A Binemust winter in Second Life

White Binemust, December 2020

I’m rounding out my 2020 region explorations with a return trip to Biné Rodenberger’s Binemust, which Caitlyn and I last visited in September. At that time, the region was dressed as a representation of Bungenäs, a region of Sweden’s largest island, Gotland (see: Bungenäs at Binemust in Second Life).

That design is still available at ground level, but for Winter 2020/21 Biné has added a sky platform – White Binemust. As its name suggests, this is a place dressed as a winter setting that is nicely Scandinavian is style, whilst also lending itself as a snowy setting from almost any suitable mountainous region in snowy latitudes.

White Binemust, December 2020

Blending seamlessly with a snow-capped and off-region mountain range on all sides, the platform offers a richly wooded environment – a familiar element within Biné ‘s designs, both and above water level, as she has often demonstrated an imaginative use of space within her region that has included woods and copses below sea level as well as on  land -, the setting sits under a lowering sky that suggests a lot of snow is awaiting the opportunity to fall on top of that which has already settled.

The woods hide the fact that this is setting of two levels. The upper, home to the majority of the woodland, also forms the landing point for this winter setting, sitting as it does close to a junction of pathways visitors are free to follow. One of these, marked by an avenue of arched trees, leads to a snow-bound country chapel, an icy path links the chapel with a glass and steel igloo, both of which are watched over by an unexpected guardian: and oriental-style flying dragon.

Binemust, December 2020

A second path leads to a large house overlooking the lower aspect of the region (of which more anon). Of a modern, clean design, with large windows and cosily furnished, the house is suited to this snowy location, and appears to be open for visitors to explore – as do all the buildings to be found with White Binemust. The icy path running to the house ends in a circular pond, its surface frozen, revealing the smooth path may itself be a stream caught beneath the ice. A small cabin sits close by the pond; in warmer days it might form a summer house converted from a greenhouse; for now it presents a cosy den / bar.

A tiny cabin and a shed offering Christmas trees round-out the high-level section of the platform. Below them, reached via a path than descends via a line of steps, and a more open space, the woodland ending at a line of trees at the foot of the slope, having marched down it to meet a rutted track that follows the contours of the hill.

Binemust, December 2020

The selection of buildings here – focused on another clean design of a wood-framed ranch house –  has the feel of a farm caught in the depths of winter about it. Shaggy highland cattle graze in a fences field, a wagon of hay close-by should the snow overcome the grass of the field. Across the snow and ice sits and A-frame cabin, perhaps offered as a holiday home by those who own the farm. Sitting outside of it is a little snowman offering a reminder of a more unpleasant aspect of this past year.

Although sitting below the landing point, the farm and its buildings art nestled on the edge of a mountain valley, one suggestive of being formed in the ancient past by the passage of glacier that encountered a hard table of rock that forced it to split, giving rise to the plateau on which the setting is located.

White Binemust, December 2020

It is within this valley, visible from the large glass frontage of the farmhouse, that another of one of Binemust’s iconic elements can be found: the wreck of a Viking long ship. It’s a piece Biné uses as an emblem for her designs, a visualisation of her Norse / Scandinavian heritage.

While there are touches of Christmas to be found within the setting – decorated trees (one of them of a most interesting design), lights festooning tree branches and so on. However, this is far more a delightful winter setting than Christmas focused, thus it offer an ideal seasonal visit with which to see out the year (as it did for me) or as a winter setting in which to see in the new.

White Binemust, December 2020

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Giovanna: a welcome return to Second Life

Giovanna Cerise at Campbell Coast

For several years, Giovanna Cerise was a name synonymous with engaging, evocative 3D art installations within Second Life. Her work – which I took considerable delight in exploring and writing about – encompassed many ideas, themes and narratives, often drawn from the physical world as much as her own thoughts and imagination, with some offering unique interpretations of classic pieces.

It was through the latter – a re-interpretation of Wagner’s Tristan und Isolde, presented in 2015 – that I became utterly captivated in Giovanna’s work (although I had encountered and appreciated it prior to that installation) – and remained so throughout the time she was creating in Second Life. Marvellously capturing the essence of the classic story of Tristan, knight of Cornwall, loyal to King Mark(e), and Isolde, Irish Princess, Giovnna offered key scenes from the story, beautifully interwoven into settings that offered visitors insights into Wagner, opera, and a rich symbolism and commentary that reached beyond the original tale to make the installation truly unique of itself.

