The inviting joy of Sei Fiore in Second Life

Sei Fiore, November 2025 – click any image for full size

I came across the region design of Sei Foire (“flowers for you”), within the Destination Guide. Its description immediately caught my attention, offering as it does a clear invitation to visit.

Sei Fiore is a whimsical daydream brought to life, where rolling meadows of daisies sway like tiny suns in the breeze and every path feels touched by a bit of magic. Here, the world softens, ponds shimmer with quiet secrets, petals twirl like confetti, and joy tiptoes back into your heart as naturally as breathing.

– Sei Fiore Destination Guide description

Sei Fiore, November 2025

On my arrival, I was delighted to discover this Full private region design is the work of Raven Fairelander (RavenStarr Fairelander). She was the creator of Posey Wildes, a setting I visited back in August 2024, finding it to be a beautiful and evocative setting rich in poetry and short stories by classical writers such as Eliot, Dickinson, Poe, Wordsworth, Yeats, Wilde and more. I was captivated by that visit, and remembering it caused no small amount of anticipation as I started to explore Sei Foire.

That said, I should state from the outset that while there are some passing similarities between Posey Wildes and Sei Fiore, particularly in terms of the touches of whimsy, the two are very different – and richly engaging – settings, with Sei Fiore being unique to itself.

Sei Fiore, November 2025

It is a setting perhaps most perfectly described through Raven’s words in the setting’s Destination Guide and About Land descriptions, the latter of which states:

A meadow-born dream where joy grows wild. Rolling fields of daisies stretch beneath a golden sky, their petals whispering laughter to the wind.  In Sei Fiore, joy isn’t chased, it’s found, blooming right where you stand.

– Sei Fiore About Land description

Sei Fiore, November 2025

I found this description particularly apt because as soon as I stepped out of the Landing Point gazebo, the joy carried by the region immediately surrounded me. This is very much a setting where trying to view it logically is to face defeat; this is a place to simply be accepted and relished as it is explored.

In this, the various locations awaiting discovery – the pond with its giant frogs and sea serpent, the dinosaurs gossiping on the shoreline, the pink elephants, the crystal walk burrowing through the neck of a hill, the giant plants, and so much more – are all very different one to another, yet the all flow together into a unified whole.

Sei Fiore, November 2025

Within the setting it is possible to wander, to sit, to meet the locals in all their forms (from the aforementioned dinosaurs et al to dapper-dressed mice, little fairies, mythical beats and more), or find your way to a beached pirate’s ship or to platform-hung tree, and visit gardens where dragons sleep and meadows where a horse awaits you as its rider…

With giraffes watching over terraces held aloft by balloons to a certain tea party sitting atop waterfalls that give rise to the setting’s modest brook, Sei Fiore is a tumbling mix of themes and ideas, all woven together with a sense of laughter and happiness within a landscape rich in detail and photogenically attractive.

Sei Fiore, November 2025

This is a place to watch out for the smaller details as well as the large; where table-top games rub shoulders with the option to sit back in meditation or contemplation; where the gentle rocking of a boat on the water might send you to sleep or interactive elements might take you by surprise (do mouse-over things!).

And when you feel you’ve roamed enough, you can make your way up to the island’s hilly middle, past the Curious ‘Shrooms and under the living arch of a tree to reach the Green Witch Café, and available yourself of the company of Althea The Green Witch within the cosy walls of her establishment.

Sei Fiore, November 2025

Beautifully crafted and a joy to explore, Sei Fiore is well worth taking the time to visit.

SLurl Details

Sea Fiore (Frozen Star, rated Moderate)

Artsville further relocates and continues to engage in Second Life

Artsville, November 2025

Artsville, the art and entertainment hub under the joint management of Frank Atisso and Vitoria Galli, has once more relocated for what I believe is the second time in 2025 (the first being at the start of the year, which I covered here).

Now occupying roughly one quarter of a Full private region which leverages the Land Capacity bonus, the overall design remains the work of Megan Prumier, working in collaboration with Frank and Victoria. It offers what might be said to be a setting of two halves: art and entertainment, which between them contain faint hints of the former Artsville design – most notably with the Landing Point, the symmetry of which calls to mind the prior location, together with the overall rugged elevation of the setting.

