Tag: Exploring SL Archives

Designed by the in-world partnership of Tamara Sierota and Camis Sierota (Camis Lee), Perpetuity is a Full region presenting a refreshing pastoral setting that is open to visitors to enjoy and photograph. It offers much to see in as very natural setting that carries  something of an emphasis towards lovers and couples, as the About Land Description indicates:

A place for quiet moments & photography with areas to bring your date, lover, partner or to come alone & relax surrounded by nature in all its beauty. 

Group membership is open for those who wish to have rezzing rights, and motorbike and horseback riding are welcome along the dusty track that winds its way around the region, whist a bicycle rezzer is also available at the landing point for those who are sans horse or motorbike options, but who wish an alternative to wandering on foot. Poses for photography may also be rezzed via group membership, with the request that these are kept small and are discreetly used – and are cleaned-up afterwards.

The east side of the region features a ribbon of beach that runs north-to-south. Watched over by a summer house and a small café, the sands of the beach offer several places to sit and look out over the water to the far horizon, and is spanned by a long pier that forms the landing point while also providing access to the rest of the setting  as arrivals walk its length.

The majority of the region is given over to an arable / livestock farm, with corn, sunflowers and lavender in the little fields, and cattle and sheep grazing while horses wander.

How much emphasis is put on income from farming, however, is open to interpretation: one field has been given over to a music event space and the main barn appears to be more used as a front attraction for Camis’ Apple Pie & Moonshine bar than as a home for farming implements and / or horses, the old tractor parked within it notwithstanding.

Elsewhere across the region are further signs that that farm – assuming the entire setting was once all a single farm holding – has diversified its business comes in the form of the little cabins and old chapel that have been converted into retreats for artists, and what might have once been a barn that is now a motor-cycle friendly bar as it sits across the track from the farm’s produce shop.

The farmhouse itself sets to the south-west, tucked into a corner where the track loops around a small natural bay fed by fresh water that tumbles from a stubby thumb of rock poking its head above the surrounding fields. Backed by the high mountains that cup the region within their off-sim arms, it’s a cosy house perfectly set to give itself a sense of privacy without actually being divorced from the rest of the setting.

Given this is a place intended for the romantics among us, as well as explorers and photographers, there are numerous places to sit and spend time with someone close to be found throughout, indoors and out, on the land and on the water. All are gently washed over by the local ambient sound scape that adds a little more depth to the region, and all can be found as a result of gentle exploration of the island.

Rich in detail, easy on the eye, with a welcome and encourages people to explore, Perpetuity is a delight to visit. A calm haven caught in the midst of summer for both visitors and the local animals and wildlife (keep an eye out for the black bears!).

SLurl Details

• Perpetuity (Envylicious, rated Adult)

I was off back to Neverending, the Homestead designed by Jayden Mercury and Valarie (Zalindah), to see it in its latest iteration: The Dark Tower.

I’ve no idea if the region’s name is a reference to Stephen King’s series of of eight novels genre-crossing (dark fantasy, science fantasy, horror, and westerns) series of novels regarded as his magnum opus (or indeed the 2017 film they in turn inspired, or the 1952 narrative poem Childe Roland to the Dark Tower Came by Robert Browning said to have been King’s inspiration).  Nor do I know if the likes of Tolkien’s Barad-dûr may also have influenced the naming of the region in this iteration; however, there are faint echoes towards both King and Tolkien writings to be found within the setting.

The focus of the setting is a high tower towards which we are encouraged to travel just as King’s  protagonist, Roland Deschain, is also drawn (essentially following in the footsteps – metaphorically speaking – of Browning’s Childe Roland); although in his case, the Dark Tower is both physical and metaphorical, whereas here the tower is very much physical.

Rising from a domed island, the tower within the region may not be the centre of the universe, as per the tower of the film, but it does sit as the hub around which most of the rest of the setting has been built. It is ringed by a series of stone and wood bridges that sit wheel-like around it, with stone causeways connecting them both to it like the spokes of a wheel, and which extend outward to reach other points of interest.

