Category: Reviews

Appreciating the Shades of Autumn in Second Life

Posted on by Inara Pey
Shades of Autumn, September 2023 – click any image for full size

The year is turning and, for those of us in the northern hemisphere autumn is once more starting to show its face. With it comes the popular redressing of many regions in Second Life to provide autumnal (or Fall, if you prefer) colours. One of these is the Homestead region held by Flower Caerndow, which she offers as a public space for people to explore, enjoy and photograph.

Presented as Shades of Autumn, a name which precisely describes the setting, this is a landscape rich in the greens, browns, and golds, and so on associated with the season. However, there is so much more to appreciate here than a single season.

Shades of Autumn, September 2023

This is a landscape dominated by ruins, the largest of which being a Norman-style keep sitting astride the region’s northern highlands – as one might reasonable expect. With the curtain walls of the inner ward largely intact, the keep carries with it a sense of romance inside and out. Close by, and overlooking the water’s edge, is a single tower, perhaps one a part of larger fortifications which once formed a ring out outer defences for the main castle but now offers a point from which to appreciate it as it now stands – and imagine how it might once have looked.

Away to the south and occupying what is effectively a broad headland, sit the ruins of a chapel. It is far enough away from the castle so as to suggest it always stood outside of the Castle’s walls – not an uncommon state of place for the medieval period – but close enough that it could be protected by the presence of whoever occupied the castle. Together, the castle, tower and chapel are not the only ruins to be found within the region, but they are the most visible for those arriving in the setting.

Shades of Autumn, September 2023

While it is not enforced, the landing point sits towards the east side of the region, close to the tower ruins and the shallow bay it overlooks. It’s a vantage point offering a good view of the keep as it sits upslope, whilst also close by is a broad pool of water which forms the region’s most unusual natural feature.

Clearly sitting over a natural spring, this pool is open on two sides, allowing the water from it to tumble outwards, dropping by means of little falls and two narrow streams to reach the surrounding sea, thus effectively cutting the land in two. Fortunately, visitors are spared any wet feet thanks to the three bridges spanning the streams, even if two of them are slightly makeshift in nature.

Shades of Autumn, September 2023

Although the ruins clearly point to the island being occupied during medieval times, they do not mean the Normans were the first to inhabit it; also occupying the slope leading up the keep is a ring of Neolithic standing stones. They indicate there is a much older tale to be told about the island and its past. A further sense of mystery (and fantasy) is added through the presence of crystals and otherworldly-seeming plants (particularly in the keep’s inner ward) and the presence of statues here and there, all of which further add to the sense of romance found within the the keep.

And romance is very much the focus here, alongside that of photography, with any backstory we might care to create while visiting purely a matter for our imaginations. This focus on romance can further be found throughout the setting in the form of the many places visitors can find to side, cuddle and simply pass the time. Some of these are easy to find, others might require a little more in the way of exploration.

Shades of Autumn, September 2023

This is also an island with a secret; one which is not that hard to find, admittedly. It takes the form of an Experience-based teleport portal, and delivers visitors to a sky island which not only continues the theme it also – in Flower’s own words, offers a memory of the region’s previous iteration, thus connecting the two. Follow the path there to the portal leading back to ground level.

With a richness of beauty and nature, Shades of Nature is an engaging setting to visit, one which is – quite obviously – highly photogenic.  The attention to detail is superb, and the way in which Flower has brought everything together is pretty much perfect. Definitely not one to miss.

Shades of Autumn, September 2023

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Invisible Cities: an Essay In Desire in Second Life

Posted on by Inara Pey
Nitroglobus Roof Gallery, September 2023: Debora Kaz – Invisible Cities: Essay on Desire

September 2023 sees Debora Kaz make a return to what is – in my personal opinion – consistently the finest gallery in Second Life for the presentation of engaging, provocative and evocative art: the Nitroglobus Roof Gallery operated and curated by Dido Haas. She brings with her a further chapter in her Invisible Cities series; this one entitled Essay in Desire.

