Artful Expressions, the boutique gallery curated by Sorcha Tyles, made its return to Second Life, with a new skyborne location and an exhibition of monochrome photography by Jules (GiulianaNicol).
The new gallery is offered on a rocky platform surrounded by just enough foliage to suggest a garden / woodland setting, giving it a pleasant outlook through the large windows and open front door (the latter guarded by an owl to prevent people walking outside and slipping off the edge of the rock). A little smaller than previous iterations of Artful Expressions, the gallery offers a cosy, warm space for exhibiting art and as a place where art lovers can hang out and make use of the corner coffee bar.
For her exhibition, Jules presents a set of six self-portraits, each of which offers a life study and a broader narrative into which it can be framed. Each is powerful in both presentation and the story to be found within it, perhaps made that much stronger through the use of a monochrome finish.
The narrative for each piece is suggested through both the image and its title – and I do recommend looking at each of these pieces both independently of their titles – that is, before taking a peep via Edit – and after. Doing so can often result each perhaps has two stories within it – one shaped by first seeing it, the second by the title itself; making a visit double the viewing pleasure.
A small, intimate exhibition of some genuinely engaging and imagination-stirring art marks the welcome return of a boutique gallery that has been missed these last few months. It will remain open through until the end of November 2018.
Note: The Peak is no more, as such SLurls have been removed from this post.
A photogenic community sim, with a European-countryside theme. A full sim with a selection of areas to explore, interactive games to play, rides. We are very voice friendly. We provide rentals as well. Tags: Music, open mic, karaoke, blog, carnival.
So reads the introduction to The Peak // Community, a new full region offering – as noted – a mix of public spaces and private rentals. Designed by KaidenTray, the region recently opened its doors to the public, and I was alerted to its presence by Shakespeare and Max, who had dropped in a couple of days prior to my own visit.
There are a couple of remarkable things about this region. The first is the sheer visual appeal it presents, brining together a mix of elements together in what is as very photogenic setting that makes excellent use of the full 30K land capacity available to Full private regions. The second is, that as he notes in his Profile, Kaiden is a member of the Osbourne family in the physical world, and is not shy about the time he spends in Second Life (where he also runs a landscaping business).
While described as a “European countryside theme”, The Peak perhaps most clearly has its roots in rural Britain in terms of overall approach and styling whilst also casting its net far wider than just the UK and Europe. The country church and many of the houses would not look out-of-place among the rural byways of England, whilst the rugged nature of the landscape perhaps carries with it a hint of Scotland; even the wooden chalets out on the southern side of the region suggest the holiday camps from the days before air travel became cheap enough for almost anyone to enjoy.
But so too does The Peak carry within it hints of the continental life, thanks to a large Tuscan style villa sitting towards the south-east corner, at the end of one of the semi-paved roads. Just below this sits a little coastal village, slightly separated from the rest of the region by cliffs and rocky slopes. With the brightly painted frontage of the buildings, this could easily be a place sitting on the Spanish coast – as the signage over doorways further suggests.
The more North American feel is evident on the north side of the region. Here, and to the east, a carnival sits, separated from the rest of the landscape by a narrow L-shape gorge. This is marked by the gentle rotations of a tall Ferris Wheel and the twisting madness of a roller coaster, while the derelict walls of a massive industrial-style building have been converted into both a bumper car arena and a gallery of street art, some of which carries a social message. It is here, perhaps that some of the region’s entertainment events will be held: parked within the carnival is a flat-bed truck, ready to serve as a stage for activities, while table games sit close by as an alternative from for entertainment to the park’s rides.
Meanwhile, to the west, a large sign points the way to the expanse of a trailer park proudly flying the Stars and Stripes, which also incorporates the wooden chalets mentioned earlier.
Quite excellent us is made of elevation throughout the region, with the roads and paths winding up and down slopes, around shoulders of rock, with cobble footpaths twisting their way down to what might otherwise be hidden walks along the edge of the sea, or by way of public courtyard down to the previously mentioned Spanish-themed village. For me, the winding, rise and fall of the principal road through the region again gives The Peak a distinctly English feel, as I’ve travelled along many such single-track lanes in certain parts of England many, many times.
