Ashemi: oriental neon in Second Life

Ashemi, Azure Star; Inara Pey, November 2016, on Flickr Ashemi, Azure Star – click any image for full size

Over the weekend of November 26th/27th, Caitlyn and I were delighted to receive an invitation from Shaman Nitely to visit Ashemi, a new homestead region he has designed together with Ime and Jay Poplin (Jayshamime). Having been enthralled by their work with Imesha back at the start of 2016 (see my article here), we were only to pleased to accept and hop across.

Ashemi is another slice of the modern orient set under an evening sky (although I recommend setting a night-time windlight to really capture the feel of the design). It carries within it shades of Imesha, but is an entirely separate and unique design. Visitors arrive towards the middle of the region, where sit three wooden platforms standing over the calm waters of a circular lake. All three form a set of artificial islands connecting two tongues of land extending towards one another from opposite sides of the lake’s edge.

Ashemi, Azure Star; Inara Pey, November 2016, on FlickrAshemi, Azure Star

Surrounding this lake, and towering over it, is an impressive, neon-lit skyline of a great metropolis. Giant skyscrapers rise into the sky, faces lit from within or by the reflected light of their neighbours. Huge advertising signs hang from some, adding to the cacophony of colour, while gaps between them reveal more buildings further away, or contain older and smaller buildings, survivors of from some pre-skyscraper era.

It’s a remarkable sight; one as immediately engaging as that of Imesha. Looking around, I couldn’t help but be struck by the way in which part of the build took me back to standing on the deck of a Star Ferry, watching Hong Kong’s waterfront skyline at night. Other will doubtless be put in mind of Japan’s neon-lit streets, while in places sits the look and feel of the icons advertising and streets from the likes of Bladerunner and Total Recall 2070.

Ashemi, Azure Star; Inara Pey, November 2016, on Flickr Ashemi, Azure Star

All of the platforms all offer places to sit and admire the surroundings, with lanterns and lamps offering gentle lighting both on the walkways and floating on the water, and all watched over by both a protective dragon and an Indonesian Buddha-like figure. However, a visit isn’t restricted to this central area: visitors can follow the platforms to the tongues of land mentioned above, and thence up onto the cobbles of the streets and walkways surrounding the lake. Here, lit by waterfront street lamps casting soft pools of cyan light, if a world of market stalls and boutique shops and businesses.

This is where the magic of Ashemi is further revealed. The great skyscrapers sit beyond the region’s edges, but a huge amount of care has been taken to blend cobbled streets and squares, shops are car parking areas, with both the on-sim and off-sim areas. So much so that it’s sometimes impossible to realise you’ve actually reached the edge of the region until you start bouncing against the boundary; it’s as if you could wander the cobbles into the distance and so find your way onto the paved streets which must surely sit like canyon floors between the towering fingers of concrete and glass.

Ashemi, Azure Star; Inara Pey, November 2016, on Flickr Ashemi, Azure Star

Walking thee streets, you’ll pass locals and be encouraged to entire some of the boutique shops – although again, not all are actually within the boundaries of the region, so do expect to reach them all! And when you feel in need of a rest, the wooden platforms await your return, sofas, and couches offering plenty of places to sit and chat or cuddle, low tables offering drinks and food, blossom drifting on the breeze.

I’ve little doubt that anyone who visited Imesha will be similarly impressed with Ashemi, and should you drop in, please consider a consideration towards the region’s upkeep at one of the donation jars.

SLurl Details

  • Ashemi (Azure Star, rated: Moderate)

A journey to Let It Snow! in Second Life

Let It Snow!, Timamoon Arts; Inara Pey, November 2016, on Flickr Let It Snow!, Timamoon Arts – click any image for full size

For the last two years, a regular seasonal destination for the Pey household has been Milly Sharple’s Let It Snow!, and I’m happy to say that it is once again back, and Caitlyn and I donned our woollies and our boots to explore the delights that artist Milly Sharple has again cooked up to help people into the Christmas mood.

The venue this year is slightly different to those of the past: rather than occupying its own region, Let It Snow! has been relocated to the sky over Milly’s arts community of Timamoon Arts – but this doesn’t make it any less enchanting a place to visit; there’s just as much to explore, see and discover as ever.

Let It Snow!, Timamoon Arts; Inara Pey, November 2016, on Flickr Let It Snow!, Timamoon Arts

Journeys begin, appropriately enough, on the north side of the setting, where sits a little paved square with Christmas shop and coffee-house waiting to wrap visitors in their warm embrace after a wander through the waiting landscape. A gentle snow is falling, softening the outline of distant forested crags and peaks.

A rocky hill also raises it head and shoulders from the middle of the landscape, encouraging visitors to go either east or west around it, a path marked by rounded rocks and stone perhaps encouraging most to try that way first. Whichever way you opt to go – along stone-marked path or over virgin snow, rest assured the two routes will reunite on the far side of the hill.

