Of art and artists

Holtwaye ArtSpace: Art of the Artists - Fuschia Nightfire
Holtwaye ArtSpace: Art of the Artists – Fuschia Nightfire

Holtwaye ArtSpace is  a new gallery space which opened towards the end of June. Located on the adult-rated region of Holtwaye, the gallery is co-managed by Waynenz, who is also responsible for the beautiful Toru, the Enchanted Forest (and now apparently closed), which I last visited in February 2014, and Holter, who took charge of  curating the gallery’s inaugural exhibition.

Holtwaye ArtSpace: Chuckmatrix Clip (foreground) and Waynenz (rear)
Holtwaye ArtSpace: Chuckmatrix Clip (foreground) and Waynenz (rear)

This opening exhibition features a mix of art, sculpture and media pieces by Tomais Ashdene, Chuckmatrix Clip, Awesome Fallen, Fordis Flores, JJ Goodman, Fuschia Nightfire, Bryn Oh and Wanenz himself, presented in a gallery space which is itself a modern statement of art, designed by WayneNZ.

Holtwaye ArtSpace: Byn Oh's Imogen
Holtwaye ArtSpace: Byn Oh’s Imogen

Fuschia Nightfire’s Art of the Artists perhaps sits as the centrepiece to the exhibition, and requires media streaming to be enabled. Doing so will initiate a machinima created by Nina Chaplin featuring a montage of ever-changing scenes of paintings by Nina of SL art installations featured at the UWA by Claudia222 Jewell, Cherry Manga, Nish Map, Sledge Roffo and Fuschia herself, all of which are played on and through a set built by Fuschia, and set to the music of Obisdia.

Holtwaye ArtSpace: Awesome Fallen's
Holtwaye ArtSpace: El Principio,Awesome Fallen

Bryn Oh presents a mix of images and sculptures from her own installations, and Chuckmatrix Clip also presents a number of his sculptures (do note that some of the works by Chuckmatrix and Bryn are also displayed outside of the gallery building). Awesome Fallen and Tomais Ashdene present two exhibits of images entitled El Principio and Olio respectively. Waynenz has both a display of his own, a selection of digital art using typeface entitled Unleashed, and also teams-up with Fordis Flores and JJ Goodman to present a collaborative digital comic using SL-based photography.

Holtwaye ArtSpace: collaborative digital comic, Fordis, JJ Goodman and Waynenz
Holtwaye ArtSpace: collaborative digital comic, Fordis Floris, JJ Goodman and Waynenz

This is a fascinating inaugural exhibition for what is, as I’ve mentioned, a very stylish and engaging gallery which makes fabulous use of space to present series of exhibit areas suited to a variety of uses. I look forward to further visits in the future.

Related Links

Project Homeless film challenge nets four Second Life finalists

HomelessIn February, and thanks to Jayjay Zifanwe, I carried an article about Project Homeless 2014, a Challenge run by Screen My Shorts Incorporated and the University of Western Australia in partnership with, and sponsored by, the Parramatta City Council.

Film-makers of all ages cultures and ability were invited to submit original creative digital content (conventional film and / or machinima) of between 3 and 10 minutes in length, and based on one of 22 themes on the subject of homelessness. Entrants were asked to nominate two of the themes they would like to film, were then allocated one of their two choices and given 30 days in which to submit a completed film on their allocated theme, either as an individual or team entry. Prizes for the competition amount to $10,000 Aus (L$2.28 Million) cash and prizes, with at least $700 Aus  reserved for Machinima. In addition, stand to have their films exposed on the international stage.

Now Jayjay brings word that no fewer than four Second Life machinima artists are among the finalists in the challenge. They are: Rysan Fall, Tutsy Navarathna, Vilvi Rae and Secret Rage.

Rysan Fall presents Invisible City, a powerful mixed format piece, featuring homeless people discussing their situation, their lives and their history,

Tutsy Navarathna’s Homeless combines footage shot in India and in Second Life to present a film focusing on the growing disparities between the really poor of the world and the very small minority of the very rich. The film also touches on those who have made homelessness a spiritual choice, such as the Sadhu and on ethnic minorities, such as gypsies, who can also find themselves without a permanent home.

Sun Dog by  Vilvi Rae, takes homelessness among young people as its theme, focusing on estimates that around one-quarter of homeless young people in Western countries identify as LGBT, and who cite conflict at home as the main reason for leaving and taking to the streets.

In How Did I Get Here Secret Rage presents a story about the connection between addiction and homelessness, and just how precarious our lives really are.

The award ceremony for the challenge will be held on Friday July 11th, at the Riverside Theatres, Parramatta, New South Wales, Australia.

With congratulations and best wishes to all four finalists.

Inside Gemmy’s World

Gemmy's World, La Maison d'Aneli
Gemmy’s World, La Maison d’Aneli

Gemmy’s World is the latest exhibition of fractal artwork by Gem Preiz. Occupying one half of  La Maison d’Aneli at Virtual Holland, curated by Aneli Abeyante, the exhibit opened on June 24th – and my apologies to Gem for not having been able to attend the opening.

