Space Sunday: ups and downs, and returns

A rendering of Starship prototype SN8 in “belly flop” mode, returning to Earth after an ascent to 15 km and using the fore and aft flaps to steady itself like a skydiver uses their arms and legs. Credit: Bart Caldwell (aka Neopork)

It had been anticipated that mid-November would see the 15km flight of  the SpaceX Starship prototype SN8.  As I’d reported last month, that vehicle had completed its initial static fire tests before going on to be fully stacked with the intermediate ring and forward nose cone with aerodynamic canards.

Speculation had been that the test flight could come around the time of the SpaceX / NASA Crew-1 mission for Crew Dragon to the International Space Station which lifted-off from Kennedy Space Centre on Sunday November 15th (see: Space Sunday: a Dragon, a telescope and a heavenly princess). However, a final static fire test of the three Raptor engines during the week leading up to the possible launch window saw an issue occur, prompting SpaceX to place all launch plans on hold until the issue had been investigated and resolved.

The was done during the week following the 15th, and SpaceX has set the first part of the week commencing Monday, November 23rd as the target time frame for that static fire test, which eventually came on Tuesday, November 24th, when all of the vehicles fuel tanks – main and “header” tanks (the latter required to provide fuel to the engines during descent) – pressured prior to a 3-second and successful simultaneous firing of all three main engines.

The moment of ignition: with flaps folded back, Starship prototype SN8 fires its three Raptor engines in a pre-flight static fire test. Credit: Mary (aka BocaChicaGal)

Currently, documents filed with the Federal Aviation Authority (FAA) show that SpaceX have requested further road closures around their Boca Chica, Texa, test facility starting on Monday, November 30th –  with Elon Musk indicating that this is likely to be the launch period for the vehicle.

The test flight itself is intended to test three core aspects of the vehicle’s flight envelope:

  • Powered ascent to altitude.
  • Controlled “belly flop” decent whilst horizontal, utilising the fore and aft flps to maintain stability and rate of descent.
  • Orientation to vertical during the final 100 metres or so, and descent to a tail-first landing under engine propulsion.

The flight comes with a high degree of risk – nothing quite like it has ever been attempted before – and SpaceX are anticipating only around a 33% chance of success, and that SN8 will in fact be lost in what they euphemistically refer to as an “unscheduled disassembly of the vehicle”.

However, Starship prototype SN9 is almost ready to start ground tests, and SN10 is following up behind it, meaning that if SN8 is lost, flight testing shouldn’t suffer too much of an interruption, and if the initial 15 km flight is successful, then SN9 and SN10 will be available to extend the testing programme such as flying to higher altitudes and / or flying with a full fuel load – SN8 will fly with its tanks carrying only the fuel to get to 15 km and then make a (hopefully) safe return and landing.

At the same time as work is continuing on the starship prototypes, SpaceX has also been engaged on the development of the test launch platform for the Super Heavy Booster and the assembly of components for what will be the first of these boosters, called simply BN1. Also appearing at the site is a mock-up of a section of the “lunar starship”, the vehicle SpaceX has put forward to help NASA in its plans to return humans to the Moon.

The SpaceX Boca Chica vehicle assembly area, complete with the new High Bay for stack the Super Heavy booster (right) and various vehicles and vehicle components. Credit RGV Aerial Photography

In terms of the Super Heavy booster, SpaceX appear to be reconsidering the idea of trying to bring such a massive beast back to Earth to land directly on the launch platform. While this would allow the company a shot at its so-called “fast turn-around” of the vehicle between launches, it also requires a high degree of pin-point accuracy on landing, and opens the launch mount to the risk of damage should any go awry with a returning booster. In a recent tweet on the subject, Musk indicated that the initial Super Heavy booster flights will aim to land the vehicles on the concrete apron alongside of the Boca Chica launch mount.

But  it is not all good news for SpaceX, as the company has been informed it must undergo a new FAA environmental  review and re-licensing specifically for the launch of the Super Heavy vehicles.

This is because at the time the original environment review took place in 2014, the license granted was for test flights of the Falcon 9 and Falcon Heavy, not the Starship or Super Heavy. The FAA allowed flight testing of the former to occur at the site, as it was deemed to pose no greater impact than flight testing either of the booster systems. However, with some 30 Raptor rocket motors powering it, the super Heavy is a significantly different proposition, particularly as SpaceX now intend to use Boca Chica not just as their test facility, but an operational launch facility – a move which has angered local environmental groups.

