2023 SL SUG meetings week #12 summary: “Ban the Bots” Simulator Update

Highland Retreat, January 2023 – blog post

The following notes were taken from the Tuesday, March 21s, 2023 Simulator User Group (SUG) meeting. They form a summary of the items discussed and is not intended to be a full transcript. A video of the entire meeting is embedded at the end of the article for those wishing to review the meeting in full – my thanks to Pantera for recording it.

Server Deployments

  • On Tuesday, March 21st, the SLS Main channel servers were restarted without any deployment, leaving them on simulator version 577734.
  • On Wednesday, March 22nd, one half of the RC channel servers will receive an update to their current simulator release, the remainder will gain the Estate Level Scripted Agent Controls (aka “Ban the Bots”).

Estate Level Scripted Agent Controls (aka “Ban the Bots”)

This is the simulator update referenced in the March 10th Lab Gab session – see: Lab Gab summary: Grumpity, Mojo & Patch – SL Mobile, land, bots & more – Bots and Policies.

  • The update includes a console variable that can be set by estate managers to either True or False. When set to True it will prevent Scripted Agents from entering regions in an estate (those required by the estate can be added to the access list so they can continue to access regions).
  • This will be supported in time by a viewer UI update to allow the option to be managed more directly – but it will still be a while before this UI change surfaces in the viewer.
  • There will be a policy change update published soon which will further cover these changes and the operation of Scripted Agents.

Further changes have been suggested within the Lab – notably to traffic – but it has yet to be decided on whether / when these will be implemented.

Viewer Updates

There have been no official viewer updates to mark the start of the week, leaving the various pipelines as follows:

  • Release viewer: Maintenance Q(uality) viewer, version 6.6.9.577968 Thursday, February 2.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself).
  • Project viewers:
    • PBR Materials project viewer, version 7.0.0.578792, March 15 – This viewer will only function on the following Aditi (beta grid) regions: Materials1; Materials Adult and Rumpus Room 1 through 4.
    • Puppetry project viewer, version 6.6.8.576972, December 8, 2022.

LSL XML-RPC

Linden Lab is going to be picking a date for shutting down LSL XML-RPC functionality completely. This has been deprecated for well over a decade, and and LL has long been warning about shutting it down, and the vast majority of traffic has moved to HTTP-In, as recommended as a secure means of communications. Given the low volume of traffic – given as only a few dozen requests per hour, LL would rather put resources towards new developments, rather than supporting an outdated and insecure service. The next step will be a blog post with a date, and maybe some circuit-breaking exercises where we will shut it off temporarily, to make sure all creators have moved their services away from LSL XML-RPC.

In Brief

  • There was a fair amount of discussion concerning the Puppetry project. However, as this will be subject to a meeting on Thursday, Marcg 23rd, for which I plan to have a summary, I’ll leave updates on this work until then.
  • BUG-227303 – “collisions makes a script stop running and revert its mono status” – this bug is still awaiting work by LL.
  • Please refer to the video below for general discussions.

Art and our Hidden Personas in Second Life

Hannington Arts Foundation: Etamae – Pariah – The Hidden Persona

We all have facets of personality we reserve for different occasions – and home with family, at work, and so on – and which we are able to wear or switch between without conscious thought. They provide us with a degree of agency over in terms of how we are perceived by others and what we chose to reveal about ourselves.

But what of those aspects of self we don’t, for whatever reason, reveal, even to those closest to us? Those traits which we’re aware of but strive to keep hidden, most likely because we fear what might happen were we to express them, either to others or ourselves. We treat them as pariahs, pushing them down and away from our thoughts, but they never really go away; they remain just below the surface of thought, waiting for the opportunity to take hold, to tear friendships and relationships apart or terrorise us with fears we cannot express or really face because of the sense of panic or upset they induce.

