Caly’s Crowns in Second Life

NovaOwl Gallery: Caly Applewhyte – Crowns

Headgear has long played is significant role within societies around the world, particularly in terms of denoting spirituality or royalty. This is potentially for two reasons. The first is that, as the highest point on the human body, the head is the best point from which to indicate authority, and so elaborate or distinctive headgear the best means to signal said authority. The second is that, being the part of the body with the proximity to the heavens, and thus potentially the first point of contact with the divine or spirits descending from on high, the top of the head is considered, and thus should be covered as a sign of modesty and deference.

More widely, hats, headwear, traditional headdress, and so on, having long been a means of expression throughout societies and communities the world over. They can indicate everything from broader religious adherence to social status / profession, societal adherence (it is not that long ago that in many western societies it was considered uncouth for anyone of educated means – male or female – to appear in public without a hat, and one only has to travel back a little further to reach a time when women were expect to wear a hat, indoors and out), or basic social status. In this, just think of the worker’s flat cap, the British bowler, the Stetson, the fedora, the fez, and allow they evoke.

Some of these ideas are explored within the January / February 2023 art exhibition occupying at the ground level gallery at NovaOwl Gallery, curated and operated by ULi Jansma, Ceakay Ballyhoo & Owl Dragonash, featuring as it does the work of Caly Applewhyte.

NovaOwl Gallery: Caly Applewhyte – Crowns

Self-taught with Photoshop, Caly entered Second Life in 2010 with – as she describes it herself – “no specific goal”, but while exploring the grid, she found an outlet in Second Life photography. As her interest grew, so did a parallel interest in both her own avatar and the ability to use this virtual domain as a means to explore emotions, feelings and ideas, generally through the use of minimalist settings intended to bring the intended focus, the essential theme and emotion, of each piece to the fore.

Within Crowns, Caly offers a series of beautifully minimalist set of pictures exploring the expressive nature of headdress, particularly in terms of spirituality (although there is also a hint of royalty about them as well).  Each is highly individual in both form and the style of headdress, one to the next, yet all carry within them core recognition of the implied authority, faith and prowess of the wearer. Not, note that the wearer is necessarily gifted with these abilities – just that their headdress encourages us to view them as such.

In keeping with much of Caly’s work, Crowns does not require a lot to be written about it – each piece clearly and evocatively speaks for itself, with all of them collectively offering a narrative which is easy to follow. As such, I recommend Crowns should be viewed rather than written about – and I’ll leave you with the SLurl once more to allow you to do so.

NovaOwl Gallery: Caly Applewhyte – Crowns

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Elvion: mystical beauty in Second Life

Elvion, January 2023 – click any image for full size

Even before it was selected for highlight in the Destination Guide Editor’s picks, I’d heard that Bo Zano (BoZanoNL) had opened a new iteration of Elvion, and I’d added it to my list of regions to visit ASAP in 2023. I’ve always admired Bo’s work, and over the last several years he has brought us a range of visions for Elvion, and all of them have been utterly captivating and photogenic – and this latest version, once again a Homestead build – is no exception.

An island setting, Elvion emerges from the surrounding waters as a pair of low isles, the larger of the two running east from the landing point, initially as a narrow finger, then broadening out to the north and south, a shallow channel of water separating it from the smaller isle.

Elvion, January 2023

Reached via a simple bridge, the latter sits a the home of an ivy-draped cottage, a place that looks at first to be a little homestead, courtesy of the geese (both on the ground and circling overhead) and horses sharing the island with it. However, caught within the same EEP settings as the rest of the region – and which I recommend viewing it under -, this smaller island carries that same sense of mystery and age as its larger neighbour.

A path points eastwards from the landing point, and presents the best means by which to become immersed in that sense of mysticism and mystery. Along the way it passes under great broken columns which have tumbled to form gigantic arches pointing the way towards the ruins of an abbey-like building. Between the first and second of the giant “arches”, the bases of which are marked by exotic puffball plants also of large proportions, is a huge mushroom tree standing at the water’s edge.

Elvion, January 2023

Overlooked by a bench, this otherworldly tree marks the start of a way across the shallows – also marked by plants and reeds rising from the water – to where a stone tower rises from the thumb-tip of rock, standing like a guardian – or watcher – over the setting. From this lofty perch (reached by touching the door to teleport up to the single room), visitors can gain an eagle’s view of the main islands and their watery surrounds.

Lit by trees rich in autumnal colours and strung with lights, the abbey-like ruins offer a sense of timelessness; a place where peace holds sway and dreams come easy. Beyond it, a path leads onwards to a shrine caught within the branches of another tree whilst a second leads to the bridge and the second island beyond.

Elvion, January 2023

Within the broader part of the main island lay more ruins, suggestive of an outlying element of the abbey – perhaps what was once a small church. These sit at the edge of a stream issuing from rocks which oddly intrude into the ruins, as if the rocks arrive after the building had been built and collapsed.

