Silas Merlin at LEA 14

Silas Merlin LEA 14

“There are experiments and exhibits inside buildings,” Artist and sculptor Silas Merlin says of his installation at LEA 14. “It’s a collection of the things I happen to be building this semester, so there’s no specific theme; but I do have LEA in mind whatever I do, so I think everything is in theme in that respect.”

It’s certainly an intriguing environment, bringing together Silas’ gift for 3D sculpture and his pastel artwork in a place where exploration is encouraged – indeed required, if one is to see everything. It is also a place which includes certain nods to others here and there, be they intentional or otherwise; with the intentional ones offered a little tongue-in-cheek and without rancour.

Silas Merlin LEA 14

The landing point to the installation is located in a tall tower sitting just offshore to the rest of the build. This tower contains the first of Silas’ experiments: the use of a cubemap and a 360-degree image to create a reflective hemisphere on the stone floor (you’ll need to have you viewer’s Advanced Lighting Model (ALM) enabled via Preferences > Graphics in order to see the reflection, otherwise the hemisphere will simply appear to be a black object).

Getting to the rest of the installation is perhaps best done by flying from the landing point. A rugged landscape, with a ground pattern and plants which are in places mindful of Cica Ghost’s designs, this is a place littered with buildings and ruins, many of which look to have been extruded from living rock rther than constructed. Some rise like the towers of a castle, others seem to have echoes of Hindu or Aztec architecture, and others are far more free-form.

Silas Merlin LEA 14

Many of these structures have elements inside or on them. These range from experiments with projectors and projected lights  – so again, keep ALM enabled during your visit – to little vignettes of characters from J.M. Barrie’s Peter Pan (as seen through the 1953 lens of Walt Disney Pictures) to places to sit down and relax, and so on.

The Peter Pan elements can be found in a little scene featuring the Darling family, and  a charming little diorama featuring some of the principal characters – Pan himself, Hook, Tiger Lily, the crocodile, the alarm clock, etc. Larger versions of some of the characters can also be found dotted about the landscape, with Hook’s ship sitting in a small bay.

Silas Merlin LEA 14

Two of the larger structures within the landscape are particularly engaging, albeit for different reasons. The first takes form of a temple with a somewhat Hindu styling to it. It has been raised in recognition of a certain – controversial, shall we say – artist who has not had the best of relationships with the LEA, being s known for her … disruptive … influence.

“She seems to target LEA artists,” Silas playfully said of the artist concerned, “So I thought it would be fun to have a temple with offerings to appease the angry goddess!”

Silas Merlin LEA 14

The second building offers a selection of pastel drawings by Silas. However, these are very different to his usual studies. Predominantly black-and-white, they have something of a dark, haunting tone to them, with even the colour paintings hinting at spirits and the supernatural.

A part of the installation that may not be obvious to visitors sits at 3021 metres in the air. Here, on a platform sits a small ghost town of buildings – some of which reminded me of some of the structures in Silas’ Felsenmeer experience in Sansar.  It sits among a number of platforms containing unfinished elements, and offer another point for exploration, even if you do need to map teleport your way up to it.

Silas Merlin LEA 14

A curious but engaging mix of Silas’ work, LEA 14 will remain open to visitors through until the end of June.

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Touring the Raglan Shire Artwalk 2018

Raglan Shire Artwalk 2018

Raglan Shire, Second Life’s Tiny community once again throws open its doors to people from across the grid as participating artists and visitors to the annual Raglan Shire Artwalk.

This year marks the 13th Artwalk, which opened on Sunday, May 13th, and runs through until Sunday, June 17th. 2018. The event offers an opportunity not just to appreciate a huge range of art from both the physical and digital worlds, but to also tour the Shire regions and enjoy the hospitality of the Raglan Shire community.

Raglan Shire Artwalk: CybeleMoon (Hana Hoobinoo)

A non-juried exhibition, the Artwalk is open to any artist wishing to enter, and has minimal restrictions on the type of art displayed (one of the most important being all art is in keeping with the Shire’s maturity rating). All of this means that it offers one of the richest mixes of SL art displayed within a single location in Second Life, with 2D art is displayed along the hedgerows of the Shire’s pathways and tree platforms overhead and 3D art among the community’s parks.

