I Am A Woman: a photographic essay in Second Life

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman

I recently returned to Venus by the Water, the Homestead region created by Elizabeth (ElizabethNantes) and Cecilia Nansen, a place I first visited in April (see: A Venus by the Water in Second Life). My reason for this visit was to see the latest exhibition at Gallery Bjork, featuring the work of Angelika Corral.

Angelika is for some perhaps best known for her time operating the DaphneArts centre alongside of Sheldon Bergman (SheldonBR). For the length of its run in Second Life,  DaphneArts was one of the foremost galleries in presenting persistently engaging exhibitions and installations, a gallery I always enjoyed visiting. However, Angelika is a photographer-artist with a gifted eyed and the ability to tell a story – even a life – of emotion and spirit within the single frame of an image.

Within I Am A Woman, she presents a dozen images (I’ll come to the final two in the collection further into this article) focused on the female form. Presented in black and white – the medium Angelika prefers to utilise for her photography, these are images intend to speak to the beauty of the female form, yes; but not necessarily the beauty that is seen from without – although that is very evident through all of the pieces through look, pose, poise, framing, focus, etc. Rather, the beauty being celebrated here is that with lays within: the beauty of strength and grace women demonstrate in a world which has too long been biased more towards the male gender.

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman
Across the globe many women and girls still face discrimination on the basis of sex and gender. Gender inequality underpins many problems which affect women and girls, such as lower pay at work, lack of access to education, domestic and sexual violence. Women are roughly four times as likely as men to say they have been treated as if they were not competent because of their gender.

– Angelika Corral, I Am A Woman

However, to assume from the above that this is some form of “political” treatise on the “unfairness” of life when it comes to gender – it is not (although were it to be so would not lessen its message in any way given what is going on right now in many parts of the world – including the the United States, albeit not solely aimed at those of us of the female gender). Instead, within I am Woman Angelika offers up reminders of who we area as women; creates really not that different to the male of the species: creates of love, hope, strength, vulnerability; people who can love, thinking, create, manage, and excel.

Women artists have used photography as a tool of resistance. Self-portraiture has always been a tool of empowerment for women. The exhibition is dedicated to the “divine feminine” and intends to celebrate women’s power and grace.

– Angelika Corral, I Am A Woman

Each of the twelve primary images carries with it a reminder of the beauty, grace and strength to be found in a woman. Sometimes identifying all three is easy, in others, it is more nuanced. In this latter regard, I found The Flower particularly powerful, with its subtle references to natural beauty (the flower held in one hand, the naked back), and the clear references to fertility, and the core role of women as the mothers of all humankind and the truth that, without us, there would be no humankind.

Gallery Bjork, July 2024: Angelika Corrall – I Am A Woman
Which brings me to the final two images within this collection, which sit within the gallery’s smallest room. Presented as a pair one male (the only such male image within the collection) and one female. They are entitled Gemini Male and Gemini Female, and serve to underscore the the fact that, when all is said and done, not only are men and women really not that dissimilar, the vast majority of the so-called differences we encounter in life: inequality, discrimination, perceptions of value / worth / competency, are as much artificial constructs as the garments in which we clothe ourselves. In this these final two images also underscore the question Angelika poses throughout this exhibition, once again asking visitors (of any gender) to contemplate it further:

Don’t we all want to find new ways to live in a fair and just society, in a world of equity and equality?

– Angelika Corral, I Am A Woman

Powerful and evocative, an exhibition of beautiful artistry and powerful reflections. When visiting, do be sure, as well, to read Angelika’s dedication to her daughter – ad the all daughters of the world.

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Ai-Mura – a Love Project in Second Life

Ai-mura, July 2024 – click any image for full size

My most recent travels to me to the setting of Ai-mura, largely created by ラパ (Rapa Tone) and Indra Herouin. Occupying a sky platform covering a little under a quarter of a Full private region which offers the private island Land Capacity bonus, Ai-Mura is held under Rapa’s melodic.one Group and is described as being a part of the Love Project, in reference to the region as a whole and the multiple settings available within it – some of which I’ll be covering in these pages in due course.

