Category: Exploring Second Life

It was off to JimGarand’s Homestead region for me recently, after several people poked me about Jim having both joined Emm Evergarden’s The Nature Collective and opened a new setting within his region, temporarily abandoning his normal name for his settings – Grauland – in favour of Grauvik, a name suggestive of  Scandinavian / Norse roots. There’s no accident in this as Grauvik offers a fictional island apparently sitting off the coast of Iceland.

As a fan of Jim’s work, I always enjoy seeing what he has produced, but learning he’d settled on an Icelandic theme I was almost immediately off to take a look: Iceland is one of the many places around the world I’ve been fortunate enough to visit, spending time in the south-west and travelling extensively around the north of Iceland (it’s no accident my primary home in Second Life is dubbed Isla Myvatn – I spent part of a very happy vacation close to the lake and the impressive lava fields of  Krafla  🙂 .

I’ve no idea if Jim has based his build on a specific location in Iceland; “Grauvik” appears to be a concatenation of “Grauland” and “Viking”, rather than the name of an actual place (although “vik” itself is a common place ending in Icelandic – e.g. Keflavik, Reykjavik -, which is said to mean “bay” or “inlet” or a derivative of the old Norse for “harbour”. However, I have seen mention that the little fishing village of Grenivik, nestled on the eastern side of the fjord Eyjafjordur may have served as inspiration.

I’ve no idea if this is correct, not having been able to talk to Jim directly. However, Grenivik does sit on the east side of the impressive fjord (which offers a spectacular descent down into the local airport at Akureyri, the airliner flying down and below the mountain peaks on either side of the fjord, including the 1,100 metre tall Kaldbakur beneath which Grenivik nestles), and with the island of Hrísey sitting within the fjord’s waters, I wouldn’t at all be surprised if it did play a role in helping for some of the ideas for Grauvik in Jim’s imagination.

The setting certainly contains elements which are not uncommon to Iceland as a whole: the volcanic “sand” of the beach areas, the brightly-painted, wood-built houses, its rugged, flat nature (several of Iceland’s islands tend to be relatively flat, or flat-topped – with Flatey (literally “flat island”) being the obvious example); while the wooden boardwalks are mindful of those which can be found extending over various hot springs and also located in places like Thingvellir National Park – of which some parts of the walkways in Grauvik reminded me). Also like Iceland are standing stones and outbursts of modern art, short, hardy grass and heathers growing from the soil, etc.

Having mentioned Flatey Island, I’ll admit that from some angles when camming, Grauvik put me in mind of photos of various parts of that island I’ve seen (I confess I’ve not as yet visited it, although it is one of the places I would like to see whenever I make a further trip to Iceland, partly because friends have told me it’s a lovely place to visit and partly because of its connection with the Flateyjarbók, the largest medieval Icelandic manuscript and noted for bringing together the histories of notable Norse settlements.

Jim’s work often includes interior designs – he’s as skilled in this area as much as he is in creating landscapes – and this is again on display within Grauvik, the little cabins carrying the look and feel of having been fitted-out as a holiday retreats, utilising the clean lines of décor and furnishing frequently found in such houses and in hotel rooms in Iceland.

This is an easygoing place to explore, again mindful of some of the nature walks common to some of the islands of Iceland as well as within the inland parks. In fact, rather than “explore” I’d suggest Grauvik is a place to meander through, perhaps reflective of the easy-going nature of many Icelanders. Touches of Norse history are awaiting discovery along the modern art, notable outside the large café / landing point building, and again over at the operating boat builder’s shed sitting on the top of what appears to be a very modern quayside which itself extends down to what might be the remnants of an older set of wooden wharves.

All told, another engaging build from Jim, and a fitting addition to The Nature Collective.