Each year attracts over a hundred SL artist – and this year is not exception. The depth and range of art on display is guaranteed to keep visitors exploring the paths and walks around the through the hedgerows –  and if walking proves a little much, there are always the caterpillar rides to ease the load on the feet.

Raglan Shire Artwalk: John B (John Bleriot)

Also, teleport boards are provided to help people find their way around the exhibition spaces, while balloons which offer rides around the region and through the art displays. However, given this is an opportunity to visit and appreciate Raglan Shire, I do recommend exercising your pedal extremities and doing at least some of your exploration on foot – just keep in mind people do have their homes in the regions as well.

Given the number of artists involved, there isn’t a published list of participants, but anyone interested in the world of SL art is bound to recognise some of the names of the artists here. I personally couldn’t help but notice CybeleMoon’s (Hana Hoobinoo’s) hauntingly beautiful art along, John B’s (John Bleroit’s) marvellous macro photography, Bear Silvershade’s marvellous black and white photography and Relenne’s (Rey Vlodovic’s) nautical-themed photo-paintings.

Raglan Shire Artwalk: Bear Silvershade

This is also my second year of exhibiting at Raglan Shire, and my thanks go to the organisers of the Artwalk and the folk of the Shire community to be a part of this event.

With five weeks to enjoy the Artwalk, there’s no need to try to cram everything into a single visit, so why not plan to pay Raglan Shire a number of visits over the coming weeks and take the time to enjoy the art rather than risk being overwhelmed with the sheer volume of images on display? It’s more than worth the time to do so.

Raglan Shaire Artwalk: Yours Truly

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Kultivate Sensuality Exhibition in Second Life

Kultivate Sensuality Exhibition: Reycharles Resident

Open from Friday, May 11th through until Sunday, May 13th, 2018 is the second annual Kultivate Sensuality Art Exhibition. As the name suggests, this is very much an exhibition of adult-themed art, so may not be everyone’s cup of tea.

Located on a sky platform, the exhibition presents the artists work in a series of individual gallery spaces set around an events square. Some of the artists have opted to simply display their art unfettered (so to speak, and pardon the pun); others have opted to dress their display spaces in keeping with the themes of the exhibition.

Perhaps unsurprisingly, the female figure predominantly features in the art of display (there still seems to be something of a shying away from public exhibitions for full made nudity in the art world, even allowing for the Adult rating available in SL). There are exceptions to be found – but they are the minority here.  Many of the individual exhibits also seem entrenched in a familiar take on “sensuality”: full frontal nudity, sex, and SM / BDSM.

Kultivate Sensuality Exhibition

Don’t get me wrong, there’s nothing wrong with this per se in an adult-themed art exhibition, and I’ve nothing against what is on display within this exhibition. However, sensuality is a broad canvas on which to paint, and opting from full frontal or direct nudity or “simple” themes such as BDSM at times  miss an opportunity to engage imaginations beyond just titillation.

Let’s face it, the most erotic and sensuous organ in the body is the mind: so it would perhaps be nice to see more artists recognise this, and play or toy with our imaginations rather than perhaps opting for the easier boobs’n’bums approach. Why not, for example, opt for the soft focus and the use of suggestion through setting, pose, lighting, etc.? Give the eye and the mind enough to get the imagination to take notice, and then let it weave what it wishes into the image.

Which shouldn’t be taken as a complaint against seeing this exhibition. As noted above, it’s a personal – and subjective – point-of-view, although I hope it may challenge some artists to consider the subject more broadly next time around 🙂 .

Kultivate Sensuality Exhibition: Ashlee Acacia Gracemount (chey5620)

The exhibition will be marked by a number of supporting events across the weekend (all times SLT):

Friday, May 11, 2018

  • 08:00: Hot Kiss Hunt, Sensuality Raffle and How Sensual are You? Photo challenge all open.
  • 16:00 – 17:00: As Bare As You Dare event with live performer Jaq Luik

Saturday, May 12, 2018

  • 13:00 – 14:00 Naughty Trivia & Angels N Demons Party.

Sunday, May 13, 2018

  • 12:00 noon – 14:00 Sensuality Whips & Chains Masked Ball.
  • 20:00 – Exhibition, Sensuality Raffle, How Sensual Are You Photo Challenge & Hot Kiss Hunt End.

