A cruise ship, a gathering and a mole with a wand in Second Life

A short notice announcement of a get-together aboard the SS Galaxy marks her official return to Second Life
A short notice announcement of a get-together aboard the SS Galaxy marks her official return to Second Life

The invitation was somewhat low-key, and the date subsequently changed from the scheduled September 1st, for Reasons Unknown (well, at least to me!), but the message did get through:

Join us in-world at the newly re-opened SS Galaxy and explore the decks of this historic Second Life cruise ship! We’re meeting up near the pool, and will be taking pics and enjoying a little casual relaxation time! See you there!

I would actually have been none the wiser of the event, had it not been for Vick Forcella whispering in my ear via IM  – he is ever the gentleman! But, as the message was received, and despite the need to be in several places at once (Happy anniversary, Firestorm! Sorry I missed it!), I hopped over the Galaxy to sea  what was going on (see what I did there?).

I’d been fortunate enough to cover the return of the SS Galaxy to Second Life waters ahead of any official opening after Frost Mole kindly pinged me about the ongoing work aboard the ship and invited me for a look around as she sits at her new location, just off the Honah Lee estate south of Blake Sea. However, I wasn’t going to pass up the opportunity to mark her “official” return to our waters.

Given this was the first time a crowd had been aboard the Galaxy since the commencement of her refit, Vick and I undertook took it upon ourselves, and purely in the interests of our fellow passengers' safety - to test the poolside bar
Given this was the first time a crowd had been aboard the Galaxy since the commencement of her refit, Vick and I  took it upon ourselves, and purely in the interests of our fellow passengers’ safety – to test the poolside bar as Frost and Xiola arrived

On arrival, I found Vick to already be there and – where else?  – at the poolside bar. Climbing the steps, I demanded that as he was the barman, he pour me a drink – only to discover I was actually standing behind the bar and so should rightfully be serving *coughs*. Following an embarrassed silence broken only by my attempted soft shoe shuffle (you try being quiet when in heels on a wooden deck) to a bar stools, Vick graciously handed me a drink without commenting on my faux pas. (see, I said he was a gentleman).

Abnor Mole takes in the sun while Frost Mole enjoys people enjoying the fruits of her labour
Abnor Mole takes in the sun while Frost Mole enjoys people enjoying the fruits of her labour

Fortunately, folk quickly began to arrive, including several Lindens – Patch, Keira, Dee, Guy, Xiola, Shaman, together with moles, and a celebratory mood quickly ensued – helped, no doubt by the hourly firework display going off as well. In short order, people were enjoying the pool (some fully clothed!), wandering the decks, admiring the view or … propping up the bar.

The conversation was soon full and flowing, Shaman took over bar duties, Keira found a sun lounger and Abnor Mole followed suit, Patch dodged cameras and Xiola and I talked chocolate. Then the buffalo arrived.

“What on earth are buffalo doing on board a cruise ship?” you might well ask. I know I did. Problem was, I was too distracted by the sudden onset of a fish shower and then being struck in the small of the back by a large, speeding train…

No, we weren’t hit by a griefing attack; merely a mole (in the form of Michael Linden) with a wand (and a fit of the giggles). Not just any wand, mark you, but a Starax wand. What’s more, it transpired that Shaman had been slipping him cocktails – a mix of (and I quote) “scotch, scotch, scotch… and, oh, scotch!”

Thus the pandemonium rolled on, amidst further gleeful (and high-pitched) giggles of a furry variety. At least until the word “water!” was uttered by said wand wielder …

“Water!” a certain wand-wielder proclaimed. Then rather wished he hadn’t, having forgotten to scamper out-of-the-way as the giant faucet, in full flow, materialised over him…

After that, things quieted down (well, a little!) as Michael was handed a towel, and the conversation resumed a little more placidly (no, I’m not going to mention the shark. Or the dolphin, OK?).