The approach taken to the pieces on display is rather unique, the art depicting the imaginary world of a young boy, as Gem explains:

Gemmy is my nephew, a wide-eyed amazed little boy, who spends a good half of his life to dream about the other half.

He is the age where every indistinct shape can become a character with whom he populates his imaginary universe, coloured with the thousand shades of the autumn, because it is the season of sweet chestnuts and fireplaces. As he understands nothing to the adults, everybody looks like animals who get lost in secret meetings and night-patrols, in fights and in wild pursuits.

Gemmy's World
Gemmy’s World, La Maison d’Aneli

It is a world full of movement, jumps, somersaults and contortions for, nothing is more boring than to remain sat quiet doing homework while there are so many adventures to be lived, of huts to be built and of caves to be explored. A world with dangers also, those who haunt his bad dreams, but which won’t make him anything worse than to spoil his breakfast chocolate.

He opens you for a while his picture book, and it doesn’t much matter what you will see there: in any manner, he would tell you his stories without even realizing that you are listening to him.

This back story brings the 30 fractal prints on display vividly to life; these are no abstract pieces, they are wondrous places conjured from the fresh and invigorated mind of a young boy. Here are worlds populated by fantastical creatures rising up together or swirling through high corridors of air. Some appear to be on confrontation with one another, others perhaps more playfully competing with each other, and some simply enjoying their freedom of being.

Gemmey's World
Gemmy’s World, La Maison d’Aneli

Look closely, and what might appear to be one great creature changes to become many, and what at first seems to be a rolling, roiling, alien sea is yet more creatures or boats or both. There is a dynamism here which is given added depth as we see each picture through Gemmy’s young eyes. Follow the pictures around the exhibit space, and a story seems to suggest itself, each image a portrait of one or more of the protagonists within it. Subtle reminders of the exhibition’s roots in childhood imaginings lie scattered across the floor in the form of toys to be encountered as one explores.

Gem states he used a recent UWA competition which posed the question, “what makes us human?” as the inspiration for the piece. While he did not participate in that competition, it did give him pause for thought as to what his answer might have been, had he done so. This led him to consider the power of imaginative expression, which first arises in childhood.

He goes on to explain, “And it is during childhood that this creation power rises with the strongest intensity, as if children’s inner world was already too immense to contain only what they know about the reality. That’s why comic strips speak to them so much: they suggest them unknown, unusual, visual universes, at an age when it is by the glance that they learn most.”

Gemmy's World
Gemmy’s World, La Maison d’Aneli

I freely confess to being a fan of Gem’s work, and have been since first being invited to one of his exhibitions; there is a vibrancy and life to his pictures which I find marvellous. Gemmy’s World is no exception, and I have no hesitation in recommending it.

Related Links

 

Reflections of colour and sound

Reflections
Reflections

Nino Vichan’s latest installation opened on Wednesday June 18th. Located at Influence Art Gallery, which is curated by yvan Slade and MacKena Soothsayer Reflections is a wonderfully immersive piece combining colour and sound in a most hypnotic manner.

The installation is in two parts. The first is a conventional display of images by Nino, presented as vivid paintings, of elements of the second part of the exhibit. These are ranged around the gallery space and are available for sale should any in particular catch the eye.

Reflections
Reflections

The main part of the exhibit lies above, and is reached by right-clicking the golden sphere floating just above the floor of the gallery space, and selecting Teleport.

This takes you to a large sphere in which colour and sound literally flow. Multi-hued columns float gently around; colours ripple underfoot; particles rise, float, shimmer, rotate, fall; stars gleam and light flares and turns. Within and around all this, the air is filled with music with a slightly tonal nature, reflecting and enhancing the movement of light and colour.

ref-18_001
Reflections

The text accompanying the piece informs the visitor:

Light waves possess all colours
Reflections off objects filter these light waves
These reflections are the colours we see.

Sound waves possess frequency, wave shape and amplitude
Sound waves reflect off objects
Reflections of sound are the echoes we hear.

Reflections
Reflections

Within those words lies a veritable cosmos of meaning and interpretation, all suggested by the mix of colour, light and sound which draws the observer in; the soft shine to the changing shades and hues a counterpoint to the tonal elements of sound within the music, yet working with it to lull the mind, encouraging release, leaving one entranced without realising it, floating while seated.

One not to be missed.

Related Links

Art in Hats returns

Art in Hats 2014
Art in Hats 2014

Following a successful inaugural event in 2013, Art in Hats returns to Second Life with a new  venue and even more designs and images to see – and more to do!

Art in Hats 2014 is taking place through until the end of July at Boutou. As with the 2013 event, it focuses on hats as both a statement of fashion and art. On display in a open-air, urban-style environment, are around 100 hats and headgear from some eighty designers and artists.

