Category: Exploring Second Life

Designed by SimoneFiore on behalf of region holder ThisIsMyAltsAlt, Alternate Reality is a homestead region open to the public on the basis of joining the local group (no fee required).

Offering a simple, low-lying island, it is a place with plenty of space, most of which is open to the public, with the exception of the house located towards the north-west of the region, sitting within a private parcel clearly denoted by ban lines should you get too close.

Predominantly sandy, Alternate Reality is home to scattered clumps of grass, all of varying sizes, which break through the surrounding sand like islands poking up above the surface of an ocean.

These little islands of green sit under the shade of trees that grow above them, tress that largely suggest that this is place located within temperate, rather than tropical climbs – although there are a few palm trees and other suggestion that perhaps we’re not that far from the warmer tropics.

Within this setting are numerous opportunities for photography (as group access is required, rezzing of props is also possible) and some fun activities – including a see-saw, beach volleyball and swings. There are also multiples places to sit and relax. These can be found along the beach  in shaded little hideaways. Or, for those who prefer, there is a bar, with indoor and outdoor seating, again offering opportunities for photographs while the deck across the sand from the bar is a DJ’s set-up, suggestive of music events.

This is an easy location to tour, requiring little in the way of description, offering a quiet getaway that demonstrates that when it comes to landscaping, sometimes, less really is more. So, this being the case, and unusually for me, I’ll leave you with a couple of back-to-back photos.

SLurl Details

• Alternate Reality (Five Fathoms Deep, rated: Moderate)

Nevglide Gaard is described by its designer and holder, Neaira Aszkenaze as “the second chapter in the Nevgilde Story”, continuing as it does the Nordic theme of Neaira’s builds, which are intended to offer something of a feel of the wilds of Norway. We visited the first chapter, Nevglide Forest, back in late 2018 (see: Nevgilde Forest in Second Life), so when Shawn Shakespeare poked me with a reminder that Nevglide Gaard was open for exploration, we were happy to hop over and resume explorations.

This second chapter sits within a new – and slightly smaller – location: a parcel of some 8176 sq metres. It sits with a north-south orientation, two sides open to the sea and the entire design once again proof that you don’t actually need an entire region to create something eye-catching and worth visiting.

The parcel offers a rugged finger of Norwegian coastline, knuckled by bare rock that cut by a single west-flowing stream that tumbles down from the northern wooded uplands to reach the sea. No landing point was enforced at the time of our visit, so I’ve arbitrarily set one for this article using the small island located at the southern end of the parcel, and separated from the rest of the setting by a shallow neck of water spanned by flat-topped rocks for easy crossing.

The island, with its little camp site, offers an excellent vantage point from which to view the rest of the land, looking northwards over the narrow curve of a beach sculpted into the landscape by time and water, past the single house that stands above it, and onwards towards those northern highlands. Reindeer graze on the upper slope of the island, while a set of wooden steps lead down to the water’s edge and the rocky crossing to the beach.

Backed by a shelf of flat rock, the beach is a mixture of sand and shingle, a partially-finished raft lying just offshore. Steps lead up to the lone house, a marvellous and cosy wood-framed abode designed by Neaira herself (as an aside, her store sits in the sky over the parcel – see her profile for a TP – although the house does not appear to be offered for sale, sadly).

The house is clearly the home for the largely self-sufficient: chickens and goats are being bred, apples are being grown, and a and pump offers the means to get fresh, clean water from deep below ground.  Meanwhile, the bric-a-brac around the house and grass yard further adds to the sense that this is  very much a “working” home, those occupying it enjoying their lifestyle and the freedoms it brings.

A path winds down from the north side of the little plateau on which the house sits to meet with a log bridge for those who wish to cross the fast-flowing stream and climb the rocky uplands. Wooded but with shallow and deep ledges of their own, these uplands can be scrambled up using further log climbs and offer another vantage point for looking out over the land, as well as an alternate landing point should you opt to take a landmark of your own.

