Fantasy Faire 2018: you can still complete the Quest

Ardessa: the Fantasy Faire 2018 Quest region by Éclair Martinek

Fantasy Faire 2018 has reached the final weekend of its extended run. Sadly, I’ve not been able to cover this year’s event as much as in the past: a hectic schedule and other elements in my physical world activities have combined to limit my SL availability.

While it is the final weekend, for those interested, there is still the opportunity to participate in the Fairelands Quest and obtain a cache of prizes – and a weekend is more than enough time to complete the tasks you’ll face.

As with previous years, The House of Garland asks adventurers to come to the assistance of the Fairelands and the Bard Queen in order to bring a stop of the Unweaver’s dark doings. And this time – as the time-honoured saying goes – it’s personal. Also in keeping with previous years, the Quest in a multi-part activity; however it doesn’t need to be completed all at once; you can take a break from things and tackle the adventures over a couple of day if you wish.

The first act of participating in the Quest is to obtain a Quest HUD, such a via the vendors at the Fairelands Junction. Two versions are available: the basic L$250 version and the L$350 version which includes a set of costumes for those who wish to get into character. Both also provide an introductory note card which provides enough information to get started.

When you have worn the HUD, and if you have not previously undertaken a Fairelands Quest, accept the Experience via the dialogue box that also appears on your screen. You’ll only have to do this once, and it is vital you do so; the Quest will not work if you don’t. If you’ve previously participated in a Fairelands Quest (and have not revoked the Quest permissions), you’ll be automatically accepted into The House of Garland adventure.

Ardessa: the Fantasy Faire 2018 Quest region by Éclair Martinek

Also to be found in the Quest package  is a note card that should get you started on your adventure. This will unfold in a series of steps:

  • Locate the Bard Queen herself – she is somewhere in Fairelands Junction, and will give you further information to help you get started.
  • Meet Cheer, the squire who will provide you with company and more. Cheer is an NPC included with your Quest HUD and should be worn with the HUD, but she’ll not become visible until you actually encounter her in Fairelands Junction.
  • Locate the Archetypes in the Fairelands. There is one Archetype per region, and the HUD will help you identify them. Note that Archetypes can only be found in public areas of the regions – they will not be instead any stores. They can also be sought in any order, and each will provide you with further assistance.
  • Travel to Ardessa, the Quest region. You should only do this once you have located all the archetypes. Once in Ardessa, seek the gates within the region in order to progress towards completing your adventure. Note that with one exception, the gates can be sought in any order; should you happen upon the exception before you have found all the other gates, it will simply tell you to seek those you have not found.
There Be Dragons! Ardessa, the Fantasy Faire Quest region

Unlike more recent previous Quest regions at the Fairelands, Ardessa is a verdant land, rich in flora and fauna, full of the colours of summer. Designed by Éclair Martinek, it offers a wooded and sometimes rugged landscape with many paths to follow and things to discover. As such, it is well worth taking the time to explore, whether or not you are engaged on the Fairelands Quest (if you simply chose to explore, the Quest won’t interfere with you).

So while there is still time, why not visit Ardessa, or get your teeth into the Fantasy Faire 2018 Quest? All proceeds from the sale of HUDs go you RFL of SL, and there’s a generous range of prizes to be claimed!

This Weekend in Second Life Dance

https://www.flickr.com/photos/isfullofcrap/26898127057/in/dateposted/

Hi there. R. Crap Mariner, your conflicted and angsty dance correspondent.

I’ll be posting dance performance schedules, similar to Inara’s posts about Seanchai Library readings.

Things have quieted down a bit, but there’s still a lot of dance performance going on.

Let’s get started, here’s the events that I saw on the calendar as of press time.


(All times SLT)

Friday May 4

https://www.flickr.com/photos/isfullofcrap/26920176847/in/dateposted/

3:00PM Crystal Edge Dance Club

Welcome to the Crystal Edge Dance Club, home of the Crystal Edge Dance Troupe.