Art in Hats 2014
Art in Hats 2014

Exhibition curators Quan Lavender and Emma Portilo paired the designers with SL photographers, who produced portraits and images of the hats being worn. The result is a stunning display of art and fashion, all of which is available for sale should visitors feel inclined to obtain something to make a splash at the next major event they attend, or if they are looking for fashion-inspired art for a wall of their home. Demos of some of the hats are also available if those who prefer trying-before-buying.

At the centre of the installation is a little gift and freebies area and a selection of classic top hats from The Mad Hattery for sale at L$10 apiece.

Art in Hats 2014
Art in Hats 2014

As well as the main exhibition, Art in Hats will be hosting a fashion show on Saturday June 21st at 14:00 SLT, and there is a special charity auction event being held through until the exhibition closes on July 31st, which features a number of unique hats which are being auctioned-off in support of Feed a Smile. These include the delightful Dark Collection, comprising six items of headwear by Secret Rage, including Symphony, which features piano keys which can be played, and Life of the Party, which turns on and off when touched. Visitors just need to touch the little red top hat next to each item to place a bid.

Visitors can also participate in the Art in Hats contest which offers some very impressive prize packages. All visitors have to do is take the Copy / Mod basic bowler hat on offer, decorate it, take a photo of the finished item (aspect ratio 3:2) and send the image to Quan Lavender. All entries received are displayed in a special section of the exhibition, where they can be voted on by other visitors (who account for 50% of the voting, with the competition’s judges providing the other 50%). So that everyone has an opportunity to see and vote on competition entries, they must be sent to Quan no later than July 27th. The three winning entries will be announced during the closing event on July 31st.

Art in Hats 2014
Art in Hats 2014

Related Links

Insidious: the Spread of Ideas

TSOI-11_001
Insidious: The Spread of Ideas – LEA18

Frankx Lefavre’s latest installation at LEA18 may have been put together at relatively short notice after the intended artist had presumably dropped out of the current round of the LEA’s Artist In Residence grants, but it is nevertheless a fascinating piece offering a wonderful breadth and depth of interpretation.

Insidious: The Spread of Ideas presents the visitor with a very alien environment. Around you is a strange, faceted green sky, while the ground beyond the very human-looking walled terrace on which you land is a vivid blue-green, suggestive of a sea frozen in time, waves caught mid-swell. Scattered across it are other indications of former civilisation: collapsed walls, a meandering footpath, and a huge, crystalline form carved into the likeness of a human head.

Insidious: The Spread of Ideas - LEA18
Insidious: The Spread of Ideas – LEA18

Across this landscape spreads a strange tangle of organic-looking growths, reaching outwards from the great monolith and curving around the landscape as if to enfold into slowly spreading arms. Nor is this all, as ranged between these tangled arms, stand creatures for whom the term alien is entirely appropriate.

Whether the landscape is that of Earth in the far-flung future, or another world elsewhere in the cosmos in unimportant; all that matters is that it had once been the home to humans. For a time it had been theirs, but that time has long passed. Whether civilisation here had faltered and failed or moved to other stars and other planets, makes no difference. All that remains are their ideas; stored for the ages to come within a great monolith, carved in their likeness, awaiting others…

Insidious: The Spread of Ideas - LEA18
Insidious: The Spread of Ideas – LEA18

And others have come. So much like us in their curiosity to explore the cosmos around them, yet so unalike in look and form. Perhaps they sought to study the strange monolith; or perhaps it was simply the passage of time and the weakening of age. Whatever the reason, the human ideas have escaped their confines, and now they spread across this otherworldly landscape, growing, spreading like tangled vines. They call to those who have come, drawing them to the monolith; infecting their thoughts, reshaping their ideals and goals, supplanting them. Like a contagion, human ideas will survive; they are insidious.

Is the crystalline head, in which the ideas can be seen shifting, writhing, turning, growing, through the magic of ribbon particles, a honey trap? Did it lure these creatures to it and encourage them to build their stairways up to it and breach its walls to give the ideas within freedom? Or is their presence purely happenstance, the spread of ideas as organic forms already having begun long before their arrival? You decide.

Insidious: The Spread of Ideas - LEA18
Insidious: The Spread of Ideas – LEA18

That ideas can seem like an infection invading us, is not so strange; when struck by an idea, we can react in an excited almost feverish manner.  Thus this installation has something of a resonance for us on a purely natural level. But there is also a lot more here as well; the hint of racial immortality, that in the distant future humankind might outlive its own extinction by infecting other races with its thoughts, ideas, desires, emotions. This brings with it shades of the age-old debate on whether or not humans are planetary parasites, adding a whole new twist to such ideas.

Beyond offering multiple interpretations (which tend to grow the longer you explore – just like the ideas within the build are intended to be growing), this piece is fascinating for its use of mesh  – Frankx tells me some 90% of the installation is mesh – to create a very organic look to the environment and the aliens themselves. Ribbon particle effects are also put to good use here as well, as mentioned above, so it is worthwhile taking a little time in explorations to discover them; those not wishing to walk can ride on buglike buggies. Do keep an eye out for the fish as well…

An absorbing installation which will be open through until the end of July as a part of the current round of LEA grants.

Related Links