Exploring beautiful Baby’s Ear in Second Life

Baby's Ear; Inara Pey, July 2015, on FlickrBaby’s Ear, July 2015 (Flickr) – click any image for full size

Baby’s Ear is the name of Neva Crystall’s latest region design in Second Life – and it is an absolute must see.

Comprising two islands, Baby’s Ear is a treasure to behold; a place which is at once unique to Second Life, yet at the same time the various elements within it can resonate with the visitor in such a way that a slight feeling of deja-vu is felt; a feeling that perhaps there is somewhere like this in the physical world that we might have visited.

Baby's Ear; Inara Pey, July 2015, on FlickrBaby’s Ear, July 2015 (Flickr) – click any image for full size

The larger of the two islands brings together a number of motifs, which stand both individually and as a collective whole. The farm sitting atop the central plateau could easily have been lifted for half a hundred arable landscapes; similarly, the low-lying beach carries echoes of seaside holidays and children running across the warm sands, while the fisherman’s quay with fish hanging from a rack as they dry ready to be salted and boxed, gives rise to images of working wharves and fishing folk.

Taken together, the various elements flow one to another, presenting the feeling that this is the island home of an extended family, who enjoy a fair degree of self-sufficiency – and who have time to relax and spend time with the children. The farm, fishing shack and beach are all linked via wooden walkways and steps, bringing them neatly together as a unified environment, a feeling enhanced by the spread of children’s climbing frames between farmyard and beach and the sheep that freely roam the land.

Baby's Ear; Inara Pey, July 2015, on FlickrBaby’s Ear, July 2015 (Flickr) – click any image for full size

Only the little cottage nestled between the rocks of the plateau and the placid waters gives a sense of separation; it stands apart from the rest of the beach, reached by a wooden causeway,, while a separate step of stairs connect it with the farm above, suggesting that it is perhaps more for the use of guests than family.

Self-sufficiency is much in evidence. The sheep offer meat and wool; there are fish in the sea, a crop growing in the fields, apples and lemons ripening in the orchards, and a line of bee hives hint at the sweetness of honey. Even the electrical power appears to be provided naturally: a tall windmill harvests the wind passing over the island, as do three turbines, blades slowing revolving as they share the smaller island with a brick-built lighthouse.

Baby's Ear; Inara Pey, July 2015, on FlickrBaby’s Ear, July 2015 (Flickr) – click any image for full size

There are interesting contrasts here as well. A decrepit  station wagon sits on a cinder track along with an old motorbike and odds and ends which appear to have been removed from other vehicles and perhaps even a garage, going by the air pump. These and the telegraph poles running along one side of the island suggest that perhaps it might be part of a larger island or coastal community, and it has been left to our imaginations to fill-in the blanks (just as I prefer to think of the wild grass in the field as a crop, rather than just wild grass).

The imagination is perhaps encouraged to think in these terms by the cinder track, which winds its way down from the plateau, skirting the base of the main island before turning sharply and plunging into the sea. It’s almost as if there is a causeway there beneath the water, waiting only for the tide to recede so it might be revealed and beckon us to follow it wherever it might lead.

Baby's Ear; Inara Pey, July 2015, on FlickrBaby’s Ear, July 2015 (Flickr) – click any image for full size

This is truly another marvellous build from Neva, and one most definitely worth seeing – but if you’re planning to visit, keep in mind that it may only be here for a short time. I understand that  having opened on the 10th July, 2015, Baby’s Ear will only remain open for a two-week period.

Given that it may well be a transient setting in Second Life, I took the opportunity of my visit to film another music video, although my Space Navigator (again) got a tad bit upset.

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A little time with Bob Dylan in Second Life

Not Dark Yet, Crestwick Gallery
Not Dark Yet, The Broad Street Gallery, Crestwick Island

Now open at the Broad Street Gallery, Crestwick Island, is a new exhibition entitled Not Dark Yet. Bob Dylan fans may recognise this as the title of his 1997 single, the first released from his Time Out of Mind album.

This is no coincidence; Not Dark Yet is a collaborative exhibition of art inspired by Dylan’s lyrics. The idea came from the gallery’s curator, photographer (and Crestwick Island’s co-designer) Isa Messioptra. She invited artists Cipherscape, Doc, .kiki, Senna Coronet, Dantelicia Ethaniel, Harbor Galaxy, Edie Horngold, Amona Savira, Hillany Scofield, and Maloe Vansant to join her in presenting one image apiece interpreting lyrics from one of Dylan’s songs.