Like Nevglide Forest before it, this is a place that is easy to explore and that encourages people to tarry for a while, whether they wander, or relax on the wooden deck to one side of the house or down on the beach or out on the little southern island.  Rounded off with a subtle and immersive sound scape, Nevglide Gaard is a place to lift the spirit as well as offering plenty of opportunities for photography.

SLurl Details

• Nevglide Gaard (Cocteau, rated Moderate)

Totem Beach is a Homestead region designed by Tlaloc Beresford designed to give visitors a range of land and water activities for their enjoyment.

Nestled along the Pacific North West, Totem Beach awaits those enjoy the ocean and forests of the region. Surf the waves, dive the canyons, or walk through the forest and lay down some roots of your own in this beautiful region.

– The About Land description for Totem Beach

The ground level of the region is largely given over to water – a rocky bay caught in the arms of tall hills. These lie partially open the sea to the west, but curl around to the east to form a backdrop to the region’s single landmass, a range of high cliffs oriented north-to-south, overlooking a west-facing ribbon of sandy beach.

The setting embraces the Pacific North West’s  reputation for rain, which falls from the sky to the beach and the cliff top woodlands alike. Up on the cliff tops, the rain causes a ground mist to rise, which lurks around the trunks of the trees.

The woods are cut by a path that follows the western lip of the cliffs that connect various tepees, tents and cabins that are available for rent (note that those that are rented nay have parcel access control enabled, and thus blocked from public access.

Another path winds down to the beach, where surf boards and a jet ski rezzer await those who join the region’s group (which includes rezzing rights), allowing them to enjoy time out on the water and surfing on the region’s incoming waves.

For those who prefer quieter pursuits , there are places to sit and watch the action along the beach and up on the cliffs, while those who like their action on land can take any of the region’s teleport points up to the go kart track area hidden in the sky.

The latter offers two courses to race either against the clock or other drivers – or both. The system is based on the Mario Kart franchise, including the ability to chose one of several of that game’s Karts (I opted for Yoshi’s because – well, Yoshi  🙂 ). As it is based on Mario Kart, it also includes power-up boxes that provide weapons to take out your opponents (bursting the balloons on the back of their karts with each hit) and bonuses, allowing for something of the full measure of the game to be met.

For those looking for a public region that offers things to do that aren’t too taxing, Totem Beach offers an easy-going diversion that can be fun when visited with one or more friends.

SLurl Details

• Totem Beach (Belize, rated Moderate)

In January 2019 we visited 2019-XS by zee9. At the time, I noted:

The region has an adult edge to the role-play, and is intended as an extension to her previous (and now departed) build Drune. I’ve not seen that design, but will say that while compact, 2019-XS has a certain ambience that is hard to define, but has seen me make three visits to it in order to fully appreciate the ambience and setting.

Well, we’ve recently had the opportunity to immerse ourselves in Drune design, as zee9 2019-XS has been remodelled into the fourth chapter in the series, Drune IV: Aftermath.

Maintaining much of the look and feel of 2019-XS (and previous Drune builds) in terms of general layout, Drune IV Aftermath presents an environment in which it is clear that, as the region name suggests, some form of cataclysm has befallen the city.

The once pristine roads, neon-lit by business signs, cleaned by robots and home to electric vehicles, now lie broken and slowly being overcome by plant life. Power cables hang and lie in disarray, and the once bright buildings are slowly being overcome by vines and creepers.

Exactly what has come to pass is hard to say: is the disaster man-made or natural? Did the city bring it upon itself, or has some external factor played a role? These are the questions that roll through the mind in exploring the elevated walkways, the roads and the alleyways.

But it is clear that human life has not entirely abandoned the city. Some of the street lights still work, and free-standing floodlights illuminate stairways and other areas, drawing their power from generators that must have some form of fuel supply or means to be recharged, even as more light is shed from many of the windows peppering the tall towers.