Let It Snow!, Timamoon Arts; Inara Pey, November 2016, on Flickr Let It Snow!, Timamoon Arts

Eastward, over the snow, lies a romantic little gazebo across a frozen stream, and open countryside sweeping around to a small park with carousels and merry-go-rounds. Milly’s collection of Snowboys are one again at play here, and a pair of little figure up on the slope a duet sing carols.

Westward, the path swings past a snow-laden house looking out over frosted trees to where a converted greenhouse welcomes couples and groups into its warmth. Follow the path beyond these, and it’ll take you by way of Santa’s grotto to where it branches, one arm leading its way up the rocky slope of the central peak, the other pointing the way to a crystal palace glittering in the snow, waiting to welcome visitors to the events which will be held within.

Let It Snow!, Timamoon Arts; Inara Pey, November 2016, on Flickr> Let It Snow!, Timamoon Arts

Should you feel in the mood, a frozen pond offers the chance for ice skating, whiles signs and givers can be found through offering wearing sleds and skis for the venturesome. For those fancying something a little less exerting, the carousels and merry-go-round mentioned above might be just the ticket!

With swings and snugs and seats scattered throughout, Let It Snow! is a place which encourages folk to tarry; Caitlyn and I watched the world walk and run by from the cosy blankets of a sleigh.

SLurl Details

Wintertime at The Mill in Second Life

The Mill, Pale Moonlight; Inara Pey, November 2016, on FlickrThe Mill, Pale Moonlight – click any image for full size

Friends Maxie Daviau and Shakespeare (SkinnyNilla) recently gave their Homestead region of The Mill a makeover and invited Caitlyn and I over to take a look as it opened to the public once more.

The last time we visited, spring was very much in the air; now with the northern hemisphere settling into the winter months, The Mill has taken on a snowy look to match. Several of the familiar elements which have marked the region are still there: the sailing boat off the coast; the windmill; the shed, cars and motorbikes; the little tram track and tram. But there is also much to see that is new.

The Mill, Pale Moonlight; Inara Pey, November 2016, on Flickr The Mill, Pale Moonlight

With snow lying heavy on the ground, and in places drizzling down from the sky, the time of year is immediately apparent. The trees stand frosted, some with boughs naked under the sky, others with leaves frozen and golden under the pale sunlight. Here and there the passage of vehicles and feet have churned the snow and brought forth the ground beneath, giving rise to sandy tracks across parts of the landscape.

The lighthouse still stands up on a hill, but the keen-eyed may note it now sports a new stripped paint finish, and the keeper’s house has gone from its base. Perhaps the keeper now lives in the little stone cottage further down the slope from the lighthouse. If he does, the zip line down from the side of the hill might offer a quick route to the tram-car!

The Mill, Pale Moonlight; Inara Pey, November 2016, on Flickr The Mill, Pale Moonlight

A farm with a chalet-style house sits towards the middle of the region. It’s a place where Christmas preparations are clearly in hand, although the cats are more content to spend time outdoors despite the snow, keeping watch on the horses. Nestled in the hills to the east of the lighthouse sits a villa which, despite looking like it might prefer the sun-kissed summers of the Mediterranean, offers visitors another seasonal greeting. Down the eastern slope from it, a frozen bay offers the chance for ice skating – don’t worry about the polar bears; they seem more curious than threatening!

For those who prefer a memory of summer, the beach to the north-east of the region remains sandy and free from snow. Gulls wheel, kites fly – but I think the wind keeping them aloft may well carry the same chill from the surrounding mountains as is felt by the rest of the land, so a beach walk may still require sweaters and coats!

The Mill, Pale Moonlight; Inara Pey, November 2016, on Flickr The Mill, Pale Moonlight

Just over the dunes from the beach, the local pier is open for business, offering hot drinks to warm hands and insides, a selection of nibbles for the hungry, and places to sit down and watch the world go by. While overhead nearby, a hot air balloon offers a perch where watchers can observe the comings and goings below them.

The Mill has always been beautifully photogenic, and this winter makeover is no exception. With trams, zip lines and sleds to ride, places to sit and cuddle or contemplate, spots indoors and out, it offers something for everyone looking for a little wintertime wandering.

The Mill, Pale Moonlight; Inara Pey, November 2016, on Flickr The Mill, Pale Moonlight

SLurl Details

  • The Mill (Pale Moonlight, rated: Moderate)

Fingers and Maloe at DixMix Gallery in Second Life

Finger Scintilla - DixMix Gallery
Finger Scintilla – DiXmiX Gallery

The latest exhibition at DiXmiX Gallery, which opened on Wednesday, November 23rd 2016, features the art of Fingers (Fingers Scintilla) and Maloe Vansant, together with a new display of work by gallery owner and curator, DixMix Source.