One of the latter offers the Tolkien reference: a tall volcano that issues forth lava and billowing smoke just as Orodruin did as it stood apart from Mordor’s Barad-dûr. A second outlier tops a pinnacle of rock to provide a lover’s hideaway within the hollowed trunk of an aged tree, whilst a third presents a walk through rain and dancing leaves that pirouette around frozen umbrellas periodically lit by lightning, to where a grand piano sits. Beyond this, across the water and within a curtain ring of stone and trees, sits a house on its own, a private residence.

From the low-lying landing point with its warning about AFKing whilst there, its Torii gate and off-shore orca that play in the shallows, it is possible to climb to the first of the high causeways as it leads to the tower.  From either side of this causeway, the ring of stone and wooden / rope bridges spans outward from either side for those who wish to follow it (but be warned; some of these may not be as stable  as they might first appear to be!).

In keeping with King’s novels and the film they spawned, the tower appears to be a place of mystery and power for those who dare explore (there is even a “door” that will return visitors to their beginning – or at least in this case, the landing point). A dragon guards the entrance to the tower, although it appears willing to allow visitors passage through the great gate and doors and explore within. It is not the only such creature standing guard – a point to which I will return in a moment.

While the great hall to the rear of the tower might at first appear to be little more than a place nature is attempting to reclaim, careful eyes and hands might find a secret route by which the tower might be further explored, from top of highest tower through hidden room, and more as noted above. Others might simply content themselves with finding their way to the upper room, where sits the Book of Magic.

Not all of the regions secrets await discovery above ground, either. Those who explore carefully enough should find their way to a garden where creatures of the sea swim and play, and tunnels lead to where a water dragon awaits those wishing to sit and converse with it.

Like the iteration before it, Sakura Tales (see here for more), this version of Neverending continues a narrative that first started with Jayden Mad Wonderland build (see here): the tale of an artist, with chapters of the story awaiting discovery throughout the setting as they lie as pages waiting to be found. When discovered an clicked upon, these pages will present their part of the story to you on a private channel, and (perhaps) offer a clue as to what is to come next.

Rich in detail (although the default EEP settings can make this difficult to appreciate – I actually opted for Bryn Oh’s Bluniverse, which comes as standard with EEP, so that I could appreciate the setting better without going too far from the intended environment), with lots of opportunities for photography, discovery and simply appreciating the creativity of Jayden and Valarie  whilst following the third instalment of Jayden’s tale, The Dark Tower is an atmospheric and engaging visit.

SLurl Details

• Neverending: The Dark Tower (Neverending, rated Moderate)

Update: Syx contacted me to assure me the villa in the north region is indeed open to the public, and encourages people to pop in to witness Bryn’s interior design!  

Ilha do Sol (literally “Sun Island”) is an estate comprising three regions designed by Syx Toshi and with touches by his SL partner Bryn Toshi (Bryn Bulloch), that between them offer a touch of Mediterranean sunshine and Californian surf in a contiguous setting that runs south-to-north through the estate.

While teleporting is open, perhaps the best place to start explorations is the middle region, the home of the little town of Ilha Do Sol itself. This huddles itself around a small bay and climbs the shoulders of the hills that cup the bay’s waters. Here, visitors are placed down within the small praça that sits on the landward side of the bay, separated from the water by a narrow ribbon of grass and sand on to which have been drawn a number of rowing boats, while a couple more sit out on the water.

Featuring a traditional fishing boat of times past, the praça is home to a  modest open market that is proving popular with tourists and locals alike (the familiar static NPCs that are to be increasingly found across many public regions). The majority of the buildings bordering the square and climbing into the hills of the bay are façades, although a couple do have interior décor for those who wander the waterfront.

A tunnel sits to the rear of the praça, providing a subterranean route to the southern region, of which more anon. Passing over this tunnel is the main north-south road, which ends in a small car park overlooking the south region whilst also running north into the open country beyond the town.

The north side of the town sits back from this main road, and offers more to see with little houses sitting along narrow streets, one of which forms a little cycle shop where bicycles can be rezzed and used by visitors. The local church can also be found here as well, tall and slim and with it doors open to visitors. Beyond it, the paved road twists around an upland shoulder of rock and quickly turns to a dusty track that winds into the northern region of the estate. Here, just across the region boundary is a small stable and field where visitors can rez a horse and go for a ride.

