October 2023 sees artist and builder Cica Ghost presents something a little different for Second Life users to enjoy. In Cica’s Workshop we find not a new fantastical landscape or garden or alien world or other setting where our imaginations might go wandering through thoughts of faerie and folk tales or memories of childhood or other such avenues. Instead, it sits as a kind of living gallery, a celebration of many of Cica’s creations down the years, and a place where if we’re so-minded we can pick up copies of her work either directly or via convenient links to her Marketplace listings.
For those with a long familiar with Cica’s work, this is a chance to take a walk down memory lane – which I found myself doing. For example, throughout the region-wide exhibition there are her 2D drawings, large and small, which carry with them memories of installations such as The Visitors (2014), wherein she brought a flavour of occupancy to the former art centre The Lost Town – La Città Perduta. These figures also offer a reflection of her monochrome characters from her 2012 installation Cica, which rightly brought her widespread attention in Second Life, and also 2013’s Ghostville, which I believe is the first of Cica’s installations I ever blogged.
Cica Ghost: Cica’s Workshop, October 2023
Meanwhile, up on the flat crown of a hill sits a pastel cream garden and little house. The latter brings to mind many of Cica’s builds stretching all the way back to around 2014 as well, when her Little Villagemade its first appearance. These little houses, varying in size whilst often retaining their general looks and proportions, have gone on to appear in many of Cica’s designs, such as Moonlight (2016, and still one of my favourites among Cica’s installations) and very uniquely within Drawn Town (2019).
This is a place inhabited by many of Cica’s animal and creature creations, from her ever-popular sheep and cows, through to her dinosaurs, which I think first appeared within 20022’s Dinosaurs andCoconuts, her residents of Burlap, and cast from Monsters and ever-friendly Elephants (all from 2020) – and more besides.
In addition, several new characters are waiting to befriend visitors, whilst the installation also includes many items from Cica’s furniture range for those looking for something a little different for home and / or garden. And if you fancy having a near-avatar scale sandcastle for your beach or spending a little time in an anti-gravity cage – Cica has you covered.
Cica Ghost: Cica’s Workshop, October 2023
Even for those who may be relatively new to Cica’s work and her marvellous imagination, Cica’s Workshop offers and lot to see and enjoy – and possibly purchase along the way. As such, and while it may not be a “traditional” Cica presentation, it nevertheless shouldn’t be missed.
Presented by Models Giving Back, Rock Your Rack opened its doors on Friday, September 29th, and will run through until Sunday, October 8th, 2023. The annual fund-raiser for the National Breast Cancer Foundation (NBCF), the event offers shopping, music, fashion shows, entertainment and art.
Some 1.7 million women – and men – were diagnosed with breast cancer in 2012; today that figure still stands at around 1.6 million world-wide. NBCF’s mission is to help women in the United States by providing help and inspiring hope to those affected by breast cancer through early detection, education and support services. NBCF is also joining hands with organisations around the globe to provide breast cancer education, and Rock Your Rack aims to raise funds to support all of these activities.
Rock Your Rack 2023, September 29th-October 8th – shopping
Located on a single region, the event this year doesn’t carry a single theme per se, but draws on ideas of the American West, the seaside, city life and mystical forest glades in what might be seen as reflective of some of the environments and settings to be found in Second Life.
In all, the event features around 70 sponsors and designers through the shopping and entertainment activities, and as with previous years, supporting designers have been asked to provide a limited edition item, of which 100% of all proceeds of sales go towards Rock Your Rack. A full list of these items can be viewed on the Rock Your Rack website. Those wishing to catch up with the full list of sponsors and designers can do so here.
Entertainment will be on offer each weekend of the event and features DJs, live singers and performances by Terpsicorps Artwerks. The complete event schedule can be found in the calendar below and the Rock Your Rack website weekend entertainment schedule.
There is also much to do throughout the event besides shopping and dancing. Once again there is the Rock Your Rack hunt, with many designer and other booths at the event presenting a Hunt item available for L$10 – look for the heart-in-a-clothes hanger objects. There’s also the event’s Art Show featuring many SL artists, and a further Fashion Show to be held on Saturday, October 7th, 2023. In addition, visitors can try their hands at bumper boats, table-top games and funfair rides whilst exploring.