Maloe and Fingers are ideally suited to be exhibited together: there is something of a similarity in style and vision in their work, and the pieces displayed at DiXmiX underline this perfectly, presenting a combined, yet highly individual pairing of studies.

Maloe Vansant - DixMix Gallery
Maloe Vansant – DiXmiX Gallery

Maloe’s pieces, drawn from DiXmiX’s personal collection of her work, are on display in the foyer gallery space, on both the lower and mezzanine levels. In all, ten images are displayed, two of them in a very large format, with a focus on the female face. All are striking, using light and shadow, colour and tone to extraordinary effect, to produce pieces with incredible emotive depth.

What particularly struck me about several of the pieces is the way they might be seen not only as studies of the human face, but also as the face as a landscape. A place where colour and shadow mix with the rise of cheek, arch of eyebrow, pout of lips, sweep of nose and covering of flowers, to impart a feeling that the eye is travelling over a new country; a place steeped in emotion, memory and feeling. Look again, and the emphasis shifts, as we are drawn to a particular feature: lips and eyes particularly; and with that shift comes new interpretations.

Maloe Vansant - DixMix Gallery
Maloe Vansant – DiXmiX Gallery

Walk through the gallery from the foyer, and you’ll pass through the Black and Grey Galleries, featuring images by Gaus (Cicciuzzo Gausman) and DiXmiX Source respectively. Again, these present images on a similar theme: the female form; both artists offering a series of sensual and in some instances, erotic studies.

Finger Scintilla’s work occupies the White Gallery. Here are twelve images which again offer facial studies and employ a vibrant, living use of colour, tone and light  to quite remarkable – might I say startling – effect.  Several of the pieces have a feeling of abstraction about them, others a suggestion of collage. All are powerful in content.

Take Electric Fervour and The Future Is Mine Only, both seen at the top of this article. Each is incredible in its presentation and depth. Each reaches out us and hold us in a way which is not just down to their sheer size; there is life within them; a life most clearly expressed through their eyes. Nor are these two images alone. There is an expression of life which permeates all of Finger’s images displayed here. Each of them leaves one with the unshakeable feeling that if the eyes are – as the old saying goes – the window of the soul, then Fingers is giving us a glimpse into the souls of his subjects.

Finger Scintilla - DixMix Gallery
Finger Scintilla – DiXmiX Gallery

Together, these are two fabulous exhibitions of work by two remarkable artists. Neither should be missed while on display at DiXmiX Gallery. Fingers’ work will remain on display through until the beginning of January, and Maloe will be at the Gallery through until the end of February.

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Stories at the Park for November in Second Life

Stories at the Park, November 2016
Stories at the Park, November 2016

On Sunday, November 20th we held the final Stories at the Park event for 2016; commitments being what they are in the run-up to Christmas, we’ll be skipping December and re-convening the story telling sessions designed to coincide with our art exhibitions at the park until January 2017.

Stories at the Park also offers a unique way in which the art on display at Holly Kai Park each month can be interpreted – through the words and eyes of others. For me, the stories and poems presented at each session never fail to open a whole new world of perception and narrative around a piece of art. And when there are two or three pieces written on the same piece, then the floodgates of thought and viewpoint are thrown wide.

November’s session made this latter point really apparent: several of the pieces had two or three stories written to accompany them, and each one offered a unique perspective on the piece and – if I’m honest – the thought processes of the writer! I was particularly fascinated at the ways in which The Rains of Kastamere, an image by Shakespeare (Skinnynilla) was interpreted by this month’s contributors.

Those offering stories this month with Caledonia Skytower, R. Crap Mariner, Aoife Lorenfield – a skilled weaver and reader of tales from Seanchai library, who was joining Stories for the first time as both writer and reader, and also Robijn, who submitted four beautiful pieces, all of which were read by Trolley Trollop.

The Rains of Kastamere by Shakespeare (Skinnynilla) had no fewer than three pieces written about it
The Rains of Kastamere by Shakespeare (Skinnynilla) had no fewer than three pieces written about it

I actually didn’t get to hear all the stories until after the fact – RL meant I had to spend a portion of the session away from the keyboard, but it did then give me the opportunity to walk through the current exhibition and listen to the recording of the readings whilst examining the pictures which inspired them, without any distractions of watching recording software, keeping an eye out from new arrivals, etc., which usually occupies my time at these events.

As this was the last of the 2016 Stories event, Cale and I – this being a joint idea between us – spent a little time mulling the sessions held to date, and I think we’re both pleased with how things have gone; submissions for each event has been strong (32 pieces for one session!), and the readings have been well received by our audiences – so much so, that I might have to expand the current cushion seating for future events.