Being a relatively new region, most of the properties on the region have yet to be rented. Most are easily recognisable by the presence of a green For Rent box outside of them. I assume these boxes will vanish as places are rented, so a good rule of thumb during visits might be to treat the majority of houses, cottages and cabins on the region as rental / rented residences, regardless of whether a rent box is visible or not. For those who fancy being the lord (or laird) of the area, the rental properties extend to a fortified manor house, the church and manse close by adding to the feeling that this part of The Peak may have once formed a landed estate in the region’s past.
At the time of my visit, some work was still going on within the region, so don’t be surprised if you come across the odd sign indicating this to be the case; there’s also something of a Halloween theme presents as well. But these aside, The Peak is one of the most engaging and considered new regions I’ve visited in Second Life: the wealth of detail, the blending of styles and ideas, the inclusion of a natural and atmospheric sound scape; all of this comes together to present a place well worth visiting, exploring, photographing and simply enjoying. Those who do take photos are invited to share them via The Peak Flickr group.
It’s time to highlight another week of storytelling in Voice by the staff and volunteers at the Seanchai Library. As always, all times SLT, and events are held at the Library’s home at Holly Kai Park, unless otherwise indicated.
Sunday, October 21st
14:00 Frankenstein Live
Fantasy Faire Radio and Seanchai Library will present Mary Shelley’s Frankenstein, specially adapted for radio and live performance in six voices, in celebration of the 200th anniversary of the novel’s original publication. The two-hour performance will take place live at this year’s iteration of “Haunted Holly Kai” high above the Blake Sea based Art Park, and will benefit Relay for Life.
Da5id Abbot, Corwyn Allen, Zander Greene, Shandon Loring, Elrik Merlin, and Caledonia Skytower will come together to present the script adapted by Skytower and Abbot from Shelley’s original novel. The performance, running just under two hours, will be live on stream at “Haunted Holly Kai: featuring Frankenstein” and simultaneously broadcast on Fantasy Faire Radio.
Radio listeners can tune in by opening https://radioriel.org in their internet browser and choosing Fantasy Faire Radio in the left hand sidebar, by opening http://fantasy.radioriel.org in a network audio player.
18:00: Magicland Storytime: Mary Poppins Comes Back
Pulled down from the clouds at the end of a kite string, Mary Poppins is back. In Mary’s care, the Banks children meet the King of the Castle and the Dirty Rascal, visit the upside-down world of Mr. Turvy and his bride, Miss Topsy, and spend a breathless afternoon above the park, dangling from a clutch of balloons.
Gyro Muggins reads John Brunner’s 1980 novel about matter teleportation and dimensional shifts.
Dr Justin Williams and his collaborator, Cinnamon Wright, develop a form of instantaneous teleportation in which the departure and arrival points appear “congruent” with one another, allowing objects to be instantly moved from one to the other in a transfer process termed “posting”.
The system works flawlessly with inanimate objects, and when a situation arises requiring an urgent diplomatic solution arises, Williams is called upon to transfer a courier from the USA to an embassy in a foreign location. But something goes wrong: on his arrival, the courier is armed – yet he carried no weapon on his departure – and further demands he be given a countersign by those at the embassy – when no such arrangement had been made. Believing the mission to be compromised, the courier shoot himself, and the package he is carrying self-destructs.
In order to prove he did not sabotage the system, Williams has himself posted – only to find that while he feels unchanged, the world around him has changed in the most subtle of ways. As time goes on, Williams – with the help of a doubly altered Wright – realises that the teleportation device is moving its subjects between parallel universes. It is also apparent that some of those arriving in the dimension in which he now exists have far more knowledge about what is going on.
The question is, is it the system that is causing people to move between universes, or ir it something more subtle?
Tuesday, October 23rd 19:00: The House with a Clock in it’s Walls
Faerie Maven-Pralou reads the first in John Bellairs’ Lewis Barnavelt series, originally published in the 1970s.