I’ve covered two previous chapters of Invisible Cities, one of which was also displayed at Nitroglobus – see Invisible Cities: Fighting Women at Nitroglobus in Second Life – and also one hosted at Artsville Galleries – see: Invisible Cities: The Future in the Present Overflows in Second Life. While I would not necessarily call Essay In Desire a “sequel” per se to those earlier exhibitions, I would perhaps refer to it as a further chapter in Debora’s exploration and presentation of themes of womanhood in the modern era.

Nitroglobus Roof Gallery, September 2023: Debora Kaz – Invisible Cities: Essay on Desire

Within Fighting Women, Debora explored the manner where – for much of history – women have had to survive within a – dare I say largely patriarchal – framework as objects of desire (and objects in general); a situation which often gives rise to physical, mental and psychological violence towards us, which can be both direct and also indirect (such as with the current onslaught against a woman’s right to bodily autonomy being very publicly played out in the United States, courtesy of a largely misogynistic right-wing pseudo-religious political movement). Within The Future in the Present Overflows, the focus shifted to a more individual viewpoint on how such visible/invisible / physical/mental/”moral” violence and restrictive practices can have on a single life.

For Essay on Desire, Debora combines the approach of focusing on the individual and the sense of self seen in The Future in the Present Overflows, and of offering a wider study of the concept of desire as found within Fighting Women. However, rather than focusing on the more destructive constatations of desire as framed by that exhibition, here Debora focuses on the more personal exploration of the precepts of desire – notably those of sensuality, sexuality, and eroticism – and how they play a vital role within the process of self-discovery and understanding of oneself.

Nitroglobus Roof Gallery, September 2023: Debora Kaz – Invisible Cities: Essay on Desire

This exploration comes primarily through images and words. The the latter come in the form of an essay which both sits as an introduction to the exhibition and as a treatise for thought and introspection. It is a powerful piece; one which should be read with care and consideration (perhaps most particularly if you are a male wishing to gain a better insight to the female psyche as seen from the female perspective)v, as it is rich with insight and honesty.

The images all follow a particular form and flow. Offered in muted tones, they comprise twelve oriented in a narrow portrait form and a further six in the more usual (for Nitroglobus) large-format landscape style. All of them present images of a woman at ease with herself and her sexuality, her poses suggestive of her awareness of self and a willingness to further explore her innate beauty and eroticism without the need to conform its display through outright nudity or through directly sexual poses as might otherwise be demanded.

Nitroglobus Roof Gallery, September 2023: Debora Kaz – Invisible Cities: Essay on Desire

Each image is carefully bordered to either side (and in place directly flowing into the image)1 by mix of hand-written text, formulae, flowery etchings and hints of formal geometry, all of which presents a clear, if subtle, symbolism.

For example, the use of hand-written text reminds us that – whilst it might not be so common now for whatever reason – for a long time the closest confidant a woman might have had to bestow her secrets and desires upon was her diary. Through its pages, she could give vent to desires, wishes, hopes, and thoughts which otherwise could never be delivered in public, the diary thus becoming both a small measure of release and a reminder of imprisonment and denial enforced by society.

These constraints are further emphasised by the use of formulae and geometry. Both symbolise control, order, logic and the reductive manner of society to define everything to the simplest of terms wherein everything – including the nature of woman – has a strictly defined place. This imposition of constraint and order extends into the 3D elements to be found within of Essay, where the upright and slanting poles are ranged around female figures as if to fence them in and confine their ability to express.

Finally, there are the figurines and the use of flowers within them images. Together, these present a gentle, visual underlying of a central truth within Debora’s essay:

This process of self-discovery is an intimate dance with oneself, where each step is a journey of self-unveiling. Like petals delicately unfurling to the sun, she reveals her deepest passions and fantasies, allowing her mind and body to be in harmony. The pursuit of pleasure becomes a celebration of life itself, an ode to her essence.