This northern region is largely open – there’s the sables, a small orchard and, climbing further into the hills, the steps of a vineyard, each held in place by a tile-topped wall, the vines fed water from sprinklers also mounted atop the walls. Having petered out prior to reaching these terraces, the track resumes to curl around them and climb up to pass close to the wall of a large villa before continuing on to the edge eastern cliffs that drop away to the sea.

The villa sits within its own parcel, and while there is no sign or other indication this is the case, it gives the impression of perhaps being a private residence. As such, I didn’t pass through the gates as I didn’t want to invade privacy.

Returning to the southernmost region of the estate, this takes the form of a sweeping sandy bay facing open waters where whitecaps periodically roll into the shallows, offering the opportunity for surfing and swimming. The beach itself is home to a surf school that has its own lounge and swimming pool, while on its eastern side the sand runs between the blue waters and a number of private residences in the form of RVs, trailers and tents that sit along the edge of the region.

Rezzing here is open, allowing people to use their own surfing and swimming gear, while for those who don’t have any surfing kit, board rezzers are also available. I confess that I didn’t ride the waves during my visit – but I did use the open sands to take my horse for a good gallop around the bay! Those who enjoy their surfing experiences might like to climb the sandy slope at the back of the beach to Syx’s shop as it sits with a commanding view over the bay and connects back to the town’s car park via a board walk.

There are many attractions to be found around Ilha Do Sol, and it lends itself well to photography, particularly if you take the time to try different EEP settings. However, for me, what really makes this as a setting is the time Syx has taken in order to blend traversable region with off-region surrounds to create a natural landscape. This rises from the sea to slow hills and scrubby plains and then to grass-topped foothills that join with the surrounding mountains that gives the setting a depth of design that is eye-catching.

SLurl Details

• Ilha Do Sol (Norton, rated Moderate)

A quiet calm and stillness will comfort your soul as you wander beneath a canopy of trees and explore the spellbound forest at Cloven. Enjoy photography, horseback riding, the stone circle, hot springs and more.

So reads the description of Cloven Forest, the Full region design by Nova Murray that lies surrounded by mountains and offers a wooded landscape suggestive of great age, and where feet (and hooves can wander freely.

Naturally set beneath a night sky – I’ve opted to use daylight settings in the images here – the region may include the LI bonus available to Full private region, but the setting doesn’t in any way feel overloaded. Instead, it presents a landscape that undulates gently beneath that canopy of trees, shadowed avenues passing beneath their cover.

These avenues are largely natural in nature, broad swathes of grass unburdened by track or paved surface. Periodically lit by by flower-shaped lanterns, these natural trails are easy to follow on foot and ideal for riding if you have a wearable horse.

Towards the centre of the region there rises a gentle hill, crowned by mature oak trees, and from which the two streams that cut through the land issue, presumably sourced by an underground aquifer. Whilst spanned by bridges, neither of these fast-flowing streams presents a real hazard to navigation, although the splashing waters of one has attracted a small family of black bears, a small sample of the wildlife scattered throughout the forest.

The sense of age to be found here is not only offered by the great height and maturity of many of the trees, but also in the ruins to be found as one explores. These range from the remnants of what might have been a fortification crowning the flattened top of a hill to the west and what is left of an  old church and grave yard occupying the lowlands below, to an inner garden where the trees have been draped in lights, and a stone conservatory and fountain stand, both carrying a hint of fantasy to them that contrasts nicely with the more medieval look to the ruins.

Marked by a drystone wall with a single circular entrance guarded by two aged trees, this garden is just one of a number of places within the forest offering places to pass the time. Another such space come with pagan elements in the form of tree trunks craved into the form of a couple joining in matrimony, the fire and circle of seats nearby bracketed by barrels of wine or mead to one side and a small natural alter to the old gods on the other.