Rock Your Rack 2023, September 29th-October 8th – Art Show
About Rock Your Rack
Rock Your Rack is the annual fund-raiser for, and officially endorsed by, the National Breast Cancer Foundation in the United States. Launched in 2012, the event has been held every year since then, operating on the basis of complete transparency. All documentation relating to the funds raised at each event from screenshots of totals raised, through the Lindex credit processing of US dollar amounts out of Second Life to donation receipts from the MBCF, are posted each year directly to the Rock Your Rack website.
On October 1st, 1958 the National Aeronautics and Space Administration officially commenced operations, just two months after then-President Dwight D. Eisenhower signed the US National Aeronautics and Space Act into law.
NASA’s birth essentially arose out of what would become known as the “Sputnik crisis”. In October 1957 Russia launched Sputnik 1, the world’s first artificial satellite. Worse, just a month later, they launched Sputnik 2, which not only carried a living animal into orbit (the dog Laika, doomed to expire in orbit as the technology did not exist for the craft to re-enter the atmosphere and land safely), it demonstrated Russia had a launch system vehicle could be used relatively rapidly. This put US space launch efforts – activities largely split between the three branches of the military – into something of a tailspin, with the realisation that any civilian / science space programme could not be reliant on competing military programmes.
To this end, it was decided to place military space development under the auspices of a new agency within the US Department of Defense: the Advanced Research Projects Agency (ARPA – now the Defence Advanced Research Projects Agency, or DARPA), which was also charged with managing all aspects of emerging technologies research as they related to military use. Meanwhile, civilian space research would be placed in the hands of a new agency, with the National Advisory Committee for Aeronautics (NACA) charged with coming up with a structure for that organisation.
A replica of Sputnik-3 on display at the U. S. S. R. Industrial Exhibition, 1958, held in Moscow. The 4-metre long, 1.3 tonne spacecraft was 100 times the mass of its American counterpart, Explorer-1, and its launch and that of the earlier Sputnik-1 and Sputnik0–2 missions did much to speed the creation of NASA. Credit: Pathé News
Further haste was given to the need to determine the best direction of the US civilian space programme in May 1958, when Russia launched Sputnik-3 to mark the International Geophysical Year. Massing 1.3 tonnes, or 100 times that of the US satellite launched 3 months earlier with the same goal, Sputnik-3 demonstrated Russia had a payload to orbit capability well beyond anything within the United States, and a technical capability to fly large suites of science instruments on a single vehicle (12 instruments in the case of Sptnik-3).
In being instructed to study options for a new civilian space agency, the NACA was uniquely placed. Founded in 1915, it had (at that time) been at the forefront of aviation development in the United States for more than forty years, and following the end of the Second World War, it had become increasingly involved in aerospace research. For example, NACA was responsible for the initial design concept of what would become the X-15 hypersonic aircraft after developing and flying a number of supersonic craft during the early 1950s, and worked with the US Air Force to develop the vehicle from 1954 through until the establishment of NASA in October 1958.
A 1952 photograph of the NACA High Speed Test Force at Edwards Air Force Base during flights of the Douglas D-558-2 Skyrocket, the first aircraft to exceed Mach 2.0 (November 1953). Credit: Armstrong Photo Gallery.
After due consideration, NACA submitted a report and after reading it, James Killian, the then-chair of the Science Advisory Committee realised that NACA was not only well-placed to recommend what form the new space agency should take, it was ideally placed to become the foundation of the new organisation, informing Eisenhower via a memorandum the to Eisenhower stating the new agency should be formed out of a “strengthened and re-designated NACA, a going Federal research agency with 7,500 employees and $300 million worth of facilities” and which could expand its role “with a minimum of delay”. His suggestion was accepted and incorporated into the National Aeronautics and Space Act.
As a result of the decision to transition NACA into NASA, the new agency was able to hit the ground running, gaining three major research centres – Langley Aeronautical Laboratory, Ames Aeronautical Laboratory, and Lewis Flight Propulsion Laboratory, and the NACA budget and staff. In the months immediately following NASA’s establishment, those elements of the US Army and US Navy trying to build and operate orbital rocket systems were transitioned over to the new agency (including the US Army team utilising Wernher von Braun and other former German rocket engineers), together with the California Institute of Technology’s Jet Propulsion Laboratory, which has become world-famous as the developmental and mission operations centre for the majority of NASA’s robotic deep space missions.