They went from proposing a few launches per year of an already field-tested rocket to ongoing experimentation of untested technology without doing the studies that would ensure environmental protection and public safety and without giving the local community a chance to have a say.

– Jim Chapman, president of Friends of the Wildlife Corridor

This has resulted in significant pressure on the FAA to carry out a new full review, called an Environmental Impact Statement (EIS), which could take up to two years to complete (from initial assessment through to drafting the report to debate and final report). Currently, it is not clear what impact this will have on the company’s plans for Super Heavy test flights.

Continue reading “Space Sunday: ups and downs, and returns”

A Moonlight Dancer’s story in Second Life

Moonlight Dancer, November 2020

Currently open at the Third Eye Gallery curated by Jaz (Jessamine2108) is Moonlight Dancer, an interactive exhibition by Jaz and Harry Cover (Impossibleisnotfrench). Now, to be honest,this is another exhibit I’m getting to somewhat on the late side (again due to RL commitments), and so it may not be open too much longer – but I do recommend a visit before it closes, as it is something very unique.

The focus of the installation is the story of a young girl who is suffering from Xeroderma pigmentosum (XP).  This is a genetic disorder that causes a decreased ability for the body repair DNA damage such as that caused by ultraviolet light. Visible symptoms include a severe sunburn after only a few minutes in the sun, freckling in sun exposed areas, dry skin and changes in skin pigmentation. These can also occur alongside physical and nerve-related issues such as hearing loss, poor coordination, and loss of intellectual function, while complications can include high risk of skin cancer (with around 50% of young children suffering from the condition developing skin cancer by age ten without preventative measures), cataracts / corneal blindness, seizures, and the potential for sufferers to develop additional cancer, including brain cancer.

There is no cure for the condition, and treatment (outside of cancer treatments, should these occur) comprises protective clothing and sunglasses when outdoors,remaining out of the Sun for as much as possible and vitamin D supplements. The average life expectancy of those diagnosed is around 35 years if no neurological complications occur, or around 28-30 years should neurological complications occur.

Moonlight Dancer, November 2020

Moonlight Dancer presents the story of the girl as nine interactive chapters, each contained within its own display area. Chapters initially appear as an open magazine lying on a bare wood floor that can be read “as is”, but if touched will invite the reader to rez a scene that matches the chapter, creating a 3D scene. Included in this scene is a larger version of the magazine (for easier reading) and a headphones icon.  Chick the latter, and you’ll be able to hear the chapter as read by Fionn Bookmite – just click the offered media play button.

Set in India – where XP has one of its highest incidences – 1 in 370 – and life expectancy is at the shorter end of the range  for those suffering from it, the story follows a young man, Raj who encounters the young girl (Priya), as she dances by Moonlight. Intrigued, he strikes up a conversation with her, and thus starts to learn about her condition. Thus a relationship is struck between them, and we are able to witness its growth whilst simultaneously learning about XP ourselves, and the life those who are afflicted must live, their world a place where not only sunlight can be lethal, but in which just about any source of UV radiation can take its toll: television, computer and mobile ‘phone screens – even electric lights.

I’m not going to give the entire story away – people should visit Moonlight Dancer and follow it for themselves. What I will say is that the story and the installation is exceptionally well done – and quite moving as it builds towards its ending. I’ll also say that it is not merely an info dump about XP: it is also a story of strength, love, hope and light shining within a (quite literal) darkness.

Moonlight Dancer, November 2020
I come from India. I was shocked to learn the high degree of prevalence. We always think that because we have darker skin, it will handle the sun better, but that is not the case. Harry and I were looking at XP casually when I read about the cases in India and it is sad. The heroine in this story is fairly well off, but when it is in the poorer sections of the society it is even worse … And most people are not aware that something like this exists, so Harry and I wanted to make people aware of it.

Jaz, on developing Moonlight Dancer

I understand that Moonlight Dancer will remain open until the weekend of the 5th / 6th December 2020 – and I do recommend you stop by; you can also find more information on XP, including world-wideorganisations helping to treat those affected with it, via Google.

With thanks to Jaz for the invite, and Cale for the reminder to visit.

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A little Aqua Breeze in Second Life

Aqua Breeze: November 2020

I tend to be very cautious in reviewing regions that have rentals on them, mainly because I don’t like the idea of encouraging visits that may result in invasion of people’s home and privacy. It’s a difficult balancing act, as very often regions do pop-up that are given over to rental properties whilst also enticingly landscaped, but offer very limited public spaces – perhaps a landing point and paths around the region and between the various properties therein. These make it difficult to blog, because of the aforementioned concern over accidental trespass / unintended annoyance.