The steam itself only flows a short distance before it enters the surrounding waters. In doing so, it indirectly points the way to where a swings sits off-shore under the branches of another tree. Close by sits a wooden pier marching across the water, yet itself separated from land by that same water. It offers a further retreat and place for reflection in solitude.

Elvion, January 2023

Through the setting there is a uniqueness that sets it apart from previous builds – notably, again, the EEP settings, which offer so much to the immersiveness that other Elvion builds perhaps haven’t quiet reached, as captivating as they have been. At the same time, there is enough within the region that offer links to past iterations – such as the shrine noted above, the two-wheeled cart on the edge of the smaller island and the presence of wildlife and animals throughout the setting.

Some of these – in the form of white stags – both offer a hark-back to past builds and add to the mystic / fantasy feel of this iteration. In this, they are joined by glowing chrysalis butterflies flying offshore and the magical rings of fish circling a Moon chair sitting part-way to the stone tower, the puffballs and mushroom trees and other exotic flora awaiting discovery. When combined, these move Elvion into a realm of the imagination, brought to life by the presence of the animals and wildlife.

Elvion, January 2023

Wandering Elvion is, for me, like coming home; there is a comforting sense of familiarity within each iteration of this region I find engaging. And I don’t mean a familiarity borne of similarities of design or the inclusion of familiar elements from one version to the next; rather there is a sense that Bo has an imagination and a flair for region designs I know are always going to be attractive to me; places I can appreciate and spend time within, wrapped in a since of freedom and exploratory delight.

Definitely not a location to be missed.

Elvion, January 2023

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  • Elvion (Forevermore, rated Moderate)

Through the eyes of Lunaspina in Second Life

Artsville: Lunaspina Anatine, January 2023

Opening on Friday, January 6th, 2023 at Frank Atisso’s Artsville gallery complex is Endless – Through My Eyes by Lunaspina Anatine. Occupying Gallery 2 at the complex, this is a selection of landscape pieces which have been taken within a single region, that of Sombre Nyx’s Endless: Birdlings Flat, each one utilising a minimalist approach and compositional style which immediate capture the eye and the imagination.

This is clearly evident from the first image within the series – Endless 01, located just inside the left side entrance to the hall as you enter it. The images presents a view of a set of communications dishes set against a cloudy sky. But where are they – what are they? Civilian? Military? On a building or high on a mast?

Artsville: Lunaspina Anatine, January 2023

In successive  images we encounter more – a field in a misty dawn (or perhaps late afternoon) and a grid of upright posts, slender wires strung between them. They appear to be sitting within a field – but again, what are they? A place where vines are to be planted and grown for their crop of grapes? If so, then where are the vertical lines for the vines to grow along? So if not that, then what?

Thus, as we progress around the images, these is the invitation for us to form a story around them. as to what they may represent. Of course, those familiar with Birdlings Flat (which I wrote about it here) may opt just to enjoy the images in this exhibition in their own right; and there is nothing wrong with this, nor do visitors need to be familiar with the region. Seeking a narrative is purely a matter of choice; these are images which can be enjoyed in their own right and as individual compositions.

Artsville: Lunaspina Anatine, January 2023

At the same time, these pieces – beautifully post-processed and making superb use of various EEP settings – speak to the marvels of Second Life, a place that can be visually expressive, filled with opportunities to explore yet also at times empty of of people  – just as many remote parts of the physical world (such as the eastern end of Kaitorete Spit on which Birdlings Flat is based) can be as well. Within each one, Lunaspina perfectly captures the essence of the term endless.

I confess that I’m not aware of having witnessed an individual exhibition by Lunaspina, and I was immediately captivated by her overall approach to her images – camera placement, angle, subject focus, used of depth-of-field, etc., – in that I could not help but see a strong similarity to the work of another artist I admire hugely – Melusina Parkin. This should not be taken to mean either artist is in any way derivative of the other; rather they both have a eye for composition that I find attractive and engaging and which teases out their subject gently to their audience.

Artsville: Lunaspina Anatine, January 2023

A warm, easy-to-appreciate exhibition of landscape art which is – as noted – also beautifully layered, Endless – Through My Eyes is well worth visiting.

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Walking a Cloud Edge in Second Life

Cloud Edge, January 2023 – click any image for full size

Funky Banana is a region designer with a keen eye for detail and an imagination capable of presenting settings which can attract and enthral. I’ve covered his work a number of times in these pages, going all the way back to 2016. However, it has been a while since I’ve made any visits, so when Cloud Edge popped up on my radar screen, I decided to set things to rights once more and hop over to take a look.