Not Dark Yet, Crestwick Gallery
Not Dark Yet, The Broad Street Gallery, Crestwick Island

Each artist was given free choice on the song and lyrics to be used; the result is a small, but changed display of images based on one or more stanzas from the selected songs: Visions of Johanna, Boots of Spanish Leather, Hurricane, It Ain’t Me Babe, Don’t Think Twice It’s Alright, Emotionally Yours, Sarah, One Too Many Mornings, Desolation Row, Most of the Time, and the titular Not Dark Yet (by Doc).

I say “charged”, because taken individually, each piece is rich in content; there is an emotional strength to each of them which allows it to stand in its own right in whatever context in is framed. But when seen in the context of their inspiring lyrics, each piece gains a further depth of resonance that literally draws you into it.

In some, the impact is almost physical, as with Cipherscape’s rendition of lines from Hurricane or Isa’s Too Many Mornings;  in others the effect is more subtle, as with Harbor Galaxy’s interpretation of  Boots of Spanish Leather, which is so beautifully inspired it really takes time to appreciate just how subtle all the references are: the guitar, the boots, the facial features, the hairstyle…

Not Dark Yet, Crestwick Gallery
Not Dark Yet, The Broad Street Gallery, Crestwick Island

To single out just two or three pieces from this exhibit isn’t really fair; all of them are really superb, and should be seen for themselves. Not Dark Yet will remain open until around mid-September; should any of the pictures on show really grab you, they are available for purchase. Also, when visiting, do please consider a small donation at the door to help with covering the costs of running both the gallery and Crestwick Island.

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Return to a Crystal Garden in Second Life

Crystal Gardens Estates Inara Pey, July 2015, on FlickrCrystal Gardens Estates, July 2015 (Flickr) – click any image for full size

I first visited Crystal Gardens Estates in February 2015, so it might seem a little odd writing about it again so soon. However, the region, operated by Sandi and Mikal Beaumont, has undergone a complete redesign, and  this being the case, I was naturally drawn back to take a look.

As with my original visit, the region is divided into a set of islands, with the landing point located on the largest. Here sits a stepped pair of terraces, the uppermost of which presents a live performance stage and dance floor, while the lower features a small market space dominated by a beautiful, materials-enabled pavilion by iBi (8f8), and a view over the water to the islands on the east side of the region.

Crystal Gardens Estates Inara Pey, July 2015, on FlickrCrystal Gardens Estates, July 2015 (Flickr) – click any image for full size

Head south from here, and you’ll find yourself following a track that will take you over a little bridge across a stream flowing down for a waterfall-fed pool, and into a garden space. A brick path leads the way around the garden, taking you to places to sit and relax indoors or out, and the opportunity to climb to a hilltop ruin.

On the north side of the music area sits a Tuscan style villa, with courtyard pool. A boat rezzer fronts this, next to the little wooden dock and offers speedboats for getting around the rest of the region, including getting to the beach themed island in the north-west corner. This is linked by a wooden pier to Ilyra Chardin’s art garden and gallery.

Crystal Gardens Estates Inara Pey, July 2015, on FlickrCrystal Gardens Estates, July 2015 (Flickr) – click any image for full size

The garden space displays the works from a number of artists, including Ilyra herself, all under the shade of trees and ready to be admired from cobbled paths. Behind this, to the east is a wooded space leading to Ilyra’s private home. Follow the cobbles southwards, however, and you’ll cross the main drive and arrive at a wooden bridge leading to Ilyra’s indoor gallery space, showcasing more of her own work. A wooden platform built in the trees to the side of the gallery building offers a place to rest and enjoy the ambience of the place.

The remaining island, to the south-east, presents a very different look and feel: that of a run-down urban area, designed by photographer and musician Dimi (DimiVan Ludwig), and the home to his Dimi’s Digital Designs. With a “gentleman’s club”, boxing ring, the environment here might be to everyone’s liking looks-wise, but the attention to detail is complete, and when set with the region’s default windlight, offers plenty of photographic opportunities, as well as providing another live music venue in the form of Dimi’s The Alley.

Crystal Gardens Estates Inara Pey, July 2015, on FlickrCrystal Gardens Estates, July 2015 (Flickr) – click any image for full size

I did have a couple of minor niggles during my visit; the landscaping around the Tuscan villa seems a tad rough, and the speedboat rezzer needs a little tweaking to ensure the boats rez on the water. But I emphasise these are minor grumbles, and could easily be down to the redesign perhaps still being a work-in-progress. As it is, Crystal Gardens Estates continues to offer an interesting set of places to visit and explore, with lots of opportunities for photography, as well as the attraction of live music. For my part, I continue to be drawn by Ilyra’s gallery space, and the opportunity to wander the estate as a whole, snapshot floater at the ready.