Joking aside, this was a very pleasant get-together, smaller in size than previous events of this nature, and that may well have contributed to the amount of fun being had. I’ve no idea if this low-key approach will be used at times for future get-togethers, but I do hope that this one is merely the first of many and varied events we’ll see staged at the SS Galaxy in the future.

My one suggestion would be – to echo a comment left on my last piece on the ship – that some of the helipads are returned to their former use (and made short-term rezzing areas?) as it would be fun to be able to fly to the ship for an event and then return home the same way afterwards 🙂 .

In the meantime, welcome back, SS Galaxy!

More ruins on the the rock

 

The new island layout. Like the previous island layout, only different :)
The new island layout. Like the previous island layout, but different 🙂

Back in May I wrote about the (then) latest changes on my little island home. At the time, I indicated that I was satisfied with the overall results, but couldn’t entirely rule out changing things again.

Well, guess what?

As a result of a recent project, I’ve ended up with an Inventory containing quite a few things I never expected to own, and which  – truth be told – are unlikely to see much use in the future. However, it seemed a shame that all of them should end up boxed away once more, consigned to the darkness of an inventory folder; and one in particular, the Fanatik Rocky Island, has been  nagging me.

The house sits rather nicely atop the Fanatik rock island, and the footpatth and other flat areas on the plateau mean I have room for garden paces and a nice walk either down to the moorings or to the ruins
The house sits rather nicely atop the Fanatik Rocky Island, and the footpath and other flat areas on the plateau mean I have room for garden spaces and a nice walk either down to the moorings or to the ruins

At 64×61 (ish) metres and 39.5 metes in overall height, this is a piece widely used around Second Life, both for shoreline scenes and inshore, which can blend easily with a landscape to present a dramatic plateau or rocky outcrop, complete with a path winding up one side. If I’m honest, the textures do suffer from being a tad blurry / stretched, but not enough to prevent its use. Fortuitously for me, width and length wise, it fitted into the north end of my parcel with only a little bit of resizing (although I admittedly also reduced the height so as not to completely terrify the neighbours into thinking I was building some Sekrit Island Lair 🙂 ).

The ruins are still there, complete with my pavilion and piano, all now on a slightly lower plateau. The ruins retain Kriss Lehmann’s Forest Tower, still one of my all-time favourite pieces of atmospheric architecture, as the main feature, the archway providing access down to the main quay, as before. I’ve also used Alex Bader’s excellent waterfall kit, to add,well, a waterfall, as hopefully a nice finish.

Couldn't resist adding a waterfall
Couldn’t resist adding a waterfall

I’ve fiddled a bit with the moorings as well, making them smaller, and reducing the number of things moored / parked there, so hopefully the neighbours now feel less like they’re living next door to some kind of air taxi service. There’s a second dock at the foot of the house plateau, but already that spot is nagging me to turn it into a beach; time will tell on that.

But sand and waves aside, am I happy now? Yup. Absolutely. That’s it. Done. Finished. time to relax and enjoy.

Well, for now 🙂 .

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Impressions: a personal view of Second Life

Impressions; Inara Pey, August 2015, on FlickrImpressions, LEA 6 – (Flickr) – click any image for full size

When Secret Rage approached me in mid-July and asked me to consider producing a full region installation in which to display my images from around Second Life, my first reaction was to refuse. Not out of stuffiness or false modesty, but because I genuinely don’t regard myself as an SL photographer, and am far from convinced the images I produce for blogging purposes are of interest as an exhibit.

However, Secret is a very persistent (and persuasive!) person; so I’m now pleased – and more than a little nervous – to say that my first ever art-focused installation in Second Life is now open, and I’m calling it Impressions. It can be found at LEA 6.

Impressions; Inara Pey, August 2015, on FlickrImpressions, LEA 6 – (Flickr)

So what is this all about? Well, three things, all summed up in the word “Impressions”.