The last couple of times I did write about Funky’s work was in covering Wild Edge (in 2018) and Summer Edge (in 2019); designs which clearly share a common element in their naming with Cloud Edge. Both of these designs offered much for visitors to appreciate – and so does this one, but in a very different way; in fact, I’d go so far to say that in its disarmingly simple design, Cloud Edge is one of the most imaginative region builds I’ve seen of late.

Cloud Edge, January 2023

It is a setting more than adequately explained through its About Land description:

Welcome to Cloud Edge.
A high ground environment based above the clouds, surrounded by mountains. A place to escape, relax and enjoy the views.

And so it is that arrivals find themselves in the mountains, surrounded by high, snowy peaks and lower, snow-free ridges not so far above or below the tree-line that whilst the majority of their vegetation is moss on the rocks and hardy shrubs and bushes, a few stunted trees deformed by wind and cold into krummholz manage to survive. Between these ridges and peaks and the much higher surrounding mountains is a sea of white, the tops of clouds obscuring everything below from view and giving the impression that the peaks, ridges and mountain tops are islands sitting within an ocean of fluffy white.

Cloud Edge, January 2023

The landing point is set on a broad wooden deck, also rising above the cloud tops (which are formed using Fluff Clouds by Satomi XOXO), and moored to a slender ridge of rock by a single wood-and-rope bridge. Watched over by a single crow seemingly unaffected by the altitude, the bridge provides access to a rocky path as it skirts around a small peak to run along the spine of the ridge to a second peak, passing the krummholz tenaciously clinging to its flanks.

A further bridge stretches out over the hidden abyss at the end of this path, guarded by a young eagle that periodically takes the air before settling back on a rocky perch. The bridge itself extends out over and into the clouds, vanishing before connecting to land once more. This it does by way of a finger of rock of a semi-regular shape suggestive of interesting wind patterns flowing around these peaks, and which is in turn connected to a further pinnacle of rock via a second bridge.

Cloud Edge, January 2023

This bridge is allowed passage through the rock by means of a natural-looking tunnel burrowing its way through the flat top of this peak, which rises higher than the rocky finger to which it is linked, but not as high as the peak at the southern end of the ridge with its footpath. Beyond the tunnel lies a shoulder of rock on which a further deck has been built, offering superb views of the remaining peaks within the region’s boundaries, both of which are isolated from access by foot, and the largest of which features a powerful waterfall facing the deck like a shimmer curtain as it drops into the clouds below.

One of the things I’ve always appreciated with Funky’s region designs is the degree of minimalism he employs. Where others would be tempted to add life to a setting with – say – the addition of birds or animals or further flora, Funk keeps things such that there is know to give life to his settings and no more.

Cloud Edge, January 2023

Thus, while it might have been easy it add trees hither and thither, or add mountain goats to “enhance” the sense of elevation, Funky resists, offering only those trees and birds required to underscore the sense that we are indeed at some altitude, allowing the surrounding clouds to speak for themselves. Similarly, the soundscape for the region is kept to the perfect minimum of the lonely moan of wind over exposed rock, the occasional cry of a crow and the slow growth of water falling over rocks as you approach the deck overlooking the falls.

Beautifully conceived and executed, Cloud Edge is visually impressive and offers plenty of scope for art and photography. Those who do so are invited to add their images to the Cloud Edge Flickr stream, whilst visitors are invited to claim a small gift from Funky’s Marketplace store.

Cloud Edge, January 2023

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Peace is a Choice: the art artists of Second Life

Peace is a Choice, January 2023

In 2016 I visited the wrote by the Peace is a Choice Gallery, founded and curated by Dove (TheDove Rhode) and located on the north coast of Nautilus. Originally founded as the the S&S Gallery of Fine Art more than 15 years ago, the gallery has grown to a region-wide centre of 2D and 3D art, both collected by Dove and provided by the artists, the displays of art both indoors and out with event spaces.

At the time of my 2016, the focal point for the gallery was its impressive glass-and-steel main building (one of Calpo Wrexler’s extraordinary designs) which was bracketed by outdoor display areas and a dance studio. Whilst the main hall remains, the external facilities appear – at least to my eyes and a memory that is admittedly dimmed by the intervening years – have increased to offer more space for artists, including what appear to be dedicated parcels.

Peace is a Choice, January 2023

Within the main gallery building – the entrance to which forms the landing point for the centre – visitors may find 2D and 3D art, animated and static, by the likes of Cica Ghost, Bryn Oh, CioTToLiNa Xue, Chao’s’Chen (sChen), Moya Patrick (Moya Janus), Nessuno Myoo, Morlĭ (MORLITA Quan), Alo (Aloisio Congrejo), all of which have been provided by way of Dove’s personal collection of art, which are joined by pieces donated / exhibited by some of the artists named above and also the likes of Daco Monday, Robin Moore, Noke Yuitza, Russel Eponym, Gleman Jun, Fuschia Nightfire, and Ink van Helsinki (Instincta Starchild).