Dancing at the Crystal Edge has been a long-standing tradition of talented and creative dancers. There is no better way to get to know people and make new friends.

Dancing is like dreaming with your feet, if you stumble make it part of the dance!

Dance with your heart and your feet will follow!

http://maps.secondlife.com/secondlife/Tai/25/199/21

6:00PM Elysium Cabaret

Description:Elysium Cabaret – Welcome to the Weekend!

If it’s Friday, it’s Elysium Cabaret! Fancy some imagination? In The Empire Room at Copperhead Road, every Friday at 6pm SLT the dynamic performers of Elysium Cabaret take the stage to bring you a solid hour of entertainment!

Featuring elaborate sets and choreography sequenced to an eclectic genre of music, Elysium Cabaret offers something for everyone. Grab your friends and get their early because the sim fills. Come celebrate Friday! Welcome to the weekend!

https://maps.secondlife.com/secondlife/Copperhead%20Road/74/64/2754

10:00PM Guerilla Burlesque

It’s wild, wonderful and worth it! It’s Guerilla Burlesque Friday Revue!

The team from Guerilla Burlesque present originally crafted dance acts built and performed by some of the best dancers on the grid! We strive to bring you our very best and keep it fresh and fun every time! Thea Dee is our director this week and It’s going to be an exciting line up of great acts! The only thing missing is you, our special guest!

So make your plans, grab a few friends and make an evening of it! Join us this Friday night so you don’t miss a thing! Doors open at the Culzean Theatre at 9 pm for the 10 pm!

https://maps.secondlife.com/secondlife/Idle%20Rogue/107/189/33

Saturday May 5

https://www.flickr.com/photos/isfullofcrap/41787495651/in/dateposted/

1:00PM Debauche

Debauche return to the beautiful theatre at VIlle De Couer after a long absence. Such a lovely place to perform with a lovely crowd to match it. Come join us for the thrills, the excitement, the naughtiness and the sheer class of Debauche. Dress smart casual please See you there 1pm Saturday 5th May.

http://maps.secondlife.com/secondlife/Aquitaine%20Coeur%20Nord/125/16/23

3:00PM Burlesque Dolls

Join us at the Jefferson Opera House as we help celebrate 2 years of the Mysterium Masked Mansion.
.
Burlesque Dolls brings you classic burlesque from some of the most talented dancers on the grid. Sultry, tempting and glamorous as they take the stage, each bringing their own style and signatures with them as they entice you.

http://maps.secondlife.com/secondlife/Aldo/113/67/3002

4:30PM RIPA After Dark Theatre Cabaret

River Island Performing Art presents: ‘AFTER DARK’ THEATRE CABARET *ADULT CONTENT WARNING* Full Nudity forms part of this production 18+ ONLY. * Produced by Red & Steve of The River Island Theatre, and Performed by the sexy men and women of The Hot Knights & The Boudoir Dance Troupes @ Les Âmes Sauvages, Cabaret Méchant We Present The Steamiest Cabaret Show In SL. Please arrive early, spaces are limited, entrance is free.

http://maps.secondlife.com/secondlife/Big%20Bang/44/156/42

7:00PM Paramount Grand Theatre

Brush Strokes, Paramount Grand Theatre’s brand new show for May. Come join us for an evening of classy but sassy entertainment as we the Paramount Players dance for you, May 5th & 12th at 7pm slt.

Brush Strokes you ask? The Players’ new show is about art! Taking some of our favorite artist’s work and interpreting it into dance.

http://maps.secondlife.com/secondlife/Hell%20Lust/77/83/22

Sunday May 6

https://www.flickr.com/photos/isfullofcrap/27922924908/in/dateposted/

10:00AM Muse Dance Company

Join the Muse Dance Company for this dance musical Chicago. A satire on corruption in the administration of criminal justice and the concept of the “celebrity criminal”. You don’t wanna miss this one!