SLurl Details

• Grauvik (Liberia Isle, rated Adult)

Coffee in large mugs and books I like reading
Bright covers calling and fresh beans for grinding
Stories that soar just like birds on the wing,
These are a few of my favourite things.

with apologies to the estate of Oscar Hammerstein II

Well, the above isn’t something you’ll find in the actual lyrics of any song coming out of the most unusual adaptation of The Sound of Music, let alone Favourite Things, but they are more-or-less what trundled through my odd little caffeine-fuelled mind on visiting the latest region design at Tripty’s (triptychlysl) Full region, Reality Escape.

Books, Coffee & Chairs – Oh My! is exactly that – a celebration of three of Tripty’s (and dare I say, my own) favourite things in life; I personally love curling up with a book and a but mug of freshly-brewed coffee (straight from my own grinder by way of the coffeemaker and milk frother). More than this, however, is the fact that it is a genuinely engaging region worthy of a visit.

Trippy is not new to SL, although her Profile might suggest otherwise at first look. Who she might have been previously is not important; as she notes herself, sometimes in life, all one can do is walk away from something for a time. However, I’m glad that she has decided to return, because whilst I’ve never (knowingly, at least) met her, she has a core of creativity and imagination which results in the richness and beauty of her region builds.

This is a simple, quiet and elegant region design that is easy on the eye and which can be easily enjoyed with a pleasant stroll; it is also a place with its own little quirks that add to the setting. The latter is evident directly at the landing point, sitting at the southern extent of the island. Here three little humps of grassy rock rise from the water, like mossy shells of turtles swimming along. The watery gaps between these three and the rest of the setting are spanned by bridges in the form of oars supported by books.

In addition, just across the water, at the point where the local stream reaches the surrounding waters, is an arch of chairs held aloft by statues. Shortly before reaching the sea, the stream passes over another channel of water by means of a culvert formed by the heavy forms of giant books. This not only marks the landing point as being separated completely from the main body of land, it further adds another element of quirky charm to the setting. The water channel is also crossed by a footbridge linking the fullness of the region with the landing point, beyond which a series of paths cross the grassy lands, offering multiple points of exploration.

The land itself is home to a single building, located on one bank of the stream. A former wooden-framed greenhouse, it now formers a cosy, inviting café; a place where books and a beverage can be enjoyed indoors and out, according to one’s preference. It is a place packed with details and bric-a-brac which deserves not only a visit, but time taken to appreciate how much has been put into it.

For the rest of the setting the paths offer the best means of exploration as they meander gently northwards and into the hills towards that end of the setting. Exactly which of the two main paths you take from the café matters not. Both depart the riverside decking at the café (or if you prefer, you can saunter up the loosely laid stones of the café’s garden path to re-join the path leading away from the landing point). Whichever path visitors take, they will be guaranteed a reunion with the other main path around the mid-point of the island before they separate once more.

The shorter of the two paths then continues on to a little east-facing bay and a campsite – one of many places visitors can sit and enjoy time or a quiet read. Further to the north, reached by the other path, the landscape climbs gently upwards to where a thumb of rock is raised over the rest of the setting, water tumbling from one side to feed the region’s stream. Crossed and re-crossed by the trail, the stream helps the many fields and meadows around the setting to bloom and the local trees to grow, offer fingers of shade to travellers and splashes of colour.

Throughout all of this are multiple places to sit and pass the time. Some are what might be called “conventional” – a rocking chair here, a tepee there and deck or two over the water, and so on. Others are more unusual -, or quirkily unexpected – a rack of bus-stop seats arranged as waterside seating; garden chairs converted to swings , benches forming steps and more oversized books helping to form the landscape, stepping up a slope like a garden fence.

However, the truth is that this is a setting for which words are not enough; there is a beauty to Books, Coffee & Chairs – Oh My! that is captivating (not to mention photogenic). Add to this the attention to detail and decorative touches by Trippy, and this is the kind of place which should be seen first-hand. That said, I wouldn’t leave doing so for too long; Trippy tends to rework the region periodically, so Books, Coffee & Chairs – Oh My! might soon disappear; which in some respects will be a shame – although I’m also curious to see what new magic Trippy cooks up for people to enjoy.