Ai-mura is an engaging Japanese themed setting, with very good use made of the available space, which has been split into roughly three primary areas.

As you step off the train at Ai-mura station, you sense there is something magical about this small village by the sea. Refresh your body and mind at the local onsen, explore the bustling neko village, wander the paths to find your perfect picture spot, and come listen to amazing DJs while dancing your cares away in a beautiful, open-air venue.

– Ai-Mura Destination Guide entry

Ai-mura, July 2024

The train – more a tram, really – referenced in the setting’s Destination Guide entry sits in the south-east corner of the setting, stopped at the terminus of whatever line it has followed to reach this point, having to to it via passage through a nearby tunnel. The station located just below the elevated tracks has something of an industrial feel about its insides, resembling more of a pumping station than a ticket office or anything. Alongside of it is the entrance / exit to a subway system, suggesting another means of reaching the setting.

A bamboo path offers two routes down from the station, it and the tram track being the highest accessible points in the setting. The first is to the north, where a gatehouse and stone steps allow visitors to descend from the station’s rocky table-top and reach the neko village also referenced in the Destination Guide entry.

Ai-mura, July 2024

The second arm of the path turns west to pass under a Torii gate and again descend via stone steps to provide access to the west side of the setting. In offering the way to their respective destinations, both arms of the path pass over a fast-flowing stream that tumbles from above vias falls and then further falls and rapids before eventually passing into a tunnel of its own, effectively isolating the station’s rocky highland from the rest of the landscape.

The neko village is, as the name suggests, a village of kitties – u10 nitta’s (shiro0822) ever-engaging {-Maru Kado-} kitties to be precise. Unsurprisingly, given the local inhabitants 🙂 the majority of the businesses in the village square are given over to eateries with all sorts of foods on offer – including fish. The latter are being offered via a warehouse linking the village with a fishing wharf where a couple of boats are tied-up, most likely having recently delivered their catches.

Ai-mura, July 2024

Packed with little details waiting to be found, the village is a simply charming setting ripe with photo opportunities. One of my favourite elements – aside from the kitties – is a sign board sitting above the the village providing information on where Rapa –  an SL DJ – might be, giving both her DJ appearances and the times she’s asleep  with “zzzz”.

Steps on the west side of the village provides access to an open meadow which in turn connects to the west side of the region, the majority of which is given over to a field for music events, with the field set to host a Progressive Music event on Tuesday, July 30th from 16;00-22:00 SLT, hosted by Coley Magic, who will join Rapa and five other DJs presenting sets during the event.

Ai-mura, July 2024

South of the music venue is a raised courtyard which connects to the second part of the path running down from the tram station. The courtyard seems to function as both an overspill area for the music events field and as an open space before the setting’s osen.

The latter is entirely open-air and without either accompanying bath house or changing area. Instead, the main pool sits within a oval of large stones and appears to be heated from a natural source below, the water’s surface misted with steam. Whatever the source of the heat, it must be powerful: the pool appears to be fed by cold fresh water tumbling from more of the falls at the setting’s southern highlands; water which drops over stepped falls and then rushes through more little rapids to flow into the larger body of which the onsen pool is part.

Ai-mura, July 2024

For those who would like a more private spa, a second hot spring and pool can be found on a shoulder of rock overlooking the main falls and stream. It is reached by turning off the path down to the onsen from the tram station before it crosses the stream via a red bridge.

There are one or two roughly little elements where the landscaping could perhaps be tidied in little more, but these don’t really intrude into the setting to the extent them we show up in photos. The sound scape – birdsong and trickling water – could perhaps do with a little more, but again, its entirely possible most visitors will be dropping in for the music, and so won’t notice. Certainly, the overall photogenic nature of the setting cannot be denied, and the look and appeal of Ai-Mura does much to commend the rest of the public spaces within the region as being destinations to add to an itinerary.

Ai-mura, July 2024

SLurl Details

  • Ai-Mura (a love Project, rated Moderate)

Summer 2024 at BOSL in Second Life

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

My summer 2024 to the Best of Second Life (BOSL) galleries, operated by Regin Congrejo and Jamee Sandalwood allowed me to take in two exhibitions of late – one of which will be closing in mid-August, and the other will run through until the end of August.