http://maps.secondlife.com/secondlife/Whymsee/117/6/2019

1:00PM Debauche

Debauche come back for a second visit to the wonderful theatre at Bluemood. Its great to be invited back. A lovely place full of lovely people – really looking forward to seeing them all again, plus a few new faces, hopefully. Debauche – a little naughty, a lot sexy, always classy. Come find out!

http://maps.secondlife.com/secondlife/Saudade/154/236/3563

5:00PM Ballet Pixelle

Ballet Pixelle® will open its production of “Avatara” on Sunday, April 15 at 5:00 pm SLT, Join us for this original composition of virtual dance! What if a real world dancer could dance in a virtual world? What movements would be the same or different? What kinds of different beings could she be? What would be the same? And how would that dancer be changed after her experience? Performances are Wednesdays at 5:00 pm and Sundays at 5:00 pm SLT throughout April in the Ballet Pixelle Theatre. Audience dancing at the after-show party every performance! Join us for an evening of delights. Chat with the performers and crew after the performance for autographs, photos, and a question & answer session.

http://maps.secondlife.com/secondlife/Quat/32/22/107

5:00PM Winds of the Sahara

Each Sunday we have a shiny, new show at Winds of the Sahara. Our dances range from burlesque to performance art and you are sure to be amazed at all of the wonder that sets, costumes and music can create. We’ll put sparkles in your eyes and leave sequins on your shirt collars.

http://maps.secondlife.com/secondlife/Aladona/124/193/2001


I assume there will be a few more shows this weekend.

I prefer to error on the side of caution, so if your event isn’t listed above, either get your notecard in sooner, or add your show to the comments.

Check with the Dance Queens event calendar for updates and additions to the weekend’s schedule, as well as the many events that happen during the week.

FULL DISCLOSURE: I perform with Guerilla Burlesque and Debauche.

https://www.flickr.com/photos/isfullofcrap/27923613348/in/dateposted/

Trust and art in Second Life

UTSA ArtSpace: Adcredo

“In my work I like to explore the possibilities of developing a context to display digital images,” Marina Münter says in introducing her exhibition at the  University of Texas, San Antonio (UTSA) ArtSpace gallery. Entitled Adcredo – meaning “believe”, “give credence to”, or more generally “trust” – the translation Marina prefers – it is a curious / intriguing installation.

Under a large tent-like drape, held up by ropes extending from the ceiling of the gallery space, is a large, C-shaped table space, set-out for a meal, centred around an arrangement of potted plants. The tables provide 44 places, all of which are occupied by 44 identical wooden marionette bodies, each topped by a head-and-shoulders photograph of an 44 avatar, each of them blindfolded.

UTSA ArtSpace: Adcredo

Marina points out that Adcredo is strongly inspired by the Tropicália, an artistic movement which arose in Brazil in the 60’s. A dominant principle of Tropicália was antropofagia, a type of cultural cannibalism that encouraged the conflation of disparate influences, out of which could be created something unique.

Antropofiagia is also perhaps the dominant aspect of Adcredo, which seems to bring together aspects of identity, societal ritual (dinner as a social event), and a unique setting by which it can be framed – the  tent, the plants and carved animals.

For example, the marionettes and identical place settings suggest the conformity of society; the ritual nature of a group meal (as noted above), and the social niceties it involves; and the question of who we really are to others – and ourselves – as pictured by the blindfolds, which itself encompasses the title of the installation: trust – trusting one another when sightless, and trusting the one taking the photo.

UTSA ArtSpace: Adcredo

All of this makes for an installation that builds on the essential approach Marina takes to her work: providing a contextual framework (the dinner and place settings) by which to display her images; to potentially build something of greater depth, an installation where almost every element has a potential meaning or a possible comment to make.

As such Adcredo presents itself as both a straightforward exhibition of photography and a layered presentation of ideas.