  • The first is a display of my more recent images and videos of places I’ve visited around Second Life – the impressions they’ve given me, if you will.
  • The second is the 2D and (particularly) 3D work of a talented Italian student, CioTToLiNa Xue – work that made quiet an impression on me when I happened across it.
  • The third is the setting itself, an interpretation of and iconic American house of the 20th century, which has long made an impression upon me.

Impressions; Inara Pey, August 2015, on FlickrImpressions, LEA 6 August 2015 (Flickr)

I’m particularly pleased about the second of these bullet points. CioTToLiNa is an extremely modest woman who only started teaching herself 2D and 3D design six months ago, and I think what she is already producing speaks volumes about her developing talent. I came across her sculptures by chance whilst visiting Art on Roofs in July, and was really delighted when she agreed to display her work as a part of Impressions: they add a further depth to the house, the original of which features a range of sculptures and art pieces scattered around the buildings.

The house is a personal interpretation of a place I have yet to visit in the physical world, but have grown to love. I have attempted to be reasonably accurate in my interpretation ot the house and river over which it sits, but the rest of the region is purely made from my imagination, and offers places to sit in the sun or under moon, listing to the music, have a picnic, laze in a hammock, and so on.

Information givers at the landing point and in the great room of the house provide information on the art and images on display. So, I hope you’ll visit and enjoy! Impressions will be open through until the end of September – you’ll probably find me pottering around tweaking things here and there!

Impressions; Inara Pey, August 2015, on FlickrImpressions, LEA 6 August 2015 (Flickr)

There is no preferred windlight for the region – the sounds and lighting are designed to change with the SL day. However, if you wish to use a windlight yourself, I recommend the following for daytime lighting:

  • [NB]-MistyDay-5pm – set the Sun to around 11:00am-3:00 pm.
  • [TOR] MIDDAY – Baskaholic.

In closing, I would like to extend sincere and warm thanks to the following people, without their support, this installation would never have seen the light of day: Secret Rage, CioTToLiNa Xue, Jodi Serenity, Whirly Fizzle, Frankx LeFarve, and John.

With a very special and deep thank you to Cube Republic, whose generosity and support has been truly inspiring.

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Me and my pianos in Second Life

Over the years: my three pianos: rear right - the all prim Musical Alchemy; left: the sculpted PrimPossible concert grand; right foreground: the LISP Bazaar mesh concert grand
My three pianos over the years: rear right – the all prim Musical Alchemy; left – the sculpted PrimPossible concert grand; right foreground – the LISP Bazaar mesh concert grand

I love to play the piano, something I’ve mentioned in these pages before. In the physical world, I’m fortunate enough to have a hybrid piano – but Second Life allows me to indulge my little fantasy of having a full concert grand, and I’ve had one in almost every home I’ve had. It’s fair to say I don’t feel at home in SL without one.

Over the years, I’ve upgraded a couple of times – the most recent being to a marvellous mesh creation by Pandora Popstar (aka Lainy Voom) owner of LISP Bazaar I learned about via a Tweet from Skate Foss, and which prompted this article.

Musical Alchemy concert grand by Persephone Milk: still a stunning piano
Musical Alchemy concert grand by Persephone Milk: still a stunning piano some 8 years since it first appeared. Offering a rezzable set of ivory keys plus separate harp and strings inside the cabinet, relegating the texture version of both to the role of soundboard, it is still capable of presenting eye-popping detail

My first SL concert grand was the all-prim Musical Alchemy grand by Persephone Milk (L$999). At the time I first brought it, this was the Rolls-Royce of pianos (and in many respects, it still is). It is beautifully crafted and comes with a host of rezzable extras as well as multiple playing and sitting poses, depending on whether the top is up or down.

What made this piano particularly attractive to me was (and is) the selection of music, which includes a piece composed by Persephone herself, together with the option of rezzing a set of ivory keys and the also the harp and strings, both of which fit the cabinet perfectly. These all enhance the piano beautifully, the only downside being that as the piano has a base LI of 85, rezzing these parts balloons that to 163 LI.  As I gradually downsized my landholdings over the years, this eventually became too big an overhead, driving me into finding a replacement.

