Hannah’s Dream Again in Second Life

Monocle Man Gallery: Hannah Starlight

Kicking off 2023 at Monocle Man Galleries, curated by Lynx Luga and Kit Boyd is an exhibition of art by Hannah Starlight entitled Dream Again – a fitting title to go with the start of a new year. It is an exhibition taking place in one of the newer galleries spaces Kit and Lynx are providing for artists within the Monocle Man facilities, being hosted within the Cabaret sky gallery.

This is an interesting gallery space, offered as something of a speakeasy-like cabaret club, tucked away out-of-sight of any passing authorities, reached by walking down a back alley and then climbing down into what appears to be a storm drain, but which is in fact the entrance to a “basement” club with wood panelled walls and deco-like electric lights.

Monocle Man Gallery: Hannah Starlight

Dream Again is a collection of 28 images, either mounted on the walls of the club or on easels located around the the columns and edges of the dance floor. Predominantly avatar-centric these are images rich in content and message – commentaries, if you will on life, love and expressing oneself, at least one of which I seem to recall from a prior exhibition (His Song), which does not in any way detract from the overall thrust of this exhibition.

Offered in a variety of formats, small and large, 4:3 through to fully panoramic, these are pieces which are all richly expressive and predominantly celebratory in nature. Given the time of year, some of the pieces might be seen as holding to the Christmas theme and ideals of faith: Here’s My Heart, Lord, The PrayerHe Carries Me, and  – perhaps most notably – A Baby Changes Everything. However, even while they may do so, they also speak to more secular interpretations; take A Baby Changes Everything: is it not true that a baby, whether of natural or divine conception, a miracle that truly changes everything for its parents?

Monocle Man Gallery: Hannah Starlight

Meanwhile, Beautiful Warrior speaks to the physical beauty of the subject, as we are drawn to look at her face. However, her pose, the placement of her arms in particular, speaks powerfully and eloquently to her inner strength in the face of what can be a terrifying and seemingly implacable foe – check the description of the piece for more on this.

Elsewhere within the collection, Hannah offers more direct celebrations on love, marriage and the joy of being able to freely express oneself and enjoy life. All are worthy of appreciation, although I confess that Light for Your Path drew me to it, not only because of its panoramic nature; whilst New Light, tucked away behind one of the columns, carries with it a simple, direct message of the power of new life, layered with the taboo nature of pregnancy as an expression of beauty (one might even say it offers a link to the other pieces with a divine lean to them: might the light of the Sun breaking through the clouds be taken as a spiritual reference to the light of God?

Monocle Man Gallery: Hannah Starlight

I’ll leave that for you to decide if this might be the case. In the meantime, I will say that Dream Again is a richly engaging exhibition, and it officially opens at 12:00 noon SLT on Sunday, January 1st, 2023 with a performance by Rogue.

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Monocle Man Caberet Gallery (Flying Fortress, rated Adult)

A Return to Buddha Garden in Second Life

Buddha Garden, December 2022 – click any image for full size

In February 2002, I visited Buddha Garden, a “paradise of pleasure” put together by Gian (GiaArt Clip) and Havih. As I noted at the time, it was tucked into the north-west quadrant of a Full region and formed a place deserving of its description, as I noted in A Buddha Garden in Second Life.

So when co-creator of that iteration of the setting, Gian, dropped me a line to say that Buddha Garden has relocated to a Homestead region, I knew I’d have to hop over an take a look for myself. Now working with the assistance of Ella (Shaye Suki), Gian has produce a setting that builds on the original, keeping much of what made it a pleasure to visit back in early 2022 whilst offering an entirely new take on the original vision.

Buddha Garden, December 2022

The main part of the setting retains its highlands feel in the form of a west-facing arc of cliffs from which great falls tumble into a round lagoon embraced within the arms if low sand banks and rocky outliers. The landing point for the region sits on the southern of these arms, alongside little wood-built café-cum-teahouse. Japanese in tone, this sits across open waters from a small island which is home to a small Onsen style bathhouse and accompanying cabin reached via  a ridge of sand sitting just under the waves.

Follow the sand of the beach towards the cliffs, and you’ll find a pool sitting at the base of alone waterfall. Steps on either side of it respectively offer paths up to a hideaway overlooking the pool and also up around the east side of the main island. Here a further set of falls drops through a series of natural steps linking rocks and pools guarded by carved statues of Buddha sitting in quiet meditation despite the roar of water.