Hannington Arts Foundation: Etamae – Pariah – The Hidden Persona

These are the facets of self explored by Etamae within Pariah – The Hidden Persona, now open at the Hannington Arts Foundation. Eta is an incredibly expressive artist who uses both 2D and 3D forms in both static and interactive pieces, together with a use of space which tends to draw people into her installations and exhibitions. Within Pariah she again demonstrates with with the use of 2D and 3D pieces, some of which are animated, and within which the presentation space is very much a part of the overall installation – as is the environment; when visiting, it is essential you have your viewer set to Use Shared Environment (World → Environment) in order to view the installation under the intended environmental lighting.

The installation is set within a large cube space which extends above and below the visitor, being split by a transparent floor. On the walls of this cube are images of faces, male and female, each offering an expression and utilising a subtle animated texture which might be taken as the flow of thought / emotion. Floating within this space, again above and below the floor area on which the visitor stands, is a series of transparent cubes. On (and within) these are etched further faces bearing a look / emotion, some of which echo those on the wall. Some of the faces of these cubes are are animated, he images on them appearing to slowly pulse back and forth to give a further suggestion of the ebb and flow of feelings and emotions, and that inner struggle we can face with aspects of our own persona.

Hannington Arts Foundation: Etamae – Pariah – The Hidden Persona

Also on the walls are extracts from the lyrics of Keep the Streets Empty for Me, a track from the debut studio album by Fever Ray, an alias used by Swedish singer-songwriter / performer Karin Dreijer, and first released in 2009. The lyrics of the song are well suited to this exhibition, containing as they do introspective reflections / pleas, with the Outro refrain in particular well suited to the theme of the exhibition.

I don’t want to see too much more about the art or the installation, as by its nature, Pariah – The Hidden Persona is a “personal” piece in that it will speak to each of us differently, and as such should be visited and experienced first-hand. There is simply no way the manner in which the images and words within the installation will impact you as they did me. So this being the case, and having hopefully set the scene, I invite you to visit the installation yourself.

Hannington Arts Foundation: Etamae – Pariah – The Hidden Persona

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2023 SL viewer release summaries week #11

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week through to Sunday, March 19th, 2023

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Release viewer: Maintenance Q(uality) viewer, version 6.6.9.577968, promoted Thursday, February 2, 2023- no change.
  • Release channel cohorts:
    • No updates.
  • Project viewers:
    • glTF / PBR Materials project viewer, version 7.0.0.578792, March 15 – This viewer will only function on the following Aditi (beta grid) regions: Materials1; Materials Adult and Rumpus Room 1 through 4.

LL Viewer Resources

Third-party Viewers

V6-style

  • No updates.

V1-style

Mobile / Other Clients

  • No updates.

Additional TPV Resources

Related Links

A Forgotten Hope in Second Life

Forgotten Hope, March 2023 – click any image for full size

I received an invitation from Clifton Howlett to attend the opening of his latest Homestead region build, and while I was unable to make the event on Saturday, March 18th, I did manage to hop over a couple of times over the weekend and take a look around. Working with Coralile Resident, Clifton is a region designer who puts together imaginative settings which offer places in which to retreat, relax, explore and have fun, each one a little different to the last.

With Forgotten Hope, Clifton and Coralile have come up with a most unusual setting. Hidden from much of the light of day yet still rich with natural growth, it takes a new turn in presenting both a place of mystery for those who like to create stories about the location they visit in-world, and a place where personal time and a little fun can be has for those just seeking to unwind.

A veil of darkness cloaks its mysterious depths, enticing explorers and spelunkers from far and wide to uncover the dark secrets it harbours. Amidst abandoned huts and a submerged ‘plane [you can] embark on an adventure like no other and immerse yourself in the eerie atmosphere of this enchanting location.

– From the Forgotten Hope description and opening invitation card

Forgotten Hope, March 2023

A journey through this underground location – quite where it might be is up to you to decide, but for reasons I’ll come to, I thought of it as perhaps a little twist on the Lost style of mystery – commences within a fairly nondescript cavern. Here, smoke from a slightly out-of-control wood fire pit is slowly – and doubtless suffocatingly – filling the space, encouraging people to seek escape through the arch of a tunnel to one side of the dome-like cavern.

