A Lady and 26 Tines in Second Life

Bryn Oh: Lady Carmagnolle

Bryn Oh is currently working on a new immersive installation to succeed Hand, which closed in late 2017, and about which you can read more here. While the new installation is under development, she has opened two single-scene poems, Lady Carmagnolle and 26 Tines, both of which can be found on Bryn’s home region of Immersiva.

“A carmagnolle is one of the very earliest full metal diving suits,” Bryn says in explaining the first of these scene poems. “Monstrosities of protection that allowed people to explore the depths.” In fact, it was the first properly anthropomorphic design for an atmospheric diving suit (ADS), designed in 1882 by the Carmagnolle brothers. It features a distinctive metal helmet with multiple small glass ports to provide a view outside for the wearer.

Bryn Oh: Lady Carmagnolle

In Lady Carmagnolle, the titular lady of the piece stands alone on a deserted stage in a broken-down theatre, the helmet of the carmagnolle suit in one hand, a rock in the other, a face drawn upon it. “She imagines the rocks to be injured birds who she cares for,” Bryn states, “When it rains the ink washes away leaving a simple stone. When Lady Carmagnolle looks to find these rocks and instead finds them gone, she wistfully imagines that they have grown back their wings and returned to the sky, finding others to fly with. In her loneliness this is her most beautiful dream.”

It’s a sad tale, accompanied by a sad poem and sent within the haunting setting of the tumble-down theatre, where the rain falls as Lady Carmagnolle’s only audience.

Bryn Oh: 26 Tines

26 Tines, on the other hand, is something of a love story, again accompanied by a poem. “The laboratory is silent, the scientists gone, we have seven hours, before the dawn,” so reads the first stanza of the poem. It directly refers to the emotional bond between two robots within a research facility, a bond where  – even were they both human – words would be inadequate to express their feelings.

So instead, when the working day has come to an end, and the humans have left this secretive, underground bunker of a laboratory, the maintenance robot pauses in its tasks of cleaning up. Instead, it sits down with its tiny kindred, and the two connect via cable. In this way, they bypass clumsy language and exchange their feelings and emotions directly one to another via the 26 tines of wire contained within the cable connecting them.

Bryn Oh: 26 Tines

Thus it is, the two robots pass the time until morning comes and the daily routine intrudes, scientists returning to their lair to resume their work. Separated, the robots are left with the intimate memories of dancing together through the nights, the sublime delight of sharing their time, their feelings, so intimately for seven short hours each day – and the knowledge that in the night to come, they can be together once more.

Like Lady Carmagnolle, Bryn’s 26 Tines is haunting in theme, but with a slightly dark, science fiction turn.  Both are easy to visit, but offer layered meaning and a richness of pathos, loneliness and devotion.

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The natural beauty of Oh Deer in Second Life

Oh Deer; Inara Pey, January 2018, on Flickr Oh Deer – click on any image for full size

Update, January 25th: Oh Deer has sadly closed, and Bambi is apparently taking a leave of absence from Second Life.

We made an early return visit to Oh Deer, the Homestead region designed Bambi (NorahBrent), after receiving news from both Miro Collas and Shakespeare that the region had been given a makeover.

Our first visit to the region was made in October 2017, when we found it to be rich in autumn’s charms, offering a mix of buildings and open spaces visitors were welcome to wander in and through. Returning in mid-January 2018, we found that not only has it been redesigned, but the clock has also marched forward, the environment settings perhaps suggesting a late spring morning; a time when the sky hasn’t quite made up its mind whether or not to let the sun in all its glory, but the air is warm enough to raise a morning mist from dew and stream.

Oh Deer; Inara Pey, January 2018, on Flickr Oh Deer

In this iteration of the region, buildings are conspicuous by their absence; not a single house or shop or any other permanent structure is to be found. Instead the land, split by a meandering stream, is given over entirely to nature, rich and greens and browns, with animals, plants and birds adding their own splashes of colour.

From the landing point alongside the single bridge spanning the quiet waters of the stream, visitors are free to wander where they please. Whether this be southwards, along the meandering track pointing away from the bridge, or north over the bridge to where the same track arcs around to take its own winding route south along the far side of the stream, is entirely a matter of choice. Or, if preferred, visitors can strike off the trails, and wander through knee-high grass and between the trunks of tall trees to where the mist hugs the ground, adding an ethereal feel to the landscape.

Oh Deer; Inara Pey, January 2018, on Flickr Oh Deer

Across the land can be heard the sounds of birds, crickets and the rat-a-tat of a woodpecker busy drumming on the stump of a fallen tree.   Squirrels frolic on the ground near the landing point, while fallow deer wander under the branches of trees, their coats as dappled as the sunlight filtering through the canopy of leaves overhead. Further afield, foxes might be seen, while cormorants , osprey, turtles and bear can be found scattered along the banks of the stream as it winds through the land.