SLurl Details

• Books, Coffee & Chairs – Oh My! (Reality Escape, rated Moderate)

Briarwood Estates is an all inclusive, family role-play community and luxury residential estate. The work of Frankie Jade LaFoxx (Frankie Foxpaws) and her team, the estate covers multiple regions and offers a wide range of amenities and facilities for local residents and for visitors. These include a equestrian hub with horseback riding trails, a hotel and spa, farming, games, a marina and boating, shopping, live music, and more.

One of the more public elements within the estate is the Briarwood Wildlife Refuge which has recently been featured in the Destination Guide. Located on a homestead region, the refuge is linking to several of the surrounding regions via footbridges. Perhaps most notable among these for incoming visitors is the main information (and event?) centre, sitting to the east of the refuge. This presents a model of the estate in which available rentals are highlighted, as well as showing the public routes through all of the regions, with the walls presenting event schedule boards and general information for both visitors and residents, and which does much to present a picture of a well-run estate.

The refuge proper starts across the bridge from the information centre, and carries the following description:

Briarwood Wildlife Refuge is a wildlife refuge within SL. It is one of the first wildlife refuges operated by Briarwood Estates. The refuge protects more than 14 acres of marshes, grasslands, and woodlands.

Bounded by a sandy-shingle beach and open waters, the refuge is also cut through with watery channels that have the feel of being both human-made and more natural inlets, steams and a large pond. Together, this break up the landscape in such a way to suggest a natural location curated by human hands and eyes in order to offer the best environment for the wildlife and animals within the refuge.

The majority of the landscape is low-lying, suggestive of the wetlands of the description, with cart tracks offering various routes through and around the grasses and up into the few hills which also help to break-up the landscape. Most of the refuge is fairly open, the trees numerous enough to line the trails and tracks and provide shade, but not so numerous they overwhelm the park.

Most of this landscape is given over to the local wildlife, although there is also a meadow bounded by dry stone walls to one side, it and the barn within it home to sheep and goats. A second meadow, this one bounded by a fence and water, can be found across the grasslands, the home of a mare and her foal, the stables here suggesting more horses might also call it home – or they might equally be home to the donkeys wandering a little further away, but still within the boundary marked by the white fencing.

The local wildlife includes bears, deer, foxes and waterfowl, and is spread fairly broadly across the refuge as one might expect, offering opportunities for photography and discovery. The trails offer an excellent means to explore the setting, but if you have a wearable horse, they also offer the means to enjoy a little riding whilst exploring.

Considerable care has gone into presenting Briarwood Wildlife Refuge as a wholly natural environment, perhaps most notably in the time spent blending the mesh forms of the rutted tracks into the terrain. This is something which if not done properly, can lead to jarring results when gaps or holes are spotted or the texturing of the mesh does not match that of its surrounds. Here, however, the blending is a tour de force in how to do things properly to the point of near-perfection (aided by the inclusion of terrain textures in Alex Bader’s landscaping kits, allowing them to be applied to terrain), and does much to add to the expressive gentleness of the refuge.

The main exits from the refuge link to Briarwood Village to the west, which appears to have public access, allowing visitors to extend their explorations, and Briarwood Oaks to the south. The latter link takes the form of a cut stone, paved bridge spanning the water channel between the two regions. However, as this bridge is gated at either end and the gates are apparently locked against public access, I assume Briarwood Oaks is for local residents only, and their privacy should be respected, rather than attempts made to cross the bridge and go a-wandering among the houses.

True, the weather within the refuge is a little rainy – but again, this is in keeping with the overall tone of the setting, and it offers its own opportunities for photography whilst also working across a range of EEP settings for those who would like to de-emphasise the rain – as I hope the images in this article show.

Overall, a very engaging and photogenic setting in which to explore and take photos.

SLurl Details

• Briarwood Wildlife Refuge (Isthmus of Briarwood, rated Moderate)
• Briarwood Estates (rated Moderate)

Shawn Shakespeare pointed me towards Orcinus Isle, a homestead region designed by Lana (Svetlana Pexie), and which offers an engaging and intriguing setting that will be attractive to explorers and photographers alike.