Lit by a smaller fire held in check by a rock of stones, the tunnel floor is wreathed in creeping mist as it descends down roughly hewn steps and doglegs its way into a second chamber. This appears to have been long-used; chests of hand written scrolls sit against the round walls, together with barrels of who-knows what – dried food? water? both? – and stacks of candles and other signs of human occupancy. It is a place suggestive of age and darkness – if anything is to be gleaned from the scrolls at least.

Forgotten Hope, March 2023

An arch leads to a further small cavern where more oddments can be found – including, somewhat incongruously, an upright piano complete with stool and sheet music which all look in remarkably good condition. Both form a strange combination – the chests of scrolls contrasting with the piano and the heap of mouldering mattresses; however, the mystery of these caves is liable to fade into the background after passing through the wood door tucked to one side of this little dome of rock.

Beyond the door is a split in the rock, a narrow defile, a cave taller and somewhat brighter in natural light than those on the other side of the door, perhaps suggesting that daylight is not that far away – a feeling added to by the presence of vines on the walls. Someone has gone to great lengths to lay a path of carefully cut and placed logs to ease passage over the floor of this defile, complete with a hand-made ladder to help people over a rocky lip to reach the cave mouth beyond. This sits high up on a cliff face, the ground and surface of a body of water fed by water plummeting from further around the high cliffs and visible above the tops of trees. However, its is not open land, but rather a vast and high cavern.

Forgotten Hope, March 2023

Mist rises from the waters below the cave mouth to fold itself around the trees, and thin strands of cloud float around the cavern’s high roof, the sunlight which dapples the water falling through a jagged hole in the cavern’s dome, the stray clouds around the hole acting as a prism to break the light into finger-like beams of illumination pointing down into this netherworld of a place. In doing so they fall upon the element which gives this place a Lost-like feel: a partial carcass of an airliner broken and semi-submerged in the water and, perhaps the cause of the rend in the cavern’s roof.

Here is where more mystery grows: was it the people who survived the ‘plane crash who built the path lading back to the entry caverns – and the platforms with their ladders providing the way up to (or down from!) the high cave? Or were they merely the latest inhabitants of this strange world? The evidence of long-term habitation is intriguing: at “ground” level, there is a ramshackle cabin built into the remnants of a once massive tree; there are remnants of cut-stone walls suggesting ancient buildings; board walks and decks pass out over the shallow waters to connect with the the rest of this huge cavern space. Trees grow throughout, whilst a range of wildlife sitting beneath their boughs and amidst the wild grass.

Forgotten Hope, March 2023

If the cabin and other structures located here were built before the nose of the airliner arrived – then who built them? Who was responsible from shipping the large boiler system sitting within the corrugated sides of a ramshackle shed in the second large cavern? Is this a retreat from the world, or a place where people can end up apparently stranded by misfortune – or some form of strange experiment in the human condition? Maybe the weird hooded figure lurking within the setting has some of the answers; or perhaps you don’t find them important.

If you don’t, there’s more than enough to keep you occupied here – the large deck sitting over the water of the first of the big caverns is home to DJ events and dancing, whilst scattered throughout the caverns (and up in their rocky walls) are places to sit and cuddle or read a book, with sofa and wine available by the bottle whilst the local wolves, snakes and alligator are content to let people freely come and go without being in anyway bothersome.

Forgotten Hope, March 2023

A strange but engaging world, Forgotten Hope makes for an engaging visit and serves as a spark for the willing imagination.

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Space Sunday: Artemis, asteroids and a bit more Artemis

NASA Moon to Mars, 2020. Credit NASA

The Biden Administration has published further details on it 2024 budget proposal in support of NASA in which further details of the agency’s “Moon to Mars Manifest were revealed. Key points on the latter include:

  • The crewed Artemis 2 mission, intended to fly a crew around the Moon in an extended mission similar to that of the successful Artemis 1, confirmed for November 2024.
  • Artemis 3, the first mission to return humans to the surface of the Moon by the United States, is scheduled for 2025.
  • Artemis 4, the second crewed landing on the Moon now pushed back to 2028, with annual landings from there on through to the end of 2031.
  • Both Artemis 3 and Artemis 4 will utilise the SpaceX Starship-based Human Landing System (HLS) for carrying crews to / from the lunar surface and lunar orbit, after which crew activities will switch to the (still to be contracted) “sustainable human landing system”.
  • 2024 will also – in theory – see a demo flight of the SpaceX HLS, whilst the end of 2025/start of 2026 will see work commence on the Lunar Gateway station with the launch of the power module and habitation module to their extended lunar orbit.
  • 2028-2031 will also see work continue on the Gateway station alongside of the lunar landings.
  • Automated mission to the Moon in 2027 will demonstrate lunar construction techniques for developing a base, extracting usable commodities from the lunar surface, and testing power systems. Further demonstrations of these will take place in 2030.
The NASA Moon to Mars infographic, which formed a part of the White House NASA 2024 budget proposal. Crew NASA – click for full size

In support of the above will be a series of demonstrator missions in Earth orbit, as well as development work on Earth for longer-term goals. These include:

  • In-space propellant replenishment and storage for reusable lunar landers and deep space transportation vehicles under a programme referenced as CFM: Cryogenic Fluid Management, involving SpaceX (optimistically in 2023), Lockheed Martin (2025) and United Launch Alliance (2025).
  • Development and flight test of the NASA/DARPA DRACO nuclear thermal engine (see: Space Sunday: propulsion, planets and pictures), with the design to be completed by the end of 2024, together with a conceptual design for a nuclear electric engine.
  • Development and delivery of a nuclear fission power unit demonstrator for use on the Moon or Mars, to the surface of the Moon in 2030.
An artist’s impression of the NASA/DARPA DRACO NTP demonstrator, included in the NASA 2024 budget proposal. Credit: NASA

The budget proposal includes an immediate request for US $180 million for the agency to start seeking proposals for a “deorbit tug” for the International Space Station (ISS). This would be a vehicle developed over multiple years and at a total cost of around US $1 billion specifically designed to dock with the ISS in 2030 and the proceed to gently push it back into Earth’s atmosphere along s pre-planned course so that it burns-up and the large element splashdown at Point Nemo.

Also within the 2024 allocation is US $30 million in support of Europe’s ExoMars rover, and an increased request for NASA’s side of the proposed NASA / ESA Mars Sample Return Mission.

 ExoMars Back on Track /  Sample Return on Track for Budget Overrun

The US $30 million requested in NASA’s 2024 budget is in part to provide ESA with a launch service for Rosalind Franklin, ESA’s ExoMars rover vehicle, together with various technology support activities for a lander vehicle.

This project has had its share of issues over the past two decades, and up until 2022, the plan had been for a joint mission with Russia, the latter providing the launch vehicle and a lander to deliver the rover to the surface of Mars. However, Russia’s invasion of Ukraine ended all ESA / Roscosmos cooperation.

Since then, ESA has remained relatively close-lipped about the rover’s future, but in a recently update, mission personnel confirmed 2028 is now being targeted for the mission’s launch. In addition they indicated that the agency will now build a dedicated lander for the rover which will leverage NASA’s expertise in propulsion, power and heat shield development. In addition, ESA has resumed testing of Amalia, the rover’s test bed vehicle.

The video below provides an inside look at Rosalind Franklin, and what marked the ExoMars rover mission unique among Mars missions.

In the meantime, the ambitious NASA / ESA Mars Sample Return (MSR) mission is threatening to overwhelm other elements of NASA’s science programme.

For the 2024 budget proposal, the White House has requested US $949.3 million for MSR – 19% more than the budget projection. It also notes that expenditure on the project will increase over projections through to the planned launch in 2028.

Working in concert with NASA’s Perseverance rover, which has been collecting samples from its travels across Jezero Crater and has recently started caching them for collection by MSR, the sample mission is designed as a two-part mission using a ESA-developed Mars orbiter to return the Perseverance samples to Earth, after they have been collected from the surface by a lander / recovery / ascent vehicle, primarily built by NASA.