As a part of its very first research activities, NASA took over the hypersonic X-15 programme mentioned above, overseeing all 199 flights of that craft along with the US Air Force. At that time NASA came into existence, the NACA and the USAF had been collaborating on the idea of extending the X-15 into an orbit-capable vehicle to be launched vehicle a family of modified missiles, thus allowing the US to gain valuable insight into the design requirements and operating nature of space-capable aircraft, which were even at that time being seen as the future of manned spaceflight.
Conceptual illustrations of the X-15B orbital vehicle with various launch options, and (r) the X-20 Dyna-Soar. Credit: Mark Wade
In particular, the USAF was keen to gather data to help with a concept for a multi-role “space glider” which would evolved into the X-20 Dyna-Soar project of the early 1960s (although this was ultimately cancelled in 1963). However, NASA’s new leadership preferred a more cautious approach to putting men in space, determining primates should be flown first and recovered for post-flight study. Therefore, the X-15B concept, with its need for a skilled pilot at the controls, was rules out in favour of the less capable but easier to fly Mercury capsule. Thus was NASA’s manned spaceflight programme born.
Today, whilst still a relatively small organisation in terms of manpower when it comes of federal agencies (the Federal Aviation Administration, for example, numbers 48,000 employees to NASA’s 18,000), and with a modest budget (less than US $26 billion from the US mandatory federal budget of US $4.1 trillion – which admittedly and conversely is still around 4.5 times more than the FAA’s), NASA is an incredibly diverse and far-reaching organisation.
NASA’s rarely-noted administration headquarters at 300 E Street SW, Washington DC. Credit: NASA (1997)
Not only does it manage all of America’s civilian space activities through ten major research and operations centres across the United States (as well as numerous smaller facilities and centres), it continues to carry out wide-ranging aeronautical research and development in what is a continuance of the cutting-edge work started by the NACA more than 100 years ago.
In addition, NASA is involved in R&D and operations across many disciplines and areas of research, including communications; vehicle and transportation safety; environmental monitoring (climate and weather in partnership with the National Oceanic and Atmospheric Administration (NOAA); pollution control, environmental management, global land use, deforestation monitoring, agricultural monitoring, etc (much in partnership with the US Geological Survey, or USGS); research into alterative and sustainable energy systems; nuclear research; multiple avenues of general science research as they pertain to the planet and to healthcare; and in promoting education, science, mathematics and the harnessing of technology through a range of STEM initiatives in the US and around the world.
So, happy anniversary NASA. You may be at retirement age in human terms – but here’s to many more!
Updates
OSIRIS-REx Samples
Previously on Space Sunday (as they say on TV shows) NASA’s ORISIS-REx mission returned to Earth samples captured from 101955 Bennu, a carbonaceous near-Earth asteroid. As we left that story, the sealed capsule containing the estimated 250 grams of material was pending a transfer to NASA’s Johnson Space Centre (JSC), Texas.
The first glove box unit at the ARES facility, JSC, purpose-built to handle the disassembly of the ORISIS-REx sample return capsule so that the samples of asteroid Bennu it contains can be removed for examination and analysis. Credit: NASA / Robert Markowitz
That transfer occurred on Tuesday, September 26th, 2023, with the sample capsule being airlifted from the US Army’s Dugway Proving Ground in Utah, some 31 kilometres from where it landed, to Ellington Field Joint Reserve Base near Houston, Texas. From here the special transpiration container with the capsule inside was move by road to the Astromaterials Research and Exploration Science (ARES) centre at JSC.
ARES is home to the world’s largest collection of “astromaterials” (samples returned from space), and is usually the first US centre to examine such samples brought to Earth by US space missions. As such, it is the ideal permanent home for the OSIRIS-REx samples, and will be the centre that carries out an initial sample analysis and then divvy it up for distribution to research centres around the world and to museums.
How it should have gone – the OSIRIS-REx TAGSAM “touch-and-go” mechanism recovering samples from the surface of asteroid 101955 Bennu in 2020. As it turned out, the asteroid’s surface was so brittle, the sample head and arm smashed through it to a depth of around 50cm.
Inara Pey: Living in a Modemworld 