Some are easier  to blog, however, as they offer the minimum of rentals properties and enough open / public space to offer people the chance to explore without running the risk of encroaching on people’s privacy.

Aqua Breeze, November 2020

Aqua Breeze is one of the latter. Spread across the three islands that the region has been split into a total of seven rentals, offering plenty of space for roaming and photography. An eighth house is also to be found on the largest of the three islands, tucked into the south-east corner. We weren’t too sure if this was also private, as unlike the the actual rental houses, there was no sign at the top of the steps leading down to it – but we opted to treat it as private, in case it forms the home of the region’s owners.

These are Sunny (MinaNava), Christopher (Diafoirus) and Sunshiine (SummerSunshiine), who between them have also landscaped the region to present a rolling autumn setting  – although the About Land description warns of possible snow, so it is possible this may change in the near future.

Aqua Breeze, November 2020

The landing point is a stone bridge linking two of the islands. At the eastern end of this bridge is a little map of the islands, denoting the rental houses and the routes around them. However, the easiest way to discover the island’s secret is to follow the wooden board walks that wind their way over the grass of each island. Some branches of these do lead to the rental houses, but as noted above, a sign alongside the board walk will warn if you are about to trespass – aided by little picket fences on at least one side of each property, so it is hard to stray onto private land.

Scattered across the public spaces of the region are numerous places to appreciate the setting and enjoy yourself. Bicycles can be taken from the rezzer on the stone bridge for those who fancy a ride, and there are a number of places where a dance can be enjoyed. At the western end of the stone bridge is a little playground, together with a bubble rezzer for those who prefer an alternative to riding / walking.

Aqua Breeze, November 2020

Elsewhere, and awaiting discovery are little summer houses – one a possible venue for music events -, a greenhouse that has been converted into a café, picnic spots, and floating above one of the hills, a cuddle bubble, countered by a cuddle boat on the water, with decks extending out into the waters.

Enormous care has been taken to present the region as a natural setting, one tenants and visitors alike can appreciate and enjoy. Keep an eye out for the little details – such as the fox debated whether he should try one of the apples that have fallen in the orchard and the little wooden reindeer in the café, getting ready to celebrate the coming of winter.

Aqua Breeze, November 2020

Opportunities for photographs abound throughout the region – although do (again) keep in mind there are private houses scattered around the islands -, and Aqua Breeze makes for a charming, gentle visit.

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Miigis Shell Art Studio & Gallery in Second Life

Miigis Shell Art Studio & Gallery, November 2020

The Miigis Shell Art Studio & Gallery is a new gallery venture that has been established by Sevant Anatra to celebrate original Native American / Indigenous & other cultural artwork. Earlier in November, Sevant invited me to pay the studio a visit – and I must (again) offer an apology that it has taken me a good several days to follow-up on the invitation on account of physical world matters taking up a good deal of my time.

Sevant is herself is a contemporary fine artist of the Anishinaabe – a group of culturally-related Indigenous peoples that includes the Odawa, Saulteaux, Ojibwe (including Mississaugas), Potawatomi, Oji-Cree, and Algonquin peoples of the north American continent. The work she displays in Second Life is all her own, and is a reflection of the creativity that has been central to her entire life.

Miigis Shell Art Studio & Gallery, November 2020
My preferred subject matter is people, and I use soft pastels on black or dark surfaces, usually recycled black artigain paper. I use my art to process knowledge, memories and emotions of either myself or those who pose for me.
In  recent years I have been focusing on reclaiming my Native American heritage and culture one art piece at a time. There is a unique story behind each piece that I often try to express through the use of composition and colour.

– Sevant Anatra discussing her art

Currently, the Gallery is displaying Sevant’s work, together with a slide show of physical world photographs (touch the slide projector to advance the images). Her drawings are richly evocative, fully capturing her subjects in marvellous detail. Native American culture is celebrated within them through the use of traditional clothing, whilst also encompassing simple emotions – love, uncertainty, simple joy – with one also offering a glimpse of a creation story. If I had one niggle at all with this selection, it is that it is potentially too small – this is art that deserves an more extensive showing.

Miigis Shell Art Studio & Gallery, November 2020

The gallery itself officially opens on December 5th, and Sevant is seeking artists specialising in pieces representative of indigenous and similar cultural art and heritage. The closing date for being a part of the grand opening on December 5th is Saturday, November 2020 – although applications will also be accepted for slots throughout 2021.