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A tropical dream in Second Life

Pandora box of Dreams; Inara Pey, July 2015, on FlickrPandora box of Dreams, July 2015 (Flickr) – click any image for full size

Note: this vision of Pandora Box of Dreams has closed. 

I first visited  Lokhe Angel Verlack’s (Jackson Verlack) Pandora Box of Dreams when it was, I believe, in its second iteration, back in April 2015. Located on Lokhe’s homestead region of Diamond Bay, Paradora Box of Dreams tends to undergo a change every two or three months, each time presenting an environment where dreams and contemplation are encouraged.

I did actually manage to visit the region during its third dream iteration – the River Dream – but didn’t actually get to blog about it;  so I’ll refer you to Ziki’s post on that. Dream 004 has now arrived in the region, and the Del Mar Dream is precisely what I need right now, despite not generally being a “beachy ” person: a tropical paradise.

Pandora box of Dreams; Inara Pey, July 2015, on FlickrPandora box of Dreams, July 2015 (Flickr) – click any image for full size

Del Mar Dream presents an idyllic Pacific island, laying far from the ocean trade routes, nestled in the arms of a larger (off sim) island which provides shelter from the rest of the world. Here can be found a place of rugged beauty and soft, coral sand beaches shaded by palm trees. Little beach shacks are scattered across the island, offering places to sit and relax, either on your own with a friend or two, and simply chat or let your thoughts escape. Hammocks also sit out in the sun or under the shade of the palms, offering the opportunity to catch a tan or drift in sleep,

For the more energetic among us, a careful climb up the rocks forming the spine of the island will  bring you to a graceful stone bridge by Alex Bader, and access to a tiki-style platform on the highest point on the island, where it sits suspended from palm trees; an ideal place of rest / look-out. Alongside the bridge, and for the cost of joining the Pandora box of Dreams group (L$50), you can grab a hang glider and drift around the island on the wind.

Pandora box of Dreams; Inara Pey, July 2015, on FlickrPandora box of Dreams, July 2015 (Flickr) – click any image for full size

Down on the beaches on either side of the hilltop can be found diving boards (to the east) and a jetski rezzer (to the west). I’m not entirely sure the of watery engines would be appreciated by all of the island’s visitors, which might explain why, although I could get a jetski to rez, it resolutely refused my efforts to let me drive it off the rezzer and out into the bay!

The bay also offers opportunities for wading and swimming – although I do urge a degree of caution: there are puffer fish and jellyfish to be found among the rocks and shallows. Leopard sharks hug the sandy bottom further out, but present no threat to swimmers, preferring their usual diet of  clams, spoon worms, crabs, shrimp, fish, and fish eggs. Instead, they’re content to swim among the rays there.

Pandora box of Dreams; Inara Pey, July 2015, on FlickrPandora box of Dreams, July 2015 (Flickr) – click any image for full size

Local sounds can add further ambience to a visit as well, with the beach towards the west end of the island in particular presenting sounds of vacations and holidays which might stir a daydream or two. The audio stream is also suitably appropriate for the environment, and I spent a contented couple of hours relaxing on a lido out on the water, sipping a cocktail while listening to the music and steering my camera around the island remotely (flycams is such a time saver!).

As I mentioned towards the top of this piece, I’m not much of one for beach holidays – I love to explore places and wander across sandy beaches to see what might be beyond the next rise or around the headland, rather than sit and soaking up the sun. Nevertheless, the Del Mar Dream iteration of Paradora Box of dreams did – again as noted – have me simply lazing and enjoying. While it bears little resemblance to them, it did bring thoughts of some of my favourite tropical coastal areas to mind; particularly the north-east side of Sri Lanka around Batticaloa, with its white sands and wildlife.

Pandora box of Dreams; Inara Pey, July 2015, on FlickrPandora box of Dreams, July 2015 (Flickr) – click any image for full size

All told, a lovely iteration in Lokhe’s Dream sequences for the region, and one I really enjoyed visiting. As things do tend to change periodically, if you would like to visit this tropical paradise, I’d suggest you not leave it too long before doing so. And you might find that once you’ve done so, the beach and waters might well call you back again before Lokhe crafts something new to be enjoyed.

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Sacred Light in Second Life

Sacred Light - The Living Room
Light – The Living Room

Tuesday, July 7th saw the opening of the latest art exhibition at The Living Room, the music and arts venue operated by Owl Dragonash and Daallee. Sadly, I was unable to make the event, due to it clashing with another in-world appointment; however, I did hop over as soon as the opportunity arose to see what the latest in what has been a fascinating monthly series at the venue has brought us.