Artsville, November 2025

The two “halves”, as it were, of the setting lie to either side of a sheer-sided gorge, the waters of which flow from tall falls from its southern extent to the open waters at its northern end. It is mid-way along this gorge that the Landing Point sits, straddling the waters in the form of a pergola-covered paved walkway bordered by open seating areas.

The lands at either end of this bridge are of unequal size, with the western side of the the setting offering the smaller footprint. With the façades of city building running along its western edge, this part of Artsville might be regarded as the entertainment district and – at first glance at least – apparently comprises three main elements.

Artsville, November 2025

Directly facing the Landing Point is a large warehouse structure, given over to a music / event space, presumably for hosting music events and art exhibition open entertainment. Flanking this to the left and right when facing it are, respectively, a train station and a garden area offering seating and an old London buss now painted yellow and converted into bar space.

It is within the garden space that the “hidden secret” fourth part of this side of the setting is to be found: sitting below the sign and entrance for a London Underground station can be found a stairway leading down to a further event space laid out in the manner of a private club rich in wood finishes, low lighting and deep, comfortable armchairs, with the walls, wooden floor and low ceiling studded with lights twinkling gently light a star scape.

Artsville, November 2025

On the eastern side of the setting is the art-focused elements of Artsville, centred on another large warehouse style of building split into two indoor gallery spaces. At the time of my visit, these were hosting exhibition by two excellent Second Life photographer-artists: Cecilia Nansen and Christian Carter.

To the north side of this is a sculpture garden featuring the work of Mistero Hifeng which shares the space with a small café with an over-the-water seating area located over a small pond. Further water features to the eastern end of the sculpture garden, complete with seating. Bracketing the gallery warehouse is a further raised plateau, home to a music bar / lounge.

Artsville, November 2025: Cecilia Nansen – Light Enough to Land

The two exhibitions hosted with in the gallery space are entitled Light Enough to Land, by Cecilia, and Hands that Speak by Christian. Both are captivatingly exquisite, with Cecilia’s black-and-white images featuring a butterfly, and which Cecilia describes in part thus:

In this series of ten photographs, the little black and white butterfly becomes both a mirror and a symbol – a fragile creature suspended between strength and dissolution. Each image captures a fleeting moment where light and shadow, movement and stillness, existence and disappearance co-exist. … This little exhibition invites the viewer to linger in the in-between – where the ephemeral becomes eternal and where vulnerability reveals its quiet yet beautiful strength. 
Artsville, November 2025: Christian Carter – Hands that Speak

Meanwhile, Christian’s work, also comprising ten images – these offered in colour – also have a specific focus that of the human (in the form of the avatar’s) hand, and for which Christian offers (again, in part), the following description:

I became fascinated by the stories that we can see in people’s hands; stories of resilience, care, and connection etched into their lines, the gestures that convey comfort, strength, and vulnerability without a single word. … I hope that as you gaze at these images, you’ll be reminded of the quiet power of the human connection, the unspoken stories carried in our hands, and the profound empathy we can find in the simplest touch.
Artsville, November 2025

The new Artsville is both unique in its setting whilst carrying on its long tradition of promoting art in SL, and I highly recommend a visit – particularly to catch Cecilia and Christian’s exhibitions. My thanks to Frank for the invitation to visit, and my apologies for not being able to do so sooner.

SLurl Details

  • Artsville (Isle of Thunder, rated Moderate)

Visiting a Wild Silence in Second Life

Wild Silence, November 2025 – click any image for full size

I’m not quite ready to start exploring all the wintertime settings that are currently arriving across Second Life to match the  northern hemisphere as it welcomes its end-of-year weather. I’m sure this outlook will change over the next couple of weeks, but right now, I remain in the mood for warmer spots in which to roam, take photographs and generally blather about. There’s also the fact that given my current health situation, I’m naturally drawn to places physical and digital which offer calm and opportunities for peace and reflection.

Fortunately for me, Sorcha Tyles provides just such a place; one which has recently opened to visitors under her Dutch Pavilion land group. I’ve known Sorcha for a long time, both as a region designer as and a photographer-artist and gallery owner, and had always appreciated her work. As a result, I was quick to hop over to Wild Silence after coming across it in the Destination Guide.