In the mid-west United States in the 1950s, 11-year-old, orphaned Lewis Barnavelt arrives at the home of his Uncle Jonathan, who has been appointed his guardian. Overweight, shunned by other children, he finds himself in his uncle’s the ramshackle mansion where the ominous ticking of a clock can be heard coming from within the walls.
Lewis soon discovers his uncle is a witch, as is his eccentric neighbour, Mrs. Zimmerman – who is obsessed with the colour purple and anything with “Z” on it – are witches. Fortunately, they are witches of the “good” kind, and they are engaged in a literal race against time.
The ticking coming from within the mansion’s walls belongs to a doomsday clock, and if Uncle Jonathan, Mrs. Zimmerman – and now Lewis – must work out where the bewitched clock has been hidden by the warlocks who once owned the house.
Wednesday, October 24th, 19:00: The Jennifer Morgue
Corwyn Allen reads the second volume in the Laundry Files by Charles Stross.
Bob Howard is an IT expert and occasional field agent for the Laundry, the branch of Her Majesty’s Secret Service that deals with occult threats. In this second outing, Bob Howard finds himself dragged into the machinations and conspiracies of megalomaniac multi-billionaire Ellis Billington, The Black Chamber and The Laundry…
Dressed in a tuxedo (what else for a globe-trotting British Secret Agent?) and sent to the Caribbean, Bob must infiltrate Billington’s inner circle via his luxurious yacht. His mission? Prevent the Billington from violating a treaty that will bring down the wrath of an ancient underwater race upon humanity’s head.
Offering a wonderful pastiche on both the world of James Bond and a wonderful mimicking of Ian Fleming’s style of writing, Stross produces a novel that also evokes Lovecraftian overtones that is delightfully entertaining to read. In true Bond style, Bob is (reluctantly) partnered with an American agent – in this case a stunningly beautiful woman who also just happens to be a soul-sucking succubus from another dimension. Which, being the case, marks Bob’s mission somewhat differently to those of Bond: not only must he stop the bad guys and come through this at best shaken, he must totally avoid being stirred towards getting the girl…
Thursday, October 25th Walking After Midnight – Tales of Halloween
With Shandon Loring at Octoberville – take the teleport from Seanchai Library. Also presented in Kitelyhop://grid.kitely.com:8002/Seanchai/144/129/29.
Please check with the Seanchai Library’s blog for updates and for additions or changes to the week’s schedule.
Saturday, October 20th saw the opening of a new joint exhibition by CapCat Ragu and Meiló (meilo Minotaur) at DiXmiX Gallery – “joint” because not only are the two sharing the exhibition, they are also close friends in-world. A further connection between them is there respective exhibits share something of a related surrealist / post-modern surrealist lean that offers a subtext on identity.
CaPCat’s exhibition reside in the gallery’s Black Gallery hall on the lower floor. Entitled Fading, it presents a progressive series of images of an avatar’s head and shoulders, each labelled simply as “fading” with a number. Starting with Fading #1, with what appears to be a slightly out-of-focus study, they offer increasingly overlaid images in which the subject’s features are increasingly offset and overlaid, increasingly more detached from one another to become almost collage-like in form.
By presenting multiple, overlaid images, each picture raises questions of who we really are: we offer so many faces to the world – even to each other, no matter how well was know one another – that who we really are becomes blurred and distorted; the different versions of self overlaying one another, something almost combining, other times trying to become separate.
Within the gallery, the pieces have apparently been deliberately arranged out-of-sequence, suggesting the order isn’t so important as the commentary each individual piece makes on identity / the nature of self. However, I admit to finding following them in ascending order from Fading #1, gave the pieces an added narrative.
Located in the White Gallery hall on the mezzanine level, Meiló presents Stranger in a Strange Land, a series of intriguing paintings – self-portraits? – each bright with colour. They depict an almost albino-like figure making her way through scenes and settings, mostly alone, but sometimes in the company of another – although she tends to always be the focus of the pictures.