– Debora Kaz, Essay on Desire

Nitroglobus Roof Gallery, September 2023: Debora Kaz – Invisible Cities: Essay on Desire

However, to suggest Essay is a complex exhibition requiring deep thought would perhaps be unfair. Yes, there is a rich layering of ideas and thought. But at the same time, the central message is also self-evident through the beauty and honesty contained within the words and the images. It is a message that is inescapable and true: freedom of expression and self-discovery is an inalienable right, which should be available to all of us. For as Debora concludes quite perfectly in the case of contemporary woman:

The need for self-knowledge, in this context, transcends the physical and delves into the deepest layers of the soul … This self-understanding is the key that unlocks the door to intimate and genuine relationships, where eroticism flows naturally.
In a world that is in constant evolution, the contemporary woman embraces the journey of self-knowledge as an act of self-love and empowerment. She understands that her sensuality and eroticism are intrinsic parts of who she is, and by exploring them with sincerity, she inspires not only herself but also those around her to embrace the quest for their own truth with curiosity and gratitude.

– Debora Kaz, Essay on Desire

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Discovering art at Motown in Second Life

Posted on by Inara Pey
Motown Welcome Hub Art Gallery, September 2023

Since it opened in June (see: Linden Lab and Motown: a new approach to user on-boarding in Second Life), the Motown Welcome Hub has hosted a number of events, with the most recent being a Scavenger Hunt and, for the weekend of the 2nd September, 2023, a Trivia event with music (from noon through until 14:00 SLT).

However, on new venue which may have been overlooked in the hubbub surrounding the recent Scavenger Hunt is the opening of the Motown Art Gallery, feature for it’s first (?) exhibition, the work of one of SL’s most well-known – and rightly celebrated – physical world artists, JudiLynn India, who uses the platform as a means to bring her art to a global audience, thus demonstrating one of Second Life’s great strengths in providing a reach which can at times exceed that available to us in the physical world.

Motown Art Gallery, September 2023: JudiLynn India

The gallery is housed in a warehouse-like building on the north side of the open-air music events area within the main Motown region, and offers both an indoor display space across a main an mezzanine floor, and additional space within its back lot (which can be either reached most readily via the alleyway running between the gallery’s neighbouring beauty salon and pizza house, or in the case of JudiLynn’s exhibition, the thoughtfully-provided teleport disc on the gallery’s main floor.

I’ve been drawing since I could hold a crayon. I studied art throughout school, Commercial Art in high school and Graphic Design at Tyler School of Art/Temple University in Philadelphia, PA. I’ve always been interested in various crafts such as sewing and ceramics. I’ve also been active in music, playing piano, guitar and violin. After the turn of the century, I decided to focus my creativity on acrylic and digital painting and have totally enjoyed the ongoing journey.

– JudiLynn India

Motown Welcome Hub Art Gallery, September 2023

JudiLynn is perhaps best known is Second Life for her vibrant and richly layered abstract art, produced both through “wet” painting and digital means, and which might be most accurately described as intuitive art. By this I mean that rather than being based on an specific premeditated design or idea, these are pieces that are defined through the artistic process itself; the loop between mood, colour, texture and imagination all combining with what is already on the canvas or screen to inform what should come next. allow each piece to grow entirely organically to a finished state.

The result of this are pieces rich in colour and contrast and also highly fluid in their nature. They attract the eye and offer patterns and interactions which seem to ebb and flow as the eye passes over them, provoking the imagination. Sometimes motifs or patterns will become apparent which will lead JudiLynn to experiment with them across two or more pieces, resulting in small collections such as the likes of  Spiralling, Land of Fantasy, Jazzy and Fences, all of which can be found within the “backyard” section of this exhibition.

Motown Art Gallery, September 2023: JudiLynn India

However, JudiLynn’s work covers a much broader canvas – so to speak – which encompasses portraiture, pieces exuding an impressionist sensibility and landscapes. Some of this work is again demonstrated within this exhibition through the likes of the utterly captivating Royal Elegance, Grace and Majestic pieces.