The regions draws on several influences, which in turn can lead to additional influences playing on thoughts about it, leading to some interesting musings – or at least, that was the case for me.

The first of those influences is that of Perissa Beach, Santorini (or Thira) – which is also the first of the attractions for me with Lana’s build. There is a mysticism and beauty with Santorini which has long attracted me. Famed for being a part of the Minoan Civilisation, the island was the site of one of the largest volcanic eruptions in recorded history, which took place in approximately circa 1600 BCE, destroying much of the island and perhaps helping contribute to the legend of Atlantis.

Today, Santorini is both a site of archaeological import and also a major tourist attraction. With towering cliffs, its famous buildings perch along the cliff tops and hills – such as Oia – the natural bay formed by the flooded caldera crater and its beaches, it is easy to understand why. With their distinctive red and black “sands” of volcanic dust the beaches of Santorini – Red Beach, Black Beach, Vlychada – are eye-catching, if not always easily accessible. As such, Perissa, with its rich black shores, has become the most famous, attracting tourists from all over Europe and the world at large.

From there, as Lana notes, the build draws on her love of coastal cliffs, waterfalls and oceans and – in another twist of attraction for me – mythology, to present a setting of the imagination, two island rising out of the sea on shoulder of cliffs, linked by a single arch of rock spanning the gorge which separates them, lending weight to the idea that there were perhaps once a single landmass which at some point became mostly split.

What caused the division is down to the imagination; perhaps it was the work of the sea, relentlessly pounding a weakness on the cliffs, eating away at the rock over the ages, deepening an opened crack, drawing down the mass from above and washing it away down through the years. Perhaps this island is influenced by volcanic or tectonic activity, the forces of nature breaking it enough for the sea to take over and create the gorge and bringing down the rock above until only  the mast span remains.

Whatever the cause, the two island masses now sit apart, the northernmost offering the most varied topography, with lowlands curving around a deeply cut bay, quickly giving rise to the sing to a curtain wall of high cliffs across the bay’s width, down which falls plummet in force, most likely adding to the bay’s expansion down the centuries and generating clouds of water vapour that hover cloud-like over the heads of the cliffs. Stratified and uneven, the back of this island suggests it may have been laid down by some form of process, again perhaps one volcanic in nature, successive eruptions adding another linear deposit of hardened volcanic rock.

To the south, the second island is more even, its near flat top covered in a head of grass and home to the remnants of a church at its southern end, whilst both island present a ribbon of volcanic shingles of a beach further suggesting they were once a unified mass of rock. Although split by the eastern exit of the gorge splitting the land the beach and landscape at the foot of the cliffs on either side of the water are sufficiently enough alike in terms of elevation and shingle / grassland mix to suggest both once run uninterrupted down the east side of the island.

But what of the mythological links? These can be found in the region’s name: Orcinus. Rather than a direct reference to the genus of Delphinidae we tend to refer to as “killer whales” (although a number of these majestic creatures can be seen swimming off the islands, Lana uses the term in its original meaning: “kingdom of the dead”, and / or “belonging to Orcus”, the god of the underworld in Etruscan and Roman mythology (the name Orca also being applied by the Romans to the genus of Orcinus).

The use of the name within the setting might be taken as a reference to is somewhat foreboding look, the evidence of ancient fortifications having once stood proudly here, perhaps long before the arrival Christianity and the church-builders, providing evidence that this was once a fortress or outpost, and thus may have had its name aligned with the god of the dead thanks to its remote location.

“Orcus” also has another connection to mythology, in that it is at times seen as being the origins for Tolkien’s “orcs”; from this use, countless other fantasy games and works of fiction have borrowed the concept of the orc. However, whether Tolkien directly derived his creatures from the name (by way of Anglo-Saxon) is debatable – not the least by Tolkien in his lifetime. However, there is something decidedly “Tolkienish” to the ruins and landscape here (or at least, faintly Nordic), which adds to the allure.