The first is another ensemble exhibition held within BOSL’s main gallery and entitled Hello Summer! It features pieces on the theme of summer from Dante Helios (Dantelios), Sheba Blitz, Sabie Mortenwold (Sabine Mortenwold), Evie Ravens (Evelyn Irelund) Broin Ravens (Brian Ravenhurst), and co-host / curator Jamee Sandalwood. With the exception of Sabie Mortenwold, all of the artists present images captured from within Second Life celebrating the passage of the summer months, the majority featuring landscapes, beach scenes, flowers and wildlife.

BOSL Main Gallery, July 2024: Hello Summer! – Dante Helios

In addition, all of the artists excepting Sabie, also participated in the Hello Winter! at the gallery, which I covered in December 2023. For her part, Sabi offers a selection of her mixed-media collages uploaded to SL, all of them very much focused on the blossoming flowers of summertime and offering a nice set of contrast to the in-world images from the other artists.

Together, all of the pieces presented by the artists offer a very easy-going exhibition, the décor within the gallery adding to the summer time feel of the pictures, all of which offer a unique appeal and sense of the season.

BOSL Main Gallery, July 2024: Hello Summer! – Sabie Mortenwold

Down at the Waterfront Café, reached via a walk through the gardens in which the galleries are set, is a small exhibition of work by the ever-excellent Harlo Jamison. Running through until the end of August, this is a collection of just seven images which might also be side to be gathered under the title of “summer”.

Harlo is a multi-faceted; when last I covered her work it was in regards to an avatar-centric, adult-themed exhibition she had put together jointly with Alex Riverstone (see: A Sugarfish Gallery in Second Life). Here she presents what might be consider two sets of landscape pieces which combine as a masterclass of Second Life photography and artistic imagery.

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

To the left of the gallery space as you enter it, lay four colour pieces, beautifully cropped, framed and present, offering views of Second Life redolent in the colours of summer. From a beautiful shot across an entire region to the single figure of a windmill standing tall before the admiring gaze of visitors, these four pieces are a lesson in the skilled use of the viewer’s camera and of the gentle use of post-processing techniques.

To the right are three pieces sharing the title A Golden Summer. (a forth frame is provided, but at the time of my visit, did not display an image). Once again, they capture scenes richly and evocatively, but the use of post-processing to lend them a sepia tint and sense of deliberate over-exposure results in a trio of pieces that is simply breath-taking.

BOSL Waterfront Gallery, July / August 2024: Harlo Jamison

In all, a thoroughly engaging collection of pieces, and one which nicely balances the ensemble exhibition in the main gallery.

SLurl Details

BOSL Innovation Pavilion is rated Moderate

Summer at Luane’s World in Second Life

Luane’s World, July 2024 – click any image for full size

Summer has brought with it time for me to make a visit to Luane’s World, the estate held and operated by LuaneMeo and her publicly-accessible Full region – Le Monde Perdu (The Lost World). It’s been a while since my last visit, and the region has been beautifully redressed for the summer, offering a mix of a beachy cove, woodlands, a lake, and open lands cut through by a mix of streams and footpaths.

The landing point sits on a ridge which runs from east to west across the landscape, rising from each coast to form high cliffs overlooking the beach with is deep-cut cove to the south, whilst falling more gently away to the north west to meet the lowlands. The upper reach of this ridge is home to the region’s landing point. This provides information on the estate’s rentals, a teleport board (including the the sky region destination and the store space Luane shares with Méli-Mélo). A further board provides information on the region’s photo contest running through to August 12th, 2024, of which more below.

Luane’s World, July 2024

There are two main ways down from the ridge, again to the east and west. The former descends via a trail and steps cut into the hill slopes before crossing one of the region’s streams to provide access to the east side of the cove and the beach. Along the way it is possible to turn north and access the lowlands, where multiple places to sit and pass the time might be found along the hill slopes.