Buddha Garden, December 2022

Two further pools set at the base of this falls, one clearly man-made and with a hideaway behind it (and another cooled by a curtain of water sitting above it and reached by its own steps); the second pool forming a natural body of water bordering the inland side of a grassy field. A paved path marks the outer edge of the field, passing a garden camp site warmed by a blazing fire and an old fence separating the garden from the field,

More fence posts march out into the open waters. They mark another submerged path, this one leading to another off-shore island topped by a stone tower. This is the home of the Khin Tower Art Gallery, offered by Gian as a place for artists to display their work free-of charge for between a week and four weeks total.

Buddha Garden, December 2022

2D SL images digital art, paintings and illustrations are welcome (but no nudity), and there is some potential for 3D pieces to be displayed. Those interested should contact Gian in-world for further details (the sign at the foot of the path leading up to the island also offers information on the gallery).

Back on the island proper, the stone bridge arches over a small stream fed by a low-lying waterfall issuing from under the crossed legs of one of the cliff-side Buddhas. Beyond the bridge, the path passes onwards through a copse of trees to a clearing where a monk in the traditional orange robes signifying peace sits reverently in meditation before a further, aged, statue of Buddha, watched over by young wolves.

Buddha Garden, December 2022

A horseshoe pool sits beyond the clearing and trees, fed by yet another waterfall tumbling from the lip of an out-thrust of rock mid-way up the side of the main cliffs. This high lip is home to another location carried over from the original Buddha Garden; a retreat reached only by ascending the wooden steps climbing the face of the sheer rocks on the far side of the wide pool.

The base of these stairs and platforms also points to where people can pass by way of makeshift bridges, sandy beach and tall rock arch to the second arm of the west-facing lagoon. At their top, meanwhile, the stairs only provide the means to reach the retreat, but also to way further up the cliffs past the butterfly cave from the original build, and on up by way of more platforms to where an ancient ruin stands in wait of visitors and lovers of tai chi.

Buddha Garden, December 2022

All of the above still only scratches all that is available within Buddha Garden; within its expanded beauty are multiple places to sit and relax or engage in meditation and / or enjoy the company of a close friend or loved one. There are hidden details I’ve intentionally not mentioned here – they deserve to be found by the keen-eyed and focused explorer. As such, I’ll leave it to you to explore the island for yourself – you won’t be disappointed!

My thanks to Gian for the invitation to re-visit.

Buddha Garden, December 2022

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The appeal of Dido’s greyscale Nudes in Second Life

Nitroglobus Roof Gallery: Dido Haas – Nudospective

Since co-launching the original Nitroglobus Gallery and, over the last several years, Nitroglobus Roof Gallery, photographer-artist Dido Haas has established a well-deserved reputation for curating one of Second Life’s most engaging galleries for art in Second Life. Month on month she brings out the very best in the artists she invites to exhibit within the gallery’s halls, resulting in perhaps the most consistently enthralling series of art displays each and every year, hence why I attempt to cover the gallery as fully as possible through the year.

However, there is a drawback to all of this: such is the amount of work involved in managing and curating the gallery, Dido’s skills as a photographer-artist rarely get to be seen in-world, and this is a shame, as her work is the equal of any of those she invites to exhibit at the gallery. Hence why, when she drops a note about presenting a (possibly short-term) exhibition of her work in the Nitroglobus Roof Gallery Annex, I’m scooting across to take a look.

Nudospective, as the name implies, is something of a “retrospective” in a much as it comprises a set of images Dido has produced over time. It is also, again as suggested by the title, utilises nudity as a linking theme. As such, this is an exhibition that might best be considered NSFW when viewing.

Nitroglobus Roof Gallery: Dido Haas – Nudospective

My love of Dido’s photography lies in several elements. First, she tends to work predominantly in black-and-white or greyscale or with a monochrome lean. Secondly, she specialises in avatar studies and thirdly – and most importantly – she has the ability to communicate so much through her work simply through the use of angle, pose, and focus rather than relaying on excessive props or post-processing.