An artist’s impression of the NASA / ESA Mars Sample Return mission. Credit NASA / ESA

NASA has already delayed the Venus Emissivity, Radio Science, InSAR, Topography, and Spectroscopy (VERITAS) mission, which had been due for launch in 2028 prior to being put on hold in November 2022 over concerns about MSR costs, and will now not launch before 2031 – if at all. Now, the Geospace Dynamics Constellation (GDC) mission, a 2013 heliophysics decadal survey recommendation, will now also be suspended. MSR itself was expected to exceed US $7 billion prior to it being revised in an attempted to lower costs – however, it was approved for continuance in 2022 under the  Planetary Science Decadal Survey, on the understanding total costs would not exceed US 5.2 billion – which it still might.

Continue reading “Space Sunday: Artemis, asteroids and a bit more Artemis”

Seanchai Library: 15 years of stories in voice in Second Life

Seanchai Library

It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library – and this week previews the launch of a very special event.

As always, all times SLT, and events are held at the Library’s home in Nowhereville, unless otherwise indicated. Note that the schedule below may be subject to change during the week, please refer to the Seanchai Library website for the latest information through the week.

Sunday, March 19th, VOLUME XV: Seanchai Library Celebrates 15 Years!

Celebrate Seanchai Library’s 15th anniversary at Ceiliuradh Glen.

  • 13:30: Corwyn Allen, Live!
  • 14:00-16:00: Stories and Poetry.
Seanchai Library at 15

Monday, March 20th, 19:00: The Golden Compass (aka Northern Lights)

Originally published in 1995 as Northern Lights, The Golden Compass forms the first volume in Philip Pullman’s multiverse-spanning trilogy His Dark Materials.

In a world resembling Edwardian England, where magic is commonplace, young Lyra Belqcqua slip into the Retiring Room at the collage where he uncle is about to give a lecture – only to witness the Master of the college add poison to the wine intended for her uncle, Lord Asriel, prior to his arrival in the room. Warning him, she is rewarded by being allowed to remain and witness her uncle’s presentation, in which he discusses something called “Dust”, shows images of the northern lights in which there appears to be a city, and something else called the “panserbjørne”.

At the same time, children within Oxford are vanishing, kidnapped by a sect called the Gobblers, for a nefarious purpose – and Lyra is determined to find out why. In doing so, she is brought back into contact with the Master – who surprisingly gives her an alethiometer, a truth-telling device – and is offered the opportunity to live with the glamorous Mrs. Coulter, which comes as a thrill.

But as the mystery of the missing children deepens and Lyra determines to follow their trail north, so she discovers that Mrs. Coulter is not all she appears to be – and nor is her Dust-obsessed uncle, Lord Asriel.

With Gyro Muggins.

Tuesday, March 21st

12:00 Noon: Russell Eponym

Live in the Glen.

19:00: More from the Crystal Cave

Born into a time shortly after the Romans have departed Britain, now once again divided into a series of kingdoms, Myrddin Emrys, also known as Merlin, is the illegitimate son of a Welsh princess, who refuses to name his father. Small for his age and often abused or neglected, Merlin occasionally has clairvoyant visions which, together with his unknown parentage cause him to be referred to as “the son of a devil” and “bastard child”.

After being taught to harness his abilities by the hermit, Galapas, Merlin eventually find his way to Brittany, who teaches him to use his psychic powers as well as his earthly gifts, Merlin eventually finds his way to Brittany and the court of Ambrosius Aurelianus, where he joins the war leader’s plans to invade Britain and defeat Vortigern and his Saxon allies, and unify the nation as its High King.

Discovering he is Ambrosius’s son, Merlin returns to Britain and is captured by Vortigern, who believes the only way his new fortress can remain standing is through the sacrifice of the “child with no father” – Merlin. The latter, however, discerns the real reason the walls of Vortigern’s fortress keep collapsing and plays into the king’s superstitious nature, and commences his life as a king’s advisor, even whilst seeking to support Ambrosius in his goal. Thus begins the adventures of a young boy who will eventually become the advisor to Britain’s Once And Future King.

Wednesday, March 22nd, 19:00: Seanchai Flicks

Films, popcorn and fun at the Seanchai cinema space.

Thursday, March 23rd, 21:00 Seanchai Late Night

Sci-Fi and fantasy with Finn Zeddmore.