To the west, the slope proceeds gently down in a gentle curve to the south, eventually meeting with the beach, the foot of the sandy hill sculpted by successive tides. Again there are multiple places to sit along the way – including a cosy summer house – whilst steps cut into the north slope again provide access to the northern lowlands.

Luane’s World, July 2024

Facing off-region islands, the beach and cove are naturally formed, the beach offering a gentle sandy walk under the lee of the cliffs before shelving away sharply under the surf to form a deep water bay that’s home to orca, fish, an ancient wreck and a great white minding its own business. The fact that it is seemingly content to keep to itself will likely be good news to those who wish to take a dip or make use of the lidos, floating seats and rings in the water. For those of a less daring disposition, a RHIB sits in the bay, one of several boats around the region, and offering a place from where the local rays can be watched.

With all these sights and locations the beach and cove are attractive and photogenic and certainly not not be missed. However, given I’m personally not a great beach person, the north side of the region with its lush grassland, trees and flower, is the real attraction. The lake takes up a good portion of the north-west side of the setting, and while it may not have the richness of undersea life within it, it is still the home for swans, geese and turtles, as well as offering the opportunity to take a swan boat out on the water from the dock alongside of the lakeside cottage.

Luane’s World, July 2024

The latter is a cosily-furnished mix of home and studio, a wooden boardwalk winding from its and front door to pass around the edge of the lake, paths here and there offering ways up the slopes behind. Making its way past another deck, the boardwalk eventually climbs steps up to another platform at the eastern extent of the lake, where gates set into a high, ivy-draped wall close by provide access to the lands beyond the lake. Although before passing through them, there is also the opportunity to take a walk around the north shore of the lake, which is again photogenic and relaxing.

For those who don’t fancy walking all around the region, horse rezzers available, although walking perhaps offers the best opportunity to catch sight of all the animals and birds also occupying the setting. for those would would like to the the region as a bird might, then the hot air balloon floating to the north-east might be attractive. As already noted, the region is rich in places to sit throughout, on the beach, around the lake, on the hill slopes, and so on, although I particularly enjoyed the Café de Paris, tucked into a corner of the region and guarding the path leading to / from the familiar bridge connecting le Monde Perdu with the rest of the region.

Luane’s World, July 2024

Photo Contest

Running through until Monday, August 12th, 2024, the Luane’s World / Le Monde Perdu photo contest offers a prize pool of L$ 8,000 plus a  choice of pose packs from Méli-Mélo and Luanes Poses. Full details and rules can be obtained from the contest board at the region’s landing point, but in short:

  • Up to three entries per person may be submitted.
  • Entered photographs must:
    • Be taken within Luane’s World ground-level setting (not Luane’s Magical World, the sky-bound setting) and be clearly recognisable as having been taken within the region.
    • Have a primary focus on the landscape (although avatars can be show in images, they should not be the focus).
    • Not include porn, obscenity, racism, child play, or violence. doing so will result in automatic disqualification.
Luane’s World, July 2024
  • Entries:
    • Are made via the Luanes World – Le Monde Perdu Flickr group.
    • Mist be set to Public viewing.
    • Must be labelled LUANES WORLD – LE MONDE PERDU PHOTO CONTEST Summer 2024, followed by any title you wish to give the image and then 1, 2 or 3 if you submit multiple entries. the SLurl to the region must also be given within the image description.

Good luck to all who enter.

Luane’s World, July 2024

All of Luane’s designs, developed with Gorba McMahon, are eye-catching, highly photogenic and created with keen eyes for detail. Summer 2024 is no exception to this, and I highly recommend a visit.

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Miu’s connections at Nitroglobus in Second Life

The Annex, Nitroglobus Roof Gallery, July 2024: Miu (MuiMira)

In introducing the July / August exhibition at the Annex of her Nitroglobus Roof Gallery, Dido notes that she Established the extension to her gallery with the goal of providing young, talented artists an opportunity to showcase their work, but she feels she have not always succeeded in this goal. I would, with love and respect to Dido, dispute this.