Giovanna Cerise, Tristan und Isolde, 2015

In Soul of Colours (presented in 2012 and again 2016),  Giovanna similarly presented an unfolding story inspired by Die Zauberflöte (The Magic Flute, K620), the 2-art opera by Wolfgang Amadeus Mozart. Within her installation, Giovanna allowed visitors to undertake a journey through key scenes and events from the opera, and to appreciate the music from it in a richly layered and evolving setting.

With pieces such as Monochrome, and Line, Giovanna offered explorations of themes, often simple in idea but complex and engaging in execution; unfolding tales, if you will, with Line enfolding both Giovanna’s £d and 2D art. Both of which, for a time, could be appreciated in her own gallery Last Harbour, which again was always a joy to visit.

Giovanna Cerise at Campbell Coast

All of this I mention, because several years ago, Giovanna stepped back from active arts expression in Second Life – although her presence remained on the Marketplace. However, she is now making a return to SL, and may well be resuming her role as one of the platform’s most engaging artists.

I have entered Second Life a little recently, but now I have a desire to start over. I have to organize myself and then I think about taking a land. I have some ideas in my head that I want to do.

– Giovanna Cerise to me, discussing her re-engagement in SL

While she is considering her next steps – something she and I also discussed, but I’ll not break confidences to say more here – Giovanna has taken up a modest studio gallery where she is exhibiting some of her smaller pieces. The studio can be found at the growing arts community at Campbell Coast (about which I’ll have more to say in an upcoming article), and I commend all those with a love of art in Second Life to hop over and take a look at both Giovanna’s studio and Campbell Coast as a whole – ans to keep an eye on both as 2021 unfolds.

SLurl Details and Links

Capturing some still memories in Second Life

The Isle of Elar, December 2020; click any image for full size

Second Life blogger and photographer Rig Torok led me to Shayn Mackenzie’s Full region, The Isle of Elar, for what will be one of my last region visits for 2020.

With life being what it is right now thanks to the SARS-CoV-2 pandemic refusing to to leave us alone and limiting opportunities for physical world interactions and getting out and about, coupled with various personal matters that have left me feeling I could do with time in the outdoors, wandering unknown paths under boughs heavy with leaves, The Isle of Elar proved to be just the ticket.

The Isle of Elar, December 2020

Rugged and split by streams fed by waterfalls, with rocky plateaus, shingle and sandy beaches, woodland trails and open spaces, cabins and ruins, deer and rabbits – and even a dragon awaiting discovery – the region genuinely offers something for everyone to appreciate – blogger, photographer, explorer or someone looking for a little space and / or peace a quiet.

From the landing point on the north side of the region, a path cuts its way south, apparently heading directly to the southern coast of the region before peeling off to cross the two streams via wooden footbridges. It presents the most direct means to start any exploration of the region, and a horse rezzer just off of the track presents a means of transportation for those who prefer exploring without necessarily relying on the use of their own pedal extremities.

The Isle of Elar, December 2020

However, it is not the only path to take; others are awaiting discovery, winding their way to numerous places of interest, be it old chapel ruins among the trees or a farm shop with camp site or garden chair overlooking the ocean, a greenhouse overlooking the main trail, a walled garden, and steps and an elevator that wind and lead their way up the rocky highlands of the region. All of these, and more besides, await visitors.

This is a place rich a detail, obvious and subtle. Some of the more obvious I’ve noted above. The more subtle include a little faerie garden, complete with magical ring, sings of various kinds awaiting discovery, a highland bench watched over by a friendly weasel, a raft in a little cove, rabbits enjoying the peace of the old chapel and the aforementioned dragon. All of this is supported by a fitting sound scape that encourages relaxation when making use one of the many places to sit waiting to be found throughout the setting.