SLurl Details

Dealing with breast cancer: don’t avoid hearing the “C” word

Second Life is in the midst of the 2018 Relay for Life season, most notably (at the time of writing) with Fantasy Faire. Given that it is, I would like to step to one side from my usual writing and offer a personal piece on the subject of cancer. It’s something I’ve spent a couple of days wrestling over committing to print, and I’m now doing so not to illicit sympathy, but to hopefully offer insight into why it’s better to confront things then shy away from things out of fear of hearing the “c” word.

Earlier this year I was diagnosed with DCIS – ductal carcinoma in situ – in my left breast. This is a form of best cancer where the cancerous cells are contained within the milk ducts of the breast. Because the cancer cells have not invaded nearby breast tissue, DCIS is regarded as non-invasive breast cancer, and accounts for about 20% of all breast cancer cases, and around 85% of all in-situ (confined to a specific area) forms of breast cancer.

While there is a risk it might become invasive if left untreated (the American Cancer Society estimate between 20-53% of untreated in-situ cancer cases become invasive over a period of about a decade, DCIS can be dealt with in a relatively straightforward manner through what amounts to a two-step treatment process.

The first step is for the affected area of breast duct to be surgically removed in a localised procedure referred to as a lumpectomy. This is a form of surgery designed to excise the affected area, and as a rule leaves the breast looking as close as possible to how it did before surgery, with its general shape and the nipple area remaining intact.

After a time for healing, the second step is generally a period of localised radiotherapy. This is designed to destroy any remaining cancer cells that would otherwise by too small to see on scans or to measure with lab tests. In addition, it can lower both the risk of DCIS returning to the breast, or of the breast developing an invasive cancer later in life.

Ductal carcinoma in situ is a form of breast cancer in which the cancer cells are confined within the milk ducts of the breast

Obviously, “surgery” and “radiotherapy” are themselves terrifying words; but the fact is that often, DCIS can be dealt with on an out-patient basis – there’s no need for a protracted stay in hospital;  while the radiotherapy is localised enough such that the risk of it giving rise to cancer later in life is around 5% – far less a risk than that of the DCIS leading to a more invasive form of cancer.

A key point with DCIS is that it is hard to detect; while it may be indicated by a subcutaneous lump, often it is only through a scan and / or biopsy that it may be identified. In my case, I noticed a small lump in my right breast; when it hadn’t gone away after a number of weeks, I went to see my GP.

I admit, my feelings were mixed when I did so: cancer has been a frequent visitor within both sides of my family, so I was concerned I would hear the words “breast cancer”; at the same time, there was also a feeling that I was “just being silly” and over-reacting to something that would go away – after all, lumps in the breast can be caused by a lot of non-cancerous events.

In-situ breast cancer types: location and percentage of cases

In fact, the right breast lump did prove to be a small non-cancerous node of breast calcification. However, as a result of the scans my GP sent me to have, the left breast DCIS was spotted.

Cutting a long story short, I was referred for surgery at the cancer unit of a local hospital, where I underwent two bouts of surgery some 14 days apart. The first was to excise the affected ductal area, the second to remove a small amount of tissue from the surrounding area. Both bouts of surgery were performed on an out-patient basis, so I went into hospital in the morning and was back home and in my own bed in the evening.

After the surgery I had several weeks of recovery to allow the surgical wound and the (admittedly extensive) bruising around it to heal. I have been left with a scar marking the entry wound, but the shape of my breast hasn’t changed and as is common with this type of surgery, the scar itself is on the underside of the breast, so it’s not naturally visible.

As to the radiotherapy, I was given 15 sessions broken down over just over three workday weeks, plus an initial “targeting” session a week ahead of the treatment. The treatment took the form of spirometry-monitored deep inspiration breath hold (SMDIBH). Again this sounds a mouthful, and possibly frightening, but what it amounts to is being subjected to a short burst of radiation while controlling you breathing and holding your breath for around 20-30 seconds. This approach is used when treating left breast cancer, as filling the lungs with air raises the breast away from the heart, reducing the amount of radiation to which the heart is exposed.