One of the major attractions of Nitroglobus is Dido’s ability to provide an opportunity for new talents in Second Life to display their art. Whether it is via the Annex or within the main galley, Dido has consistently been able to showcase the work of people who have subsequently gone on to be highly regarded within the broader Second Life arts community.  It is this innate ability to recognise talent – and to challenge and stretch the abilities of established artists beyond their comfort zones – that makes Dido one of the most skilled curator / patrons of the ats in SL, and Nitroglobus one of the foremost galleries in-world for hosting consistently engaging and often personal exhibitions.

The Annex, Nitroglobus Roof Gallery, July 2024: Miu (MiuMira)

Such is the case with Connections, which opened on July 19th, 2024 within the Annex. This is a small but utterly engaging collection of pieces offered by Miu (MiuMira) in what is her first public exhibition of her photography in-world, although she has already gathered deserved recognition on Flickr. Her work mixing colour and black-and-white photography, predominantly avatar-centric and showing a highly skilled eye and touch for post-processing.

Connections is very much a themed exhibition both in focus and tone. All of the images are black-and-white, the majority with highly minimalist backgrounds (and those that do have a visible background utilise a considered depth of field to ensure it does remain a backdrop, rather than becoming a distracting focus for the eyes), whilst the overall tone is set by a quote from Margaret Atwood:

In the end, we all become stories.

–  Moral Disorder and Other Stories by Margaret Atwood

First published in 2008, Moral Disorders is an exploration of the interconnectedness of lives and life, the stories within it winding through the lives of parents and children, of siblings and friends, of mentors and enemies from the 1930s through the the present, offering – if you will – an album of photographs written in words, spanning the decades from the 1930s through to the present.

The Annex, Nitroglobus Roof Gallery, July 2024: Miu (MiuMira)

It’s a fitting quote and fitting selection of stories, perfectly reflecting the way Connections offers a visual essay concerning the relationship of the connections between mind, heart and emotions which give the passage of life meaning to each and every one of us. Each image offers an expression of one or all of these aspects of experience, offering a set of images which, as Miu notes herself,  reflect the fact that, “We are the authors of our lives, creating our own beautiful adventures and deciding on the main characters within our book”.

For me, more than this, is the fact that Connections reads as a very personal story: throughout the nine images – and with encouragement from Dido – Miu gently reveals how her avatar is very much the digital embodiment of who she is, and how she embraces her own moods, sensitivities and emotions.

Take, for example, Connections (4); the use of the shawl in both hiding most of Miu’s features, the over-the shoulder revealing just a hint of nose and mouth, suggest a person given to a certain shyness and possible introverted self-reflection. However, the shawl also draws attention to the partially-visible tattoo Never Give Up. Even without the rose which tops it (as seen in other images) being visible, the statement speaks to an inner strength, to embraces the lessons of life and the ups and downs of emotions and use them as a means to learn and grow, and also speaks to an ability to support and love.

The Annex, Nitroglobus Roof Gallery, July 2024: Miu (MiuMira)

In this, Miu’s avatar bears much that reflects her own nature, expressions given form through tattoos and via her mode of dress and choice of looks. They combine to tell a story of a person who is very at ease with herself, her heart and her emotions, and who can freely give expression to her inner self, writing the story of her life with each passing day.

A genuinely impressive and engaging collection, and a superb debut exhibition. Highly recommended, and congratulations to Miu and Dido.

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Grauland’s Corsair Island in Second Life

Grauland / Corsair Island, July 2024 – click any image for full size

Update, July 20th: Jim dropped me a line of the lack of soundscape noted below – apparently it was an easily-done oversight, and has now been rectified, so be sure to have local sounds enabled when visiting!

About a couple of weeks ago, if memory serves, I bounced into Jim Garand’s Grauland on one of my periodic visits to see what might have changed since my last visit. At the time, Jim appeared to be smack in the middle of redressing his Homsetead region – also home to his M1 Poses store – and so I pretty rapidly bounced my way back out again to allow him to finish things off, but with my curiosity well and truly piqued. I had intended to return just a few days later, but life had other plans, and so have only just made it back.

