Hera’s Neverever Land in Second Life

Neverever Land, November 2021

I’ve already said I’m a Hera (zee9) fangirl. So when an IM from her drops into my chat window, it immediately grabbed my attention:

Hi there, you may remember me saying in a notecard a couple of build back that I most likely would never do Neverland, well just to prove myself wrong I just did, thought you might like to visit.

– Hera (Zee9) in telling me about her latest build

Neverever Land, November 2021

And with that, I was reorganising my list of places to visit and then on my way to visit another chapter in Hera’s evolving story of Neverworld settings, places born of the imaginations of children; places of escape and fantasy that, as we grow up, become increasingly hard to find as the paths become overgrown and eventually lost to the demands of work and life.

Neverever Land is a place that holds within it touches of J.M. Barrie’s tale of Peter Pan, Wendy, the Lost Boys and Captain Hook whilst offering a setting that is undeniably born of Hera’s creativity. It also starts with a story – a further chapter concerning Jane (Wendy’s daughter from the epilogue F.M. Barrie added to his original story of Peter and Wendy four years after its publication) – and introductory  notes. Both should be read in full before proceeding further.

Neverever Land, November 2021

With the story and notes read, it’s time to enter the house and – as with some of the recent builds that have carried us into Herea’s Neverworld – is to find the story book the will carry you to Neverever Land, and I’ll use her worlds to introduce it:

The Neverever land exists at the edge of dreams just before the wall of sleep.
It is not like the real world,
even though it may at times seem very familiar.
Yet Neither is it the land of sleep and dreams,
Because the people there are all awake.
It is created from what is left in memory of the real once the mundane has faded.
A place of wake dreams or daydreams.
What happens there is not real,
But might change forever that which is.
It is the neither neither land.
The funambulatory path between the worlds.

Hera (Zee9) describing Neverever Land

Neverever Land, November 2021

And so we find ourselves in an] circular archipelago of islands rising from a glass-like sea that captures their reflections through a mist of surf. Only it’s not a sea nor surf; we are in fact among the clouds, the islands floating in a world of their own, surrounded by more distant peaks. The central island has a peak of its own that rises from a sandy beach landing point, a path spiralling upwards to where the first of several stone bridges connect most of the islands one to the next, while two rope bridges complete the possible connections from landing point to islands, so providing multiples roots by which to explore.

In taking a leaf from J.M. Barrie’s book, the setting is rich in motifs. There’s the Lost Boy’s camp, a garden suitable for Tinkerbell, a cavern that perhaps forms Peter Pan’s hideaway, a further camp that might be seen as the home of some of Tiger Lily’s tribe, and out on the water, a pirate ship that might be that of Captain Hook. Perhaps the clearest motif of all, however, is the crocodile; even if he does seem a little… tied up … in things in one location!

Neverever Land, November 2021

This is a place very much where visitors have space to find places to sit and relax without being overcrowded in any way. There are also – as always – plenty of opportunities for photography.

After the intensity of recent builds such as Whitechapel (see here for more) and Whitby (see here), Neverever Land presents a distinct and relaxing change of pace within Hera’s recent designs; as such it makes for a very different – but nevertheless equally imaginative – visit.

Neverever Land, November 2021

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