Incorporating a blurred, hazy quality, the paintings have a similar surreal edge to them as the photos in the hall below. This not only causes the viewer to focus on the main subject, but also highlights the idea of travelling through a strange land: a world defined less by shape and form and more by colour. In doing so, they again seem to suggest a questioning of self: who we are within the world through which we travel, and what our place might be within that world. In this the albino-like presentation of the main figure adds to the questions raised, perhaps causing us to question who we are within this world – physical or digital.
When taken individually or as linked collections, Fading and Stranger in a Strange Land present thought-provoking exhibitions, something a little different for DiXmiX, but also something worth visiting and evaluation for yourself.
Incredibly, it’s been five years since I last wrote about to Winter Moon, the always evocative Homestead region designed by Dream Shadowcry (see here for more). How I’d managed to let it drop from my list, I’ve no idea – so my thanks to Annie Brightstar for the reminder via Twitter.
In 2013, the region was a near-perfect embodiment of a monochrome setting, watched over by the tall tower of a lighthouse and making good use of water and coastline to present a memorable location. The lighthouse is still there, something of a signature piece for Winter Moon, and the use of water is retained, giving a feeling of familiarity after so long since my last visit, but unsurprisingly, everything has changed.
From a monochrome photograph to a lover’s sanctuary, the transformation is wonderful to see – as are the many details that link this iteration of the region with past versions. The aforementioned lighthouse for example, or the ivory piano and the curve of a rocky arch; the upturned boat on the beach and the elegant use of water and land to present a memorable, romantic place in which to spend time.
Resembling an atoll with its southern aspect open the sea, the region sits beneath a default pink misty sky. Atmospheric when it comes to romance, the environment serves to make walking the ring of the atoll a journey of discovery. However, those wishing to take photographs may want to try an alternative windlight – and I have to say that doing so in no way diminishes the sheer beauty of the design; it can also make finding one’s way through the more wooded parts of the island easier.
An informal path runs around the island, progressing from the landing point in thee west, not far from the lighthouse, to pass over flowered field and under leaf-heavy boughs. Circling a good part of the inner pool of water, it leads the way to where the land climbs towards a set of high, narrow cliffs forming a curtain on the east side of the island. Water tumbles down three sides of this high divide, which separates the lagoon on one side from and eastern expansion of beach on the other, a beach that circles visitors back to the open mouth of the lagoon, spanned by a bridge that reaches out to the lighthouse.
The beach, with broad sands and cut into three by narrows channels spanned by low bridges, looks out on three compass points, and is reached via wooden steps running down from the northern end of the high cliffs. Scattered across the sands are numerous places to sit in the Sun or under shade, be that shade from a windswept tree or the lacy drapes of an Arabesque pavilion.
The beach isn’t the only place available for sitting: more chairs and perches can be found up on the cliff top, whilst array around the lagoon and seaward coasts are more pavilions and chairs sitting under the boughs of trees.
There is a wonderful mixing of styles here that increases the sense of beauty and romance. The Arabesque pavilion mentioned earlier, for example, sits on the beach like a tent in the desert, not far from the steam flowing outwards from tumbling falls where African elephants sit and bathe. Within the rounded shallows cupped by the land, and elven-like series of arches march out over the water to form a circle where couples can sit or dance to suitable music from the piano sited there; while from numerous trees chandeliers perhaps suits to the halls of some great Georgian house hang to light the woodland paths.
Throughout, there are many little touches that bring Winter Moon to life as a place used by lovers – such as the typewriter to be found in a waterside pergola, a heartfelt letter caught on its rollers or the champagne waiting on ice in another pavilion. Over all this, the susurration of water washing the shore or falling from high rocks mixes with the song of birds and the tinkling of chimes caught on the breeze, combine to add further depth to the setting, bidding visitors welcome and encouraging them to stay.
Beautifully imagined and executed, with a lot to see and discover, Winter Moon comes with a fitting dedication:
You know that place between sleep and awake, the place where you can still remember dreaming? That’s where I’ll always love you, that’s where I’ll be waiting.