Other places to sit lay scattered throughout, with one of them carrying a more modern vibe to it: a small camp site that almost borders on glamping, sitting on a table of rock rising from alongside the aforementioned garden space.

The one path that is to be found within the region runs alongside the north side of the island, passing through an area of younger woodland (going by the height of the trees) among which is hidden a wooden watch tower that overlooks the waters beyond the region. Passing beyond the tower, the path eventually branches, its two ends eventually delivering those who follow them to the old church ruins.

With the landing point tucked into the north-east corner of the setting, balanced by a ring of standing stones in the south-east corner, Cloven Forest has a lot for visitors to discover throughout, both inland and along the shorelines. To the west, a stone bridge spans a channel of water into a second region – Clovenhearth, a homestead – but as the sign at the bridge notes, that region is a private residence, so explorations should be curtailed without crossing over the water and intruding on privacy.

Atmospheric under its night-time sky and highly photogenic by almost any daytime EEP setting, Cloven Forest makes for a relaxing visit and opportunity for exploring.

SLurl Details

• Cloven Forest (Cloven, rated Adult)

Designed by Syna Kiyori / Sônge (SongeFireflies), [ Dispersion ] is an atmospheric Homestead region that offers a lot to take in and appreciate, as  I recently discovered courtesy of another pointer from Shawn Shakespeare.

Syna/Sônge describes the region as a meeting place for lovers of sensuality, inviting them to dance and explore and allow their creativity free reign as they enjoy opportunities for photography. And the truth is, the region offers all of this and more.

Sitting under a twilight sky where the Sun is dipping towards the horizon, and the heaviness of sky and cloud give a sense that we’re already in the last light of day, the region is intriguing in its mix of setting and home for art.

From the landing point in the north-east, the region immediately suggests something of a post-apocalyptic / disaster setting: the main bridge leading away from the landing zone is broken and partially collapsed – as is the road beyond. What appears to be a decontamination crew is warning people away from the far side of the broken bridge.

Nevertheless, the bridge can be crossed; and despite looking cold, the waters washing over the old road are not deep, allowing the road to be followed to a pair of blocky structures linked by a glass and wood gazebo. This is the home of the La Boite Noir (The Black Box), a gallery space that at the time of my visit was featuring the art photographer Hilaire Beaumont, whilst outside are places to sit and enjoy the view back over the region.

But to return to the landing point a moment. This offers something of an event space, what appears to be disused parking lot (despite the warning it is a tow away zone ) now partially overgrown, a tree having long since taken over the centre of the tarmac. Old televisions hang from the branches of the trees and from another to one side of the the tarmac. Together with the wrecks of old cars and the carcass of an old low-loader for a stage, they present place where the promises dancing can be enjoyed.

A gap in the fencing on the west side of the landing access a path leads the way between an old wall and tall trees, passing a long-abandoned swimming pool complete with Cyrillic writing on the roof. Here, and along the path itself, are further displays of art: the old pool house contains images by Syna, and the path is home to sculptures.

Further west, the land opens out a little, home to a domed pantheon. Despite the fact that nature is taking control inside, this is home to a strangely cosy and engaging club-like setting. Chandeliers hang from the branches of the old tree, armchairs and couches scattered beneath its branches and lit by spheres of light.

To the south sits an island connected to the rest of the region by two wooden bridges.  Rugged and home to fir trees, an old barn sits just across the bridge, but the island’s delight lies in the orangery standing amidst the trees to the south-west. Again partially reclaimed by nature, it also offers something of a romantic setting, one framed by the westering Sun and with places indoors and out to sit and appreciate the many views to be had.

The eastern end of this island looks back towards the art gallery, close to where another wooden bridge offers a route back to the landing point. A tractor sits on this bridge which, when added to the presence of the barn and the goats, gives the suggestion that a farm once existed here.

What may have happened to flood the land and leave it partially broken and with sunken containers washed against the shore, or why a team in hazmats is needed is open to the imagination. However, what cannot be denied is the fact that [ Dispersion ] is a picturesque and captivating  setting and one thoroughly deserving on a visit.

SLurl Details

• [ Dispersion ] (Cherokee Taslagi Vally, rated Adult)