The treatment itself is quite painless, each “zap” lasting around 20 seconds as the breath is held, with the number of zaps you get varying according to need. However, due to the frequency of the treatment sessions, there are side-effects. These can include fatigue; a swelling in the breast due to fluid being unable to drain properly; a reddening and drying of the skin around the treated area, and a gradual feeling of heat build-up in the breast which takes time to dissipate. I found these symptoms took several weeks to abate, and was recommended to use a non-metallic moisturising cream to ease the dryness / discomfort.

As I write this, I’m into my second week of post-radiotherapy recovery. I’ll make no bones about it, my breast is sore I’m at times in a little discomfort and have felt lethargic at times – an effect that should subside over the next few weeks. However, the preliminary results of the treatment is that the surgery has been successful, and the radiotherapy will have hopefully done its job.

So why tell you all this? Because – as I said at the top, cancer’s biggest weapon is fear – fear of what it might mean if diagnosed and, equally, the fear of learning you have it in the first place. Yet the fact is, as my case hopefully shows, getting diagnosed early enough not only means a better chance of dealing with it – it also means the treatment is often less protracted and invasive than might otherwise be the case (put it this way, while it may well sound worrying when first heard, a lumpectomy is, overall, a lot less traumatic than a mastectomy)  – whereas the longer it is ignored in the hope it might “go away” or because it spares us having to confront it, the greater the risk that it might reach a point were it cannot be more effectively dealt with.

Cancer is not something we can avoid simply by ignoring the signs (when they are present) or by avoiding the opportunity to have it diagnosed. So please, if you have concerns about anything, a lump here or there, a mole-like mark on your skin that has appeared or which has changed in size or has been subject to bleeding – go and get it checked. It might be cancer – or it might be something else entirely; it might be entirely benign. But if you don’t get it checked, you run the risk of not knowing – or of receiving medical help at a time when, should it prove to be cancer, it might be more easily dealt with than might be the case if you just ignore it.

In my case, I’m grateful I didn’t let the feeling of “being silly” when going to see my GP get the better of me; as a woman in my 40’s (no, I’m not saying where in my 40s!) I’m still several years from my first routine breast cancer screenings, possibly time enough for the DCIS to have become more of a problem. As it is, it’s now excised, and I’ll be having regular scans to make sure it stays that way. And that’s a form of peace of mind I’m grateful to have.

So again, if you have a suspicion or concern, don’t leave it for “another day”; go get it seen to.

Bid a Linden Bald for RFL in Second Life

via the Relay Rockers

A traditional event during the RFL season is the Bid Me Bald challenge organised by the Relay Rockers. As the name suggests, people are invited to bid (make donations to RFL) to see a well-known Second Life resident go bald for a period of time in-world. First held in 2007, Bid Me Bald is presented as a means to honour those who have lost their hair as a result of their cancer treatment, with those volunteering to participate going bald for one day for each L$5000 raised through donations.

In 2017, to mark the 10th anniversary of Bid Me bald, a new twist was added to the mix when three teams from Linden Lab put themselves up for bidding / donations in Bid A Linden Bald. Their willingness to participate saw a total of L$1,478,599 (approx. US $5686) raised, and members of the Concierge Team went bald for a total of 297 days afterwards.

For 2018, the Lab is again participating in Bid Me Bald, with three teams once more joining in – Product Operations, Support Leaders, and Support Agents. The team raising the least amount of money will once again go bald for the amount of days equal to the total of the team raising the most, with the time shared among the losing team members.

The donation Kiosks for Bid A Linden Bald, a part of the Relay Rockers Bid Me Bald event
Product Operations Support Leaders Support Agents
Alexa Linden Ami Linden Corky Linden
Ekim Linden Garry Linden Evie Linden
Grumpity Linden Keira Linden Ginger Linden
Oz Linden Tommy Linden izzy Linden
Patch Linden Kristin Linden
Madori Linden
Sparky Linden
TJ Linden
Vix Linden
Vanessa Linden

Bid A Linden Bald this year takes place between Monday, April 30th 2018 and  Wednesday, May 9th 2018, and coincides with the Relay Rocker’s multi-team fund-raising even, Relaystock. Held between Friday May 4th, through Sunday May 6th, 2018 inclusive, RelayStock will feature entertainment and live performances provided by individual Relay For Life teams for the entire Second Life community to enjoy, and you can find out more about it on the Relay Rockers website.