For lovers, romanticists, grid travellers and photographers alike, this is a region that remains an enduring place to visit and appreciate – and return to.
On Sunday, October 21st at 14:00 SLT, Fantasy Faire Radio and Seanchai Library will present Mary Shelley’s Frankenstein, specially adapted for radio and live performance in six voices, in celebration of the 200th anniversary of the novel’s original publication. The two-hour performance will take place live at this year’s iteration of “Haunted Holly Kai” high above the Blake Sea based Art Park, and will benefit Relay for Life.
In 1814 and at the age of 17, Mary Godwin, daughter of the political philosopher William Godwin, began a relationship with poet Percy Bysshe Shelley. It was to become the subject of much gossip and scandal, Shelley already being married and Mary bearing him a daughter. However, their love endured, and in 1816, they were able to spend summer with Lord Byron near Geneva, Switzerland (with Mary already calling herself “Mrs. Shelley”, although she and Shelley were not married until later in the year following the death of Shelley’s first wife).
Thanks to the inclement weather, Mary, Shelley and Lord Byron entertained their little party by reading German ghost stories. This resulted into the three agreeing a challenge to each write a “ghost story”, but Mary found herself unable to determine a suitable theme until, on a later evening, the discussions turned to the nature of the principle of life, and she found herself wondering about the potential to re-animate a corpse. Her imagination sparked, over the coming days she wrote the first draft of a story that would grow into one of the most famous horror novels of all time: Frankenstein: or, The Modern Prometheus, eventually published in 1818.
The novel received a positive reception when it first appeared – although it was also somewhat disregarded as a literally piece, being initially published anonymously (it was not until 1823 that Mary’s name was added to it). The initial reviews praised the novel as “very bold fiction”, while the then unknown author was praised for having, “the power of both conception and language”. It was only after Mary Shelley became the acknowledged author that the reviews became largely more negative – and in doing so, focused on the fact the author was a woman.
However, the novel proved itself more than durable, surviving the negativity, becoming an early subject for stage adaptation. The first of these, Presumption; or, the Fate of Frankenstein, opened in 1823. The novel then became a subject for film from 1910 onwards.
The most famous of these cinematic adaptations is perhaps the 1931 James Whale film, Frankenstein: The Man Who Made The Monster. Itself adapted from a stage play by Peggy Webling and loosely written around Shelley’s novel, the film starred Boris Karloff, in a role that transformed Shelley Creature into the Monster with bolts in its neck we all tend to visualise when thinking about the tale.
For the 200th anniversary of the novel’s publication, Seanchai Library and Fantasy Faire Radio will present a 2-hour adaptation of the original story, adapted by Caledonia Skytower and Da5id Abbot, who will be joined by the voice talents of Corwyn Allen, Zander Greene, Shandon Loring and Elrik Merlin.. The performance will take place in an outdoor amphitheatre and castle setting that features a mad scientist lab created by Stranger Nightfire.
Both the amphitheatre and castle will remain open to the public through until after Halloween, and will feature additional events will be staged to celebrate both the novel and its film adaptations.
Seanchai Library (Shawn-a-kee, which means “Storyteller” in Irish.) was founded in March of 2008 in Second Life. The program remains dedicated to promoting the power of stories to transform and inspire through live voice presentations: “We bring stories of all kinds to life, in Second Life and other virtual worlds.” http://irelandslstory.blogspot.com/.
About Fantasy Faire Radio
Since 2014, Fantasy Faire Radio has been a special event station, sponsored by Radio Riel in its role as Media Partner in Fantasy Faire, the annual celebration of fantasy art, writing, design and creativity that raises money every year in the virtual world of Second Life for the American Cancer Society’s Relay For Life, supporting cancer research, caregivers and cancer sufferers all over the world. In 2017, FFR began broadcasting 24/7, as a full‐time Internet radio service. Listeners can tune in by opening https://radioriel.org in their internet browser and choosing Fantasy Faire Radio in the left hand sidebar, by opening http://fantasy.radioriel.org in a network audio player.