This is very much in evidence within Nudospective; mostly presented in greyscale, these are pieces which – although utilising nudity – are not in any way directly sexual or voyeuristic. Rather, they are elegant narratives on the beauty of the female form as visualised through the medium of a virtual avatar, some of which offer what might be considered a subtle commentary on the subtleties of beauty compared to the expectations of beauty.

Nitroglobus Roof Gallery: Dido Haas – Nudospective

Take, for example, Legs. It features what is all too frequently a tool of heightened (literally and metaphorically) sexualised beauty: the high heel. But is it the heels that give the legs image their inherent form and beauty, or is it their muscle tone, angle and placement – all of which could be present sans the heels? Similarly, in Freckles alongside of it, is it really the firmness and curve of a breast – again so often seen as an expression of sexuality – really as worthy of our attention as a mark of beauty as much as the simple patina of freckles over the flesh of an upper arm and shoulder?

Across the hall, and a little conversely, Belly Piercing comes from another direction entirely. Within it sits a duality of innocence pointing towards a certain sexuality. On the one hand, it offers a natural statement on the beauty of a body piercing, whilst on the other the ball of the pearl, sitting on the cusp of the navel and the play of shadow within it offers a suggestion of focal point of female sexual pleasure.

Nitroglobus Roof Gallery: Dido Haas – Nudospective

Beautiful executed individually, taken collectively, Nudospective forms an engaging, easy-to-appreciate exhibition of photography which potentially has a lot to say.

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A coastal retreat in Second Life

Moruya Sanctum, December 2022 – click any image for full size

I first came across the work of Kaja Ashland and Marcus Bremser when, in 2014 I visited the AERO Golf Club and, whilst not a fan of golf in the physical world, found myself enjoying the game. This led to several returns over the next few years and prompted me to write about the club again in 2017, after it had undergone an extensive redesign.

Since then, both Kaja and Marcus have launched individual projects, and in 2020 and again in 2021, I visited and wrote about Kaja’s Noweeta Homestead region. As such, a write-up of Marcus’ latest project, Moruya, is long overdue.

Moruya Sanctum, December 2022

At the time of my visit, this roughly 12,000 sq m parcel of land sitting on the east coast of Sansara’s Islandia North, lay presented as Moruya Sanctum, which Marcus describes as a tropical beach fronting high cliffs, the landscape transitioning to something more temperate in nature as visitors climb up to its high table top.

I’ve no idea if Marcus has drawn on the name Moruya from Australia’s New South Wales and the Moruya River (the name drawn from an Aboriginal word, mherroyah, said to mean “home of the black swan”). Given his Profile states he spends “extended periods abroad”, it’s tempting to think so even if his Profile also states his current time zone is only 12 hours ahead of SLT, rather than the 19 one might expect for far New South Wales. Not that there is any similarity between Moruya Sanctum and the Aussie river of which I’m aware (other than having its own stream flowing eastwards to reach the sea, doing so via a high waterfall rather than a broad estuary); it’s just an idle direction my little imagination wandered off towards during my visits.

Moruya Sanctum, December 2022

The landing point for Moruya Sanctum is presented as a little dinghy tied up to a small, T-shaped wooden dock reaching out a short distance from the beach. Bracketed to the north and south by shoulders of rock extending from the main cliffs, the beach is split by the aforementioned falls and the water which flows out from them in a short, shallow channel. The south part of the beach, on the far side of the water from the dock, offers a little place to enjoy the Sun, complete with palm tress for a degree of shade.

The path up to the highlands switchbacks up the cliff above the north side of the beach as a mix of sloping rock, steps and ladders. Getting up this path takes a little care (I noted several people have some issues, mainly because they were trying to take shortcuts up very tall rocks – just follow the obvious steps and take care at the narrow pass at the top of the ladders, and you’ll be fine.

Moruya Sanctum, December 2022

A stone arch greets visitors at the top of the climb, a final climb of steps running up to the main path between the head of the waterfalls and a stone-built gazebo. The arch and a stone wall bridging the waters of the stream offer the first suggestion that these highlands may have once been home to a structure constructed of cut stone blocks, some of the stone from which may have been used to create the tile-roofed gazebo.