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Two modest exhibitions to catch your eye in Second Life

Ce Soir Arts: Xanthe Firehawk – Mystical Spring – The Awakening of Spring (centre)

Art exhibitions in Second Life come in all sizes – from those that are region-sized, through ensemble gallery complexes exhibiting work by multiple artists to small boutique-style galleries, either run by the artist or curated and offering a focused exhibition featuring the work of a single artist.  Two exhibitions falling  into this latter category are Ce Soir Arts, and VOIR Gallery. They are currently and respectively hosting modest exhibitions by Xanthe Firehawk and Storie’S Helendale (GlitterPrincess Destiny) which are both well worth taking the time to visit.

Mystical Spring at Ce Soir features nine images by Xanthe celebrating the arrival of spring. They range from pure landscape settings through to beautifully created avatar studies that richly capture the mysticism and romance we sometime embody within thoughts and images of spring.

Ce Soir Arts: Xanthe Firehawk – Mystical Spring

The landscapes – La Pastorale de Printemps (“Spring Pastoral”) and Spring Awaking offer views rendered in both the soft colours and the rich blooms of spring; the latter very much the embodiment of nature bursting into a celebrating of the season, the former a little more subdued, and perhaps reflecting some of the religious / pagan connotations of spring through its title. These are mirrored  by La Danse du Printemps (“Spring Dance”) and Mystic Downpour from across the other side of the gallery space.

However, and for me at least, the most striking part of this exhibition are the five studies facing the gallery entrance. These perfectly embody all of the mysticism and fantasy we weave into spring whilst also standing as marvellous examples of Xanthe’s art. Such is the strength (and size) of the central piece – The Awakening of Spring – in this quintet of pictures, it is easy to find the eye drawn away from the smaller pictures bordering it two to a side; but I do urge you to take the time to examine them in turn, as they are as equally rich in narrative and symbolism – the unicorn, the font, the white stag – and again stunningly rendered.

VOIR Gallery: Storie’S Helendale: Solitary Moments

Solitary Moments, on display at VOIR gallery, presents a series of self-studies by Storie’S, offered in both colour and black-and-white. The Advanced lighting Model (ALM) should be enabled within the viewer prior to viewing (Preferences > Graphics) and local Windlight set to that recommended at the gallery entrance or – if you don’t have the specific Windlight – set your time of day to Midnight.

The images themselves range in tone and approach; while nudity is limited, it is perhaps best to consider them as being close to NSFW. As the title of the exhibition suggest, the pictures reflect moments caught in the time when one might be alone with one’s own thoughts.

VOIR Gallery: Storie’S Helendale: Solitary Moments

What these thoughts might be is part of the allure of the pictures; they invite us to study them and weave a mood and vignette around them. With one or two – such as Suspect Red – there is a suggestion of being caught unawares whilst lost in thought: the hand extended toward the camera perhaps in an effort to prevent the picture being captured. Meanwhile, Not Extinguished appears to suggest a certain pensiveness on the part of the subject – the cigarette, the way one arm is crossed over / holding the other… All of the images are further nuanced by their very titles, some of which invite more than one interpretation – again, Not Extinguished being a case in point.

All told, two very different, but equally engaging, exhibitions.

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Sighs and Rainbows in Second Life

Club LA and Gallery: Rainbow in the Dark

Now open at Club LA and Gallery, curated by Fuyuko ‘冬子’ Amano (Wintergeist) are two very disparate exhibitions by Second Life artist / photographers which each have their own very individual nuances – and, if I’m subjectively honest for a moment – niggles.

Suspiria (“Sighs”) is the more recent of the exhibitions being held at the gallery, having opened on Sunday, May 6th, 2018. It is by Sophie and Dorian Gray (Sophie Stuer and dorianderrida), and is located on the mezzanine level. It presents 11 images, framed by a blank verse poem which reads more as a moment captured in time: two people reflecting on the nature of sight – do they each really see the same thing within a moment – and more particularly, the strength of their relationship.

Club LA and Gallery: Suspiria

Each of the pictures captures a scene from (presumably) this relationship; eleven emotive vignettes. Some appear clear in their meaning: a moment of tenderness, a mutual expression of love. Others, however, tend to reflect the questioning raised in the poem / narrative: are these two people really experiencing the same closeness, or are they in fact in different emotional places?