The Isle of Elar, December 2020

The wealth of detail available within the region makes it easy to lose oneself during a visit, the sound scape encouraging cares and concerns to slip away, or to reminisce – hence the Still Memories part of the region’s name – whilst bringing to life the promise of its About Land description:

Elar is a woodland themed region depicting natural beauty all around you, Here you can explore, be romantic, spend time with friends, or take creative photos. 
The Isle of Elar, December 2020

Whether wandering alone or with a loved one, The Isle of Elar makes for an ideal destination, and visitors who take photos are invited to share them via the region’s Flickr group.

Not a destination to miss.

The Isle of Elar, December 2020

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Artistic Gratitude in Second Life

The University of Western Australia has been a long-term patron of the arts in Second Life

The end of 2020 marks the end of an era in Second Life, as we will be saying farewell to the in-world presence of the University of Western Australia, as their last remaining active region is due to close.

Between 2009 and 2018, the University’s name was synonymous with patronage of the arts in Second Life, sponsoring as it did numerous Art Challenges with large-scale cash prizes on offer to participating artists. In the process these challenges yielded some of the most exceptional displays of art and creativity seen within – and beyond – Second Life. Art that I had both the privilege and the honour to both cover in these pages, and to help adjudicate as an invited judge for several of the challenges, allowing me to witness an appreciate first-hand the depth of creativity they seeded and nurtured.

UWA: Gratitude – Suzanne Graves
By way of a last farewell and to offer a “thank you” to the UWA for its support of the arts down the years, the arts platform over the region is currently home to a special exhibition of 2D and 3D art.

Entitled Gratitudes, the exhibition has been organised by Chuck Clip, who issued an invitation for artists to contributed 2D and 3D pieces back in September (see: Calling artists: an exhibition to say farewell to the UWA in Second Life). The result is a exhibition that includes news pieces created specifically for inclusion in it, as well a pieces that have been past UWA Grand Challenge winners – such as Sharni Azalee’s evocative Never Say Never,  a Grand Prize winner back in 2014.

UWA: Gratitude – Elle Thorkveld

The art is displayed on the sky platform over the UWA campus grounds in the region, and is framed by a collection of posters marking some of the art challenges organised by UWA under the stewardship of Jayjay Zifanwee and UWA in SL curator Freewee Ling.

Artists who responded to the open invitation to participate in the event include Sharnee Azalee, Chic Aeon, Suzanne Graves, Pixels Sideways, Merranda Ginssberg, Vroum Short, Ciottolina Zue, Cherry Manga, Alpha Auer, Sheba Blitz, Kayly Iali, Judylynn India, Monroe Snook and Chuck Clip himself, among numerous others. All of whom present s rich mix of 2D and 3D art to be appreciated and admired. Further 3D art selected by Jayjay can be found within the ground level of the university in what is very much a 3D art garden.

UWA: Gratitude – 2D art

All told, Gratitude presents a rich cross-section of art and creativity, and is well worth taking the time to visit and appreciate. It will remain open until the end of December 30th, 2020.

SLurl Details

  • Gratitude (University of WA, rated General)

A little Andante in Second Life

Andante Gallery

Andante is the name Jules Catlyn and Iris Okiddo (IrisSweet) have given to their cosy gallery, located in is own gardens alongside, but quite separate to, Jules’ car business of [Surplus motors].

I have to confess that this is a gallery I’ve somehow managed to miss until now, which is a shame as it is very charmingly appointed within its grounds.It comprises the Apple Fall Country Hall (a place that, coincidentally, we have set for one of our own home designs). It’s a versatile build, and here has been “twinned” with itself to provide two large exhibition spaces with an interlinking open-air courtyard.

The garden offers art of its own in the form of sculptures by Mistero Hifeng, the ground around the gallery richly flowered in a manner that is inviting and encourages a sense of warmth and of taking thing slowly in the manner of the gallery’s name.

Andante Gallery: Charlie Namiboo, December 2020

Exhibitions apparently open here every 5-6 weeks, although at the time of our visit, the current exhibition was into its 10th week. Not that I’m complaining;  the guest artist is Charlie Namiboo, and her work is always a delight to see – but just keep in mind that as it has been around for a while, the gallery could be changing artists fairly soon.

Don’t Judge Me is a series of images by Charlie predominantly focused on avatar studies, with a handful of landscapes to break the mould.