The gravel path immediately offers a choice of routes. To one side, it curves neatly around the gazebo to reach a grassy little faerie round for sitting in the shade of trees, nicely secluded from the rest of the plateau. The second route takes you across a wooden bridge over the stream to a further fork in the path, both of which again hint to a structure of great age having once stood here, thanks to the presence of moss-covered stone steps along both arms of the path.

Moruya Sanctum, December 2022

To the left, curved steps rise to a small grassy meadow cut through by the continuing arc of the footpath as it passes between mature pine trees to reach further steps leading up to more extensive ruins overlooking the upper reaches of the stream and the waterfalls feeding it from the cliffs at the western end of the setting. Meanwhile, the second arm of the path reaches back over the water via a great slab of rock to where steps lead up to another secluded seating area set out in the grass and facing the ruins from across the channel of the steam.

But these aren’t the only routes across this upper reach of land; at the base of the curved steps pointing the way to the ruins is a ribbon of grass in seed. Take this and you’ll find yourself with a choice of natural trails reaching to pools of water isolated from the stream and offering their own outlooks and places to sit. Travel onwards along the upper of these trails as it runs through the grass and under the shade of more mature trees, and you’ll find a nicely hidden camp site, complete with its own back route up to the ruins above the stream.

Moruya Sanctum, December 2022

Secluded seating and sitting spots aren’t the only secrets awaiting discovery here, however. Tucked away within Moruya Sanctum is a gently winding throat of a cave, its sandy tongue reaching deep under the high cliffs to lap at an emerald pool of water.

You’ll have to find the entrance for yourself – part of the fun of exploring Second Life is finding such hidden spaces, so I’m not going to give everything away here (not that the cave entrance is that hard to find). Suffice it to say, find your way into the cave and you’ll find bats, places to sit, cats, and the opportunity to bathe in the waters of the pool. All of this is overlooked by two figures, one carved in stone, the other cast in bronze, and one of which, together with the banners hanging from the rock walls, offers a hint of Arthurian legend.

Moruya Sanctum, December 2022

Cosy yet with a rich sense of space, easy on the eye (and the viewer), with plenty of opportunities to relax and / or take photographs, Moruya Sanctum makes for a highly engaging and picturesque visit.

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A TONAL return in Second Life

TONAL estate, December 2022 – click any image for full size
On this grid I actualize the worlds I imagine, conjure my wildest daydreams, and walk a path unknown. I am here to create a fantasy for others to enjoy. Landscaping is my medium, my love language, and my story.

– TONAL (Avalyn Aviator)

At the start of 2022 I visited the TONAL brand regions, held and designed by TONAL (Avalyn Aviator) who, despite hailing from California, has a clear love of France. At the time, the two regions offered an engaging mix of Parisian cityscape and open French countryside (see: A trip to France in Second Life); since then, the estate has grown somewhat. So, given this, and the fact that I had a timely reminder from Shawn Shakespeare concerning the estate, I thought bookending the year somewhat with a return visit as 2022 draws to a close might be a good idea.

TONAL estate, December 2022
Gone now is the cityscape I encountered in January 2022; instead, the three core regions of the estate offer a more rural setting, caught in the depths of winter. At the western end of these three regions sits the open countryside of Lake Siren, offering a memory of Village des Chasseurs de la Valle de Londyn which stood within it at the time of my January 2022 visit. However, this is just an echo; the landscape has changed considerably, now being built around a smaller village, within which can be found properties available for rent.

This is curious place, inasmuch is sitting in the middle are a couple of light aircraft parked on a small apron – although how they got here is a mystery; however, each has its own little secret. Touch the red-and-white DSN Debonair and you’ll be transported to your home location; the C90 King Air, meanwhile offers an experience-based teleport to the TONAL airport, sitting further to the west of the regions I’m exploring here, and so beyond the scope of this article.

TONAL estate, December 2022

Close to this village sits a rather interesting camp site (or I assume it is), although whether units here, both on the ground and up on tree boughs, can be rented was not immediately clear to me. To the north of the village, the land drops away around the edge of a narrow-necked inlet cutting into the rugged landscape. Fed by a series of waterfalls dropping into it from two ends, the inlet forms a T-shape, the east side of its stem forming a long tongue of land ending in a bridge passing over the water’s neck.