None of the pieces presented is available for sale; for those looking to make some purchases for their SL homes / appreciation, please refer to the list of galleries included in JudiLynn’s biography available through the wall panel under the stairs leading up to the mezzanine area. For those who would like to have JudiLynn’s work as part of their physical lives, do be sure to visit her website.

Motown Welcome Hub Art Gallery, September 2023

As noted through the use of the bracketed question mark towards the top of this article, I’ve no idea whether exhibitions at the gallery will be rotated or on what basis; frankly, I’d be very disappointed if this were not the case; the inclusion of the gallery within the Welcome Hub is an excellent means of demonstrating SL’s ability to stand as a platform for artistic expressionism in its visual forms as much as the music venue outside the gallery demonstrates its ability to be a venue for social events and entertainment (and in regard to  visual art, I would also note JudiLynn has taken care to give a subtle underlining of SL’s scope for 3D artistic expression as well). As such, and whilst recommending JudiLynn’s exhibition, I certainly hope we’ll get to see the gallery reflect all genres of 2D and 3D art popular within SL.

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Cica’s touch of Nostalgia in Second Life

Posted on by Inara Pey
Cica Ghost: Nostalgia, August 2023

For September, Cica Ghost brings us Nostalgia, a sepia-tingled world offering hints of some of her past installation and work whilst offering something entirely new for people to explore and photograph.

Spread under a custom EEP environment designed by Cica, and which offers something like an inverted lunar surface of s skyscape, the setting comprises a mix of flat plains and doughy hills rising like dumplings or lumpy loaves, their faces checkerboard of little squares. Both their strange ground cover brings to mind faint echoes from past builds. Creatures and balloons – further motifs those familiar with Cica’s work will recognise   – are also awaiting befriending and discovering.

Cica Ghost: Nostalgia, August 2023

Many of the former are giant insects and garden creatures. However, rather than being of a variety you might reasonably find in your own garden (other than being somewhat scaled-up), some of these are creatures with a decidedly Steampunkian edge to them; others are – although still large – more “natural in their looks – such as a the large snake and its smaller cousin, happy to watch the comings and goings, and still others are as strange as the armoured insects and come in a variety of sizes.

Ladders – also a feature of Cica’s builds – might be found here, some of them giving a purpose to the balloons as they hold them aloft so they might form horizontal companionways running between the tops of some of the hills, overring visitors the means to pass between them without the need to descend into the plains and valleys below.

Cica Ghost: Nostalgia, August 2023

Within the lowlands (and on some of the hills) expressive little houses await, their sloping roofs with curled eaves, wide open doorways with curtained windows above and to either side, the carry an expression of surprise which is intriguing. Or perhaps they are all singing with unheard voices, whilst shaded by oversized parasols.

Also rising from the tops of the hills are strange structures.  Some are held aloft any pipes / legs, others looks like gigantic plant pots. All have the feeling of being placed here by giant hands – but that they are is up to our imaginations to decide. Most offer another familiar trait common to Cica’s designs: places to sit, either on your own or with a friend. Elsewhere, again in keeping with #Cica’s work are places to dance and have a little fun.

Cica Ghost: Nostalgia, August 2023

The above really only touches on the familiar-yet-unique look Nostalgia exudes, making a visit a necessity of you’re to appreciate it all. Should you do so, keep an eye out for Cica’s gift to visitors. It is guarded by one of her creatures – but it’s a friendly character, despite its looks, and will do you no harm when you approach it.

Once again a trip into Cica’s rich imagination, one which might perhaps stir memories of childhood fairy stories (or, given the potential for multiple interpretations of the expressions on the “faces” of the houses – nightmares) which the passage of time may well have dulled in terms of whatever metaphorical colour they many have had during childhood, much like the sepia tinge Cica has given Nostalgia. As ever, a fun and engaging build

Cica Ghost: Nostalgia, August 2023

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  • Nostalgia (Mysterious Isle, rated Moderate)

The ruins of Grauland in Second Life

Posted on by Inara Pey
Grauland, August 2023 – click any image for full size

For summer 2023, Jim Garand offers a new iteration of his Grauland region (and home to his M1 poses store, located in the sky over the region).