This is, in a word, a tranquil setting; a place perfect for finding a little peace and forgetting the hustles and toils of life. To encourage people to tarry a while, picnic baskets sit on benches to one side of the landing point, while a little camp site hides behind the bowl of a tree on the other. It would be nice to perhaps have a couple of places visitors might rest further out from the landing point, where the peace of nature and the playfulness of foxes or rabbits or the wandering of deer might be observed, but this is a minor point.

Oh Deer; Inara Pey, January 2018, on Flickr Oh Deer

Simple and elegant in this iteration, Oh Deer offers a charming rip into the countryside, one suited to being seen in the cool spring light in which it is set, or under the blue skies of summer – as I’ve done with some of the images here. As always, photos can be submitted to the region’s Flickr group.

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  • Oh Deer (Heavenly Waters, rated: Moderate)

Lost in Thor’s Land in Second Life

Thor's Land; Inara Pey, January 2018, on Flickr Thor’s Land – click on any image for full size

Land of Thor is a huge setting designed by Thor (Anaadi Resident), who recently extended an invitation for Caitlyn and I to visit. Located on a Full region, it is one of the first places we’ve visited to make use of the additional 10K Land Impact allocation available to Full private region owners who wish to raise their overall total from 20K to 30K – and the additional allocation has been put to extensive use!

“The region is very loosely based on Norse Mythology,” Thor informed me when offering the invitation, “and has a lot of interesting places to discover.” Which, as it turned out, was something of an understatement!

Thor's Land; Inara Pey, January 2018, on Flickr Thor’s Land

The land itself, bathed in sunlight under a cold-looking blue sky and surrounded by tall, rugged peaks with flanks cloaked in fir trees, certainly has a Nordic feel – on arrival I was reaching for a woolly jumper. Roughly divided into four parts by river channels, the land is a curious set of contrasts, with each part named for one of the nine realms of Norse mythology.

The main landing point sit on the largest of these four parts: a huge table of rock occupying the north-west quadrant of the region. Sitting beneath a humped shoulder of rock from which rises Asgard, legendary home to the Æsir tribe of gods. Facing south, the landing point looks out over much lower-lying lands. A switchback path curls down to these lowlands from a slightly lower shelf of rock reached via stone steps, while a great waterfall plunges from a cleft in the great plateau.

Thor's Land; Inara Pey, January 2018, on Flickr Thor’s Land

Like its namesake, Asgard is surrounded in part by a (albeit low) wall, while smooth path of smooth stone snakes up to it from the west, where sits Yggdrasil, the mythical tree that connects the nine worlds in Norse cosmology. Travel north from the tree, and then west along the cliff edge of the plateau, and you’ll come by way of a grassy trail through avenues of trees leading east, to where a great stone arch spans a deep chasm, offering visitors a way to reach Alfheim (or Álfheimr, “Land Of The Elves” or “Elfland”). This is another highland area, rich in tall grass and where time seems to have stood still, sitting among low, pointed peaks of rock.

Below these northern heights sits Midgard, home of the humans in Old Norse, and for the region, the location of a modern-looking settlement broadly split into three parts: an open-air entertainments area sitting at the foot of the high cliffs of Asgard / the main landing point and separated from the rest of the town via a narrow channel. South of this, and straddling a small natural harbour, sits the rest of the town. Many of the houses are raised on stout wooden stilts, several of them brightly coloured, and fishing boats are tied-up at wharves, marking this as a working town, rather than a holiday setting. A large house – that of the mayor? – sits slightly elevated and a little separated from the rest, occupies the south-east corner of the land, and all of the houses are open to the public.

Thor's Land; Inara Pey, January 2018, on Flickr Thor’s Land

But this is not all; sitting under the plateau of Asgard, and reached via teleporter (look for the carved stone disks located around the region) or – for those keen of eye – via a hidden entrance curtained by water – is Helheim. Traditionally the abode of Hel, daughter of Loki, in this instance it is a place of winding tunnels and chambers. Easy to find one’s way into, but perhaps not so easy to find a way back out.

Helheim is sometimes linked with Niflheim (“land of Mist or “world of the darkness”), which is one of the locations only reached via the teleport system. Like its namesake, this a place of ice and snow – and home to another great castle-like hall, this one equipped as a club.  Also accessed via the teleport system are Jotunheim (or Jötunheimr, the land of the Giants) and Svartalfheim.

Thor's Land; Inara Pey, January 2018, on Flickr Thor’s Land

For Land of Thor, Jotunheim is presented as an oriental / Japanese environment, although at least one giant is present near the landing point. Cobbled paths run through the landscape here, linking points of interest, which include an interpretation of FLW’s Fallingwater, and floating islands reached via ropes bridges, as well as a pagoda rising from a nearby peak – also reached via rope bridge.