Beyond the main hall are additional installations of 3D art, together with some indoors and 2D gallery spaces. These outdoor areas present works by Vroum Short, Kerupa Flow, Haveit Neox, Kicca Igaly, Tansee, Igor Ballyhoo and several of the already-named artists above, together with dedicated spaces by Paula Cloudpainter (paula31atnight), Rage Darkstone and TerraMerhyem, Cherry Manga, and Vincent Priesley (sweetvincent).

Peace is a Choice: Vroum Short – January 2023

As I noted in August 2016, such is volume of art and its placement across the centre’s land, Peace is a Choice offers one of the most engaging displays of art:

Whether you start your explorations inside or outside the gallery is entirely a matter of choice; there is no set path to follow, and Dove has wisely placed the art so that there are no assigned areas for individual artists. This allows for some interesting juxtapositions of art, technique and expression, allowing visitors to gain a strong feel for contrasting styles among artists in Second Life.

– Myself, August 2016

Peace is a Choice, January 2023

Getting around the various installations can be a little bewildering – during my 2016 visit I found myself flycamming a lot, and did the same this time around. However, explorations during my original visit were also aide by the presences of a teleport system; while it is entirely possible I missed it this time around, I did try to keep an eye out for it. On the plus side, this encourages exploration on foot,

A further complication to easy exploration is that some of the parcels, such as by walking around the front and sides of the main gallery to reach the beach and and outside deck display areas. However, it was disappointing to note that some of the connecting exhibition parcels are restricted to those with Payment Information On File (PIOF). Whilst once a common practice to discourage griefing, used within what is intended to be a public space does run the risk of itself being seen as unwelcoming by those new to Second Life who are simply exploring and seeking places of interest to engage their curiosity, but who have not yet registered a payment method with Linden Lab.

Peace is a Choice, January 2023

This aside, Peace is a Choice makes for a fascinating visit, with much to see and and appreciate, with one of the richest cross-sections of art past and present to be found in Second Life.

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Cherishville’s winter 2023 in Second Life

Cherishville Winter, January 2023 – click any image for full size

It was off back to Lam Erin’s Cherishville for my first blog on places to explore in 2023. A locale that changes with the seasons, this Full region was, at the time I dropped in, dressed for winter, although things started to change as this article was being finished (the Christmas village mentioned below poofed, for example), so things may well have changed some more by the time you read this!

As a photographer, Lam has an eye for detail and this is often reflected in his region designs, something which is very much the case here – albeit at a potential cost for some visitors, as the region is very heavily loaded with mesh and – particularly – animated mesh snow; something which prompted me to spend a few minutes de-rendering in order to give my FPS a boost whilst physically exploring the region on foot, rather than camming.

Cherishville Winter, January 2023

Unlike other changes in iteration, the winter 2023 version of Cherishville actually reflects the autumn 2022 version, which I wrote about in October 2022; the overall design remains largely unchanged, except for the seasonal details replacing the more autumnal – trees denuded of leaves but hung with lanterns, the gently lapping waters of the inlet now frozen and a thick blanket of snow replacing the grass and leaves on the ground – and the likes of snowmen, polar bears and (inevitably), penguins and giant Christmas toy soldiers replacing the horses and cattle.

The fact that Lam has retained the look and feel of the Autumnal 2022 version of Cherishville allows us to witness a very realistic changing of the seasons in a familiar landscape (and indeed, as I missed it, the overall design might hark back as far as summer 2022). Perhaps the most identifiable changes between the autumn and winter settings was the presence of a little Christmas Village tucked into the north-east corner of the region and watched over by the aforementioned giant toy soldiers.

Cherishville Winter, January 2023

The best way to appreciate the new design is to follow the snowy road as it loops and winds around the region, offering views by turn of the main hamlet, the Christmas village and the frozen inlet where, for reasons best known to himself, Santa has opted to go … skiing.

The road also passes by the other major change from the autumn design, located down in the south-west corner, where a large barn appears to be a place where fir trees were being sold for home decorating through the season (and to which the trucks carrying  fir trees might be related). A little hot drinks stall sits alongside the barn and, just beyond it a skating rink with one of those little errors of detail Lam tends to include in his builds: a floating floating serenely a couple of metres above the rink!

Cherishville Winter, January 2023

With the inlet and the roadside hamlet above it, and the train line and station to the north, there are plenty of opportunities of photography which can be used to contrast the winter design with that of autumn for those who previously visited the latter and wish to make a re-visit.

For my part, however, given I’ve previously described the setting at some length just a few months ago, I’ll shut up here, and instead finished with a couple more images and the suggestion that whether or not you dropped into Cherishville during the autumn, now might be a good time to hop over and catch it in its winter dressing before more changes!

Cherishville Winter, January 2023
Cherishville Winter, January 2023

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