Offered in both colour and black and white, the avatar studies present thoughts and feeling on life and relationships that are genuinely emotive. they are mixed with self-studies that while posed, can oft appear as candid, spur-of-the-moment snaps that give them their own unique depth. The landscape pieces, meanwhile reveal Charlie’s ability to both capture a scene and render it as a piece of art guaranteed to capture the eye and and found myself particularly drawn into Wildness is the preservation of the world.

Andante Gallery: Charlie Namiboo, December 2020

As noted, I don’t know how much longer Charlie’s work will be on display at Andante, but I would recommend hopping over sooner rather than later in order to see it – contrary to the exhibit’s title, these are pieces worthy of our judgement in that they are all very much pieces worthy of viewing and appreciation. As to Andante Gallery itself, it’s now on my list, and I hope to be returning in the new year to see who else Jules and Iris invite to exhibit there.

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A Dickens of an art display in Second Life

The Dickens Project: Invitational Art Show – CybleMoon and Silas Merlin

The Dickens Project 2020 Edition enters Christmas week with two art exhibitions for visitors to appreciate. Each is located in a different part of the Project’s Victorian townscape, offering those who visit the opportunity to explore the streets and discover more of what the Project has to offer this year.

Located in the church sitting to one side of Dickens Square, the Project’s main landing point, is the Open Art Exhibition, featuring artists who accepted the Project’s invitation to display one or two pieces of art that have created on a Victorian Christmas / Dickensian theme.

The Dickens Project: Open Art Show – VanessaJane68 and Jezzamine2108

In  all, seven artists responded to the invitation, and between them they offer an engaging series of images on the themes. The artists are: Jessamine2108, VanessaJane66, Stevie Morane Basevi, Dawn Greymyst, Banshee Heartsong, Evelyn Held and Vita Theas.

Together their images capture the spirit of The  Dickens Project Past (e.g. Evelyn Held: A View From Dickens Harbour Lighthouse, Jessamine2108: Dickens Harbour), images with a decidedly Victorian feel (VanessaJane68 with Christmas Hall and Tower Lane; Dawn Greymyst: Holiday Preparation), and others with a clear Dickens influence (e.g. Vita Theas: Kids, Evelyn Held, Magic of Christmas Past).

The Dickens Project: The open Art Show – Evelyn Held

All of the pieces are evocative of the period they represent and the Dickens Project theme.

Off to the east side of the town, and between the clock tower and the harbour, sits a warehouse that is home to the Invitational Art Show. Open since the event started (the Open Art exhibition having opened its doors on Friday, December 18th), the participating artists for this exhibition comprise CyebelMoon, Iris Okiddo, Silas Merlin and … Yours Truly. Again, the overarching theme is of reflecting, Dickens, Victorian England and the Dickens project.

The Dickens Project: Invitational Art Show – CybeleMoon

Both Cybele and Iris offer evocative (as always!) pieces, that richly reflect these themes. Within Cybele’s pieces,  entitled Winter Solitudes are a set of marvellous captures of past Dickens Project scenes, beautifully processed such that each encompasses its own story that captures both the romance of Victorian Christmases, and the settings found through The Dickens Project.

Iris, meanwhile, presents her own take on A Christmas Carol, presenting eight images  in which she takes on the role of Ebeniris Scrooge and offers her interpretation of some of the damous scenes from the story. Thus we see her sitting miserly in her cold house, walking with the Ghost of Christmas Present, revisiting her lonely past, glimpsing a possible future, embracing a happier, brighter future (with, I think I’m correct in saying, Skippy Beresford getting a co-starring role), and more; all of the images again richly presented for our enjoyment.

The Dickens Project: Invitational Art Show – Iris Okiddo

Silas offers sculptures both indirectly and directly connected to the Victorian / Dickensian era, including barefooted street urchins, Oliver Twist, and a bust of Charles Babbage. For my part, I’ve offered a series looking back over The Dickens Project builds between 2015 and 2020.

Two engaging exhibitions in a setting that offers much to see and do – see my preview of this year’s Edition of the Project for more on the event.

The Dickens Project: Invitational Arts show – Silas Merlin

Links and SLurls

Note that The Dickens Project regions are rated Moderate. Note that SLurls will be available for use from 07:00 SLT on Friday, December 4th.