Jim has a habit of pulling together settings that are a mix of landscape, art, architecture and narrative. Sometimes they are themed, as with the last edition of the region I blogged about – see: Grauland’s Last Trees in Second Life, or they may be inspired by an actual location; at other times they might be more nuanced in ideas and themes, and at others still, others they are simply offered as opportunities for photography and art. Grauland / Corsair Island appears to fall within the latter two groups, offering hints of a theme here and there whilst in general offered a highly photographic setting with a lean towards artistic expression.

Grauland / Corsair Island, July 2024

The setting’s little  – Corsair Island – might perhaps suggest the idea of pirates, sailing ships, treasure and all that; however, this is not the case. Rather, the name appears to be taken from the World War 2 vintage Vought F4F Corsair single-seat fighter displayed almost as a museum piece towards the south-west corner of the region. Sitting with wheels on its own of concrete apron, a separate square of the same close by hosting a mighty sea anchor which might have hailed from a WW2 battleship of aircraft carrier, the Corsair looks out to sea from flat-topped table of rock with a broad throw of sand curving around its base to form a golden beach.

The local vegetation suggests this is a tropical island, one amidst a small group, with the Corsair itself immediately raising thoughts of the Pacific conflict of WW2. This is perhaps further enhanced by the general layout of the island, which suggest it may have once been an airbase for a land-based contingent of US Navy aviators and their aircraft. The road running north-to-south might have at one time been a runway, and whilst the sound side of the island is now in part excavated and home to free-standing art installations, there is a chance that it may have once been flat and home to a second runway.

Grauland / Corsair Island, July 2024

Of course, the huge concrete bulk of a road tunnel rising from the sea and with its  darkened maw open to either disgorge or swallow road vehicles at the north end of the road tends to suggest that perhaps this is a place much closer to the US mainland, but it does not entirely eliminate the dance of the imagination in thoughts of airbases from past conflicts.

In fact, the placement of some of the buildings alongside the road might also add to the idea, their position suggesting they’ve replaced what may have been an aircraft dispersal area and / or hangers and workshops. But again, in opposition to that, the presence of the gas station and motel with its slab-sided beachfront cabins again give the impression this is a place much closer to the US mainland, and one which sees a degree of vacation traffic passing back and forth through the tunnel; so I’ll leave it to you to form your own backstory for the setting.

Grauland / Corsair Island, July 2024

The southern side of the island is given over to art installations. Three of these are bound the draw attention, possibly at the expense of the fourth. The latter take the form of a series of disks, rings and cylinder elements arranged in a manner that presents a series of spaces that can be walked around and through. The three main installations, meanwhile, are a mix of the familiar and the new.

Many of Jim’s past installation have included the motif of standing blocks, generally in geometric arrangements. These have frequently been in the form of cubes resembling block of cement, but here Jim includes a pyramid to the eastern end of the island with its flanks being climbed by ranks of stone uprights in a design by Alex Bader. Next to this is the excavated area, walled by heavy blocks and its floor tiled. Within it stands a series of walls forming something of a maze-like area, squares of blue tiles mounted on the wall sections like windows. The maze isn’t hard – it’s not intended to be – and has a roofed platform at its centre, served by two stairways.

Grauland / Corsair Island, July 2024

Alongside of this maze, sitting between it and the southern beach is an area suggestive of ancient ruins fronted by a large bust of a female torso. Steps down to a lower area passing under the “ruins” provides access to the beach. To the north of the island, hidden among rock formations, is a formal garden area watched over by Buddha, Psyche and a reproduction of Horatio Greenough’s (1805-1852) Arno the Greyhound as found at Boston’s Museum of Fine Arts.

East of the garden and most directly reached via a winding paved driveway that links it to the main road, is a large warehouse style of building sitting walled-off from the rest of the island, giving the impression it is separate to the rest. It is dressed as a private home and not for public access, but the gates guarding it open on approach and there is no security system in evidence – so I have no idea if it is meant to be public or private, so I remained circumspect.

Grauland / Corsair Island, July 2024

As always, this iteration of Grauland is photogenic and attractive, holding a lot to see (not all of which is mentioned here). It is strangely devoid of any soundscape (either that, or my viewer simply was not registering local sounds during my visit!), but to make up for this (if it is the case), a gift from Jim is available for visitors at the landing point.

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