Wild and open and with numerous places to sit (not all of which may be easy to reach!), Orcinus Isle is an engaging and photogenic visit.

SLurl Details

• Orcinus Isle (Ravenmore, rated Moderate)

For those of us in the northern hemisphere, summer is rolling around again with its promise of sunny skies, green fields and lazy walks along riverbanks, idling under the shade offered by the outstretched boughs of a tree, enjoying an afternoon tea or coffee in an easy-going café and more.

More particularly for me, this time of year marks the passing of almost 12 months since the last time I dropped into to Missing Melody, making it high time for a revisit.

Missing Melody is, alongside of the equally eye-catching Longing Melody, presented by Bambi (NorahBrent) as a place of comfort, retreat and relaxation; a place which is never far from thoughts and where a welcome is always waiting. Or to use Bambi’s words, as they are so apt:

What is a Missing Melody? It’s that song in your head that you can’t get out but not sure how it really goes. It’s that temptation you want to have in your life so you can fight to resist. It’s that place in your heart that is always waiting to be filled.

– Bambi (NorahBrent)

For this iteration, Bambi offers a setting which reflects all of my descriptions of summertime above: a rural location rich in the delights of summer, from a stream bubbling and tumbling from a pond high on a hill to follow the curve of the land as it steps down the slope in a series of rocky drops to finally vanish within a culvert, through to the cattle content to stroll the broad grasslands, mingling with horses who also appreciate the rich grazing, even if the local sheep are a little stand-offish!

As a regular supply of fresh water, the pond and stream have attracted much of the local flora over the years, such that the pond is now guarded by the weeping heads of willows and a curtain-like surround of shrubs and bushes which seem determined to protect the secrets of the ducks and geese happy to splash about in the water, and offer the local deer a private place to drink. However, it is a secret that has been penetrated, as the gabled boardwalk reaching out over the pond (but not reaching its opposite number on the far bank) shows.

This gabled boardwalk reaches the pond from a small gathering of garden outhouses sitting alongside a well. Looking a little careworn but still with potted plants being tended, even if the porch swing could do with a little TLC, this little garden space seems to also be a place of play for youngsters going by the tricycle and scooter waiting the return of their owners. How long they’ve been here is hard to say, but the presence of goslings playing in a tub of water, a cat happily sleeping in the sun and a deer and fawn close by, suggests the erstwhile owners of these wheeled means of transport have been gone some time.

Across a bridge spanning the tumbling stream, a path leads down form this little hideaway to reach the Oh Deer Café where refreshments and “sweet yummy moments” await, either indoors or served on the terrace overlooking the sloping growth of wild flowers washing upslope from the stream to counter the neatly-growth flowers in their planters along the edges of the terrace.

The café and the little hidden garden corner aren’t the only places of retreat / refreshment here.  Cross the stream and take a walk over the shoulder of the hill and past the grazing cows and horses, and you’ll spy brick walls and a small out sitting up on the flank of the setting’s uplands. The route to it will take you back past the pond, allowing you to join with another path that links it with the red brickwork. Within the high walls and shaded by trees still wearing their springtime blossom sits a fountained pond dominated by a flower-draped statue. Here, as koi swim in the clear waters, a couple might find a place to sit and sample a glass of burdock and wildflower wine.

For those who prefer to remain close to the babbling chatter of the stream, there is a tree house waiting at the end of a pair of rope ladders. With a bench seat / swing (I’d perhaps not try swinging it too far!), it allows a peaceful watch to be kept over the horses and cows below.

Finished with a pleasing sound scape (albeit one in which the café can sound like the Lunchtime Hordes have descended upon it), it really doesn’t need to be said that Missing Melody is, as ever, highly photogenic and makes for a genuinely easy-going visit … even if I just go a say it anyway 🙂 .

SLurl Details

• Missing Melody (Runaway, rated Moderate)