Partially surrounded by off-region landscape elements (ALT-zoom out a distance and then tap ESC to race your camera back to your avatar if the off-region elements don’t render – this will hopefully cause them to pop-up), this is an engaging simple region design of a tropical or sub-tropical nature that mixes a cocktail of features and locations and encourages the imagination to take a sip and take flight.

Grauland, August 2023

Sliced almost entirely in two by the presence of an east-west oriented water channel, the region presents a landscape similarly oriented along the same cardinal points across both of the resultant land masses, with the uplands to the east and lowlands to the west, where sits a saltwater mangrove swamp. To the east and within the uplands, a waterfall drops from sheer cliffs into a broad pool, the water from it flowing east to enter the wetlands to mix its waters with the sea – although how much longer this is to remain as the sole route for the out flowing water to take is open to question.

This is because all that separates the pool from the waters to the east is a low rock-and-shingle bar, its presence suggesting the cliff at this point which may have once connected the two land masses has collapsed. It forms a low barrier ripe for the tide to wash away as it seeks to reach the cove, watched over by a single thumb of rock sitting just beyond the shingle.

Grauland, August 2023

However, the major point of interest for this setting lies with the ruins scattered across the landscape. Comprising hewn but unfaced blocks of stone, these take a variety of forms of mixed potential use. For example, one might be taken to be the remnants of some form of small fortification, with the footings of three round towers linked by curtain walls form a triangular courtyard; another overlooks the wetlands as the water channel passes below.

Across the water – spanned by a stone bridge – is a more extensive collection of ruins. In part, these suggest they may once have been a part of a western religious centre; the layout of the main structure resembling as it does that of a Norman-era church. However, the stonework seems to by far older than might be associated with such as structure. Perhaps the neighbouring ruins predate the church, and their stones were used in its construction. Let your imagination offer up stories of its own.

Grauland, August 2023

A stone stairway climbs the hill behind the ruins to where what’s left of a tower sits alongside of an open pool forming the head of the waterfall. From here it is possible to look back to the southern highlands and the strange arrangement of stones crowning the hill there. Quite what these are is also open to the imagination. Are they all that are left of the raised floor once belonging to a temple or palace, or something else?

More mysteries can be found down in the waters of the wetlands. Here among the mangroves and pines are two statues on raised plinths, offering hints of both Roman and Greek mythology. Also to be found over the waters here is a hanger belonging to the Grauland Flying Service – a place connected to the land via a wooden boardwalk. Its presence suggests this might be a remote destination for charter flights by those wishing to explore / study the ruins.

Grauland, August 2023

One the same side of the setting as the hanger is a cabin. Makeshift in nature it nevertheless offers a cosy retreat – but to whom is again open to the imagination – although whoever it is would appear to be a keen musician.

As with all of Jim’s builds, this iteration of Grauland offers multiple opportunities for photography, while the places to sit also scattered across it give plenty of choice for those wishing to sit and pass the time. And don’t worry about the jaguar (possibly acting as a stand-in for a panther?); he’s more interested in keeping to the shade (or having his picture taken!) than in hunting anyone!

Grauland, August 2023

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Art and exploration at Sinful Retreat in Second Life

Posted on by Inara Pey
Sinful Retreat – August 2023

It’s been a fair while since I last visited Sinful Retreat – nigh-on two years, in fact; and a lot has changed in that time. As such, a re-visit was well and truly overdue, as a flick through the Destination Guide reminded me.

For the longest time, Sinful Retreat was the home of the Janus galleries, a place defined by art both indoors and out, set within a landscape intended to both support and emphasise the art on display, and to present a unique environment that encouraged exploration and discovery. This latter point remains true with the current iteration of the region, as does the unique landscaping, with half of the region raised as a man-made plateau sitting atop and extending outwards from a huge mesa.