In Norse mythology, Svartalfheim is the home of the svartálfar (“dark elves”). Here, and while dark (being underwater), it has more of a sci-fi / post-apocalyptic feel to it, with a particular emphasis on a certain sci-fi franchise. It can also be reached without teleporting – for those travelling far enough through Helheim’s tunnels.

Thor's Land; Inara Pey, January 2018, on Flickr Thor’s Land

Even with all this description, I’m still only scratching the surface of Thor’s Land. There are paths to be explored, trails to follow, houses and castles to be examined, hidden walkways to be found, dragons to be ridden – and places to simply set and relax. There’s obviously a lot to photograph as well, for those so minded, and the region has a dedicated Fickr group to which images can be submitted.

Eclectic, eye-catching, detailed, and surprising, Land of Thor makes for an engrossing and worthwhile visit.

SLurl Details

  • Land of Thor main landing point (Mirrors Edge, rated: Adult)

Dreamer’s Feelings in Second Life

Dreamer’s Feelings

Dreamer’s Feelings is the title of a collaborative 2D and 3D art installation by Maddy (Magda Schmidtzau) and CioTToLiNa Xue, which opened at Trésor de l’Art on January 10th, 2018.

The installation is located in a sky gallery, reached via teleport from ground level – which instructions for the best viewing experience can also be found. Those who find the preferred windlight – Ambient Dark – a little to dim to see, might prefer setting their viewer to midnight. Do, however, take note of the need to have Advanced Lighting Model (ALM) enabled. Shadows are not required, so this shouldn’t be too much of a performance hit for most people – however, as the exhibition does use projectors, it is essentially ALM is turned on (if not on by default in your viewer) in order to fully appreciate the installation. Once any adjustments to the viewer have been made, the installation proper can be reached via one of two red teleport discs.

Dreamer’s Feelings

Dreamer’s Feelings,” the artists note, Is a dreamlike narration through happy feelings.” And so it is visitors travel through a series of halls wreathed within the darkness of night, each offering scenes of colour and expression in which certain motifs – notably that of music  – can be found.

Starting from an illuminated pool, the display halls rise step-like, separated one from the next by steps or ghost-like art which stands almost glass-like across entrances or glides like smoke across them (again, it is essential that ALM is enabled to fully appreciate the scenes).  In the first hall, hands rise from the watery surface, lights playing over them and they surround a guitar. Close by, two more arms rise from the water, fingers entwined as lovers might hold hands, while images are projected  on the marble-like walls.

Dreamer’s Feelings

From this starting point, the remaining halls rise to surround the pool almost entirely, each one offering a mix of 2D art (Maddy) and 3D art and sculptures (Maddy and CioTToLiNa), with some of the motifs freely represented in either format. Directly above the pool float four spheres containing Figures of an angel, who  – in three at least – appears to be keeping watch on things.

With the dark environment settings, the projected lights and images drifting around and through the sets, the repeated motifs, this installation has the feel of travelling through a dream – but whether it is your own dream or someone else’s is up to you to decide. Whichever you chose, the art by both Maddy and CioTToLiNa is engaging wnough to warrent  visit to Dreammer’s Feelings and spending time wandering through the halls.

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Ivy Falls in Second Life

Ivy Falls; Inara Pey, January 2018, on FlickrIvy Falls – click on any image for full size

Miro Collas tapped me about taking a visit to Ivy Falls, an Adult rated Full region open (in part) to visitors to enjoy, explore and photograph, so we hopped over on a Sunday evening for a look around.

“It is a sim I built and share with my friend Rekka,” Kere Delcon says of the region, Rekka being Rekka Berchot. He continues, “Our private homes are on the north side of the land, but the rest is open and free for all to explore and use. Fair warning, though! It’s an adult playground designed for adults only to enjoy.” Ivy Falls is gay-friendly, and the Adult warning appears to reference the hints of BDSM which can be found in the region – nothing that is in any way blatant, but which can be found indoors in places.

Ivy Falls; Inara Pey, January 2018, on FlickrIvy Falls

Our visit began high above the majority of the land, atop a table of rock rising from near the centre of the region – although at the time of our visit, there was no set landing point. Not only does this offer a vantage point from which to survey the rest of the land and the surrounding mountains, it also provides an introduction to the region via a noticeboard, which  offers a general welcome and a few notices on visiting – particularly in reference to the private homes on the north side of the region.

There are two means for getting off of this plateau (not including jumping – flying is disabled by default): a teleport pad or a via a hang glider. The former is located by the welcome sign, and offers a quick route to any one of the major locations in the region. The hang glider can be obtained from the west end of the plateau (an empty glider will auto-rez as the previous one is used) and is fun to fly. use the arrow keys for banking or increasing / decreasing your speed, and the page keys to climb / descend, and simply stand when you are close to the ground.