Wild Silence, November 2025

Like the most recent iteration of Dutch Pavilion, which I visited in June 2025 (and after it had been relocated and downsized from the Homestead region I first visited in September 2024), Wild Silence occupies a parcel within a region – in this case a quarter(ish) of a Homestead to present a beautiful wild yet also delicate natural setting.

Really, the best way to describe this setting is to use the description found in its Destination Guide entry, a shorter version of which can also be found in the setting’s About Land description:

The Wild Silence is an untamed expanse where the pale water and whispering reeds hide a vibrant world. This sanctuary is home to countless birds and offers refuge from the noise of man. Explore the winding shores and witness a fragile beauty found only in the profound, untouched stillness.  

– Wild Silence Destination Guide description

Wild Silence, November 2025

Surrounded on three sides by curtain walls of rock which will serve to nicely separate the setting from the rest of the region as it is developed (at the time of my visit, the rest of the region – Moonlight Lullaby – was undeveloped open water), Wild Silence looks southward out over open Linden Water, the majority of the setting given over to a low-lying island of shingle, rocks, scrub grasses and gravel, dotted here and there with hardy trees and upon which an enterprising soul has established a little café inside a greenhouse  (coffee houses and tea houses are a creative signature of Sorcha’s builds and always a welcome sight).

Whilst “silence” appears in the location’s name, this is more a reflection of the lack of human occupancy (despite the presence of the café and a fishing boat), as reflected in the setting’s description; the island itself is alive with swishing ebb and flow of a gentle tide along the shoreline and the song and cry of birds and waterfowl and the occasional moo of the two cows as they help keep the grasses somewhat trimmed to size.

Wild Silence, November 2025

The majority of the birds and waterfowl within the setting are located at the far end of a tongue of water curling in to the island from the southern sea, forming a tear-drop of water with surprising depth.  Here can be found ducks, geese, gulls, heron, godwits, ibis and more, all adding their voices to the local chorus.

A second ribbon of water attempts to make its way around the land, hugging the curtains of cliffs and in one place broad enough to provide shelter to the aforementioned fishing boat. Both of these inland bodies of water are also home to a couple of rowing boats offering both singles and couples seating.

Wild Silence, November 2025

Nor are the rowing boats the only outdoor places to sit, as those following the island’s gravel path from the Landing Point around to where the greenhouse café at the south-east extent on the island. The café itself is an utter charm, warm and welcoming, presenting both indoor and outdoor seating for those wishing to spend time there.

In talking to Sorcha during my visit, I learned that she will be closing Dutch Pavilion in the near future so she can focus on Wild Silence. Given this, if you have visited the former, I’d strongly suggest you do so before at least the end of the month as it really is worth the time, and to perhaps do so in concert with a visit to Wild Silence, as they complement one another perfectly.

Wild Silence, November 2025

SLurl Details

A Cerulean Township in Second Life

Cerulean Township, November 2025 – click any image for full size

I first visited the Cerulean estate in Septembers 2024. A collaborative involving Emm (Emm Evergarden) of The Nature Collective fame (among other things) and Teagan Cerulean. I enjoyed my visit at the time, as noted within Coffee and a Salty C in Second Life, and actually tried to make a return visit in May 2025. However, at that time, and while the regions of the estate had been completely revised, I found things a little heavy-going viewer performance-wise, and the hoped-for article never materialised as a result.

More recently, I was again contacted by Teagan with an invitation to try a further visit with the note that both she and Emm have made some adjustments to the setting which might – together with the Lab’s tweaking of the core viewer code to encourage better performance for users – make a return visit somewhat easier. As I have always appreciated the work of Teagan, Emm and other members of the extended Cerulean family in SL, I was happy to accept the invitation and hop along to have a further look.

Cerulean Township, November 2025
The first hints of Autumn are in the air. Wander quiet trails, sip coffee by the water, or soak in the beauty of this tranquil PNW retreat. Cerulean is more than a place—it’s a feeling. Welcome home.

– Cerulean Township About Land Description

Occupying a Full private region leveraging the Lab’s Land Capacity bonus and with a Homestead adjoining it to the north, Cerulean township presents an engaging mix of public spaces and private residential rentals (the latter primarily located on the Full region, and all clearly marked as such to reduce the risk of accidental trespass by visitors).