More signs of habitation can be found along the shadowed streets, where makeshift stalls have been set-up by people trying to eke out a living. Some of these are lit by neon signs, again suggesting an operating power source, while others rely on lamps suspended from the beams of the elevated road sections.

The lifestyle of those who remain has perhaps taken a turn towards post-apocalyptic hedonism, going  by some of the market stalls, while a nightclub similar to that found within 2019-XS appears to still be in use. It sits at street level almost in reflection of another dance space sitting atop the tallest of the city’s towers. Elsewhere, follow the faint sounds of a piano playing and you may eventually be led to the entrance of what might once have been a plush club, but which now sits behind broken doors, squatting in its own gathering mould.

The region used to be open to free-form role-play, and while I’ve no idea if this is still the case but the region certainly still captures elements of a range of sci-fi / cyberpunk films, including the likes of Blade Runner, Neuromancer, and Strange Days and even, despite its presentation of nature victorious, the Fifth Element. And even without the role-play, Drune remains an engaging visit.

SLurl Details

• Drune IV: Aftermath (Ravine, rated Adult)

HollyWeird is the name Schmexysbuddy has given to his Homestead region of Hotel California.

This is a region that tends to change on a monthly basis, which keeps visits fresh and interesting. We first visited in April 2019 – see: Welcome to the Hotel California in Second Life – and while I try to avoid writing about a region again so close to having previously blogged on it, Schmexysbuddy’s August design is so out-of-the-ordinary, it deserves both a visit and a write-up.

There is no obvious theme to the region, which is one of the things that makes it intriguing. There is a reference to the name on which it draws on, with the appearance of the famous Hollywood hillside sign in the north-east corner of the region, complete with the relay tower rising behind it. But does that make it unique? Well no – until you consider the giant fox that’s leaping into the air beside it.

And that’s just the start. Travel the region and you’ll discover the remnants of a fun fair lying alongside a field of giant plastic flowers (where I’ve arbitrarily opted to set the SLurl in this article). This points the way into the region, passing two huge walls – and two even bigger clowns. Fortunately, the latter aren’t the, “just wait there while I sharpen my meat cleaver” type of clown – they are the genuine  funny article. And if you touch one, he’ll happily play the maracas he’s holding, while the other will bang his snare drum.

The landscape itself maintains something of a thematic design with some of the past Hotel California designs by Schmexysbuddy: a semi-flooded and broken, complete with the ruins of buildings and elevated roads and a smattering of trees. Mixed within this are platforms topped by with the most unusual and garish buildings. They rise from the (shallow) waters like bizarre oil or gas platforms except where the former would have derricks rising from their backs, these have trees and windmills.

All of this makes HollyWeird immediately attractive – but there is far more. The fun fair, the platforms and the Hollywood sign and its fox form what are really mini-scenes within the region; vignettes if you will. And there are more to be found across the region, many of them focused on elements of art by the likes of Bryn Oh (including the flowers mentioned above), Cica Ghost and CioTToLiNa Xue.

There’s even a touch of science fiction and sci-fi movies that both folds into the Hollywood motif as well as standing on its own. This can be found to the south-west of the region, and includes “greys”, a flying spaceship, landed “flying saucer houses” and is completed by a collection of Cica Ghost’s characters either greeting or saying farewell to the ship overhead.

Most of the buildings and ruins within the region are empty  – but make sure you visit the old theatre, as it sits partially flooded. This contains a beautiful and simple vignette of pieces by Bryn Oh.

It is this art content and the vignettes and motifs it brings with it that I find particularly attractive within the region – particularly the way in which the details can suddenly pop out where you least expect them. These, combined with the sheer unusualness of the region make it a genuinely unique setting that really draws visitors into it.

Our thanks to Shawn Shakespeare for the nudge about this update to Hotel California.

SLurl Details

• HollyWeird (Hotel California, Adult)