The PrimPossible Concert grand (now available in a new model) is a 1-prim wonder
The PrimPossible Concert grand (now available in a newer model) is a 1-prim wonder

In 2011 I purchased the PrimPossible concert grand from Ample Clarity (which has since been replaced by a newer model priced from L$950). A sculpted build, it appeared just as the mesh revolution was about to hit the grid, and offered a very nicely styled concert grand with a good selection of music at just 1 LI.  A further advantage with it lay in the fact that because the design was unconstrained by prim cutting, it could be better scaled for the “average” avatar than could be easily achieved with the prim build, meaning I no longer felt I needed the arms of an orang-utan to reach the full stretch of the keyboard 🙂 .

My only niggle with this piano has always been that as a sculpt, it stresses the rendering system with the attendant wait for it to “pop-out” from the initial spheroid shape. Hence, as the mesh market has steadily expanded, I’ve been seeking a replacement.

My new LISP grand piano - with thanks to Skate Foss!
My new LISP grand piano – with thanks to Skate Foss!

As mentioned towards the top of this piece, I finally found a suitable replacement in the form of the new LISP Bazaar concert grand thanks to Skate Foss. Currently only available through the Collabor88 event, Pandora’s piano is, in a word, beautiful. It weighs-in at just 6 LI, with and additional 2 for the padded bench, it is being offered in a choice of two finishes: traditional black lacquer and teak, all for an amazing L$288.

More to the point, it is exquisitely modelled along ornate grand piano lines, has an interesting selection of music and includes all the little details that attract me: adjustment wheels on the bench, top board prop cups, the soft and sustaining pedals offering a nice outward presentation and so on. In particular, Pandora has foregone the textured harp / strings / soundboard found in so many mesh offerings costing far more, in favour of a mesh harp and strings.

A closer look at the keyboard and sheet music...
A closer look at the keyboard and sheet music…

To be honest, there are a couple of little niggles around these from a purist point-of-view (I modified my piano to double the number of visible strings, for example, as I’m fussy that way), but these are certainly not enough to negate what is a super piano currently available through Collabor88 at a superb price. As it is, I have copies of the black lacquer sitting on the garden terrace of my “main” home, and in the lounge of my Linden Home (for those rare occasions I feel the need to go hide there).

I’m still partial to my Musical Alchemy piano, simply because it was the first piano I purchased in SL; it has stood the test of time exceptionally well, and is still worth considering if you have the land capacity to see it at its fullest advantage. But that said, if you are looking to replace your existing piano because it is a prim or sculpt build, or simply because you fancy a change, you really cannot go wrong with the new LISP Bazaar concert grand, and I have no hesitation in recommending it.

The LISP grand piano's plate and strings (both slightly adjusted by me for a better fit within the cabinet)
The LISP grand piano’s mesh plate and strings add a nice level of detail to the instrument – I later modified this piano to double the number of visible strings (mainly because I’m a fuss pot)

Thank you, Skate, for sharing your discovery!

A little More time in Second Life

Lacy Muircastle chatting to me on the garden terrace at home
Lacy Muircastle chatting to me on the garden terrace at home

I was recently contacted by Lacy Muircastle of More magazine if I’d be willing to be interviewed about my Second Life and this blog. The request came via note card, often the easiest why to contact me in-world and was, in all honesty, something of a surprise.

For those unfamiliar with the title, More is a monthly magazine published in-world and on-line by Maxes Loon, who runs the moolto.com social network site for avatars (I actually reviewed Moolto back in 2011, alongside of 2nd Friends – although that review is likely to be very long in the tooth). More covers range of topics – fashion, blogging, writing, photography – and is available through kiosks in-world and through the Moolto website.