Cerulean Township, November 2025

Whilst not enforced, the main Landing Point for the setting lies on the western side of the Full region, mid-way between a cluster of private residences lying to the north-west of the region and what might be seen as its commercial district to the south. Taking the form of a little railroad station alongside aged tracks, the Landing Point is subject to repeated audio notifications that the next scheduled train has been indefinitely delayed, and so visitors are encouraged to enjoy the local attractions.

Some of the latter are to be found by heading south from the landing point and along Old Mill Road past the aging motel to where Sonder Books and Vinyl Vines are the first of a number of local establishments to offer visitors a warm welcome, together with the Rusty Spoon diner. A walk east along Stumptown Avenue will also bring visitors to the local open-air market and, sitting alongside one of the setting’s large areas of water, the Les Beans Café which has been pleasingly carried over from my original visit to the setting (if completely redesigned!), and is still the venue for assorted local events.

Cerulean Township, November 2025

Across the bridge from the market and café lies the local glamping centre, complete with its own outdoor venue, the Bar/66. From here it is possible to take a chairlift up the eastern highlands overlooking Lost Lake and passing over tumbling falls as they cascade over the rocky cliffs. It’s also possible to follow a couple of trails up to the top of the highlands, but do note that these also pass close to some more of the setting’s private residences, so do keep an eye out for the signs warning you of such.

A trail skirts the foot of the highlands to head north towards Cerulean Lake, the largest body of water in the setting (comprising a little over half of the estate’s Homestead region. It is here that a long tongue of land extends north, passing between the main huddle of private residences to the west and a couple more to the east, between forming a low-lying and picturesque walk up to the lake’s harbour area with its waterside eateries, stores and line of (private, I think) houseboats and the land arcs around to the west, passing another campsite and the little wharf area marking the northernmost extent of the setting.

Cerulean Township, November 2025

The latter forms one of the two termini for the local ferry that plies the waters of Cerulean Lake, the other being at the southern end of the lake’s waters, not too far from the path mentioned above. The ferry is not the only means of getting out on the water either. Little motor boats are available from a couple of the decks along the wharf, whilst back at Lost Lake to the south, kayaks might be rezzed and paddled along the waterways.

For those who prefer not to take to the water for rides and don’t want to explore entirely on foot, other means of exploration await, be it on bicycle, horseback or via hot air balloon. These all add to the attractiveness of the setting in addition to its natural design and beauty.

Cerulean Township, November 2025

I will admit that I still had some issues with load times on arrival, but once I’d allowed things to fully load, the overall impact was minimal in terms of frame rates whilst wandering around (allowing for the fact I do have a reasonable GPU!), and certainly did not stop me from leaving shadows enabled whilst exploring. As such, I still consider Cerulean Township well worth visiting.

SLurl Details

The mystery of Hrafn Island in Second Life

Hrafn Island, November 2025 – click any image for full size

Occupying a small portion of a homestead region – the rest being given over to open water – is Hrafn Island. The work of Frankie (Frankie Blackwood), it is a windswept place, aged and with a sense of both history and mystery.

Black sand, cold mist, and the echo of wings. The ravens came first, then the sea. Some say the waves still carry their voices, whispering to those who dare walk alone.
The island remembers what it’s given, and what it’s taken back

– Hrafn Island About Land

Hrafn Island, November 2025

As regulars to these pages know, I tend to be especially drawn to locations in Second Life which have – or may have – been (in full or in part) inspired by physical world locations. On seeing the name of this setting, I couldn’t help but wonder if it might have been inspired by the small but handsomely rugged Ramsey Island sitting off the  Pembrokeshire coast of Wales, a name that forms “Hrafn’s Island” in Old Norse, referencing the many ravens (and perhaps choughs which might from a distance be mistaken for ravens) to be found there (among a variety of other species of birds).

It turned out my assumption was likely wrong, but this doesn’t negate the fact that Frankie’s Hrafn Island is a home to ravens, and is – more prominently – a richly engaging setting carrying with it both overtones and undertones of Nordic expression (for example, as well as meaning “raven”, Hrafn is also masculine personal and byname in Old Norse).