Sinful Retreat, August 2023 – Milly Sharple

However, where the former plateau sat as home to the main Janus galleries and an art street, this one is home to the Janus Manor, and expansive 3-storey building utilising DRD’s Scarlett Hotel. Whilst suggestive of a private home, the Manor is in fact a gallery, and home to an exhibition of art collected over the years by region holders Chuck Clip and his SL partner (and physical world wife) Jewell (FallenAurora Jewell), a collection covering both 2D and 3D pieces.

The collection is richly diverse, demonstrating but Chuck and Jewell’s support of artistic expression in Second Life and the richness and diversity of said art. Within the building, pieces can be found along the hallways, within the alcoves and individual rooms, with each area or room representing a particular artist. Thus, in exploring the Manor one will find art by Layachi Ihnen, JudiLynn India, Xia Chieng, Kayly Iali, Asperix Asp, LashVV, Perpetua1010, paula31atnight, Traci Ultsch, Sheba Blitz, Milly Sharple, and many more. They cover both original paintings and digital pieces produced in the physical world and imported into SL, and pieces produced directly within the platform.

Sinful Retreat, August 2023 – LashVW

Also to be found within the Manor house are 3D pieces which combine with those outside to celebrate artists such as Bryn Oh, London Junkers, CioTToLiNa Xue, nessuno Myoo, Meilo Minotaur and Livio Korobase, with some of the pieces offering a natural flow between the main house and the neighbouring ballroom, where further 2D and 3D art is to be found. In all, I understand around some 70 artists from across SL are represented, making this one of the most diverse and engaging public collections on display in-world, which it turn makes Janus Manor well worth a visit by anyone with any degree of interest in art in Second Life.

Nor does it end there, as the region comprises multiple locations offer to visitors to explore. The first, and perhaps most obvious in terms of the setting’s main landing point, of these is likely to be the Memorial Garden. Sitting at the top of another rocky plateau – this one rising out of waters in the north-east of the region, the Gardens present a place where those who have lost someone known to them either in-world or in the physical world can have a candle lit in remembrance, and perhaps even a memorial raised to them. Beautifully landscaped, the gardens also offer abroad stairway down to a broad, deep ledge under them – a pace for meditation, tai chi or even gentle conversation among friends.

Sinful Retreat, August 2023 – Fly Kugin

Sitting at the western end of the platform on which Janus Manor is located is an open-air elevator. It offers the way down to where both the Secret Garden and Studio Chuck can be found. The former is a formal garden sitting behind railing-topped walls, and through which a footpath winds its way, leading visitor past flowers and over water.

In addition, the garden is home to a further collection of 3D art featuring pieces by ArtemisGreece (another of my favourite artists in SL) and Phenix Rexen. Studio Chuck, meanwhile, sits as a home to Chuck Clip’s own art, both 2D and 3D. Beautifully expressive, often wrapped in meaning and metaphor, Chuck’s work is always a pleasure to view, and the Studio is a perfect / minimalist environment in which to appreciate it.

Sinful Retreat, August 2023

A raised walkway passes over the water at base of the Manor’s plateau from the gardens to reach the land under the platform. Sitting within the shadows here is another little retreat, set within the shadows of the platform overhead and home to a little secret (albeit pointed to by a little gathering of signs), and which may be worth a little exploration – although some additional lighting might be required. For those who prefer, the Secret Garden also connects to a woodland area, beyond which a little horse riding can be found, as can a number of private rental units looking out of the sea – so do be careful and avoid trespass beyond the hedgerows marking them.

For those who prefer an easier means of exploration, the setting does include a teleport system in the form of a directory of destinations. This provides direct access not only to the major locations around the setting, but also those within Janus Manor itself.

Sinful Retreat, August 2023 – Wan Laryukov

A genuinely engaging visit for art lovers and explorers alike.

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