it as a kind of allegory for the privileged ne’er-do-well upper class (in the form of Toad) with the aid of the middle class (Badger, rat and Mole) to keep the proletariat (weasels and stoats) in their place.

I suggest you join Caledonia Skytower for Magicland Storytime, and go with Mr. Grahame’s intention with the tales – as a ripping yarn for young hearts and minds.

Monday, June 19th 19:00: The Book of Skulls

Gyro Muggins reads Robert Silverberg’s novel.

Four friends, college room-mates, go on a spring break trip to Arizona: Eli, the scholar, who found and translated the book; Timothy, scion of an American dynasty, born and bred to lead; Ned, poet and cynic; and Oliver, the brilliant farm boy obsessed with death.

Somewhere in the desert lies the House of Skulls, where a mystic brotherhood guards the secret of eternal life. There, the four aspirants will present themselves–and a horrific price will be demanded.

For immortality requires sacrifice. Two victims to balance two survivors. One by suicide, one by murder.

Now, beneath the gaze of grinning skulls, the terror begins. . . .

Tuesday, June 20th 19:00: The Ordinary Princess

Faerie Maven-Pralou reads MM Kaye’s 2002 novel.

In true fairytale style, the seventh princess is blessed with gifts by a host of fairies, but as her father fears, it goes wrong and one slightly bitter fairy ‘blesses’ her with ordinariness.

So no golden curls, stunning beauty and sublime grace for Princess Amethyst Alexandra Augusta Araminta Adelaide Aurelia Anne. Her dark hair and freckles make Amy (no ordinary princess can be called anything else) stop every suitor from pursuing her. She decides to run away and make her own life, away from boring princes and a confined life.

A life in the forest is bliss, but eventually Amy realises she will need some money, and must find work. So it is that she becomes the fourteenth assistant kitchen maid at a neighbouring palace. And there  – much to everyone’s surprise – she meets a prince just as ordinary (and special) as she is!

Wednesday, June 21st 19:00: The Girl Who Drank the Moon

Caledonia Skytower reads Kelly Barnhill’s 2017 Newbery Medal winner.

Every year, the people of the Protectorate leave a baby as an offering to the witch who lives in the forest. They hope this sacrifice will keep her from terrorizing their town. But the witch in the forest, Xan, is kind and gentle. She shares her home with a wise Swamp Monster named Glerk and a Perfectly Tiny Dragon, Fyrian.

Xan rescues the abandoned children and deliver them to welcoming families on the other side of the forest, nourishing the babies with starlight on the journey.

One year, Xan accidentally feeds a baby moonlight instead of starlight, filling the ordinary child with extraordinary magic. Xan decides she must raise this enmagicked girl, whom she calls Luna, as her own.

To keep young Luna safe from her own unwieldy power, Xan locks her magic deep inside her. When Luna approaches her thirteenth birthday, her magic begins to emerge on schedule–but Xan is far away. Meanwhile, a young man from the Protectorate is determined to free his people by killing the witch. Soon, it is up to Luna to protect those who have protected her–even if it means the end of the loving, safe world she’s always known.

Thursday, June 22nd 19:00: Ron Rash’s The Southern Thing

With Shandon Loring.

 

Seanchai Moves To Holly Kai Park

This week marks Seanchai Library’s last week of reading at Bradley University. From Sunday, June 25th, Seanchai Library will commence reading from their new home at Holly Kai Park – read the official press release and the Holly Kai blog post for more.

Seanchai Library at Holly Kai Park

 


Please check with the Seanchai Library’s blog for updates and for additions or changes to the week’s schedule.

The featured charity for May through July is Alex’s Lemonade Stand Foundation, raising awareness of childhood cancer causes and funds for research into new treatments and cures.