Inara Pey: Living in a Modemworld

Following a poke from Shawn Shakespeare, I hopped back to Cathy Vathiany’s (zaziaa) ever-evolving region design Lost Dreams, which has had a further re-dress (and relocation), with a design that now exists in a region of two distinct halves, with several secrets awaiting discovery.

To the west, and with a north-south orientation, sits a very temperate-looking landscape which encompasses the landing point within a very rugged setting. This presents a pair of cliff-sides plateaux separated by a low meadow that is home to most of the local wildlife and spanned by a tall suspension bridge that picks its way over an inland body of water fed by falls dropping from a curtain of cliffs.

From the landing point sitting alongside a cobbled path, it is possible to walk path west and then north to where it runs down a slope to a set of steps to where a small waterfront town sits. This is a place of broad paved roads, a busy wharf and waterfront where artists of both the visual and performance kinds have found a home, and posters on the walls give the setting something of a French connection.

Following the cobbles south from the landing point quickly leads to the tall bridge and the southern plateau, a slightly wilder setting offering camping (or glamping, given the use of ultra-modern geodesic domes), with a hint of history with the presence of the ruins of a stone-built church. Winding across the plateau, the path runs down to a southern shoreline and a small island. Those wandering down to this should be aware that there is a rental cottage tucked into the south-west corner of the setting.

To the east, and again with a north-south orientation, the region takes on a completely tropical look. Separated from its temperate neighbour by a broad channel of water, this tropical environment can be reached via a broad bridge connecting the north-western town with a broad events space with café and fairground rides.

Beyond this, the sandy landscape points southwards – although again, be aware that the southern end of the beaches is again given over to a further pair of rental cabins – and these are not the only rentals here. Sitting off the east coast is an arc of tiki rentals, each on its own little sandy hump for those facing a holiday on the water.

Within these two environments, however is more to be found. Clues to this can be found in the form of a couple of teleport portals – one in the temperate one on the tropical – that are hard to miss, and more subtle teleport disc scattered around. Find the right one, and you may be transported under the waters to a sunken gardens, or another to find yourself in a skyborne multiple-room lounge that has – for those of a sensitive nature – a decidedly adult theme (although other adult, umm, pointers, can be found floating on the beachside waters of the intervening channel between the two halves of the region). While sitting over those waters is a cliff side house that – I believe – is open to the public, although access is somewhat restricted.

There are also multiple touches of detail that await photographers – not that the entire setting is in any way unphotogenic; but small details are often what bring a place to life; so these are worth looking out for. There are also curious dichotomies within the region. Take the town for example: it offers something of a European tone with a pub, outdoor café, the street performance, etc., – and then sitting on the streets is a pair of stagecoaches right out of the American west.

Compared to past versions of Lost Dreams – and Les Reves Perdus (“Dreams Lost”) before it – this iteration of Cathy’s vision is very different in tone, simply because of the way it offers that temperature / tropical split whereas past designs have tended towards just the one overall theme for their setting, be it Nordic, temperate, tropical or pastoral. However, it is clear Cathy has taken extraordinary care to make sure the two sides of the region work both as individual settings and as a united whole, with equal care being taken to keep the rentals sufficiently apart from the public spaces so as to minimise the risk of intrusion from public to private.

All of which makes for another engaging visit.

SLurl Details

• Lost Dreams (Creative Hearts, rated Adult)

Bo and Una Zano (BoZanoNL and UnaMayLi) are back with a new Homestead region offering which is an absolute joy – as one might expect from Bo, who is justifiably held in high regard for his Elvion region designs.

Having opened in March, RockMead offers a wonderfully delightful setting that contains within itself shades of Elvion whilst offering an entire unique environment; a group of islands rich with the sense of spring and summer; a place where horses roam and stags and deer keep an eye on things on land, whilst heron watch over the waters and birds give the air song.

This is a setting that could easily be wherever the mind cares to fancy, northern or southern hemisphere; although that said, the beaver present within the setting do perhaps suggest this is a place far more in the northern hemisphere than the southern. The islands making up the landscape sit as something of a nested family: one of the two larger isles sits cupped in the arms of the other, a small isle sitting as home to the landing point held gently between them.

The landing point sits tucked into the south-east of the region, leaving the rest of the land spread before the visitor ready to be explored. Little humpbacked bridges span the waters as they divide the the landscape, connecting the dusty trails that cut across the low-lying lands to offer routes for wandering feet. The only man-made exceptions to the stone bridges are a pair of wooden walkways that span the channel splitting the westernmost island from its brethren.

A long, slim finger of grassland topped by trees, this western isle is the most “private” it terms of its position sitting beyond the widest channel of water and partially hidden from the rest of the region by low hills. To its northern end sits a little sandy area – not a beach per se, but a place secluded enough to offer a little romantic setting at the water’s edge, reached by passing under a natural rocky arch.

At the southern end of this island, the beaver mentioned above are busily creating a dam – one perhaps sufficient enough to cause the waters to spread behind it and offer more of a protected place in which the local geese can swim.

A single homestead occupies the land, sitting on the large L-shaped island. It is a simple affair, partially ringed by dry stone walls, its rough-hewn frame and walls topped by a roof that has in turn been covered by turf to provide an extra layer of insulation, suggesting this is a place that can get cold in the winter months.

Sheep graze on the grass in front of the cottage, whilst from its overhanging front eaves it offers a view across the last of the islands, a place set out for horse grazing and marked by a single ruin; that of a former brick-built house that now sits at the edge of slowly-encroaching waters, the fence alongside it already partially submerged.

Pastoral in tone, RockMead is a place where the beauty runs large and small; from the overall design of the region through to the little birds waiting to be found here and there. Horses roam their field and take the occasional nap; geese swim the waters and pass overhead, whilst at least one familiar little character from the Elvion builds is watching over the landing point. It is a setting that is genuinely relaxing in look and feel, neatly rounded out by an engaging sound scape.

Another superb build from Bo and Una, and one that should be savoured by all, Those wishing to rez props for photography can join the local Group in order to do so – but please remember to clean up if you do.

SLurl Details

• RockMead (rated General)