Accepted artists will be allowed 30 LI to display their work, and general requirements for applications can be obtained via note card from an info kiosk in the gallery, or artists can contact Sevant directly in-world. When visiting, do take time to explore the ground, which have by landscaped to reflect the landscape of the Pacific North-west – there are several places t sit and enjoy the setting, and the corner studio is available for exploration.

Miigis Shell Art Studio & Gallery, November 2020

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A Little Winter in Second Life

Little Winter, November 2020

Those who fancy a little touch of winter / seasonal cheer and snow but who don’t fancy exploring a full region, might want to drop in Little Winter, Terrygold’s look at the season for 2020.

Terry has been offering these little winter scenes at the end of the year in Second Life for the last few years, and I’ve always enjoyed visiting them – although I will confess to missing her 2019 design.

Little Winter, November 2020

Located on a sky platform over Solo Arte, where Terrygold often displayed her art and immersive installations, Little Winter presents a simple, easy to appreciate outdoor setting that starts at a little chapel decorated with little stars, with an outhouse that might be the modern-day equivalent of a stable, housing as it does a tricycle and a motor scooter.

A path winds away from the chapel between shoulders and tables of rock and marked by silver birch trees, eventually arriving at a little cabin facing another barn. The cabin is cosy and warm, the barn a little grotto of waiting presents, guarded by large toy soldiers.

Little Winter, November 2020

Around these are lots of little details to be appreciated, from puppies playing with the reins of a sled to happy snowmen and strutting snow kiwis. As well as these, there are places to sit and cuddle, dances to be enjoyed and various opportunities for photography – or even to make a snow angel.

Watched over by deer, Little Winter is an easy to enjoy setting that doesn’t overly impact system performance or require a huge amount of time to explore and appreciate, making it a relaxing and engaging visit.

Little Winter, November 2020

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Around the World with Trinity Yazimoto and friends

Hoot Suite Gallery: Trinity Yazimoto

Trinity Yazimoto is an artist who at one time featured quite regularly in this blog after I came across her art. However, I’d managed to lose track of her in recent years, so it was with a good deal of pleasure that I received an invitation from Owl Dragonash to drop into her Hoot Suite Gallery to see a selection of Trinity’s work on display.

Having joined SL in 2009, Trinity started as a merchant-creator making women’s apparel “the old fashioned way” – using textures, system layers and flexiprims. Teaching herself GIMP and PhotoShop, circumstance saw her expand her skills to photography in  2013, as she started visiting regions and recording them via images.

As she candidly notes, the computer she was using at the time didn’t have the horsepower to allow her to use (what was then called) Deferred Rendering and shadows – but this didn’t deter her. Instead, after taking her pictures, Trinity turned to PhotoShop, adding the necessary shadows to her work as a part of her post-processing work – at least until she was able to provide herself with a computer with the power needed to allow her to use shadow rendering in-world.

Hoot Suite Gallery: Trinity Yazimoto

Gaining confidence, Trinity started exhibiting her work, first at her own gallery and then via invitations to display her work and through participating in various charity events, although more recently, she hasn’t – sadly – had the time to remain as immersed in SL art as she once was.

In Around the World With My Lil’ Friends, Trinity offers us a series of images  – some new, some from her existing portfolio (although never previously published) –  captured around Second Life that feature, as the title of the exhibition suggests, Trinity’s little animal friends enjoying various activities.

I started this project a few years ago. I always loved the lil bears from “Boogers” and the idea is to take them with me around the world.  They are good company, you know?
P.S. There will probably some more pics to come in the future….

– Trinity on Around the World with My Lil’ Friends.

Hoot Suite Gallery: Trinity Yazimoto

This is a set of 11 pieces split between the two floors of the gallery that show Trinity’s bears and other little friends engaged in everything from a first romantic dinner for two through to racing go-karts and splashing around in a swimming pool or sitting in quiet contemplation, admiring nature – and more.

Each image offers a little story of its own, charmingly framed and easy to follow. Some of these actually spill out of the frame and into the 3D world of the gallery, with several little vignettes of these “lil’ people” set out in the various rooms and on the balcony, in either a continuance of a particular picture or in reflection of it.

This is a genuinely delightful selection of images, complete with engaging audience – and for those who want to see more of Trinity’s lil’ friends, make sure you wander the garden of the gallery.

Hoot suite Gallery: Trinity Yazimoto

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