As noted, the request for an interview came as a surprise – I genuinely don’t consider myself to be interesting interview material; but I agreed, and in due course was able to address Lacy’s questions, which were considered and framed in such a way that I quite possibly got rather verbose in my replies – she’s a very skilled interviewer!

At the time, I hadn’t appreciated that the piece was intended to be the feature article for More’s July issue, and was again genuinely surprised when Maxes, who also works as the magazine’s photographer as well as its publisher, dropped by to discuss photos, and mentioned this into the conversation!

The July issue is now available, and I have to say that Lacy has done a marvellous job in turning my ramblings into something cohesive and (I hope!) readable. As those who know me are only too well aware, once I do get going, I’m a little hard to shut up 🙂 . I’m also very flattered that Maxes opted to use a number of images I’d taken from locations (Flux ser Mer and the now sadly gone Venexia).

As well as yours truly, this month’s issue also features photographer Isa Messioptra, Mr. Virtual World Canada, Barney Helendale, blogger Capricia, a useful resource on in-world writing groups compiled by Lacy and, well, More.

So, even if you don’t fancy reading about me, there’s plenty more of interest in the magazine to make reading the July edition worthwhile. You can also keep up-to-date with each month’s issue from the home page of the Moolto website.

My thanks to Lacy and Maxes for the invitation and their time. 

A new Windlight arrives in Second Life

Bryn Oh is profiles by Emma Portilo in the inaugural July 2015 issue of Windlight
Bryn Oh is profiled by Emma Portilo in the inaugural July 2015 issue of Windlight

On June 25th, I wrote about a new magazine for the arts in Second Life that would be launching in July 2015. Well, here we are at the start of July, and the inaugural issue is now available!

Called Windlight, the magazine has been founded by John (Johannes1977 Resident), with Nikki Mathieson, owner of Avi Choice Productions, the magazine’s co-publisher. At 136 pages, the initial issue of the magazine covers a lot of territory, with interviews with Bryn Oh, Skip Staheli and Sasun Steinbeck, a piece on the Raglan shire Artwalk and a whole lot more.

Windlight Issue 1 cover
Windlight Issue 1 cover

As I mentioned in my original article, the folk behind the magazine are motivated and high-powered. Since that piece was written, blogger and photographer Kara Trapdoor has also joined the team, in which I’m also honoured to play a small role.

The feature article on Bryn Oh is a must-read. In it, this fabulous artist who has done so much to enrich Second Life as well as bridge the physical  / digital divide, is wonderfully profiled by Emma Portilo.

It is Emma who also interviews Skip Staheli, again providing insight into this talented photographer’s Second Life and work.  John provides readers with interviews with Sasun, Nikki and, um, yours truly. I was flattered to be asked to talk about my work in blogging the art scene in Second Life, and further flattered by the use of my own photos within the piece. John also takes the helm for the article on the Raglan Shire Artwalk (something I sadly missed this year, due to having too many commitments throughout May).

Shakti Adored is someone I’ve long admired, and I’m looking forward to reading her Curator’s Corner pieces each month. Shakti currently curates some of the leading galleries in SL, including the phenomenal Rose Gallery at Kaya Angel’s magnificent Angel Manor. She also has an interest in quantum physics, which tends to tweak the armchair scientist in me 🙂 .

Skip Staheli is interviewed by Emma Portilo
Skip Staheli is interviewed by Emma Portilo

This is undoubtedly a great inaugural issue for Windlight, and I’m looking forward to writing for the magazine from the August issue onwards. In the meantime, in-world kiosks for the magazine are available in many outlets across Second Life, and you’ll be able to pick up a copy from the Windlight Magazine Gallery which will be opening soon, offering space to artists under the Windlight Fellowship Programme.

For those who prefer, the magazine can be followed via the Windlight Magazine website, while the first issue is ready to be read from cover to cover at calameo.com – Windlight Magazine.

Congratulations to John and the team on this first issue publication, and here’s to many more!