In several, this is perhaps reflected in the physical distance separating them as they sit across a room from one another, or even in separate rooms. In others, it is more subtle: crossed arms in the face of an oncoming kiss, suggestive of seeking self-comfort in the face of sign of affection the recipient is uncertain about (and, of course, there is also the psychological myth of crossed arms being a sign of defensiveness); the attempted hug that is blocked by am arm held across the recipient’s body. Throughout all of the pieces, one can almost hear the accompanying sighs that give the exhibit its title – but whether they are sighs of contentment or regret, I’ll leave to you to decide.

Club LA and Gallery: Suspiria

Rainbow in the Dark, by Cipher (Ciphertazi Wandin) is located on an overhead platform, reached via a ground floor teleport door.

This exhibition utilises lighting projectors, so you must ensure Advanced Lighting Model (ALM) option for your viewer is enabled (Preferences > Graphics). The ground level instructions also state Shadows should be set to Sun/Moon+Projectors. However, this isn’t actually required – SL’s lighting projectors do not require Shadows to be enabled (which can be a massive performance hit) in order to work; so nothing is lost by ignoring this instruction, providing you can use the suggested windlight option (Phototools – No Light, if installed on your system) or set your viewer’s time of day to Midnight.

Club LA and Gallery: Rainbow in the Dark

Rainbow in some ways mirrors Suspiria, in that it presents 11 images, all framed by a poem (found on one wall of the display space). However, the subject matters in these images is much more diverse: encompassing landscapes, avatar studies and object studies, each image having its own story to tell entirely independently of the others.

Nuanced, evocative and exceptionally eye-catching in tone and study, each of the images has a depth to it which is quite breathing – and the use of projectors to superimpose them on their canvases, rather than simply presenting them as mounted / framed images is quite inspired. (Hence why you must have ALM enabled in your viewer – if not, all you’ll see is eleven white panels in a dark room.)

Club LA and Gallery: Rainbow in the Dark

The subjective niggles I have with Suspiria and Rainbow are just that: entirely subjective. With Suspiria, I couldn’t help feel that many of the images have been finished a lot more darkly in tone and colour than necessary; one is often left peering at them, trying to make out what’s there rather than appreciating their narrative. With Rainbow, there is perhaps a risk that specifying a Windlight option only to be found in a specific viewer (unless manually installed), regardless of the popularity of that viewer, might put some off visiting. Better, perhaps, to specify Midnight as the setting, particularly as nothing is really lost in using it.

Nevertheless, both Suspiria and Rainbow in the Dark are more than worth taking the time to see, either individually or together – and when doing so, please also take time to appreciate Land of Confusion, the first public exhibition by Norri (Iron Emerald), which is still open on the ground floor of the gallery. Modestly sized with just a handful of images, it nevertheless reveals an artist whose work deserves to be seen much more widely in Second Life.

Club LA and Gallery: Land of Confusion

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Kultivate May-June Show in Second Life

Windlight Gallery

Opening on Sunday, May 6th, 2018 is the Kultivate Magazine’s Windlight Art Gallery May-June exhibition, featuring art by fifteen Second Life artists and photographers.

The first gallery to be opened by Kultivate, run by John and Eleseren Brianna, the Windlight Gallery offers new and established SL artist the opportunity to display their work, with applications periodically available through the Kultivate website around two months ahead of each exhibition period.

Windlight Gallery May-June Exhibition

As a voluntary exhibition space, Windlight Gallery always brings together a range of talent and subject matter, which can span both Second Life and the physical world. As such, it is a veritable melting pot of photography and art, and an excellent opportunity to gain familiarity with the work of artists and photographers who may not exhibit their work that widely in Second Life, as well as some of the more well-known names from SL’s panoply of artistic expression.

Those participating in the May-June exhibition are: Pam Astonia, Sandi Benelli, John Brianna, ByrneDarkly Cazalet, Slatan Dryke, Syphera Inaka, Virtual Insanity, Lena Kiopak, Kody Meyers, Inara Pey, Kapaan Resident, Ladmilla Resident, Reycharles Resident, Neoma Vasilia and Freedom Voix.

Windlight Gallery May-June Exhibition

From Second Life landscapes and avatar studies, through artistic interpretations of SL landmarks and art exhibits to pieces verging on the abstract, as well as stunning black-and-white photography from the physical world, the May-June exhibition offers one of the richest mixes of art and photography I’ve witnessed, and my thanks to John and Brianna for the opportunity to participate alongside some of the true exponents of Second Life art.

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