To join in the fun of Bid a Linden Bald, visit the bidding kiosks in-world and make a donation to the team you’d like to see win (or against the team you’d like to see lose!).

The Relaystock event area being set-up

Additional Links

2018 SL UG updates #18/1: Simulator User Group meeting

Green Story; Inara Pey, April 2018, on FlickrGreen Story – blog post

The following notes have been taken from the Simulator User Group, held on Tuesday, May 1st, 2018.

Server Deployments

As always, please refer to the server deployment thread for the latest updates.

  • The was no deployment or restart for the Main (SLS) channel on Tuesday, May 1st. The channel remains on server maintenance package 18#18.04.13.514504, containing internal fixes and a fix for BUG-214702.
  • On Wednesday, May 2nd, the simulator release candidate channels should be updated as follows:
    • BlueSteel should receive server maintenance package 18#18.04.20.514703, which includes two new LSL functions: llRequestUserKey and llName2Key –  see below for more.
    • Magnum and LeTigre should receive server maintenance package 18#18.04.30.515008, which includes updates to simulator communication protocols aimed at improving region crossings and teleports, deployed for the last week to a number of selected regions on Blake Sea via the Snack RC channel.

LlRequestUserKey and LlName2Key

The Lab has released two new LSL functions: llRequestUserKey and llNameToKey, both of which are in connection to the upcoming return of Last Names (see this blog post and this blog post for more):

  • llRequestUserKey:
    • Requests the Agent ID for the agent identified by name from the dataserver. The name given may be either the current name of an avatar or a historical name that has been used in the past. If no agent can be found with the supplied name this function returns the value NULL_KEY.
    • It returns a handle (a key) that can be used to identify the request when the dataserver event is raised.
    • Note that agent being searched for with this function does not need to be signed on to Second Life.
    • See the llRequestRequestUserKey wiki page for more.
  • llName2Key:
    • Returns a key the Agent ID for the named agent in the region. If there is no agent with the specified name currently signed onto the region, this function returns the value NULL_KEY. Names are always provided in the form “First[ Last]” or “first[.last]” (first name with an optional last name.)
    • If the last name is omitted a last name of “Resident” is assumed. Case is not considered when resolving agent names.
    • Uses a different mechanism to look up agent information to the older llKey2Name().
    • See the llName2Key wiki page for more.

SL Viewer

There have been no updates to the current SL viewer pipelines, leaving them as follows:

  • Current Release version 5.1.3.513644, dated March 27th, promoted April 13th – formerly the media update RC.
  • Release channel cohorts (please see my notes on manually installing RC viewer versions if you wish to install any release candidate(s) yourself):
    • Ouzo Maintenance RC, version 5.1.4.514802, dated April 27th.
    • Love Me Render RC viewer, version 5.1.4.514788, dated April 25th.
  • Project viewers:
  • Linux Spur viewer, version 5.0.9.329906, dated November 17th, 2017 and promoted to release status 29th November 2017 – offered pending a Linux version of the Alex Ivy viewer code.
  • Obsolete platform viewer, version 3.7.28.300847, May 8th, 2015 – provided for users on Windows XP and OS X versions below 10.7. This viewer will remain available for as long as reasonable, but will not be updated with new features or bug fixes.

Environment Enhancement Project (EEP)

Rider Linden re-confirmed that while EEP will allow different Windlight settings at altitude above a region / parcel, the zones will be set at 1000 metre intervals (1,000, 2,000, 3,000 and 4,000) and set by the simulator – they will not be user-configurable as can be done with Firestorm (viewer-side only). His hope is also to have scripted per-agent Windlight settings as part of the initial deployment of EEP; however, this is TBC.