Our artists, as well, seem to be pleased with the events and hearing how other interpret their words through story and verse. Offering your work to be included in something like this can be nerve-racking. It’s one thing to have your images interpreted privately by those viewing them; it’s quite another to entrust them into the hands of others whose words could go on to forever frame your work in the minds of those who see it whilst reading or hearing those words.

So, my very genuine thanks to all of our artists throughout 2016 who have willingly allowed their work to be included in each of our Stories at the Park events. My  equally sincere thanks as well, to all of the writers and readers who have participated this year. Without you, Stories in the Park couldn’t take place.

Our November writers and readers for Stories at the Park: Robijn, Trolley, Cale, Crap and Aoife
Our November writers and readers for Stories at the Park: Robijn, Trolley, Cale, Crap and Aoife

If you’d like to listen to the November stories, written to pieces from our guest artists Sheba Blitz, Maxie Daviau, Shakespeare (Skinnynilla), Sorcha Tyles and Terrygold, I invite you to hop over to the Holly Kai blog, where you’ll find all of the stories, images of the pictures which inspired them, and some audio extracts from the event. Or you can use the links below 😉

If you’d like to try your hand at writing a 100-word short story (a “drabble”) or a poem of up to 100 words for one or more of the pieces of art featured at our next exhibition to include a Stories at the Park event (which will likely be opening around Saturday, January 14th) then please refer to our Stories at the Park guidelines. Remember, if you’re not comfortable reading your own work or using Voice, you don’t have to: one of our readers will happily read your submissions.

In the meantime, the current Art at the Park exhibition will be open through until Sunday, November 27th, so if you haven’t already done so, I hope you’ll pay a visit.

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The whimsy of WeeVille in Second Life

WeeVille, Oyster Bay; Inara Pey, November 2016, on Flickr> WeeVille, Oyster Bay – click any image for full size

A regular stopping off point for me as I make my way through Second Life is Sera Bellic’s Homestead region of Oyster Bay. Every few months Sera gives the region a make-over presenting something new for people to explore, and I’d been looking forward to making a return trip to see what was new since recently noting the region was closed to visitors –  a sure sign Sera was reinventing it.

Over the years, the region has seen a lot – scenes of destruction, tempest, beauty and mystery; there have been country houses and gardens; fun fairs and glimpses of the future; country walks – and even a look into both heaven and hell. I’ve covered much of the changing face of Oyster Bay in these pages, and was delighted to find that for its newest look, Sera has turned to the realms of whimsy and fantasy in order to present WeeVille to the world.

WeeVille, Oyster Bay; Inara Pey, November 2016, on Flickr WeeVille, Oyster Bay

On arrival, visitors might initially be fooled into thinking this is an art environment: sitting alongside the landing point is one of Mistero Hifeng’s sculptures, Bella 16. However, beyond it, over flagstones and flower-strewn waters shaded pink under a timeless sky rich in the colours of spring, sits a great stone wall into which, beckoning silently, is set a pair of wooden gates.

Step through these gates, and your Adventure begins with a visit to a part of The Shire – or is it? Certainly, across a meadow of lush grass Hobbit holes can be seen, with little camp fires burning outside as if the occupants might be taking advantage of a springtime evening. But the folk standing before those little fires are smaller and stouter than Hobbits, and prefer to have boots on their feet, with some keeping the hair strictly to their faces in the form of thick beards and flowing moustaches. Dwarfins they may be, but they do appear to share in a love of fireworks.

WeeVille, Oyster Bay; Inara Pey, November 2016, on Flickr WeeVille, Oyster Bay

Climb the wooden steps between the hillocks of the Hobbit … the Dwarfin … holes, and pass through a second gate, and you’ll enter a birch wood carpeted with tall poppies, through which a path of  stars leads. Beyond it is another realm  where flowerpot people play, giant budgies hop and rabbits offer an interesting line in word processing from a … mobile office…?

“Welcome to WeeVille,” Sera says of her design. “My first fantasy sim and hopefully not my last. I hope you enjoy visiting as much as I enjoyed creating it. Remain young at heart and have some fun!”

With a quaint little stilt town built over the water in one direction, a garden of unicorns and mer-horses in another and lots of little touches to be explored – be sure to open doors and look inside places – together with places to sit and watch and cuddle and take photos, WeeVille is certainly a place where the heart can feel young, and the young at heart can smile.

WeeVille, Oyster Bay; Inara Pey, November 2016, on Flickr WeeVille, Oyster Bay

And, at a time when winter regions and snowy landscapes are starting to appear across the grid, WeeVille could be just the ticket for those who need to escape dark and cold nights and gain a little reminder than spring will soon be coming around once more.

SLurl Details

  • WeeVille (Oyster Bay, rated: Moderate)