Hrafn Island, November 2025

This is a setting that is beautifully minimalist, much in keeping with parts of Iceland: rugged, green, and showing clear signs of its volcanic history – in this case, notably by the basalt columns protecting much of the coast from the surrounding waters and the dark volcanic sands of the beach areas. The humped back of the island is devoid of trees and shrubs, the land being given over to rough grass on which sheep graze and a horse roams. The honest, simple beauty it presents is breath-taking, as is the dual sense of history and mystery I’ve already alluded to.

Further Nordic elements can be found in the form of the small homestead and its barn also occupying the island, together with small totems on the beach and the rough-hewn standing stones carved with runes. These – perhaps in part because of the region’s misty Shared Environment (by which it should obviously be seen – give the setting an enigmatic air.

Hrafn Island, November 2025

The greater part of this mystery, however, comes in the form of 17 pages of a journal. Scattered across the island and awaiting discovery by the keen-eyed, these appear to have been written by one Eira Sævarsdóttir – a name which further points to Iceland as a source for the setting’s imagined location, as does the place by which Eira appears to have reached this island: Stykkishólmur, a town located on Iceland’s Snæfellsnes peninsula.

This journal presents an unfolding story of a deeper, older secret wrapped around the island; a mystery which draws Eira into its (dark?) heart, her fate forming a further chapter in its writing. It’s a tale I don’t want to spoil here; far better for it to to be discovered as the various pages are found and compiled (such is their scattering across the island, indoors and out, the order in which they might be found does not necessarily match their numerical order) such that they might be read in chronological order. While this may take a little time (it’s not always easy to locate individual pages – although a viewer with Area Search might help those pushed for time), for those who like to fully enjoy a setting, I do recommend doing so and then reading the journal in full.

Hrafn Island, November 2025

With its mystery to be solved, a windswept, rugged beauty and even a spot of surfing to be had by those so minded, Hrafn Island makes for an engaging visit.

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Cica’s 100th in Second Life

Cica Ghost, November 2025: 100th

It was off to Mysterious Isle for me after receiving an invitation to visit the November 2025 installation by Cica Ghost, entitled simply 100th. The name reflects the fact that this is Cica’s 100th solo installation in SL – and I’ve been fortunate to cover more than 90 of of them down the years (as well as Cica’s collaborations with Bryn Oh and her special exhibitions for charity events), and it has been a genuine delight to do so.

The installation is framed by a quote from editorial cartoonist, humourist, Monday columnist, and Promotional Manager of The Trenton Times for over 30 years, Frank Tyger. It’s a quote that perhaps aptly sums up Cica and her art:

When you like your work, every day is a holiday.
Cica Ghost, November 2025: 100th

For me, visiting Cica’s installations generally tends to be something of a holiday, as so many of them naturally evoke a sense of fun and happiness which can be infectious, and clearly born of Cica’s own sense of fun and adventure. Even those which have in their time encouraged deeper exploration of themes and ideas have demonstrated a gentle tickling of one’s thought processes and light nudging of emotions rather than demanding we sit up and take note.

Cica’s 100th perhaps offers an added layer of that sense of fun for us to share, presenting as a does a setting and inhabitants looking like they have all be moulded from plasticine (or playdough / playdoh if you prefer) which immediately transports one to memories of younger years and creative expression when rolling, squishing, shaping and pressing lumps of either material to create worlds and creatures of our imaginations; places and things of riotous bright colours, sometimes additionally decorated with things “borrowed” from around the house (in this case – buttons!).

Cica Ghost, November 2025: 100th

100th is a genuinely joyous little setting which celebrates some much we’ve come to associate with Cica’s work: fantastical creatures and insects, funny little houses, blooming flowers, cats and other animals (I particularly like the cow apparently wearing blue wellies!), together with Cica’s signature interactive elements: places to sit or dance, little vehicles to rumble around in and – tucked away and waiting to be found – a little gift from Cica.  All of which is presided over by a very happy Sun looking down from a sky in which dough-like clouds serenely float.

As with all of Cica’s installations, I recommend viewing 100th using the local Shared Environment, and if your system can handle them, with Shadows enabled. And if you’d like to look back through all of Cica’s installations over the years, then why not take a look at her Flickr photostream as well?

Cica Ghost, November 2025: 100th

For may part, I’ll simply congratulate Cica on reaching her 100th solo installation, and raise a glass in the hope of seeing my more!

SLurl Details

  • 100th (Mysterious Isle, rated Moderate)