Sacred Light is a display of 2D and 3D art by Kiesta Aljon, whose work often richly expresses contrast pairings: light and dark, big and small, motion and stillness, and so on, in an effort to engage the observer in her work and encourage them to see the creative process through her eyes.

Sacred Light - The Living Room
Sacred Light – The Living Room

For this particular exhibition, several of these contrasts are on offer, both in the images and the sculptures which are presented on both the main and mezzanine floors of the Living room’s gallery space; and all of them are linked through the central theme of light and them impact it has on us.

This is a fascinating display because to the richness of contrasts that are on offer, both within individual pieces and between the various groups of pieces. For example, on one side of the gallery’s main floor are two animated digital images, both entitled “A Whirl”. Each offers a captivating contrast of fluid light against  a dark, static background which is almost mesmerising. At the same time, and on the mezzanine above them, sits a trio of mandalas, all of which again offer a rich contrast of colours within themselves, while their serene stillness offers its own contrast to the perpetual motion embodied in the two “Whirl” pieces.

Sacred Light - The Living Room
Sacred Light – The Living Room

The title of the exhibition is also fitting, as there is something “sacred” to many of the pieces – not in any religious sense, but simply because the contrast (and balance) of colours breathes a special amount of life into them.

For me, this is particularly evidenced in the three pieces entitled “Ship Storm” (seen at the top of this article), where the colour of the sky and the shadowed vignetting of the clouds seems to breathe life into the ships themselves, giving them form an existence entirely of their own. But the feeling is also true in many – if not all – of the other works exhibited here; so much so that you could find yourself contemplating various pieces individually and collectively for longer than you might have anticipated. I know I did.

Sacred Light - The Living Room
Sacred Light – The Living Room

July brings with it another Thursday of music to The Living Room. On July 16th, Jed Luckless will be taking to the stage at 17:00 SLT, and will be followed at 18:00 by Bandit Eddingham. Sacred Light itself will remain open throughout the month, and will feature a special closing party on Tuesday, July 28th, with Lazarus Doghouse presiding over the music (time TBA at the time of going to press).

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Cica’s Dreamers in Second Life

Dreamers, LEA 24
Dreamers, LEA 24

The ninth round of the Linden Endowments for the Arts (LEA) Artist In Residence (AIR) programme kicked-off on July 1st, with the awarding of the LEA’s 20 AIR regions to their respective grantees. Under the terms of the AIR grants, those awarded a region have up to 4 months in which to prepare it for their installation, and have it formally open to the public for at least two months – although the set-up period is flexible, and can be a lot shorter if the artist(s) wish(es).

Cica Ghost opted to really maximise the time people could enjoy her work. While she only received the region on July 1st, it officially opened to the public on July 6th (an event I had to miss due to being away between the 5th and 7th inclusive).

Dreamers, LEA 24
Dreamers, LEA 24

Dreamers is a marvellous build which extends from the ground up into the sky, where eight scenes await visitors. The ground level presents a fantasy environment, perhaps lifted from a dream, full of bright colours and fantastical creatures and wheeled vehicles on a huge scale, all waiting to be explored, and bearing Cica’s colourful paintings, making careful examination of all of them a must.

Within the midst of this marvellous landscape sit sixteen long-necked heads, faces lifted towards the sky, eyes closed – the Dreamers of the installation’s title. Touch eight of them, and they will each allow you to share in their dream, transporting you to one of the eight skyborne scenes Cica has created overhead.

Dreamers, LEA 24
Dreamers, LEA 24

These will each be immediately recognisable to anyone familiar with Cica’s work, presenting as they do little extracts from past installations she’s created. So it is that through the Dreamers we once more get to see the likes of Little Town, Ghostville, Ruins, and Living in a Bowl, to name but four of the scenes on offer.

Small in size, these little scenes are enough to either pique curiosity (for the first-time visitor) or awaken memory (for those who visited the originals), setting one on a personal daydream. I could write a whole lot more about Dreamers, but really the best way to experience it is to go see it for yourself and have a little fun; it is a bright, uplifting place, full of images and daydreams, and there are more than a few poses and things to be found throughout which let you become a part of the settings, at least for a while.

Dreamers, LEA 24
Dreamers, LEA 24

Given only eight of the 16 Dreamers currently allow people to share in their dreams, I wonder if Cica might be adding to the installation as time progresses through to December, and the end of this round of AIR grants, allowing the remaining eight heads to share their slumbering imaginings with us. Or perhaps something else might appear in LEA 24 in due course.

Either way, I took the liberty of making a short film of what is there to enjoy now, if only to give a further flavour and whet appetites. So – enjoy!

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