Ivy Falls; Inara Pey, January 2018, on FlickrIvy Falls

The major locations open to visitors comprise the aforementioned lighthouse, a bar, a bath house / gym complex with a terrace before them, complete with a playable game of chess; a nearby bar and beach (with beach cabins, which have their own teleport option), a sauna a little more out in the wilds, a camp site, and a pier where sailing and rowing boats are moored. All of these destinations are within easy walking distance of one another across the south extent of the region, with the beach, cabins and pier to the west,  and the sauna up in the rock uplands to the east.

Most of the southern side of the land resembles a small resort town, nestled under craggy shoulders of sheer rock faces. This is the home of the elevated terrace and gym / bath house facilities (indoors and out), together with a small club house looking out over the snow-covered terrace. Beneath this, to the west, and linking it with the beach and pier, is a small commercial parade, with various businesses including a cosy café, a studio, a gentlemen’s hairdressers, the bar (through the door and downstairs), and what appears to be a gallery awaiting occupation. With cobbled paving and a small outdoor seating area with gazebo, fire pit and fountain, this part of the region is watched over by the red-roofed lighthouse.

Ivy Falls; Inara Pey, January 2018, on FlickrIvy Falls

It’s well worth exploring this side of the region carefully, as there are numerous footpaths winding their way around it. Some – such as the one leading under a rock arch to the beach on the west shore, may be obvious to the eye, other – such as those leading off the trail to the sauna – perhaps less so. The later in particular offer an excuse for a walk, and when followed reveal one or two more points of interest.

The private residences, as noted, are on the north side of the region, and physically separated from the rest of the land by a lake served by two channels of water – all of which are currently frozen in the winter setting. When exploring, it can be tempting to slip across the ice and continue wanderings on that northern shore – so please do keep in mind Kere’s request to respect the privacy of the residents there, and stay away from that side of the region unless invited.

Ivy Falls; Inara Pey, January 2018, on FlickrIvy Falls

Set in a perpetual winter evening’s light, this iteration of Ivy Falls makes for a pleasant visit with plenty of opportunities for the Second Life photographer, either using the default windlight or under assorted daytime settings – I opted to take some of mine under a morning setting.

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MetaLES to close its doors in Second Life

MetaLES: Haveit Neox The Haul (2017)

On Monday, January 15th, Ux Hax and Second Life partner, Romy Nayar, announced that their art region, MetaLES, would be closing at the end of the day. The announcement came in a simple statement passed through a number of art group:

After 8 years of art, fantasy and work MetaLES ..O.. closes its doors. Many thanks to all the artists, bloggers, friends and visitors who made it possible, The decision is for the lack of time to dedicate to the project.

Kisses and hugs

Romy & Ux

“Yes today is the last day,” Ux informed me. “We are sad, but the art in SL will continue!” He went on to say that the lack of time mentioned in the notices is related to a new physical world project he and Romy are involved in. However, he refused to be drawn into providing any  specifics for the time being.

MetaLES: Rebeca Bashly – Sleepy Snail

My first exposure to MetaLES was back when it was referred to as Per4mance MetaLES ..O.., and came with the installation Conformational Change by Selavy Oh. However, it wasn’t until 2013 and Cica Ghost’s Ghostville that I regularly started blogging about the region and installations hosted there.

From the start, MetaLES proved a popular venue for some of Second Life’s top artists – Selavy, Rebeca Bashly, Cica, Cherry Manga, Eupalinos Ugajin, Moya, Bryn Oh, Kicca Igaly, Nessuno Myoo, Igor Ballyhoo, to name but a few, together with Romy and Ux themselves. The depth of art displayed on the region speaks volumes on the esteem in which both Romy and Ux are held by the SL arts community. For my part, one of the great attractions of the installations presented through the region has been the depth of narrative in so many of them.

MetaLES 7th anniversary retrospective – 2016

For example, both Haveit Neox and Igor Ballyhoo both explored ecological issues with The Haul and Tumor respectively; JadeYu Fang examined our anxieties through OpeRaAxiEty;  Rebeca Bashly explored ideas of birth, growth and life, and renewal with Queens Gambit Declined, while Ux and Romy explored the tarot through a multi-part series of installation in Escenas / Scenes (see here, here and here).

Such is the richness of art displayed at MateLES over the years, that it is hard to pick out a personal favourite – I thoroughly enjoyed all of those mentioned above, as well pieces like the exploration of Gaston Leroux’s Le Fantôme de l’Opéra in A Bit of Red, by Kicca Igaly and Nessuno Myoo, and lighter installations like Romy’s Sparky’s.

MetaLES: Nevereux – Journey into Communication – 2017

MetaLES is currently hosting three exhibitions, all of which will end with the closure: Shattered, by Theda Tammas, Melancholy by Ini Inaka and Journey into Communication by Nevereux (see here).  All three are well worth a visit.

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