To the north of the region, the land is largely given over to a private house and grounds, whilst westwards the land opens out in rolling, snowy countryside. Here can be found rezzing points, allowing visitors to drop a car or – as I would suggest – a horse or other rideable, and take to exploring. The major road runs more-or-less due west, and sadly doesn’t offer a route up to the façade of the hilltop hotel.

TONAL estate, December 2022

Travel far enough westwards along the road and you’ll come to a stone bridge providing access to the third of the regions I explored. The home of the city setting at the time of my start-of-year visit, this region – TONAL Family – is now given over to the huge and impressive Château de Chantilly. Open to the public, this contains echoes of the city build; its rooftop bar brings to mind the (more ostentatious) Jardin et Salon de Thé found within the January build, whilst the considered use of statues in the ground also helps give a sense of continuity between the two very different settings – something I always enjoy finding.

Within the chateau there is much to be found: an art gallery, museum, library, lounges, a spa, the Chateau also offers luxury rooms for those looking for a place in which to spend time. Details of the rooms and rates can be found on the TONAL website, which also provides information on the estate’s rentals and the TONAL airport, mentioned above. Those staying at the chateau gain access to all of its facilities, which also include horse riding, hunting, swimming and horse racing.

TONAL estate, December 2022

Taken together, these three regions within the TONAL estate offer an interesting and generally photogenic visit with plenty of opportunities for exploration. However, I do have to be honest; in places, there is a lot going on, and as a result frame rates can take a hit, so be prepared to drop your draw distance or disable Shadows (if used), other than when taking photos.

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The TONAL estate is rated Moderate.

CK’s Ode to Snowmen in Second Life

NovaOwl Sky Gallery: CK Ballyhoo – Ode to Snowmen

Theme for art exhibitions is not a new idea – many, many art exhibitions are built around a theme, whilst individual works are frequently used by artists to express an idea or ideal or theme, often with a defined commentary. Such themes can be complex and layered; hinted at, rather than openly expressed, offering their audience suggestions to prod their own cognitive faculties. Others are more direct in tone and theme, presented as a direct commentary – or simply as a celebration.

Ode to Snowmen falls cleanly into that last category. Presented by CK (Ceakay Ballyhoo) at the NovaOwl Sky Gallery, curated by curated and operated by ULi Jansma, Owl Dragonash and CK herself, this is an unbashed celebration of winter snowscapes and the joy and humour found within the creation of snowmen.

NovaOwl Sky Gallery: CK Ballyhoo – Ode to Snowmen

Naturally split between the two levels of the gallery, the exhibition features images of snowmen CK has found in her travels across Second Life, from the massive sculpture at the heart of Linden Lab’s Winter Wonderland through to snowmen (and snowwomen and their children!) getting up to all sorts of activities and mischief from simple family portraits to skiing (yes, some snowmen have legs!) to peeping in through windows to see what is going on in those warm places which we love but are anathema to snow folk.

With the floorspace covered in snow and dotted with paintings and drawings of snow-laden fir trees and snowmen, this level of the exhibition also stand as a reminder of the immersive storytelling installations CK used to build in-world, often working with artists such as Silas Merlin and CybeleMoon (Hana Hoobinoo).

NovaOwl Sky Gallery: CK Ballyhoo – Ode to Snowmen

The upper floor of the exhibition features a set of seven watercolour paintings by CK celebrating winter landscapes. Collectively, they offer views which bring to mind lyrics from songs like Walking in a Winter Wonderland and (for me, as I love its haunting tones – particularly in Isao Tomita’s evocative version) Debussy’s Des pas sur la Neige (Footprints in the Snow), itself said to have been inspired by a painting of a winter snowscape.

From snow-covered paths guarded by denuded trees standing to attention on either side, to frozen ponds suggesting an invitation to go skating, and signs pointing the way to trails lying just out-of-sight relative to the painting, these are all warm, inviting pieces which call to the fore childhood memories of the wonder of snow and (perhaps for some) romantic walks through pristine fields of snow with a loved one. All of this is overseen by several snowmen painted on one wall, and several on the floor which blend nicely with one of the paintings.

NovaOwl Sky Gallery: CK Ballyhoo – Ode to Snowmen

A fun, easy-on-the-eyes exhibition presented in a timely manner for the holiday season, Ode to Snowmen will be open through until the end of December 31st, 2022 – so get your visit in soon!

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